Top Hands On Quotes & Sayings

In politics we face the choice between warmongering, nation-state loving, big-business agents on one hand; and risk-blind, top-down, epistemic arrogant big servants of large employers on the other. But we have a choice. — Nassim Nicholas Taleb

He grabs my hands and lifts them up in the air. I grip the railing on the top of the bed.
"Don't move those hands," he whispers into my nape. I nod and lick my lips. I'm on my tiptoes. My breath is catching and coming out spurts of rough air. His hands run down my arms. I shiver and pant. His lips brush the back of my neck. He sweeps my hair to one side, kissing down my shoulder blade. Heat and nerves battle low in my belly as his hands grip my hips, pulling me back to him.
"Don't let go of that railing, Sarah." His words are growled between kisses and licks. I hear the menacing threat in them. — Tara Brown

I lean down and drop a kiss on the top of his head. "Goodbye, Achilles," I whisper, and I leave Maxen Ashley Colchester alone with his head in his hands. I leave and get in my car and go back home, remembering the feel of his hair on my lips.
I will break from loving him, I think. I will split with it, burn with it.
And yet, for the first time, I know what I have to do. I know that I'm a good man, I know that I'd be a good leader. I know that I can stop Melwas and keep Greer safe. I know how to do it.
I have to become more than a prince.
I have to become a king myself. — Sierra Simone

Nor praise the deep vermilion in the rose, she read, and so reading she was ascending, she felt, on to the top, on to the summit. How satisfying! How restful! All the odds and ends of the day stuck to this magnet; her mind felt swept, felt clean. And then there it was, suddenly entire; she held it in her hands, beautiful and reasonable, clear and complete, here
the sonnet.
But she was becoming conscious of her husband looking at her. He was smiling at her, quizzically, as if he were ridiculing her gently for being asleep in broad daylight, but at the same time he was thinking, Go on reading. You don't look sad now, he thought. And he wondered what she was reading, and exaggerated her ignorance, her simplicity, for he liked to think that she was not clever, not book-learned at all. He wondered if she understood what she was reading. Probably not, he thought. She was astonishingly beautiful. Her beauty seemed to him, if that were possible, to increase. — Virginia Woolf

You can't keep your feet on the ground, hoping to enjoy the fruits of your labour. The fruits are on the top; keep climbing till you pluck them with your hands! — Israelmore Ayivor

After a while, it got too hard not to let him take my hand in the hallway, or snug up behind me at my locker, his chin balanced on the top of head as his hands snaked around my waist. After a while I wanted to share it, to show it off, to let the world see why I was smiling like a complete idiot half the time. — Amy Garvey

Before I slowly lower myself on top of you and our hands become curious and brave. Before my fingers slip under the hem of your shirt. Before my hand begins to explore its way up your stomach, and I discover I've never touched skin as soft as yours. — Colleen Hoover

I'm not sure I ever made a woman come with my mouth before I met you," he admits. "I love kissing you there. And I love your ass, it's perfect." With this, I feel his length stir against my stomach as his hands squeeze me. "I like any kind of sex with you, but I prefer being on top of you ... You make missionary feel dirty the way you grab and move under me. — Christina Lauren

He registered the empty room a split second before she dropped on him from the storage shelf above the bathroom door, nearly knocking him off his feet.
"Hey. Stop that." He tried to twist to get hold of her, but his temple caught her sharp elbow and he saw stars. He staggered toward the bed and flipped her down at last, but she managed to hook her leg behind his neck and he ended up on the boom somehow, with her sittinbg on his chest.
Her wild, shoulder-length waves framed cheeks pink from effort, her chest heaving as she leaned forward to pin his hands next to his head on each side. She ended up with her fine breasts inches from his lips.
He could have subdued her in two moves, but he liked her on top of him. — Dana Marton

Lily?"

She couldn't see his face, but she knew his eyes were on her. She could feel them.

A beat passed. Then another. He flicked the flashlight on, his eyes zooming in on her mouth. "Don't suppose you're scared enough of the dark to leave."

She shook her head. "I don't suppose you're planning on leaving me on my own."

A smile, then, "You might cheat." He tugged their linked hands and leaned the slightest bit closer.

"True," she breathed, mirroring his movement. "I wouldn't trust you if our roles were reversed." Inches from his face, she admired the curve of his top lip. "What are you doing, Black?"

"I think," he whispered back, his warm breath fanning over her lips, "I'm going to have to kiss you, McIntire. — Jessica Lemmon

She has the sort of body you go to see in marble. She has golden hair. Quickly, deftly, she reaches with both hands behind her back and unclasps her top. Setting it on her lap, she swivels ninety degrees to face the towboat square. Shoulders back, cheeks high, she holds her pose without retreat. In her ample presentation there is defiance of gravity. There is no angle of repose. She is a siren and these are her songs. — John McPhee

She wanted his swollen length in her hand, in her mouth, in her c#nt. She writhed against him, bare feet slapping on the floor as he spun around and propelled her backward.
Her arse hit the door first. His hips ground against her second. He fucked her mouth with his tongue, plundering, taking, possessing. And all the while his hands raked her body. Under her shirt, over her ribs, capturing her breast. She moaned, the sound turning to a cry when he pulled her pyjama top over her head and tossed it aside. — Lexxie Couper

Basically, Sam Phillips recorded Bill Haley, Johnny Cash, and all those other Memphis guys; Chuck Berry played the top two strings; Elvis appeared on The Ed Sullivan Show above the waist; the Beatles made all the girls squirm by singing about wanting to hold their "hands"; Ray Davies got lost in a sunset; Pete Townshend smashed his guitar; Brian Wilson heard magic in his head and made it come out of a studio; the Rolling Stones urinated on a garage door; and then (skipping a bit) you've got Joey Levine and Chapman-Chinn and Mott the Hoople and Iggy and the Runaways and KISS and the Pink Fairies and Rick Nielsen and Jonathan Richman and Johnny Ramone and Lemmy and the Young brothers and Cook and Jones and Pete Shelley and Feargal Sharkey and Rob Halford ... and Foghat. You get what I'm saying. It didn't happen in a vacuum, but it did happen, and now here we are in the aftermath. — Frank Portman

There was only the two of them standing on top of the world, the rest of their lives waiting silently at their feet.
They eased apart, still touching with their eyes, their hands, their souls. (Girl Descending) — Jenny O'Brien

night, I think I can hear the stars scraping against the sky. That's how quiet it is. After a while it's almost more than I can stand. I want to scream at the top of my lungs. I want to sing, shout, stamp my feet, clap my hands, anything to declare my presence. My conversation with the soldier had been the first words I'd said aloud in weeks. The Hum died on the tenth day after the Arrival. I was sitting in third period texting Lizbeth the last text I — Rick Yancey

Dont shave,I like it..It helps with one of my new fantasies."
"Yeah ?"Zack shifted a little to the center on top of him for maximum pleasure."What new fantasy is that ?"
Lucy grinned,the sleepiness in her smile melting into guile."The one about the innocent schoolteacher and the vicious,uncivilized cop.Want to play ?"
"Sure."Zack ran his hands up her back."Who do you want to be ?"
"I,of course will be the innocent schoolteacher"Lucy batted her eyes at him.
"Which makes me the cop.All right you have the right to remain naked."
Lucy laughed. — Jennifer Crusie

The whole fabric of society will go to wrack if we really lay hands of reform on our rotten institutions. From top to bottom the whole system is a fraud, all of us know it, laborers and capitalists alike, and all of us are consenting parties to it. — Henry Adams

If you jump into a market when everyone else is doing the same thing, you're probably too late. On the other hand, if you get into a market early, when it's fundamentally undervalued, then wait for it to become extremely overvalued, and sell once a true top has been established, you should do very well. — Michael Maloney

Pigpen walks around the table and as he nears Violet, she stumbles back, but he's faster. With one long step, he engulfs Violet in a hug and lifts her into the air.
She slaps his shoulder, "Put me down, you fucking asshole."
"She's back!" Pigpen rocks her like she's a doll and then gently deposits he back on the ground. He places his hands on either side of her face, looks into her eyes with that crazy-ass smile on his face, then kisses the top of her head. "It's good to have you back, kid."
Violet smacks his hands off her face. "Get off me."
He winks. "Love you, too. — Katie McGarry

Hold on tight," he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he's feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn't going to make his stomach flutter.
He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into? — Simone Elkeles

Begin. Keep on beginning. Nibble on everything.
Take a hike. Teach yourself to whistle. Lie.
The older you get the more they'll want your stories.
Make them up. Talk to stones. Short-out electric
fences. Swim with the sea turtle into the moon. Learn
how to die. Eat moonshine pie. Drink wild geranium
tea. Run naked in the rain. Everything that happens
will happen and none of us will be safe from it.
Pull up anchors. Sit close to the god of night.
Lie still in a stream and breathe water. Climb to the
top of the highest tree until you come to the branch
where the blue heron sleeps. Eat poems for breakfast.
Wear them on your forehead. Lick the mountain's
bare shoulder. Measure the color of days
around your mother's death. Put your hands over
your face and listen to what they tell you. — Ellen Kort

Isaiah places his hands on the top of my car and leans over so that his head is level with mine. The strong scent of dark spices tickles my nose and I inhale deeply. A brief calm washes through me and somehow I know Isaiah will get me out of this. — Katie McGarry

I was standing alone with him when she burst impetuously through the door, tall and wearing a rain-cape on top of a queen's costume, a forgotten crown on her head.

She directed some rapid words at him. He began to tremble all over and dropped my hand from under his arm. Vera seized me cruelly by the arm and led me off... She led me through murky, dusty expanses, between strange machinery and constructions, through valleys and mountains and past a precarious wood to her dressing-room. And she still held me cruelly by the arm. There she slammed the door shut, rudely chasing away some handsome women with the amorous eyes of worshipers.

I do not recall her words. It was as though she were all aflame. She kissed my hands and I realized then that she had seen only me that evening, that she had performed for only me, that she loved me and that this was all such madness.

("Thirty-Three Abominations") — Lydia Zinovieva-Annibal

Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa's hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. It was the best time of her life. — Markus Zusak

INSTRUCTIONS FOR ZAZEN First of all, you have to sit down, which you're probably already doing. The traditional way is to sit on a zafu cushion on the floor with your legs crossed, but you can sit on a chair if you want to. The important thing is just to have good posture and not to slouch or lean on anything. Now you can put your hands in your lap and kind of stack them up, so that the back of your left hand is on the palm of your right hand, and your thumb tips come around and meet on top, making a little round circle. The place where your thumbs touch should line up with your bellybutton. Jiko says this way of holding your hands is called hokkai jo-in,113 and it symbolizes the whole cosmic universe, which you are holding on your lap like a great big beautiful egg. — Ruth Ozeki

Kyle tapped Caeden's shoulder. "Isn't your little brother the one who sang the Fergie song at the top of his lungs during that assembly last year."
Caeden buried his face in his hands. "That's the one."
Shane snickered. "I watched that on youtube."
"He did a dance too," Tyler said, and began to, I guess, mimic it. The other guys joined in and they began to sing the lyrics to Glamorous.
"Oh God," Caeden croaked. "Youtube?"
They finished mimicking and Shane said, "Yeah, it's on youtube. It's got like a million hits or something."
"A million?" Caeden squeaked. — Micalea Smeltzer

As a kid I watched the Academy Awards on television and always wanted one - or several - like one of my favorite directions, John Ford. He won six. On the other hand, Orson Welles, who's on the top of my list, didn't win any. Alfred Hitchcock didn't win any. Howard Hawks didn't win any. — Martin Scorsese

Maureen clapped her hands together. "Oh," she said in her elfin little voice. "It's pretty."
"Pretty?" Simon looked quickly at the hunched shape on top of the concrete block. "Maureen, what the hell- — Cassandra Clare

People remember the spiritual path only when nothing else seems to help. In deep hopelessness they remember. But it is only when you are full of hope, radiant, vibrating; when there is meaning in your life, when you feel the hands of destiny in your life, when you are riding on waves, when you feel at the top of the world - those are the moments to remember, to move towards the way. — Osho

Of the ready green on a blue felt top. The gentlemen who had assembled around it for an evening of high-stakes Hold 'Em were well dressed, well fed, and well heeled, but now their mouths hung loose and their poolside tans paled. "Hands on the table, guys," Jadick said. "And don't any of you act one-armed." A short man with an air of compact power, Jadick moved with brisk precision and spoke calmly. He pulled back the hammers on his archaic but awesome weapon and said, "Scoop the fuckin' manna, boys." "Check," said Dean Pugh. He and Cecil Byrne, his fellow Wingman, went slowly around the table — Daniel Woodrell

He wanted head and hands and arms on a pillow - in many different positions. I was asked to move my hands in many different ways - also my head - and I had to turn this way and that. There were nudes that might have been of several different people - sitting - standing - even standing upon the radiator against the window - that was difficult - radiators don't intend you to stand on top of them. (On being photographed by Alfred Stieglitz) — Georgia O'Keeffe

I need you to have me. Make love to me." God bent slightly and placed his lips to Day's ear. "I want you to top me." Day froze in place. His eyes lowered in contemplation, hands resting lightly on God's waist. Top him. Suddenly a ton of feelings washed over him. He simultaneously became excited, nervous, scared, and extremely turned-on. All those emotions swirling around inside his head and heart at once. "Please. I trust you. I trust you to make it right. — A.E. Via

The author makes a tacit deal with the reader. You hand them a backpack. You ask them to place certain things in it - to remember, to keep in mind - as they make their way up the hill. If you hand them a yellow Volkswagen and they have to haul this to the top of the mountain - to the end of the story - and they find that this Volkswagen has nothing whatsoever to do with your story, you're going to have a very irritated reader on your hands. — Frank Conroy

No. She's perfect. She doesn't fuss, doesn't nag, she trusts me absolutely no matter how dumb I act, and she never, ever holds the past against me. Which, come on, it would be really easy for her to do. On top of it, she's mind-blowing in bed and I can't keep my hands off of her. She's too good to be true, so why would she want to spend the rest of her life with me? — Jay Crownover

He moves suddenly so that his hand is cupping my sex, and one of his fingers sinks slowly into me. His other arm holds me firmly in place around my waist.
"This is mine," he whispers aggressively. "All mine. Do you understand?" He eases his finger in and out as he gazes down at me, gauging my reaction, his eyes burning.
"Yes, yours ... "
Abruptly, he moves, doing several things at once: Withdrawing his fingers, leaving me wanting, unzipping his fly, and pushing me down onto the couch so he's lying on top of me.
"Hands on your head," he commands through gritted teeth as he kneels up, forcing my legs wider ...
"We don't have long. This will be quick, and it's for me, not you. Do you understand?
Don't come, or I will spank you," he says through clenched teeth. — E.L. James

I laid my hand on top of theirs, and all I could think was, Is this how revolutions begin? Not with a proclamation or a riot, but with a few people in a room somewhere with their hands clasped and a purpose. — Laurell K. Hamilton

And you and me, we're . . . ?" He doesn't finish the question. He doesn't have to.
"Yeah," Hallelujah repeats. "You and me."
Jonah tilts his head so it meets hers on the pillow. They lie there, side by side, with him under the sheets and her on top of them, holding hands and touching foreheads. Jonah's eyes are closed. Just when she thinks he must have fallen asleep, he murmurs, "Stay."
"Okay."
Outside the window, clouds are rolling in over the mountains. A storm. But beyond the band of rain clouds, the sky is blue again. Bright, shining blue. The storm won't last long. And, Hallelujah realizes, sometimes you need the storm to really appreciate the sun and the blue sky.
Jonah is breathing evenly. She can feel each exhale on the side of her neck.
She smiles, and she stays. — Kathryn Holmes

Alexander shows Anthony how he crouches and she climbs on his shoulders; he straightens up, holding on to her hands and then lets go, and she also straightens up and balances, standing on top of his shoulders for a long moment before pushing off his trapezoid in a nearly perfect, splashless forward dive. Mom, says Anthony, looking impressed, where did you and Dad learn to do that? And Dad, glancing at Mom in the water, says, Lazarevo. — Paullina Simons

His soft lips glide across my jaw. I'm dazzled by his touch, drugged by his promises, falling deeper and deeper into him. Before he reaches my mouth, I catch his hands and roll him off until he's the one on his back, his wings no longer a hiding place but silky black pools along the ground.
I prop my top half over his so I'm in control. "I can't think," I whisper. "You're making me crazy."
"Insanity is the most pristine clarity." He winds a leg around my hips and topples me onto him. "Let the lunacy in. Let it be your guide." One corner of his mouth lifts to a boyish grin. — A.G. Howard

Twenty thousand days and nights in one place, each layered and trapped and folded on top of the last, the creases in her hands, the aches between her vertebrae. Embryo, seed coat, endosperm: What is a seed if not the purest kind of memory, a link to every generation that has gone before it? — Anthony Doerr

John Galt spent years looking for it. He crossed oceans, and he crossed deserts, and he went down into forgotten mines, miles under the earth. But he found it on the top of a mountain. It took him ten years to climb that mountain. It broke every bone in his body, it tore the skin off his hands, it made him lose his home, his name, his love. But he climbed it. He found the fountain of youth, which he wanted to bring down to men.Only he never came back. — Ayn Rand

The Wall is hundreds of years old too; or over a hundred, at least. Like the sidewalks, it's red brick, and must once have been plain but handsome. Now the gates have sentries and there are ugly new floodlights mounted on metal posts above it, and barbed wire along the bottom and broken glass set in concrete along the top. No one goes through those gates willingly. The precautions are for those trying to get out, though to make it even as far as the Wall, from the inside, past the electronic alarm system, would be next to impossible. Beside the main gateway there are six more bodies hanging, by the necks, their hands tied in front of them, their heads in white bags tipped sideways onto their shoulders. There must have been a Men's Salvaging early this morning. I didn't hear the bells. Perhaps I've become used to them. We — Margaret Atwood

If you really want to eat, keep climbing. The fruits are on the top of the tree. Stretch your hands and keep stretching them. Success is on the top, keep going. — Israelmore Ayivor

At that moment, Ronin stepped back into the living room, clothed, thank God. Well, mostly. Kneeling on the floor before him, Devin watched him fascinated as he fastened the buttons of his plaid flannel shirt, thankfully covering that fucking beautiful chest. He left the top two buttons at his neck open. Frozen, she stared as his hands slipped down to tuck the shirt into his jeans before he fastened the fly and buckled his belt. Her fingers itched as she imagined the warmth and hardness of his hips, the deep contour of muscle low on his stomach.

Ooooohhhhh! — Sibylla Matilde

Lulled into complacency, one of the brigands' hands loosened on his arm, and Warren had his chance. Breaking free, he grabbed a handful of Red's braids and tangled his fingers in the silky plaited coils. She cried out, flailing her arms, but he dragged her against him as he fell backward, pulling her down on top of him.
The warriors' retaliation was prompt... — Sandra Jones

Large sums passed through his hands. Nevertheless, nothing changed his way of life or added the slightest luxury to his simple life.
Quite the contrary, As there is always more misery at the lower end than humanity at the top, everything was given away before it was received, like water on parched soil. No matter how much money came to him, he never had enough. And then he robbed himself. — Victor Hugo

Hooking up with a tall, dark stranger in a bar wasn't anywhere on her to do-do list, but as she eyed those broad shoulders, the thick neck, strong-looking hands, and gorgeous mouth ...
What the hell, maybe he should be on the top of her "to-do" list. — Ophelia London

So, Harold. Friend, pal, chum." Roux folded her hands on top of the desk. "Are you going to
buzz us in or not?"
"Go on up, miss," Harold said, waving us through the lobby and toward the elevators.
"Harold, you're a gem. A pristine gem honed over years of trial and fire."
"That's how I would describe my job, too," Harold replied. — Robin Benway

God's supremacy over the works of his hands is vividly depicted in Scripture. Inanimate matter, irrational creatures, all perform their Maker's bidding. At his pleasure the Red Sea divided and its waters stood up as walls (Exod. 14); and the earth opened her mouth, and guilty rebels went down alive into the pit (Num. 16). When he so ordered, the sun stood still (Josh. 10); and on another occasion went backward ten degrees on the dial of Ahaz (Isa. 38:8). To exemplify his supremacy, he made ravens carry food to Elijah (1 Kings 17), iron to swim on top of the waters (2 Kings 6:5), lions to be tame when Daniel was cast into their den, fire to burn not when the three Hebrews were flung into its flames. Thus "Whatsoever the Lord pleased, that did he in heaven, and in earth, in the seas, and all deep places" (Ps. 135:6). — Arthur W. Pink

My hands are huge. When I was on 'Scrubs,' Zach Braff used to make fun of them all the time. And now I made some list. I guess Jennifer Garner is on the top of the list for best hands and I'm fourth down. But that's for people who really like an NBA star's hands. — Eliza Coupe

You expect me to fall on my back with my legs spread."
"Not necessarily ... You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while. — Ilona Andrews

The Dragon King's gaze turned to her. Darcy watched him standing in the glow of the streetlight, completely mesmerized by the dragon tat that ran from the King's right shoulder, under his armpit, and down his side to the top of his right thigh.
The dragon's head was at the front of the man's shoulder and had his mouth open as if on a roar. He was rearing with his wings up and out. It was his long tail that stopped at the King's thigh.
The King glistened with sweat that made his muscles gleam in the light. Darcy had the absurd notion to run her hands all over his body, learning the feel of his hard muscles and warm skin. — Donna Grant

They stood high on top of the hill overlooking the glen, the water rushing by, the sheep grazing on the green grass across the burn, and white clouds passing overhead against the blue sky.
He still had hold of her arm, but then he released her, cupped her face with both hands, and kissed her. — Terry Spear

The Romans formed a line of mantlets and constructed a siege terrace. When they began to erect a siege tower at some distance, the defenders on the wall at first made abusive remarks and ridiculed the idea of setting up such a huge apparatus so far away. Did those pygmy Romans, they asked, with their feeble hands and muscles, imagine that they could mount such a heavy tower on top of a wall? (All the Gauls are inclined to be contemptuous of our short stature, contrasting it with their own great height.) 31. But when they saw the tower in motion and approaching the fortress walls, the strange, unfamiliar spectacle frightened them into sending envoys to ask Caesar for peace. The envoys said they were forced to the conclusion that the Romans had divine aid in their warlike operations, since they could move up apparatus of such height at such a speed. — Gaius Iulius Caesar

Seems to me we move the furniture, the French come in later and put the doilies on top of it ... It's a simple fact they've always been reluctant to surrender to the wishes of their friends and are almost anticipatory in their urge to surrender to wishes of their enemies. And if they want to get their hands dirty now they're just gonna have to run 'em through their own hair. — Dennis Miller

Marie came with the brandy and poured a glass for Rebekah - then one for Ian, at Rebekah's gesture, and when Jamie made a small polite noise in his throat, half-filled his cup, pouring in more tea on top of it. The taste was peculiar, but he didn't really mind. The pain had gone off to the far side of the room; he could see it sitting over there, a wee glowering sort of purple thing with a bad-tempered expression on its face. He laughed at it, and Ian frowned at him. "What are ye giggling at?" Jamie couldn't think how to describe the pain beastie, so he just shook his head, which proved a mistake - the pain looked suddenly gleeful and shot back into his head with a noise like tearing cloth. The room spun and he clutched the table with both hands. — Diana Gabaldon

So you don't think I'm crazy because I see patterns all around me?" Airiana asked, drawing her knees up to rest her chin on top of them.
"No, I think you're perfectly sane," Blythe said. "A little mixed up, but that's to be expected given what you've been through."
"Let's not go that far," Lissa teased. "She's got it in her head that we're all going to find ourselves with a Prakenskii man in our laps."
Lexi nearly spewed her tea across the room. "Don't say that. Good grief, Lissa. This is Sea Haven. You can't put something like that out into the universe and not expect repercussions."
"It wasn't me," Lissa denied, holding up both hands. "Airiana said it first, and I told her the exact same thing."

-Airiana, Blythe, Lissa, & Lexi — Christine Feehan

If you want to raise a man from mud and filth, do not think it is enough to stay on top and reach a helping hand down to him. You must go all the way down yourself, down into mud and filth. Then take hold of him with strong hands and pull him and yourself out into the light. — Martin Buber

At the crux of Half Dome, at the very top of the wall, imagine, like, a smooth wall of rock - a nearly vertical granite slap with tiny ripples for your hands and feet. And so you're really trusting the rubber on your shoes to stick to these ripples. — Alex Honnold

Carefully, she stands. And she runs her hand across the top of Thomasina's gravestone as she leaves, like how, as girls, they would let go of hands - gradually, moving their fingertips over each other's palms, as gently as raindrops. She has done this for sixty-eight years and there is a dip on the stone from this. She has worn the stone down with her loving goodbyes. — Susan Fletcher

It was a school photograph and although the face was immediately recognisable she couldn't have pulled it up from her memory, it had long ago been replaced by the bloat of decomposed flesh. Caleb wore the same uniform that she had, shared the same classes and, possibly, aspirations but that's where the similarities with his life ended. On the occasions that Eleanor had forced herself to look at him she'd taste again the cascade of emotions that both defied and defiled her. Caleb was her 'safe word', the boy who had experienced all of the world's horror so she wouldn't have to.
Her hands steadier, she slid the remains back into the box and piled her life back on top of it. — Karen Long

Long ago it was said that "one half of the world does not know how the other half lives." That was true then. It did not know because it did not care. The half that was on top cared little for the struggles, and less for the fate of those who were underneath, so long as it was able to hold them there and keep its own seat. There came a time when the discomfort and consequent upheavals so violent, that it was no longer an easy thing to do, and then the upper half fell to inquiring what was the matter. Information on the subject has been accumulating rapidly since, and the whole world has had its hands full answering for its old ignorance. — Jacob A. Riis

He laid himself down on top of her, careful not to put too much weight on her. Her hands played in his hair. "I'm yours completely."
She laughed. "I somehow doubt that."
And she would be wrong.

-Nykyrian & Kiara — Sherrilyn Kenyon

It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening. — Beth Nielsen Chapman

I knew it! I knew you'd hate my body!" She slammed her hands on her hips, marched over to the bed, and glared down at him. "Well, for your information, mister, all those cute little sex kittens in your past might have had perfect bodies, but they don't know a lepton from a proton,and if you think that I'm going to stand here and let you judge me by the size of my hips and because my belly's not flat, then you're in for a rude awakening." She jabbed her finger at him. "This is the way a grown woman looks, buster! This body was designed by God to be functional, not to be stared at by some hormonally imbalanced jock who can only get aroused by women who still own Barbie dolls"
"Damn. Now I've got to gag you." With one swift motion, he pulled her down on the bed, rolled on top of her, and covered her lips with his own. — Susan Elizabeth Phillips

Passing inside they looked towards the bed. Dr. Livingstone was not lying on it, but appeared to be engaged in prayer, and they instinctively drew backwards for the instant. Pointing to him, Majwara said, "When I lay down he was just as he is now, and it is because I find that he does not move that I fear he is dead." They asked the lad how long he had slept? Majwara said he could not tell, but he was sure that it was some considerable time: the men drew nearer. A candle stuck by its own wax to the top of the box, shed a light sufficient for them to see his form. Dr. Livingstone was kneeling by the side of his bed, his body stretched forward, his head buried in his hands upon the pillow. For a minute they watched him: he did not stir, there was no sign of breathing; then one of them, Matthew, advanced softly to him and placed his hands to his cheeks. It was sufficient; life had been extinct some time, and the body was almost cold: Livingstone was dead. — David Livingstone

There are days when I swear I could fly like an eagle
And dark desperate hours that nobody sees
My arms stretched triumphant on top of the mountain
My head in my hands down on my knees — Stevie Nicks

Savannah," he started in a softer voice, "Wait. Please. I - I didn't mean ... I just didn't want you to ... " "I'm going home," she said, rushing from the room before he could say another word. "Savannah!" He shot out of bed, following her through his bedroom door and running down the gallery as fast as his bum leg would allow. While walking or jogging were good for him, he wasn't supposed to sprint on it, and it ached and burned as he got to the top of stairs only to hear the front door slam in her wake. "GOD DAMN IT!" he bellowed, lowering himself to sit on the landing as his leg throbbed with pain. Miss Potts appeared out of nowhere to stand at the base of the stairs with her hands on her hips. She pursed her lips and tsked. "Somehow I don't think peach cobbler is going to fix this one. — Katy Regnery

He takes her hand and they leave. There's a taxi outside and they go to her room without saying anything. Behind the door, she unties the dress, and then reaches for his belt. He pushes her hands away. He'll do it all himself, though his right hand is bleeding. He sits on a small wooden chair and pulls her down on top of him and feels how rough and silky she is straddling him. He is the one moving her, as if she's a doll, and he knows it has to be this way because it makes him feel that he won't die, at least for tonight. — Paula McLain

Wolf rolled her away from the edge, landing on top of her. His hands hastily brushed the curls from her face, gripped her shoulders, rubbed her bruised wrist, every ounce of his frenetic energy devoted to checking that she was there. That she was all right. — Marissa Meyer

On top of the good was a hideously ugly bronze statue in the modern style. The statue was of a couple, dressed in togas, wrapped in an embrace. Cupped in their hands was a piece of fruit. I couldn't be sure, because realism did not appear to be the artist's specialty, but it looked to me like a pomegranate.
"Good God," Frank, who'd trailed after us, said when he saw the statue. "Rector's even sicker than any of us thought. I've never wished I was blind before, like Graves, but I do now, because then I'd never have to look at that again."
"Frank," John said, his gaze on my face. "Be quiet."
"But what do they do in here?" Frank wanted to know. "Have picnics with their dead relatives and admire their ugly art? — Meg Cabot

Is this okay?" she whispered, her breath hot against my skin.
"God, yes," I panted, the entire forest disappearing around me. It was only her. Only her fresh scent, the feel of her weight on top of me, her hands, her skin, her lips. Only her. — Mia Sheridan

He stepped close to her; she could feel his breath on her neck. "Eve, you make me not want to die."
She turned to see his face. "I didn't want to be this, and now it's all I am."
He put his hands on her cheeks. The look on his face did her in. He was kind, caring, and mourning her losses. Tears wet his cheeks. Eve felt a very deep sob choke her. If he was mourning, so could she.
He pulled her into his arms. "Cry. It's okay. Cry."
Eve felt her knees give. He caught her and carried her to his couch. He petted her hair and let her empty her pain and guilt onto his chest. He kissed the top of her head. For the first time, his actions toward her seemed to have no sexual intent whatsoever.
Eve let go of a rope she'd clung to for too long. And she fell. She fell right into him. Wrong or right, she gave up judging. Her lips found his, and he kissed her gently, not demanding any more than she was willing to offer. — Debra Anastasia

Sometimes, I'll craft a scene that's so poignant; on the last keystroke I'll raise my hands high overhead and scream "Yes!" at the top of my lungs. I have yet to experience an orgasm so powerful and fulfilling. — Max Hawthorne

He's on his knees.
I bite back the moan caught in my throat just before he lifts me up and carries me to the bed. He's on top of me in an instant, kissing me with a kind of intensity that makes me wonder why I haven't died or caught on fire or woken up from this dream yet. He's running his hands down my body only to bring them back up to my face and he kisses me once, twice, and his teeth catch my bottom lip for just a second and I'm clinging to him, wrapping my arms around his neck and running my hands through his hair and pulling him into me.
He tastes so sweet. So hot and so sweet and I keep trying to say his name but I can't even find the time to breathe, much less to say a single word. — Tahereh Mafi

this is real, and it is happening now, just as it happened before: We are under the big tree in my backyard, on that patch of dirt where we used to build fairy houses from moss and sticks and scraps of birch. It is late afternoon. All around us is golden light. We have been together all day, in our cutoff shorts and bare feet. It is the start of fifth grade, the start of being the oldest in the school. Next year, we will be the youngest all over again. But not yet. We are playing that hand-slapping game, the one we like to play at recess. You hold your hands out, palms up, and I place mine lightly on top. You pull yours out and try to slap mine. You hit air three times. On the fourth try, your — Ali Benjamin

He couldn't believe it!
He knew her intent before she dove for her sgian dubh. But he couldn't react quickly enough. He wasn't about to allow her to arm herself again. He dropped his sword, needing both hands free and lunged for her, only with his body this time. Tackling her, he took her down, her back cushioned by the wealth of leaves, and planted his body on top of hers.
She grew very still then, and he smiled a little at her. "If you had done just as I asked, we wouldna be like this, now would we lassie?"
Sorcha was fuming mad and scared witless as the braw Highlander pressed his body on top of hers. She felt his staff growing against her belly the longer he remained between her legs. He was beautiful, his dark brown eyes swimming with lust, his long brown hair hanging about her face as she looked up at him, panting for breath, trembling, despite wishing to show he didn't frighten her one bit. But he did. — Terry Spear

[Olive's] left foot was bleeding through a wide swath of bandages onto the tarp it was resting on. The bowl next to her was full of blood.
Olive looked a little pale. "I don't think I should move," she said.
"What are you doing?" Roger shut the door behind him and stood with his back to it.
"I decided I might try to eat my toes," Olive said, closing her eyes. "But now that I've started, I don't think I should move."
Roger pushed himself off the wall and knelt down next to her. He unbuckled her silver belt and reached with it under her dress. He looped the belt around the top of her leg and tightened it. His hands were not shaking.
"Sit on the loose end," he said, pushing it under her. "I hope that works."
"You brought flowers," she said, blinking.
"Olive," he said. "You cut off your toes."
She looked down at the bowl. "Are they still toes?" she asked. — Amelia Gray

Yet, even allowing for these failings, was not St John Clarke still a person more like myself than anyone else sitting round the table? That was a sobering thought. He, too, for longer years, had existed in the imagination, even though this imagination led him (in my eyes) to a world ludicrously contrived, socially misleading, professionally nauseous. On top of that, had he not on this earlier occasion gone out of his way to speak a word of carefully hedged praise for my own work? Was that, therefore, an aspect of his critical faculty for which he should be given credit, or was it an even stronger reason for guarding against the possibility of corruption at the hands of one whose own writings could not be approved? — Anthony Powell

The tiny body was slippery, and he held her tightly, afraid she'd slither out of his grip. He rotated the infant face-up, holding her about ten inches away from his face. The top of her head had a slight cone shape. Her blue-tinged hands pinked. The baby's eyes were open, alert and seemingly amazed.
They connected with his.
A jolt of intense feeling, of recognition, flowed between them. As he gazed on the scrunched features of the infant, love surged through him. He'd never felt such a feeling before, and his chest ached with the joyful pressure. Caleb wanted to curl her to his chest and keep her safe. He pressed a kiss to her forehead, inhaling a scent that surprised him with its sweetness.
"My baby?" Maggie asked.
The infant broke eye contact with Caleb and turned her face toward the sound of her mother's voice. He blinked back moisture from his eyes and grinned. "You have a beautiful daughter. — Debra Holland

She whirled when the monster was almost on top of her. I thought the thing in her hands was an umbrella until she cranked the pump and the shotgun blast blew the giant twenty feet backwards, right into Nico's sword.
"Nice one," Paul said.
"When did you learn to fire a shotgun?" I demanded.
My mom blew the hair out of her face. "About two seconds ago. Percy, we'll be fine. Go! — Rick Riordan

But oh! shipmates! on the starboard hand of every woe, there is a sure delight; and higher the top of that delight, than the bottom of the woe is deep. — Herman Melville

The builder has ginger curly hair on top of his head, and a thick moustache. He has the look of a McDonald's manager from 1970 who spends his evenings sitting in the smoky back row of theatres in Soho. He's tall and muscular with hands the size of shopping baskets and, on the one occasion I did briefly meet him, I stared into his eyes and was shocked by their darkness. His nose is broken in three places and is the size and shape of a chicken nugget. A deep scar runs the length of his cheek hinting at a violent past.
Old tattoos fade on his arms.
The builder may have killed another human being at some point in his life. — Craig Stone

It almost feels like at some point life whacks you on top of the head and hands you a list of all the things you can keep. The list is surprisingly long. You can keep letters. You can keep trying. You can keep secrets and you can try your hardest to keep promises. You can keep your eyes on the road. You can keep his sweatshirt, the one he left on the living room floor. You can keep photos and you can keep the memories. But you cannot keep people. People are not things - you can't keep them. — Hannah Brencher

He remembered something about darkness, about pressure and weighted blankets and silence. Though he had no idea how he was going to get hold of any of those things up on top of a building.

"Tell me," Kit said. Tell me what you need.

"Put your arms around me," said Ty. His hands were pale blue blurs in the air, as if Kit were looking at a time-lapsed photo. "Hold on to me."

He was still rocking. After a moment, Kit put his arms around Ty, not knowing what else to do. — Cassandra Clare

Okay, I think it's time for another distraction" Eight says, disappearing again. He reappears by the outer circle of stones, plants his hands on an upright slab, and pushes hard. All I can do is watch in horror, frozen to the spot. The huge stone wobbles and slowly tips backwards, then the horizontal slab on top falls too, and that's when Eight starts yelling, "Help! Help! The stones are falling over! Stonehenge is falling down!" I will kill him. I clench my fists at my side, which is when I realize I still have a small rock in my hand. I lean down and carefully, pointlessly, return it to its spot. — Pittacus Lore

To go down and up two hands-and-knee climbing ravines and then out into the moonlight and the long, too-steep shoulder of mountain that you climbed one foot up to the other, one foot after the other, one stride at a time, leaning forward against the grade and the altitude, dead tired and gun weary, single file in the moonlight across the slope, on up and to the top where it was easy, the country spread in the moonlight, then up and down and on, through the small hills, tired but now in sight of the fires and — Ernest Hemingway,

Sam was stiff and tired. He crept onto the houseboat, careful not to wake anyone, and sidled down the narrow passage to his bunk. The shades were drawn and of course there were no lights, so he felt his way to the edge of his bed and crawled across it on hands and knees to find his pillow.
He collapsed on his back.
But even at the edge of sleep he was aware of something different about the bed.
Then he felt soft breath on his cheek.
He turned and her lips were on his. Not gentle. Not soft. She kissed him hard, and it was like he'd been awakened by an electric power line.
She kissed him and slid on top of him.
Their bodies did the rest.
At some point in the hours that followed he said, "Astrid?"
"Don't you think you should have made sure of that about three times ago?" Astrid said in her familiar, slightly condescending tone.
They said many things to each other after that, but nothing that involved words. — Michael Grant

Toward the small pond that he had seen before. The walls of fire ended there. An instant later the remains of the cottage exploded. He ducked and rolled again from the concussive force, almost pitching into the right side of the wall of fire. He rose and redoubled his efforts, thinking that he would reach the water. Water was a great antidote to fire. But as he neared the edge of the pond, something struck him. No scum. No algae on the surface although the ground around was full of it. What could kill green scum? And why was he being forced to run right toward the one thing that could possibly save him? Robie tossed his gun over the top of the wall of flames, pulled off his jacket, covered his head and hands with it, and threw himself through the wall of flames on the left side. — David Baldacci

Rushing outside, she carries long, sharp scissors and snips at flower petals while screaming, "Off with your head!" When I realize what she's really after, a strange discomfort stirs inside. I've seen how the petals tatter beneath the blades. I don't want her to ruin my moth's pretty wings. I throw my hands over the scissors to stop her. The moth escapes unscathed. But I'm not so lucky ...
Coming out of the trance, I drop to the ground and clutch aching palms to my chest. The scars throb as if freshly cut. Morpheus bows over me, smoothing my hair. "I told you that you were special, Alyssa," he murmurs, the weight of his palm strangely comforting on the top of my head. "No one else has ever bled for me. The loyalty of one child for another is immeasurable. You believed in me, shared new experiences with me, grew with me. That has earned you my sincerest devotion." — A.G. Howard

When I wake, a piece of sharp green glass on the floor is cutting into my hand and I know it's a sign. I etch a letter on my hand; put it on top so I can see the jagged edges bleeding out; S. S is for sorrow, for all I don't say. S is for sick now, my punishing ways. — Ibi Kaslik

And suddenly I got what the big deal was about kissing. How someone could suck on your bottom lip and make you come completely undone. That someone stroking the hair back from your face could make you swoon and someone sliding his hands underneath your top could make you feel wanted for the first time in your life. — Sarra Manning

Day made quick work of drying his body, brushed his teeth, and walked back into the bedroom. God was already in bed, his large form taking up the entire right side of the California king-size mattress. The starch white sheet was draped loosely over his lower half. Day walked over and grabbed the two bottles of water and set them on his nightstand just in case he needed it. He climbed onto the tall bed and was grabbed by strong hands and settled on top of his naked lover.

"Cash," Day moaned.

"Shhh. Just need to hold you," God said quietly as he rested his chin on top of Day's wet hair and squeezed him hard against him, protecting him as if someone might come in the middle of the night and try to snatch him away.

Day rose and fell slightly with God's steady breaths. It was only nine thirty but it wasn't long before Day's exhaustion had him drifting off to sleep. — A.E. Via

Dad told Uncle Seth not to screw things up," she informed me as we washed our hands. "He said even if Uncle Seth is famous, him getting a woman like you defies belief."
I laughed and smoothed down the skirt of my dress. "I don't know about that. I don't think your dad gives your uncle enough credit."
Brandy gave me a sage look, worthy of someone much older. "Uncle Seth spent last Valentine's Day at a library. — Richelle Mead

Cambodian dust whipped up in the wind and stuck to my clothes like clay. I put a hand between my face and the sun and blinked Phnom Penn dust from my tired eyes. One idea, drink, beamed light in all directions across my dark consciousness.
A slim lady walked toward me with a big smile and a bigger head. Her left hand rested on her waggling hips and her right hand rose above her head, limp-wristed, like she'd just thrown a winning ball toward a basket and was leaving her hand in the shot position. The lady walking toward me was a man. At least that much was clear, but the nature or our relationship was still a fog to me. She wore blue jeans and a white top accentuating her breasts, but her Adam's apple and cow sized hands revealed more in daylight than she could hide at night. — Craig Stone

Like so many first generation children of Indian immigrants, I learned to believe in a dream that is as much American as it is universal: a dream of equal opportunity for all based on merit, of power concentrated not in the hands of a few at the top, but fanning across a large, educated, and civically engaged middle class. — Leila Janah

He sits down at his desk and hands me a pile of letters. They're all addressed to me, but are opened and have notes on them. Each one is from a different college and placed in order of preference according to Sterling. Auburn sits on top, followed by Ole Miss and Arkansas. They're all interested in me. — Heidi McLaughlin

My brother threw up his hands. "What does a woman need to do, Harry? Rip her clothes off, throw herself on top of you, and shimmy while screaming, 'Do me, baby!'?" he shook his head. "Sometimes you're a frigging idiot. — Jim Butcher

Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon. — Diane Keaton

Under the tossing ocean the voice of the waters was in my ears - a low, sweet voice, intimate, mysterious. Through singing foam and broad, green, glassy depths, by whispering sandy channels atrail with sea-weed, and on, on, out into the vague, cool sea, I sped, rising to the top, sinking, gliding. Then at last I flung myself out of water, hands raised, and the clamor of the gulls filled my ears. — Robert W. Chambers