Trope Quotes & Sayings

Enough already of Lacan, Derrida, and Foucault poured like ketchup over everything. Lacan: the French fog machine; a grey-flannel worry-bone for toothless academic pups; a twerpy, cape-twirling Dracula dragging his flocking stooges to the crypt. Lacan is a Freud T-shirt shrunk down to the teeny-weeny Saussure torso. The entire school of Saussure, inluding Levi-Strauss, write their muffled prose of people with cotton wool wrapped around their heads; they're like walking Q-tips. Derrida: a Gloomy Gus one-trick pony, stuck on a rhetorical trope already available in the varied armory of New Criticism. Derrida's method: masturbating without pleasure. It's a birdbrain game for birdseed stakes. Neo-Foucaldian New Historicism: a high-wax bowling alley where you score points just by knockng down the pins. — Camille Paglia

Besides, I always feel safer when I've got words against my heart. — Zoe Trope

Some facts in life are immutable. One is, trust no-one who uses the word 'trope'. — Mark Gatiss

Self-reinvention is an essential trope of the American project, closely linked to another such trope: going on the lam. Both are regularly featured in movies and novels and suchlike. Criminals and persons loitering with and without intent hold a crucial place in the culture. For obvious reasons, the culture cannot endorse this behavior, even as it is in thrall to it. — Luc Sante

Sometimes every word i write is 'love' but the letters are rearranged, the sounds are different. all the words are red. — Zoe Trope

The Collector [John Fowles book] does such a good job of capturing the mindset of a capturer, and also that's become a banal trope of every second crime novel: the weirdo, fetishistic watcher/stalker/kidnapper/kidnapper of women or children. — Emma Donoghue

Michael writes of sun, but all I can think of is sunsickness, too much in the sun never a daughter. As if God's light still shone on we who have shaded our eyes. A few phrases remain but the drift is vanish. No way out and no way in--a straight call to blast, Adrift on stage for all to view--the cringe, the sigh, the curveilinear clide. The scholar-trancemaker hangs from the end of a trope and asks to be cut down. An umbilical cord signifies no less. Yet despite, i can now see or is it all a mitake? & does it splatter? — Charles Bernstein

I think sometimes in literature we kind of police ourselves. I know a lot of people talked about Twilight, and they would say, oh, but the heroine, she lets this man make her decisions. And I thought, that may not be the particular fantasy or trope that works for me.
But listen man, I read Wuthering Heights. I wanted me a little Heathcliff action. I mean, why can't we indulge that fantasy and also be like, And now I would like the ERA passed, please. Also, this lipstick is fuckin' killer. — Libba Bray

At one point in the 'Onyx Court' series, I think during 'In Ashes Lie', I suggested that Lune might come to love someone else eventually. Which was me pushing back against the narrative trope that people only get one True Love in their entire lives - an idea I think is kind of pernicious - but in retrospect, I wish I hadn't done it there. — Marie Brennan

Moving cities are a fairly hoary old sci-fi trope - I seem to recall they were always cropping up on 'Doctor Who' when I was young, though I may be misremembering. — Philip Reeve

But, as in his narrow-flowing monomania, not one jot of Ahab's broad madness had been left behind; so in that broad madness, not one jot of his great natural intellect had perished. That before living agent, now became the living instrument. If such a furious trope may stand, his special lunacy stormed his general sanity, and carried it, and turned all its concentred cannon upon its own mad mark; so that far from having lost his strength, Ahab, to that one end, did now possess a thousand fold more potency than ever he had sanely brought to bear upon any one reasonable object. — Herman Melville

I like animal sidekicks. They seem to be a pretty cool trope of post-apocalyptic fiction - just because if you're going to have this lone protagonist, they're going to need someone to talk to. Dogs are overused, and cats are dumb. So that leaves monkeys. — Brian K. Vaughan

I've read there is no such thing as a single tear, that old poetic trope. And perhaps there isn't, since hers was simply a companion to my own. — Elizabeth Kostova

The most conventional romantic trope of all is that you put lovers under extreme pressure, where they have to make decisions that illuminate aspects of that bond. — Lenny Abrahamson

With Presley as catalyst, the teenagers of America let out a collective wail, initiating the liberation of felt experience that would find its culmination in the following decade. This rupture transformed the way a whole generation thought about their most intimate selves: their bodies and minds, their sexuality, their race, and their basic mode of relating to the world. In fact, to a large degree, we still live in the space that Presley and his contemporaries cleaved into the darkness, to employ a Jamesian trope.[149] — Grant Maxwell

Hence, when some members of the Iranian diaspora, especially women at the moment, use different tropes including the trope of the veil and the issue of gender to construct an image of oppression or to describe the 'silenced' Iranian woman, western intellectuals, policymakers, and publishing houses are all quick to introduce them as presenters of the authentic Iranian experience. — Mohammad Marandi

Instead of eating too much, I'm thinking too much and I need to throw up some of these thoughts before something vile happens. — Zoe Trope

I'm not worried about the future as much as I'm worried about the past. About keeping my memories real and not sacrificing them to match the present. — Zoe Trope

Disability fluctuates, growing visible, then invisible, then visible again, becoming both ever-present and haunting. Such a problematizing of physical life added a new wrinkle to the genre's double/secret identity trope: the characters now interact with their shifting bodies as bodies with all the complications involved. — Jose Alaniz

apathy is a disease and some days i long for it. — Zoe Trope

Anywhere, anytime, I'd sacrifice the finest nuance for a laugh, the most elegant trope for a smile. — Edward Abbey

For me there is a poesis, a poetics, around the trope of the road that is embedded within many life experiences of the people I've been close to. — Anne Waldman

JG: Ha! I will get him Looking for Alaska and tell him this idea that a human being is more than a human being is a mistaken idea and in the end does no service either to him or the person he's imagining. That trope has become so deeply embedded in American culture, and as someone who writes about young people falling in love, I feel like I can't ignore it, but I try to make it clear that life works best when we think of people as people. — John Green

Lockie stood with his arms by his sides as she ran her hands over his hair and squeezed his arms. Tina could see how uncomfortable Lockie felt at being touched. Margie hugged him again and again. She didn't notice Lockie's face or she would have stopped. When Margie stood up she was crying. Pete, meanwhile, was watching Tina.
'Start talking,' he said to her and Tina could see he had already decided who was to blame for Lockie's disappearance.
'Her name's Tina,' said Lockie. 'She saved me. Can you take us home, Pete?'
Pete looked at Lockie. 'You know I will, Lockie, but first - '
'Please, Pete,' said Lockie. 'Can you just take us home?'
'Oh god,' said Margie. 'Doug and Sarah - we have to call them. We have to let them know.' She kept touching Lockie, on his head, on his arms and on his back. Tina could see Lockie wince. People wouldn't know that they needed to be careful when they touched him. Some touches can make you feel sick. — Nicole Trope

Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined. — Madison Smartt Bell

God could not be reached for comment. But let us at least agree that He is quite obviously attuned to the doings of politics and media. That is why so many would-be leaders say they are being "called upon" to run for president, and why eulogists lean so heavily on the trope that God runs an HR department that recruits people like Sunday hosts and yachtsmen into heaven. — Mark Leibovich

I don't think it is as a trope or as something in our psyches. There's very little wilderness out there but there is wild mind, and the Wild mind that actually, as Gary Snyder says, wants to take care of things. There's an elegant quality to the wild mind. — Anne Waldman

For David Shenk, the most important of the "windows onto meaning" afforded by Alzheimer's is its slowing down of death. Shenk likens the disease to a prism that refracts death into a spectrum of its otherwise tightly conjoined parts - death of autonomy, death of memory, death of self-consciousness, death of personality, death of body - and he subscribes to the most common trope of Alzheimer's: that its particular sadness and horror stem from the sufferer's loss of his or her "self" long before the body dies. — Jonathan Franzen

I very nearly titled this book Stop Murdering the Henchmen after this trope. If I could wave a magic wand and remove a single BS lie from our annals of storytelling, it would be this one. This trope doesn't just insult a population of the disabled. It doesn't just discount the experiences of family members of loved ones suffering with a disease. This is a trope that kills real people in the real world, every day. The — Samantha Keel

Just bear a passing resemblance to a fictional romantic trope I like and I will love you forever. We're all just trying to find the Mark Darcy of our workplace, aren't we? — Mindy Kaling

BLOOM: I take it that a successful therapy is an oxymoron.
INTERVIEWER: It's always interminable?
BLOOM: I do not know anyone who has ever benefited from Freudian or any other mode of analysis, except by being, to use the popular trope for it, so badly shrunk, that they become quite dried out. That is to say, all passion spent. Perhaps they become better people, but they also become stale and uninteresting people with very few exceptions. Like dried-out cheese, or wilted flowers. — Harold Bloom

It's so rich as a trope - the whole idea of the road and it being in terms of language, being an active experience. — Anne Waldman

I feel like she could drown me in a spoonful of water or crush me with her fingernail clippings. I realize I have no chance. — Zoe Trope

Every fundamentalism focuses on end times, and Armageddon is, in a sense, a rhetorical trope, an emphatic and overwhelming conclusion, meant to wrap up and make tidy the mistaken wanderings of history. For a fundamentalist the end is one of the forms desire takes, a passion no different from lust or avarice, intense with longing and the need for fulfillment and relief. It's like they're horny for apocalypse. They get off on denouements, which partly explains why Hell House never amounted to much more than a series of murderous conclusions. It focused only on that part of a story where life finds itself fated. Inside every act a judgement was coiled. Real people with their ragged and uncertain lives, their stumbling desires, their bleak or blessed futures, would only break into the narrative, complicating the story, dragging it on endlessly. — Charles D'Ambrosio

One path I've used a lot is to deeply and thoughtfully consider a trope or a tradition, and then set about taking it apart - but only in the service of a character or story that deserves it. Another path I often employ is to put form into "play" - to set it free from its ordinary constraints and let it be free-floating and broken-apart and rearranged. — Lidia Yuknavitch

There were absolutely amazing photographs everywhere, on everyone's Facebook page and everyone's iPhone and Instagram, just floating around in cyberspace for eternity. People took hundreds and thousands of digital pictures; one or two, even twenty or a hundred, were bound to be great. All anyone had to do was click through them all and post the ones they liked, deleting the rest. But using film meant you never knew what was going to be a good picture, let alone a great one, until you were standing there looking at a contact sheet with a magnifying glass and deciding which to print.
Maybe nobody cared anymore, but then again, writers probably felt the same way when word processors were invented. Anyone with a story and a keyboard could write their memoir now, write the great American novel, or tweet a 140-character trope that gets retweeted and it read by hundreds of people every hour of every day. — Nora Raleigh Baskin

To call ourselves a Microcosme, or little world, I thought it onely a pleasant trope of Rhetorick, till my neare judgement and second thoughts told me there was a reall truth therein: for first wee are a rude masse, and in the ranke of creatures, which only are, and have a dull kinde of being not yet priviledged with life, or preferred to sense or reason; next we live the life of plants, the life of animals, the life of men, and at last the life of spirits, running on in one mysterious nature those five kinds of existence, which comprehend the creatures not onely of world, but of the Universe. — Thomas Browne

Expatriation, like love, is not only a condition that devastates and reconfigures the self; it is, like love, a trope, a figure with which we try to explain, try to narrate profound psychological disruptions in terms of very measurable entities: a person, a place, an event, a moment, etc. — Andre Aciman

I try not to think about the trope or whether or not my books are like 'Fifty' or 'Crossfire' or any other series. — Julie Kenner

Art translates human souls. Each passing eon's public display of sophisticated hieroglyphics cast a unique depiction upon the rudimentary art of survival. Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind's gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind's self-imposed sense of urgency. Each passing generation's effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls. — Kilroy J. Oldster

Mrs. Clinton, speaking to a black church audience on Martin Luther King Day last year, did describe President George W. Bush as treating the Congress of the United States like 'a plantation,' adding in a significant tone of voice that 'you know what I mean ... '
She did not repeat this trope, for some reason, when addressing the electors of Iowa or New Hampshire. She's willing to ring the other bell, though, if it suits her. But when an actual African-American challenger comes along, she rather tends to pout and wince at his presumption (or did until recently). — Christopher Hitchens

There's a strange uniformity in the vocabulary European soccer fans use to hate black people. The same primate insults get hurled. Although they've gotten better over time, the English and Italians developed the tradition of making ape noises when black players touched the ball. The Poles toss bananas on the field. This consistency owes nothing to television, which rarely shows these finer points of fan behavior. Nor are these insults considered polite to discuss in public. This trope has simply become a continent-wide folk tradition, transmitted via the stadium, from fan to fan, from father to son. — Franklin Foer

Huysmans takes the old trope of moon-as-woman and replaces its romantic connotations with decadent ones: the moon here is woman as clamorous lunatic, as convulsive epileptic. — Charles Bernheimer

In mainstream literature, a trope is a figure of speech: metaphor, simile, irony, or the like. Words used other than literally. In SF, a trope - at least as I understand the usage - is more: science used other than literally. — Edward M. Lerner

A fashionable idea in technical circles is that quantity not only turns into quality at some extreme of scale, but also does so according to principles we already understand. Some of my colleagues think a million, or perhaps a billion, fragmentary insults will eventually yield wisdom that surpasses that of any well-thought-out essay, so long as sophisticated secret statistical algorithms recombine the fragments. I disagree. A trope from the early days of computer science comes to mind: garbage in, garbage out. — Jaron Lanier

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. — Grant H. Kester

If you take off your clothes, you will find more clothes. — Zoe Trope

Martin had a period of relishing the Boston thug-writer George V. Higgins, author of The Friends of Eddie Coyle. Higgins's characters had an infectious way of saying 'inna' and 'onna,' so Martin would say, for example, 'I think this lunch should be onna Hitch' or 'I heard he wasn't that useful inna sack.' Simple pleasures you may say, but linguistic sinew is acquired in this fashion and he would not dump a trope until he had chewed all the flesh and pulp of it and was left only with pith and pips. Thus there arrived a day when Park Lane played host to a fancy new American hotel with the no less fancy name of 'The Inn on The Park' and he suggested a high-priced cocktail there for no better reason than that he could instruct the cab driver to 'park inna Inn onna Park.' This near-palindrome (as I now think of it) gave us much innocent pleasure. — Christopher Hitchens

I think the only necessary conclusion is that we are too beautiful, because being not beautiful at all just doesn't make sense. — Zoe Trope

I admire Tolkien greatly. His books had enormous influence on me. And the trope that he sort of established - the idea of the Dark Lord and his Evil Minions - in the hands of lesser writers over the years and decades has not served the genre well. It has been beaten to death. The battle of good and evil is a great subject for any book and certainly for a fantasy book, but I think ultimately the battle between good and evil is weighed within the individual human heart and not necessarily between an army of people dressed in white and an army of people dressed in black. When I look at the world, I see that most real living breathing human beings are grey. — George R R Martin

Don't you love my idealism? My hypocrisy? My willingness to sound as loving and naive as possible? At least I know that I don't know anything at all. I can admit it. Can you? Can you look yourself in the mirror in the morning and admit that you are no different from every other bundle of bones on this planet? And maybe the only things that make you different are your hands, the way you touch things, and what happens to them. — Zoe Trope

There is something universally chilling about a new plot. And I could see how my boy needed time and space for a story to bloom in his mind, because at any age what comes before sight is a conjuring. A trope, which is just a way to believe. — Chang-rae Lee

Originally the premise of killing Hitler was fueled by deep traumatic feelings of wishing and fantasizing that if only things had been different, we could have spared ourselves all kinds of suffering. More recently it's been turned into a comedic trope. As we go forward, tragedy plus time equals comedy. — Gavriel David Rosenfeld

Our heroes have arrived, then," the stranger said, his voice a soft, bubbly murmur.
"Excuse me?" Poison queries.
The odd creature put down his rod in a little wooden cradle that rested next to him and got up from the edge of the jetty. He looked them over with his vast, yellowish eyes.
"Hmm," he said gloomily. "You don't seem a bad bunch." He jostled past them and began to shuffle back towards his house. "At least you're not the typical muscle-bound warrior, beautiful sorceress, and amusing thief sidekick. By the waters, did that become stale fast. — Chris Wooding

Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another. — Iain Banks

I still feel like I'm jumping on an elevator
weightless and pulled down at the same time. — Zoe Trope

Epistrophe is the trope of obsession. It's the trope of emphasizing one point again and again. And it's the trope of not being able to escape that one conclusion, which is one of the reasons that songs are so suited to the idea of obsessive love, political certainty and other such unhealthy ideas. You can't reason in an epistrophic pop song. You can't seriously consider the alternatives, because the structure dictates that you'll always end up at the same point, thinking about the same girl and giving peace a chance. — Mark Forsyth