Tristram Quotes & Sayings

I have a weird graphic I made for myself once, and it's the "lineage tree" of everyone that has inspired me and more importantly given me the permission to be myself in my work. There's a slew of people from theater: Erwin Piscator, Chekhov, Mac Wellman, Stein; and then a whole lot of wonderful works that are called novels: everything from Tristram Shandy to Bouvard and Pecuchet, to Virginia Woolf's Three Guineas, and Finnegan's Wake and Invisible Man, and then contemporary writers I'm currently reading like Renee Gladman and Anakana Schofield. There are many more in my graphic also: there's Beckett's novels and Melancholy of Resistance, and there's Reznikoff and Dos Passos, there are contemporary poets I admire like Jena Osman, dance-writers like Michelle Ellsworth, and books I can't help read for fun like Muriel Spark. But there's Groucho Marx and Oscar Wilde. It's a huge question and the answers would likely change daily. But these I'm talking about here are in the pantheon. — Thalia Field

So Tristram looked on Iseult face to face
and knew not, and she knew not. The last time
The last that should be told in any rhyme
Heard anywhere on mouths of singing men
That ever should sing praise of them again;
The last hour of their hurtless hearts at rest,
The last that peace should touch them, breast to breast,
The last that sorrow far from them should sit,
This last was with them, and they knew not it. — Algernon Charles Swinburne

They both laughed and drank to each other; they had never tasted sweeter liquor in all their lives. And in that moment they fell so deeply in love that their hearts would never be divided. So the destiny of Tristram and Isolde was ordained. — Thomas Malory

The whole man was in all his judgments and activities, and a discriminating zest for life, for 'common life', informs every page he wrote. He saw education as actualizing the potentiality for the leisured activities of thought, art, literature and conversation. 'Grete clerk' as he was, he was never willfully esoteric: quotations and allusions rose unbidden to the surface of his full and fertile mind, but whether drawn from Tristram Shandy or James Thurber they elucidate not decorate. His works are all of a piece: a book in one genre will correct, illumine, or amplify what is latent in another. — Jocelyn Gibb

Nothing odd will do long. Tristram Shandy did not last. — Samuel Johnson

Tristram Shandy may perhaps go on a little longer, but we will not follow him. With all his drollery there is a sameness of extravagance which tires us. We have just a succession of Surprise, surprise, surprise. — David Hume

Now there is nothing in this world I abominate worse, than to be interrupted in a story ... — Laurence Sterne

Steve Coogan picks up enough to lecture an interviewer: This is a postmodern novel before there was any modernism to be post about. Later it's claimed that Tristram Shandy was No. 8 on the Observer's list of the greatest novels, which cheers everyone until they discover the list was chronological. — Roger Ebert

The clock is Shandy's first symbol: under its influence, he is conceived and his misfortunes begin, which are the same thing according to this sign of time. Death is hidden in clocks, as Belli said, along with the unhappiness of individual life, of this fragment, of this thing that is divided, disintegrated, deprived of wholeness - death, which is time, the time of individuation, of separation, the abstract time that rolls toward its end. Tristram Shandy doesn't want to be born because he doesn't want to die. Any means, any weapon, can be used to save oneself from death and time. If a straight line is the shortest distance between two fatal, inescapable points, then digressions lengthen that line - and if these digressions become so complex, tangled, tortuous, and so rapid as to obscure their own tracks, then perhaps death won't find us again, perhaps time will lose its way, perhaps we'll be able to remain concealed in our ever-changing hiding places. These — Italo Calvino

The truth is that circumstances had done much to cultivate in Mrs. Tristram a marked tendency to irony. Her taste on many points differed from that of her husband, and though she made frequent concessions it must be confessed that her concessions were not always graceful. They were founded upon a vague project she had of some day doing something very positive, something a trifle passionate. What she meant to do she could by no means have told you; but meanwhile, nevertheless, she was buying a good conscience, by installments. — Henry James

After all, when one approaches Middle Age ... "
"Middle Age? Has anyone ever boxed your ears Miss Thane?"
"No, never," said Miss Thane, looking blandly up at him.
"You have been undeservedly fortunate," said Sir Tristram grimly. — Georgette Heyer

India introduced Britain to vegetarianism - see Tristram Stuart's excellent first book on this - and it is possible, indeed all too easy, to be a vegetarian in India and eat extraordinarily good, varied food every day, with very few 'repeats.' — Neel Mukherjee

And Iseult rose up where she sat apart,
And with her sweet soul deepening her deep eyes
Cast the furs from her and subtle embroideries
That wrapped her from the storming rain and spray,
And shining like all April in one day,
Hair, face, and throat dashed with the straying showers,
She stood the first of all the whole world's flowers,
And laughed on Tristram with her eyes, and said,
"I too have heart then, I was not afraid."
And answering some light courteous word of grace
He saw her clear face lighten on his face
Unwittingly, with unenamoured eyes
For the last time. — Algernon Charles Swinburne

If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'. — Jennifer Egan