Truth Poems And Quotes & Sayings

Letter to Myself, in Remission, from Myself, Terminal"

You'll come to hate your own poems,
read them as pretty wisps of colorful thinking,
all those images just a splash of colored oil
sloshed over a pool gone rancid. Admit it.
Atheists always scared you. And no wonder.
Those nights you switched on the fan so no one
could hear you scream into your pillow, weeping
and biting your own hands like a motherless
monkey,banded to a body that despised you,
a suit of coals with a jammed-shut zipper.
Instead of the truth, you took refuge in stories
and souls, wore the word survivor like a pink nimbus.
All the while, my dear, I waited, knowing
you'd catch up to me one day. I'm holding the black-
backed mirror to your face. Look into it. — Anya Krugovoy Silver

If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan's request? Couldn't Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion.
Mario Vargas Llosa had not used the term "fire" exactly, but rather had discussed the presence of "seditious roots" that could "dynamite the world" the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling - out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies. — L.L. Barkat

So I took up those poems with which they seemed to have taken most trouble and asked them what they meant, in order that I might at the same time learn something from them. I am ashamed to tell you the truth, gentlemen, but I must. Almost all the bystanders might have explained the poems better than their authors could. I soon realized that poets do not compose their poems with knowledge, but by some inborn talent and by inspiration, like seers and prophets who also say many fine things without any understanding of what they say. — Plato

A sacred soul Thus, within the cosmic creation proceed Life is precious as gold Death will come In a better place, where there's no earthly life
Eternity exist...God..... Judgement falls upon us
Nothing to minus and nothing to plus Only the truth
In a better place where there's no cuss They say tranquility exist here
No fuss
No sorrow
A better place with great yarrow It will come in the morrow
In present times Life is but a Dream — Henry Johnson Jr

I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool. — Patrick Rothfuss

In truth, I became a conductor because deep down I wanted to conduct Brahms's four symphonies and Richard Strauss's tone poems. — Zubin Mehta

In Advance of All Parting is a tough, unsentimental examination of marital grief. Musically elegant and inventive, understated and passionate, the poems give us a profound glimpse into how the events of a life can form a center of gravity that fixes the self in its force field. Theres a cold, truth-telling clarity about them that makes them as unsettling as they are beautiful. Ansie Baird has created a richly-drawn world in which this elemental drama plays out, and the result is vivid, startling poems in which pain has left its indelible tracks. — Chase Twichell

Writing is performative - and while, yes, the words in essence will be there "forever," poems are often about ecstatic moments rather than trying to pin down a particular truth of an event. — Denise Duhamel

The other gift - a book of poems, called, "The Cowardly Morning" - Waner put on Corinne's desk at the office, with a note saying, "This man is Coleridge and Blake and Rilke all in one, and more."
She didn't pick up the book again until she was in bed, late that night.
[...]
The first poem was the title poem. This time Corinne read it through aloud. But still she didn't hear it. She read it through a third time, and heard some of it. She read it through a fourth time, and heard all of it. It was the poem containing the lines:
'Not wasteland, but a great inverted forest
with all foliage underground.'
As though it might be best to look immediately for shelter, Corinne had to put the book down. At any moment the apartment building seemed liable to lose its balance and topple across Fifth Avenue into Central Park. She waited. Gradually the deluge of truth and beauty abated.
- The Inverted Forest (1947) — J.D. Salinger

The term 'role model' is so odious, but the truth is it's a very strong writer indeed who gets by without a model kept somewhere in mind. I think of Keats. Keats slogging away, devouring books, plagiarizing, impersonating, adapting, struggling, growing, writing many poems that made him blush and then a few that made him proud, learning everything he could from whomever he could find, dead or alive, who might have something useful to teach him. — Zadie Smith

Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better. — Pyotr Kropotkin

As artists, we belong to an ancient and holy tribe. We are the carriers of the truth that spirit moves through us all. When we deal with one another, we are dealing not merely with our own human personalities but also with the unseen but ever-present throng of ideas, visions, stories, poems, songs, sculptures, art-as-facts that crowd the temple of consciousness waiting their turn to be born. — Julia Cameron

If you were far out in space, you would see that the sun neither rises nor sets, but that it shines continuously. And yet, even after realizing that, we can continue to speak of the sunrise or sunset, still see its beauty, paint it, write poems about it, even though we now know that it is a relative rather than an absolute truth. — Eckhart Tolle

If in poetry court she was called
to testify on matters where
I was condemned to imprisonment: parking my ego
at a broken meter, line violations, forced rhyme,
dealing stanzaics to children, shooting
off my mouth, getting cute, for even this
latest attempt at verse, she would tell the whole truth,
she would admit from the pit
of her unsung brilliance,
from all of the paintings and poems
she herself has been making
and storing in the vast empire of her
singing soul, your Honor, my daughter is guilty
of plagiarizing my cells. — Kristen Henderson

That kind of thinking [that writers must alleviate their guilt for leading a creative life] is based on the idea that the creative life is somehow self-indulgent. Artists and writers have to understand and live the truth that what we are doing is nourishing the world. William Carlos Williams said, "It is difficult to get the news from poems yet men die miserably every day for lack of what is found there." You can't eat a book, right, but books have saved my life more often than sandwiches. And they've saved your life ... But we don't say, oh, Maya Angelou should have silenced herself because other people have other destinies. It's interesting, because artists are always encouraged to feel guilty about their work. Why? Why don't we ask predatory bankers how they alleviate their guilt? — Ariel Gore

And so we sat there in the sickening sillage of the truth, neither of us angry, or upset, just muddling through this shared sorrow, this collective pity. And as much as I wanted to sound my tragic wail over the rooftops, and let go of the day, and crawl back toward that safe harbor, and give in to the dying of the light, and to do all of those unheroically injured things that people never write poems about, I didn't. — Robyn Schneider

Hemingway is overrated,
Twain is even more lost at sea,
And all truths point to the mouth of a woman,
Where both her whispers and her screams,
Are born.
Pour another glass,
Beer, wine, whiskey,
I don't care,
So long as its wisdom is sharp,
And it tells lies instead of promises. — Dave Matthes

With my guitar, I could write my own stories, my own poems, and my own destiny. No one could take away the feelings, the emotions or the truth of my notes. They could hide secrets and provoke images of words that never should be whispered. I could compose the melody of my aching heart and write into it my own happily ever after since no one seemed to think after all my suffering I deserved one. That's okay, I would make my own. — Christine Zolendz

Writing the poems, I came to think that regarding is a form of love, but the regarding is not necessarily accurate. In the poems, people are always misperceiving one another. But misperceptions are a part of being alive to others. You don't need truth or beauty. All you do is perceive. That's all you need to have loved and lived fully. — Joy Katz

You remember what Goethe said in the moment of his death [ ... ] 'More light.' Death opens up the way to more light, and carries us to those regions where we stand face to face with eternal Beauty and Truth. I remember the time when I read Goethe's poems with you, and I hope you also remember those happy days when we were so near to each other spiritually speaking.
Iqbals Briefwechsel mit Emma Wegenast (S. 45, Iqbal and Goethe, Christina Oesterheld) — Muhammad Iqbal

Mister Cameron - I have read the unexpurgated Ovid, the love poems of Sappho, the Decameron in the original, and a great many texts in Greek and Latin histories that were not though fit for proper gentlemen to read, much less proper ladies. I know in precise detail what Caligula did to, and with, his sisters, and I can quote it to you in Latin or in my own translation if you wish. I am interested in historical truth, and truth in history is often unpleasant and distasteful to those of fine sensibility. I frankly doubt that you will produce anything to shock me. — Mercedes Lackey

a billion brains may coax undeath
from fancied fact and spaceful time--
no heart can leap, no soul can breathe
but by the sizeless truth of a dream
whose sleep is the sky and the earth and the sea
For love are in you am in i are in we — E. E. Cummings

And the truth is that I'm not, Ed, is what I wanted to tell you. I'm not arty like everyone says who doesn't know me, I don't paint, I can't draw, I play no instrument, I can't sing. I'm not in plays, I wanted to say, I don't write poems. I can't dance except tipsy at dances. I'm not athletic, I'm not a goth or a cheerleader, I'm not treasurer or co-captain. I'm not gay and out and proud, I'm not that kid from Sri Lanka, not a triplet, a prep, a drunk, a genius, a hippie, a Christian, a slut, not even one of those super-Jewish girls with a yarmulke gang wishing everyone a happy Sukkoth. I'm not anything, this is what I realized ... I like movies, everyone knows I do
I love them
but I will never be in charge of one because my ideas are stupid and wrong in my head. There's nothing different about that, nothing fascinating, interesting, worth looking at. — Daniel Handler

There must always be a fringe of the experimental in literature
poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant literati who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve. — Henry Seidel Canby

You should be spreading the good word. You should be etching the good word onto the glass scanning beds of library photocopiers. You should be scraping the truth onto old auto parts and throwing them off bridges so that people digging in the mud in a million years will question the world, too. You should be carving eyeballs into tire treads and onto shoe soles so that your every trail speaks of thinking and faith and belief. You should be designing molecules that crystallize into poems of devotion. You should be making bar codes that print out truth, not lies. You shouldn't even throw away a piece of litter unless it has the truth stamped on it
a demand for people to reach a finer place!
... Your new life will be tinged with urgency, as though you're digging out the victims of an avalanche. If you're not spending every waking moment of your life living the truth, if you're not plotting every moment to boil the carcass of the old order, then you're wasting your day. — Douglas Coupland

There are objects made up of two sense elements, one visual, the other auditory - the colour of a sunrise and the distant call of a bird. Other objects are made up of many elements - the sun, the water against the swimmer's chest, the vague quivering pink which one sees when the eyes are closed, the feeling of being swept away by a river or by sleep. These second degree objects can be combined with others; using certain abbreviations, the process is practically an infinite one. There are famous poems made up of one enormous word, a word which in truth forms a poetic object, the creation of the writer. The fact that no one believes that nouns refer to an actual reality means, paradoxically enough, that there is no limit to the numbers of them. — Jorge Luis Borges

My poems often start with an idea, some kind of inspiration. I don't expect anything. Every now and then something like "The One Truth" comes out. — Philip Schultz

Love implies great freedom - not to do what you like. But love comes only when the mind is very quiet, disinterested, not self-centered. These are not ideals. If you have no love, do what you will - go after all the gods on earth, do all the social activities, try to reform the poor, the politics, write books, write poems - you are a dead human being. And without love your problems will increase, multiply endlessly. And with love, do what you will, there is no risk; there is no conflict. Then love is the essence of virtue. And a mind that is not in a state of love is not a religious mind at all. And it is only the religious mind that is freed from problems, and that knows the beauty of love and truth. — Jiddu Krishnamurti

There lived a poet in the lands of gold,
Wrote along poems unaffected by warmth or cold,
His words spoke truth and pen's stroke was bold,
His only motive: lives to mould — Adhish Mazumder

Every mother should be a true artist, who knows how to weave into her child's life images of grace and beauty, the true poet capable of writing on the soul of childhood the harmony of love and truth, and teaching it how to produce the grandest of all poems - the poetry of a true and noble life. — Frances Ellen Watkins Harper