Tone Marks Quotes & Sayings

That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good. — Raymond Chandler

I'm a way bigger worrier than I ever was before I had kids. And, you know, the stress and anxiety that can go along with motherhood, I have had to battle that. — Natalie Maines

It is poor solace to speak of the passing of time and grief," the master said. His quiet voice had gone somehow bleak, though Araene could not decide where in his unchanging tone the difference lay. "We do not wish our grief to fade, for it marks the love and honor in which we held our lost kinsmen. Nevertheless, permit me to assure you that while you may find peace a barren desert, yet eventually it may bloom. — Rachel Neumeier

I think there is often a 'what if' proposition that gets me thinking about all my novels. — John Irving

I'm basically the idea person. I'm not physically involved in the production. I don't have the necessary abilities, so I go to the top people. — Jeff Koons

Let her arm go and pray she has no bruise," a familiar voice said in a low angry tone. I shuddered from relief at the sound of his voice. Trey released my arm and shrugged, grinning. "I just wanted an oyster, and she wouldn't serve me." I opened my mouth to protest when the warm fingers holding my arm softly squeezed me for reassurance. So, I stayed quiet. "Jason, please escort your friend to the door. I have no other reason to speak with him unless Sadie has a bruise or any lasting marks from his hands, and then he will see me again. — Abbi Glines

So full. Full of lobster meat and the sadness of the lobster meat. Full of the feeling of having cracked hundreds upon hundreds of precious shells. Full of the sound and the sight of destruction, the lobsters dead in a pile, some of them with lipstick marks on their empty husks. Their voices piled up on one another. I felt a whispering coming from deep within my belly, the voices not yet at rest, and they said in a tone sympathetic and unsympathetic at the same time, Next Next Next. 'Well,' I said, 'what do we do next?' 'Lobster dinner?' he asked, chuckling a little as if I ought to be chuckling with him as well. — Alexandra Kleeman

The conceited, benevolent tone of the prefaces, the abundance of translator's notes, which disturb my concentration, the parenthetical question marks and sic's that the translator generously scatters through the article or book, are for me like an encroachment both upon the person of the author and upon my independence as a reader. — Anton Chekhov

No strings, Justin. I want you on your feet, not your knees, and I'd rather see you presiding at the seance table than hungry or desperate. I don't want you to capitulate. I never want you to do that. Merely, I would take it as a very great favour if you'd please, please let me give you back your freedom to choose. — K.J. Charles

Gerry reached up to smooth a bit of that snowy mane. The strands slipped through his fingers like silk to reveal a witch's mark, a spiral of olive-green stones that seemed to be a part of Ghost's very forehead, shining against the translucent skin. Gerry had seen such marks before, peculiar glyphs burned into a witch's skin in vibrant jewel-tone inks to offer protection or enhance their power, or so the witches claimed. This was the first time he had seen actual jewels used, though. He thought it was beautiful, exotic like all of Ghost, with that white hair and those ice blue eyes. Gerry returned to admiring the peaceful face resting on his shoulder. — Morwen Navarre