Too Hip For The Room Quotes & Sayings

I am not one to brag but to tell you the truth mang,
I am funkier then a locker room after a hoop game. — Mac Dre

Just like that. Gone forever. They will not grow old together. They will never live on a beach by the sea, their hair turned white, dancing in a living room to Billie Holiday or Nat Cole. They will not enter a New York club at midnight and show the poor hip-hop fools how to dance. They will not chuckle together over the endless folly of the world, its vanities and stupid ambitions. They will not hug each other in any chilly New York dawn.
Oh, Mary Lou.
My baby.
My love. — Pete Hamill

When I am performing live, I walk into a room, and I just try to get a feel for the vibe, and I am coming from different angles musically. I might come with a new song, I might come with some hip-hop, with some R&B. Once I find my way, then I am hitting you, and hitting you all night. — Grandmaster Flash

You're just a little too hip for the room. It's not good to be too hip because two hips make an ass. — Russell Malone

Super-cali-fragalistic-expiali-docious,
Docious-ali-expi-fragalistic-cali-super.
Cancun ... catch me in the room, eatin' grouper. — Ghostface Killah

From Pearls and Poison ...
"In two minutes the cops are going to come barreling though that door," I whispered to Auntie KiKi hoping to get her mind off the body in the back room. "Any suggestions how we tell these workers out here their candidate just croaked?"
"Yell The jackass bit the big one, hip-hip hooray Gloria wins, then run like the dickens before someone recognizes us. — Duffy Brown

Jacob didn't want to coerce or be coerced, but what was he supposed to do? Sit on his hands waiting for his grandfather to shatter his hip and die in a hospital room as every abandoned old person is destined to do? — Jonathan Safran Foer

It's important in life if you don't give a shit. It can help you a lot. — George Carlin

Do you know how hard it is to paint kindness?" She leaned her hip against a desk in the corner of the room, still watching me. "It's the only part of a person I really want to capture. Everything else seems to get lost in layers of deception or defensiveness. But not kindness. You can't hide it. And people either are or they aren't. — Laura Anderson Kurk

And then there was Joss. I met him in a dimly lit office, where he regaled me with tales of adventure, swashbuckling, shootings, spaceships, and narrow escapes. Um, where do I sign? He gave me a new identity, a costume, a gun, and a long brown duster for a cape. I remember that meeting so well; it was like a superhero "origin" issue. I remember Joss looking at Polaroid photos of my first costume fitting, holding up the one with the duster and gun saying, "Action figure, anyone?"
Never in my wildest. Like some sort of super-team benefactor, Joss made superheroes out of all of us, complete with a super-hideout spaceship. During filming, we'd all retreat to our dressing room trailers and emerge like Supermen with our alter egos. The boots, the suspenders, gun holstered low on my hip ... with a flick and a spin of that wicked awesome coat over my shoulders, I became someone else. — Nathan Fillion

I've always been able to write rhymes and that would be like when you consult with your girl. When I'm mad and s - t like that I would throw headphones on and close my room door, when I'm mad I just close the door with my girl and f - k her. In so many different ways hip-hop has been like my girl and it's always been there to hold me down. — Joell Ortiz

Even at seventy-four, with a limp from a hip replacement, Margaret could still enter a room and fill it like perfume. — Sarah Addison Allen

Green's mouth was too full to smile and too full to respond. He was ready to go lower but he wanted to make this good. He rose up and straddled Ruxs' legs, flipping him over. Green slapped that sexy ass hard, the sharp sound loud in the dark room. "Bastard," Ruxs murmured. Green started at the base of Ruxs' neck, his tongue being led by the long spine, as he licked his way down, around the valleys and curves of his back. Never had Green seen a man with a hotter body than Ruxs'. When he got to the top of his ass, Green gripped Ruxs' hip and dove in. Just wetting him, priming him. Ruxs face was pressed into the bedding, muffling his cries. Green wanted to hear how he was making Ruxs feel. Green — A.E. Via

She'd been a beautiful woman in her day, delicate and trim, blue-eyed and fair-haired. There was a certain power beautiful mothers held over there less beautiful daughters. Even at seventy-four, with a limp from a hip replacement, Margaret could still enter a room and fill it like perfume. Josey could never do that. The closest she ever came was the attention she used to receive when she pitched legendary fits in public when she was young. But that was making people look at her for all the wrong reasons. — Sarah Addison Allen

Before I can respond, Nash continues. "Or was I there, too?" He brushes his lips over mine. "Did you think of my lips when he kissed you?" Light as a feather, he runs his hand down the outside of my thigh and back up again, squeezing my hip. "Did you wish it was me touching you? Like I did the night I came to your room?"
I start to lean back and speak, but his lips take mine, quickly coaxing them apart. Sensation drowns out thought as I feel him breathe into my mouth. "Do you still want me? Because if you do, I'm all yours. — M. Leighton

Jordan kicked aside off the ground. His hip came into contact with her side, gently knocking her off her balance. "Hey," she cried out, regaining her step. Jordan grinned at her over his shoulder as he continued across the room. "Whoops." Alyx launched off a table at him. He jerked forward as she kicked off his back and flipped over his head. "Whoops," she yelled back as she hit the ground and kept running. She could hear him laughing. — Hanna Peach

As I was waiting, a man came out of a side room, and at a glance I was sure he must be Long John. His left leg was cut off close by the hip, and under the left shoulder he carried a crutch, which he managed with wonderful dexterity, hopping about upon it like a bird. He was very tall and strong, with a face as big as a ham - plain and pale, but intelligent and smiling. Indeed, he seemed in the most cheerful spirits, whistling as he moved about among the tables, with a merry word or a slap on the shoulder for the more favoured of his guests. — Robert Louis Stevenson

All around the smell of that necro-smoke, that nether-weed. And up and at the hedonist impulse, rejoice, rejoice, in the disconnect my pretty things, fly monkeys, fly! The hip chick in the back, her legs uncrossed to let in air and let out pretention as the lights are down and it's not necessary, nor should it be even with the lights up, all around faces, turned away and yet minds knowing, knowing there is a presence, a power about the room, the charge is different than it was before this small chick came in. Rejoice, simpatico, rejoice. It's her night. A night of the explosion. Pow - bang-ka-boom and yet it's whispered and yet it's heard through the walls at 3 A.M. by attentive ears and hands clenching in the frustration of being unsolicited by the owner of this spectacle. A woman's sigh of ecstasy, and his tears at being not the cause. — Benjamin R. Smith

I'm a hip-hop dancer, but when I'm in my room it turns into this lyrical nonsense, and I listen to Phil Wickham and India Arie, who has the most precious songs. — Alyson Stoner

Later that evening I lay down in Min's empty bed upstairs and pulled her white sheet up over my head. I felt for my kneecaps and hip bones. I lay perfectly still, arms down, palms up. I closed my eyes and pretended I was floating in space, then at sea, then not floating at all.I hummed an old Beach Boys tune. In my room ... Min had taught me how to play it on her guitar when we were kids. — Miriam Toews

She was bedridden falling a fall which broke her hip. X-rays showed that she had cancer of the colon which had already spreed. To my surprise I found her cheerful and free of pain, perhaps because of the small doses of morphine she was being given. She was surrounded by neighbours and friends who congregated at her bedside day and night. In this cosy, noisy, gregarious world of the "all-chinese" sickbed, so different from the stark, sterile solitude of the American hospital room, her life had assumed the astounding quality of a continuous farewell party. — Adeline Yen Mah

He stands in the kitchen doorway, a black figure surrounded by the yellow light background, the small details of his face unseen from the darkness of the living room. His left shoulder leans slightly against the threshold, a pistol suspended from the left hand, dangling in the yellow space between the hip and the dark. — Frank Turner Hollon

We played at a club called, the Elbow Room. Don Carlos, the nightclub owner, was very hip and a very important person who made a big impact on my life. — Jim Capaldi

I worked in this bar called the Raincheck Room in the '60s; it used to be over on Santa Monica Boulevard, and, y'know, it was a pretty hip place. Lots of actors hung out there. — Alex Rocco

No one with a living room radio that was a piece of furniture at the time would say, gee. I want to carry that around on my hip pocket. That was not a thought until NASA initiated this whole exercise. So there's an influence that's not just spinoff. — Neil DeGrasse Tyson

I'm funkier than a locker room after a hoop game. — Mac Dre

The female runner still lags behind the male, and blame rests on the pelvis. The projections on the man's pelvis allow for more powerful muscles, but a woman equipped with them could not bear a child. Similarly, a man's hip sockets are closer together, nearer the center of gravity, which enables more efficient movement. If a woman's were similarly designed, there would be no room for the baby's head to extrude. So the odd pelvic bone represents a summation of many different requirements. When a woman wishes she could run faster or sway less or have a narrower base, let her know that the survival of the human race depends upon her being just the shape she is. — Philip Yancey

But this story ends when you open the door. It doesn't matter if you managed to guess which room is mine, which door I closed behind me. You put your hand on the door handle, you knock, it's all over. End of story. By choosing one, you chose the other, too. Do you understand why? Those two consequences are joined at the hip, they're Siamese twins. Even if you picked the door with the lady behind it - all questions answered, all explanations given, your life solved for you - it's still true that you gave the tiger permission to jump. You gave your assent to catastrophe, you invited tragedy and horror to walk right in. You got lucky, that's all. Mallon — Peter Straub

Braniac dumb-dumbs, bust the scientifical,
Approach to the course and the force is centrifugal.
Can you find your way through the lyrics that be catchin' 'em?
Throw another rhyme across the room, they be fetchin' 'em. — Masta Ace

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay