Quotes & Sayings About Tribal Dance

Yet none of these things [laws, justice, human rights, money] exists outside the stories that people invent and tell one another. There are no gods in the universe, no nations, no money, no human rights, no laws and no justice outside the common imagination of human beings. People easily understand that 'primitives' cement their social order by believing in ghosts and spirits, and gathering each full moon to dance together around the campfire. What we fail to appreciate is that our modern institutions function on exactly the same basis. Take for example the world of business corporations. Modern business-people and lawyers are, in fact, powerful sorcerers. The principal difference between them and tribal shamans is that modern lawyers tell far stranger stories. — Yuval Noah Harari

TURN ON. to contact the ancient energies and wisdoms that are built into your nervous system. They provide unspeakable pleasure and revelation. TUNE IN. to harness and communicate these new perspectives in a harmonious dance with the external world. DROP OUT. detach yourself from the tribal game. current models of social adjustement - mechanized, computerized, socialized, intellectualized, televised, sanforized - make no sense to the new LSD generation who see clearly that American society is becoming an air-conditioned anthill. — Timothy Leary

A significant number of people believe tribal people still live and dress as they did 300 years ago. During my tenure as principal chief of the Cherokee Nation, national news agencies requesting interviews sometimes asked if they could film a tribal dance or if I would wear traditional tribal clothing for the interview. I doubt they asked the president of the United States to dress like a pilgrim for an interview. — Wilma Mankiller

Dance in this century has remained primarily a personal ritual operating, like most avant-garde art, as an idiosyncratic form rather than a tribal expression of religious powers or a corporate expression of societal values. — Jamake Highwater

The song is gone; the dance
is secret with the dancers in the earth,
the ritual useless, and the tribal story
lost in an alien tale.
Only the grass stands up
to mark the dancing-ring; the apple-gums
posture and mime a past corroboree,
murmur a broken chant.
The hunter is gone; the spear
is splintered underground; the painted bodies
a dream the world breathed sleeping and forgot.
The nomad feet are still.
Only the rider's heart
halts at a sightless shadow, an unsaid word
that fastens in the blood of the ancient curse,
the fear as old as Cain. — Judith A. Wright

What is important is not what is said, but that some talk be continually going on. Silence is the great crime, for silence is lonely and frightening. One shouldn't feel much, nor put much meaning into what one says: what you say seems to have more effect if you don't try to understand. One has the strange impression that these people are all afraid of something - what is it? It is as if the "yatata" were a primitive tribal ceremony, a witch dance calculated to appease some god. There is a god, or rather a demon, they are trying to appease: it is the specter of loneliness which hovers outside like the fog drifting in from the sea. One will have to meet this specter's leering terror for the first half-hour one is awake in the morning anyway, so let one do everything possible to keep it away now. — Rollo May

Laia is the wild dance of a Tribal campfire, while Helene is the cold blue of an alchemist's flame. — Sabaa Tahir

Laia and Helene: They're so different. I like that Laia says things I don't expect, that she speaks almost formally, as if she's telling a story. I like that she defied my mother to go to the Moon Festival, whereas Helene always obeys the Commandant. Laia is the wild dance of a Tribal campfire, while Helene is the cold blue of an alchemist's flame.

But why am I even comparing them? I've know Laia a few days and Helene all my life. Helene's no passing attraction. She's family. More than that. She's part of me. — Sabaa Tahir

The underlying foundation of all religion is performance - whether it's a tribal dance around a campfire to satisfy the fire god, or a dead religious activity performed week after week by an evangelical Christian with the intent of impressing his God. It's all religious performance, and God isn't impressed by our performance. What impresses Him is faith. — Steve McVey

Lover?" The boy lifts an eyebrow suggestively. My face grows hot. "He's my - my friend." "Then why worry?" The boy flashes a grin tinged with wickedness, and I find myself smiling in return. I glance over my shoulder at Izzi, talking to an earnest-looking Scholar. She laughs at something he says, her hands, for once, not straying to her eyepatch. When she catches me watching, she looks between the Tribal boy and me and waggles her eyebrows. My face goes hot again. One dance can't hurt; we can leave after. The — Sabaa Tahir