Tone In Writing Quotes & Sayings

It's hard to pin down what makes Weiss' music so distinctive. Perhaps it's that even in the ballads, the tone is upbeat, the outlook positive. The way Weiss writes - passionately, wittily and with respect for his fellow musicians - attests to his talent and appetite for creativity, and suggests a long, enjoyable career. — Carlo Wolff

In the end, when you're writing a really good song, it strikes the right tone. — Craig Finn

I let the music set the tone of the lyrics.I allowed myself to write more about relationships and emotions, in a girly way almost. — Jose Gonzalez

Much advice on writing has the tone of moral counsel, as if being a good writer will make you a better person. Unfortunately for cosmic justice, many gifted writers are scoundrels, and many inept ones are the salt of the earth. But the imperative to overcome the curse of knowledge may be the bit of writerly advice that comes closest to being sound moral advice: always try to lift yourself out of your parochial mindset and find out how other people think and feel. It may not make you a better person in all spheres of life, but it will be a source of continuing kindness to your readers. — Steven Pinker

England was always very special. It was so important because the reason Benny and I started writing was the Beatles. During the Sixties, England was everything. To be number one in England was more important than being number one in America because England set the tone. — Bjorn Ulvaeus

A voice is a product of the writer's own Pandora Box of insight, insecurities, bravado, modesty, humility, affection, understanding, and confidence. In short, a voice reflects the writers' sangfroid. The tenor of the writer's voice also reflects their insecurities, self-doubt, egotism, testiness, and the ability to identify with their mental and physical infirmities. The inflection that distinguishes a writer's pitch from other wordsmiths' tone reflects their collective lifetime of mundane, tranquil, disturbing, and passionate experiences. — Kilroy J. Oldster

I said. "I'm fine. I have a little bit of a head ache, but I'm not dizzy or nauseous. I can walk and talk just fine, and I can remember everything." "Everything, huh? Don't self-diagnose, Doctor Fisher. Do you remember when the Battle of Bunker Hill was fought?" "The what?" "The Battle of Bunker Hill. We covered it in World Civ." "No, we did not." "We did, too. The unit on the American Revolution." "Davin, that was like, two years ago! I don't remember stuff like that!" "So, not everything." "Everything important." "That happens to have been a very significant battle," Davin reminded me, in a smug tone. — J.M. Richards

I was impressed with Jack [Kerouac]'s commitment to serious writing at the expense of everything else in his life. At a time when the middle class was burgeoning with new homes, two-tone American cars, and black-and-white TVs, when American happiness was defined by upwardly mobile consumerism, Kerouac etched a different existence and he wrote in an original language. — Sterling Lord

All my friends and relatives have always taken a condescending tone to my writing, and never ceased urging me in a friendly way not to give up real work for the sake of scribbling. — Anton Chekhov

My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation. — Clark Ashton Smith

It's a memoir of various events in my own life, but it's also a teaching book: along the way I explain the writing decisions I made. They are the same decisions that confront every writer going in search of his or her past: matters of selection, reduction, organization and tone. — William Zinsser

Recall, then, some event that has left a distinct impression on you
how at the corner of the street, perhaps, you passed two people talking. A tree shook; an electric light danced; the tone of the talk was comic, but also tragic; a whole vision, an entire conception, seemed contained in that moment.
But when you attempt to reconstruct it in words, you will find that it breaks into a thousand conflicting impressions. — Virginia Woolf

Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit one's end ... .Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past. — J.L. Carr

But writing is a queer business. If one does anything that is sharp and keep enough to go over the line, to get itself with the work that is taken seriously, one has to have had either an unusual knowledge of or a peculiar sympathy with the characters one handles. One can't write about what one most admires always - you must, by some accident, have seen into your character very deeply, and it is this accident of intense realization of him that give your writing about him tone and distinction, that lifts it above the commonplace, in other words — Willa Cather

I write because I like to write. I find joy in the texture and tone and rhythm of words. It is a satisfaction like that which follows good and shared love. — John Steinbeck

Authority is the unmistakeable tone in the voice of a true writer ... — John Geddes

I came up in the '60s; that was a time when there was a revolution going on in music. Stravinsky had become a twelve-tone composer; even Aaron Copland was writing twelve-tone pieces at that time! — Paul Lansky

I'm speaking to someone I'm trying to get to fall in love with me. I'm trying to speak intimately to one person. That should be clear. I'm not speaking to an audience. I'm not writing for the podium. I'm just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I'm trying to interrupt some silence in their life, which is utterance. — Billy Collins

Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge. — Sebastian Smee

I've always thought, it's the artist that write the songs and make the records. And it's our responsibility to set the tone for what's happening in the industry. And I take that seriously. — Eric Church

Fallon continued. "We learned in school that bullies abuse others because they feel bad about themselves. They're hurting." She brought up her knees and locked her arms around them, her tone light and taunting. "We shouldn't be mad. We should pity them." Madoc has never had to make a real decision in his entire life, which means he's never had anything real. This house, the cars, the money. It's all an illusion. It's like parading a victory when you missed the war." She took a breath and whispered slowly. "Madoc has no idea who he is. — Penelope Douglas

Taken thus by surprise, it was several moments before she was able to decide whether to make herself known to him, or to await a formal introduction. The strict propriety in which she had been reared urged her to adopt the latter course; then she remembered that she was not a young girl any longer, but a guardian-aunt ... To flinch before what would certainly be an extremely disagreeable interview would be the act, she told herself, of a pudding-heart. Bracing herself resolutely, she got up from the writing-table, and turned, saying, in a cool, pleasant tone: 'Mr Calverleigh?'
He had picked up a newspaper from the table in the centre of the room, and was glancing through it, but he lowered it, and looked enquiringly across at her. His eyes, which were deep-set and of a light grey made the more striking by the swarthiness of his complexion, held an expression of faint surprise; he said: 'Yes? — Georgette Heyer

This is why Madoc was going to be a great lawyer like his dad. Working people wasn't just about the words you spoke. It was about body language, tone, and timing. Keep your voice natural, your body relaxed, and distract them with a change of subject as soon as possible. Here it comes in three, two, one ... "Come on," he nudged Addie. "It's fine. — Penelope Douglas

Music is my one necessary tool. I put on music that fits the mood of what I'm writing, to help me stay in the zone and get the emotional tone right. — Stephenie Meyer

I can't be reading novels when I'm writing a novel, because somebody's voice creeps in. The hardest thing to do is keep the tone and your attitude over the course of a year or however long it takes.But when I'm writing short stories, which I will be doing shortly, I can read anything I like. — T.C. Boyle

Literary friendship is impossible, it seems; at least, it is impossible for me. Indeed, all male friendships outside of work sometimes seem to be impossible: you look at each other at the restaurant at some point in the conversation and you know that each of you is thinking, man, this is futile, why are we here, we're wasting our time, we have nothing to say, we're not involved in some project together that we can bitch about, we can't flirt, we feel like dummies discussing movies or books, we aren't in some moral bind with a woman that we need to confess, we've each said the other is a genius several times already, and the whole thing is depressing and the tone is false and we might as well go home to our wives and children and rent buddy movies like Midnight Run or Planes, Trains, and Automobiles or The Pope of Greenwich Village when we need a shot of the old camaraderie. — Nicholson Baker

After finishing the first draft, I work for as long as it takes (for two or three weeks, most often) to rework that first draft on a computer. Usually that involves expansion: filling in and adding to, but trying not to lose the spontaneous, direct sound. I use that first draft as a touchstone to make sure everything else in that section has the same sound, the same tone and impression of spontaneity. — Kent Haruf

In the most basic way, writers are defined not by the stories they tell, or their politics, or their gender, or their race, but by the words they use. Writing begins with language, and it is in that initial choosing, as one sifts through the wayward lushness of our wonderful mongrel English, that choice of vocabulary and grammar and tone, the selection on the palette, that determines who's sitting at that desk. Language creates the writer's attitude toward the particular story he's decided to tell. — Donald E. Westlake

I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls? — J.R.R. Tolkien

If you tell certain people that you like Kerouac, they assume that's all you read, like you don't know anything else about literature. I recognize all the things that people dislike about the way he writes - his tone and the sentimentality of it all. But those books were there for me at a very important point in my life. — Ben Gibbard

Playing a flute is like writing a book. You're telling what's in your heart ... It's easier to play if it's right from your heart. You get the tone, and the fingers will follow. — Eddie Cahill

Movie. What's my favorite kind of movie?"
"Is there a point to this?"
"Please, Lucy. What's my favorite movie?"
"Horror. Why?"
"No reason," I sighed as I slouched back in the chair.
"And would you stop that! Please? It's distracting," she said as she
slammed her hand down on top of mine to stop me from twirling my ring.
I jerked my hand out from under hers so I could cross my arms over my
chest.
"What's with you today?" Her tone was saturated with distaste.
"Nothing."
"Well, you're being awfully annoying for nothing to be wrong," she
retorted. "Go ahead, Josh. I'm listening now."
I could feel the cold emanating from her and flowing in my direction. It
had been this way for a while I just didn't want to see it.
Danny and Josh looked at me and then awkwardly focused on other
things. — Kaitlin Scott

It's in my blood, as magic is in yours." His mouth is still smiling, but his tone is somber. "I couldn't stop writing even if I wanted to. — Elora Bishop

Ozzie Boone ... insists that I keep the tone light in these biographical manuscripts. He believes that pessimism is strictly for people who are over-educated and unimaginative. Ozzie counsels me that melancholy is a self-indulgent form of sorrow.
By writing in an unrelievedly dark mode, he warns, the writer risks culturing darkness in his heart, becoming the very thing that he decries. — Dean Koontz

Who are you?" he asked, in a bewildered tone. I cocked my head at him, totally baffled. "I told you. Anna Fisher. And I happen to be starving, so let's go." I tugged at his arm and led him back in line. — J.M. Richards

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia
a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity. — Elizabeth Hardwick

Read good writing, and don't live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it's not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. — Rebecca Solnit

One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily. In the first paragraph you solve most of the problems with your book. The theme is defined, the style, the tone. At least in my case, the first paragraph is a kind of sample of what the rest of the book is going to be. That's why writing a book of short stories is much more difficult than writing a novel. Every time you write a short story, you have to begin all over again. — Gabriel Garcia Marquez