Today Art Quotes & Sayings

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. — Michael Richardson

I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing - until my older brother's friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It's no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement. — Chet Zar

The best art looks and sounds prophetic; a genius borrows from tomorrow what he uses today. — Matshona Dhliwayo

You see, we were able to give you something, something which even now no one will ever take from you, and we were able to do that principally by sheltering you. Hailsham would not have been Hailsham if we hadn't. Very well, sometimes that meant we kept things from you, lied to you. Yes, in many ways we fooled you, I suppose you could even call it that. But we sheltered you during those years, and we gave you your childhoods. Lucy was well-meaning enough. But if she'd have her way, your happiness at Hailsham would have been shattered. Look at you both now! I'm so proud to see you both. You built your lives on what we gave you. You wouldn't be who you are today if we'd not protected you. You wouldn't have become absorbed in your lessons, you wouldn't have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? You would have told us it was all pointless, and how could we have argued with you? So she had to go. — Kazuo Ishiguro

I mentioned early in this book the kind of rereading distinctive of a fan
the Tolkien addict, say, or the devotee of Jane Austen or Trollope or the Harry Potter books. The return to such books is often motivated by a desire to dwell for a time in a self-contained fictional universe, with its own boundaries and its own rules. (It is a moot question whether Austen and Trollope's first readers were drawn to their novels for these reasons, but their readers today often are.) Such rereading is not purely a matter of escapism, even though that is one reason for its attraction: we should note that it's not what readers are escaping from but that they are escaping into that counts most. Most of us do not find fictional worlds appealing because we find our own lives despicable, though censorious people often make that assumption. Auden once wrote that "there must always be ... escape-art, for man needs escape as he needs food and deep sleep." The sleeper does not disdain consciousness. — Alan Jacobs

The art of today is that which really belongs to us: it is our own reflection. In condemning it we but condemn ourselves. — Okakura Kakuzo

Today I will surrender to discipline. I realize that sometimes it takes time to see the fruits of my labors, yet I still need to practice discipline. Help me to remember, God, that I'm moving forward, and that I'm learning the very important art of discipline. — Melody Beattie

You desire a popular art? Begin by having a "people" whose minds are liberated, a people not crushed by misery and ceaseless toil, not brutalized by every superstition and every fanaticism, a people of itself, and victor in the fight that is being waged today. — Romain Rolland

Network marketing is based purely on relationship selling, which is the state of the art in selling today. Small and large companies throughout the country and the world are realizing that individuals selling to their friends and associates is the future of sales, because the critical element in buying is trust. — Brian Tracy

McMansions in sprawling suburbs, without mountains of unnecessary packaging, without giant mechanized monofarms, without energy-hogging big-box stores, without electronic billboards, without endless piles of throwaway junk, without the overconsumption of consumer goods no one really needs is not an impoverished world. I disagree with those environmentalists who say we are going to have to make do with less. In fact, we are going to make do with more: more beauty, more community, more fulfillment, more art, more music, and material objects that are fewer in number but superior in utility and aesthetics. The cheap stuff that fills our lives today, however great its quantity, can only cheapen life. — Charles Eisenstein

Even today, I dare not say that I have reached a state of achievement. I'm still learning, for learning is boundless. — Bruce Lee

For me, it's always very beautiful that you can do something today in the 21st century which is not an imitation but which has a connection to art which is 4,000 years old. — Wolfgang Laib

How shall I begin to deplore the deeds of my miserable life? What beginning shall I make, O Christ, to this lament? But since Thou art compassionate, grant me remission of my trespasses." "Like as the potter gives life to his clay, Thou hast bestowed upon me Flesh and bones, breath and life; Today, O my Creator, my Redeemer and My Judge, Receive me a penitent ... " "I have lost my first made beauty and dignity, And now I lie naked and covered with shame ... — Alexander Schmemann

Kitsch parodies catharsis ... It is in vain to try to draw the boundaries abstractly between aesthetic fiction and kitsch's emotional plunder. It is a poison admixed to all art; excising it is today one of art's despairing efforts ... — Theodor Adorno

Fashion is something you attach to yourself, put on, and through that interaction the meaning of it is born. Without the wearing of it, it has no meaning, unlike a piece of art. It is fashion because people want to buy it now, because they want to wear it now, today. Fashion is only the right now. — Rei Kawakubo

Today when a man gets married he gets a home, a housekeeper, a cook, a cheering squad and another paycheck. When a woman marries, she gets a boarder. To define it rudely but not ineptly, engineering is the art of doing that well with one dollar, which any bungler can do with two after a fashion. — Duke Of Wellington

A programming language that is sort of like Pascal except more like assembly except that it isn't very much like either one, or anything else. It is either the best language available to the art today, or it isn't. — Raymond Simard

The Westway, the old strip club on Clarkson Street, is still there, but today it's owned by a hipster restaurant entrepreneur who caters to the ironic cultural lifestylers, more fashion world than art, people who are "cool" because they live in New York. — Kim Gordon

The mentality of today seeks in fact to reduce everything to temporal categories: a work of art, a thought, a truth have no value in themselves and independently of any historical classification, but only as a result of the time in which they are rightly or wrongly placed; everything is considered the expression of a "period", not of a timeless and intrinsic value, and this is entirely in conformity with modern relativism and with a psychologism or biologism that destroys essential values . This philosophy derives a maximum of originality from what in effect is nothing but a hatred of God; but since it is impossible to abuse directly a God in whom one does not believe, one abuses Him indirectly through the laws of nature , and one goes so far as to disparage the very form of man and his intelligence, the intelligence with which one thinks and abuses. But there is no escaping immanent Truth: "The more he blasphemes," says Meister Eckhart, "the more he praises God. — Frithjof Schuon

I know not from what distant time thou art ever coming nearer to meet me. Thy sun and stars can never keep thee hidden from me for aye.
In many a morning and eve thy footsteps have been heard and thy messenger has come within my heart and called me in secret.
I know not only why today my life is all astir, and a feeling of tremulous joy is passing through my heart.
It is as if the time were come to wind up my work, and I feel in the air a faint smell of thy sweet presence — Rabindranath Tagore

If today's arts love the machine, technology and organization, if they aspire to precision and reject anything vague and dreamy, this implies an instinctive repudiation of chaos and a longing to find the form appropriate to our times. — Oskar Schlemmer

We live today amid ritualized anithumanisms. Among those intelligent enough to feel despair, some seek salvation in the literary artist. Artists love flattery; and the scam doesn't work without mystifying the process.

The weather is unpredictable, but it is not mysterious.

Wall Street is unpredictable, but it is not mysterious.

Writing is unpredictable, (like street and sky, there are too many variables.) Its mystery vanishes, like a shadow, the moment the light aimed at your characters turns back upon yourself. — Doran Larson

People have experiences in art museums today that they used to have in church. — Bill Viola

Painting, by its nature, cannot provide an object of simultaneous collective reception ... as film is able to do today ... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism. — Walter Benjamin

I like what I'm doing. Today at 88, I wouldn't think of quitting because I can't think of anything else I would rather do. And now with my lectures on all the charitable things that I do, just as you do, I think that what I'm doing matters. — Art Linkletter

Pyramids, cathedrals, and rockets exist not because of geometry, theories of structures, or thermodynamics, but because they were first a picture- literally a vision-in the minds of those who built them. Society is where it is today because people had the perception; the images and the imagination; the creativity that the Arts provide, to make the world the place we live in today. — Eugene S. Ferguson

And is it not the artists that make art? Well, no: criticism is now the substance of art making to such a degree that many of today's public artists do away with the product as an issue, and make public debate the contents of their art. In doing so they are not redefining art so much as redefining public space. The debate itself has become the public space. — Paul Shepheard

The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art. — Octavio Paz

The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists. — Aaron Scharf

The Art and Life of Jean Varda makes clear that Varda, better known today as an outlandish character than as a serious artist, was in fact both. Stroman cuts through the myths that Varda created about himself, while celebrating them at the same time. A lively book, deeply researched, well illustrated."


David Weinstein, CA-Modern Magazine | Eichler Network — Elizabeth Leavy Stroman

Today, because photography exercises such a profound influence upon the study of art, we tend to disregard the way in which prints continue to function as information. — Edward Lucie-Smith

What? We feel aesthetic pleasure at a sonata by Beethoven and not at one with the same style and charm if it comes from one of our own contemporaries? Isn't that the height of hypocrisy? So then the sensation of beauty is not spontaneous, spurred by our sensibility, but instead is cerebral, conditioned by our knowing a date?
No way around it: historical consciousness is so thoroughly inherent in our perception of art that this anachronism (a Beethoven piece written today) would be spontaneously (that is, without the least hypocrisy) felt to be ridiculous, false, incongruous, even monstrous. Our feeling for continuity is so strong that it enters into the perception of any work of art. — Milan Kundera

In the '70s and '80s there was an attempt in K-12 to teach science through art or art through science. The challenge today is how do you build the ethos of art and design into the academy of science. — John Maeda

To me there is no past or future in art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today that it ever was. — Pablo Picasso

If you knew you had to fight for your life tomorrow, would you change your training today? — Bruce Lee

I don't think any movie or any book or any work of art can solve the stalemate in the Middle East today. But it's certainly worth a try. — Steven Spielberg

Ah, well, during the Middle Ages, religion was often able to redeem art. Today, however, art is about the only thing that can redeem religion, and the clerics will never forgive us for that. — Samuel R. Delany

Mitt Romney announced he will fight former heavyweight champion Evander Holyfield in a charity boxing match. You can tell that Romney is serious about it. Today, his butler gave him a piggyback ride up the steps of the Philadelphia art museum. — Jimmy Fallon

The critic interested in a novel manifestation holds his criteria and taste in reserve. Since they were formed upon yesterday's art, he does not assume that they are ready-made for today. — Leo Steinberg

Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society - and through this naturally operate upon the core questions of our society - is not art. — Joseph Beuys

Art- speech is the only truth. An artist is usually a damned liar but his art, if it be art, will tell you the truth of his day and that is all that matters. Away with eternal truth. The truth lives from day to day, and the marvelous Plato of yesterday is chiefly bosh today. — D.H. Lawrence

Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility ... Artists have had to become self-conscious aestheticians: continually challenging their means, their materials and methods. — Susan Sontag

Today we say all art is political. But I'd say all art has to do with ethics. Which after all really comes to the same thing. It's a matter of attitudes. — Ingmar Bergman

Thinking ahead often seems to be a lost art. Many people are so caught up in instant gratification that they never stop to think about the long-term effects of some of their actions. They also don't see the connections between today's actions and tomorrow's results - and this causes an awful lot of pain and frustration in life. Whatever I do today, I should be aware of the possible effects - negative and positive - that can show up in the future, near or far. Of course, we can't let the fear of what might happen in the future keep us from acting today. But we can make our lives much easier if we just remember the law of cause and effect, and realize that some of what we do today will be the cause of effects that won't show up until later. — Tom Walsh

Since obscenity is the truth of our passion today, it is the only stuff of art - or almost the only stuff. — D.H. Lawrence

While the concept of the muse is noteworthy, the development of the muse has changed substantially in today's online world. The tables have practically turned as the artist who is responsible for creating music in today's world is now being the muse to others. They have been responsible for the creation of "fan art," a style of performance where people create new forms of media based off of existing creations.
It was originally that the muse was what prompted the artist to create something new. Today it has changed to where the artist is the muse to others in society. — Kytka Hilmar-Jezek

Three hundred nights like three hundred walls
must rise between my love and me
and the sea will be a black art between us.
Time with a hard hand will tear out
the streets tangled in my breast.
Nothing will be left but memories.
(O afternoons earned with suffering,
nights hoping for the sight of you,
dejected vacant lots, poor sky
shamed in the bottom of the puddles
like a fallen angel ...
And your life that graces my desire
and that run-down and lighthearted neighborhood
shining today in the glow of my love ... )
Final as a statue
your absence will sadden other fields. — Jorge Luis Borges

I began seriously concentrating on music study after I entered senior high school. I went to a class in the arts section at the YMCA and learned music theory and composition. Today, there are many classes like this available, but this was not so much the case in those days. — Isao Tomita

Feed the body food and drink, it will survive today. Feed the soul art and music, it will live forever. — Julie Andrews

Design is all about desire, but strangely this desire seems almost subject-less today, or at least lack-less; that is, design seems to advance a new kind of narcissism, one that is all image and no interiority - an apotheosis of the subject that is also its disappearance. Poor little rich man: he is 'precluded from all fuure living and striving, developing and desiring' in the neo-Art Nouveau world of total design and Internet plenitude. — Hal Foster

Literature was formerly an art and finance a trade; today it is the reverse. — Philibert Joseph Roux

I often had to pass over photographs because in a mass of animals invariably one would be wandering in the wrong direction, thereby disrupting the pattern I was trying to achieve. Today the ability to digitally alter this disruption is at hand. — Art Wolfe

As it grows ever more complicated today, musical art seeks out combinations more dissonant, stranger, and harsher for the ear. Thus, it comes ever closer to the noise-sound. — Luigi Russolo

I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one movement after another in the most complex combinations.
Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. — Dziga Vertov

In today's world, terrorists are the most significant practitioners of the art of inducing availability cascades. With a few horrible exceptions such as 9/11, the number of casualties from terror attacks is very small relative to other causes of death. Even in countries that have been targets of intensive terror campaigns, such as Israel, the weekly number of casualties almost never came close to the number of traffic deaths. The difference is in the availability of the two risks, the ease and the frequency with which they come to mind. Gruesome images, endlessly repeated in the media, cause everyone to be on edge. As — Daniel Kahneman

Outstanding past work in photography, and in fact in all the arts, is very important to today's photographers. But it should be used for inspiration and not for imitation. These works should be something to be built upon, not to be repeated. — Alexey Brodovitch

The shared meal is no small thing. It is a foundation of family life,
the place where our children learn the art of conversation and acquire
the habits of civilization: sharing, listening, taking turns, navigating
differences, arguing without offending. What have been called the
"cultural contradictions of capitalism" - its tendency to undermine
the stabilizing social forms it depends on - are on vivid display today
at the modern American dinner table, along with all the brightly colored packages that the food industry has managed to plant there. — Michael Pollan

Men of learning in Milan have not enjoyed proper respect. They hid themselves in their laboratories and thought themselves lucky if ... priests left them alone. All is changed today. Thought in Italy is free. Inquisition, intolerance, despots have vanished. I invite scholars to meet and propose what must be done to give science and the arts a new flowering. — Napoleon Bonaparte

Artists of today can be inspired by the past, but they have to apply present methods if they want a future in music. — Loren Weisman

Today they are teaching the subject of art as a frill in school, partly due to intellectual preciousness that has crept into art departments with the making of the History of Art. Intellectualising places art on a pedestal only for the few, causing New Zealanders to revert to the invented snobbery that tends to ignore anything arty as exotic, unattainable, not wholesome. — Theresa Sjoquist

A matter neither sensual nor sensational is ignored by the art of today. — E. M. Forster

What we need in literature today are vast philosophic horizons ... we need the most ultimate, the most fearsome, the most fearless "Why?" and "What next?". — Yevgeny Zamyatin

The ability to master certain tasks in a state of distraction proves that their solution has become a matter of habit. Distraction as provided by art presents a covert control of the extent to which new tasks have become soluble by apperception. Since, moreover, individuals are tempted to avoid such tasks, art will tackle the most difficult and most important ones where it is able to mobilize the masses. Today it does so in the film. Reception in a state of distraction, which is increasing noticeably in all fields of art and is symptomatic of profound changes in apperception, finds in the film its true means of exercise. The film with its shock effect meets this mode of reception halfway. The film makes the cult value recede into the background not only by putting the public in the position of the critic, but also by the fact that at the movies this position requires no attention. The public is an examiner, but an absent-minded one. — Walter Benjamin

I like to mix pieces in my art direction from the '60s or the '40s and the '90s and present-day stuff. To me, that feels very real. When I go into people's houses, it's not all today. — Aaron Ruell

Worrying about tomorrow, today? Hmmmmmm. Why? — Art Hochberg

Throughout the history of art it has been art itself - in all its forms - that has inspired art ... today's photographs are so geared to life that one can learn more from them than from life itself. — Van Deren Coke

I went into Hollywood and met Mike Aarons and went to Grantray-Lawrence Animation to work on the, by today's standards, extremely cheap and crude Marvel superheroes cartoons which basically consisted of taking stacks of the comic book art, taking parts of the art, pasting it down, extending it down into drawings and occasionally a new piece of art to bridge the comic book panels and limited animation and lip movement. — Mike Royer

China is important to the world in that they are a force and on the move. Exposing them to figurative art opens up a potential for artistic expression far greater than anyone would ever have dreamed possible until today. It is this very spirit of the struggle and determination to triumph that inspires creative expression. — Richard MacDonald

Ocular infidelity is unfortunately rampant in this so called artist's world. — Muse

For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art. — James Fenton

Life itself today has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to an amalgam of reality and fantasy. — Yevgeny Zamyatin

The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing. — Bruno Munari

Now, but these three," cried Jurgen, "are the glory of Philistia: and of all that Philistia has produced, it is these three alone, whom living ye made least of, that today are honored wherever art is honored, and where nobody bothers one way or the other about Philistia. — James Branch Cabell

I'm a New Yorker. I'm liberal and open-minded. Things don't really shock me. But I was reading the second-act today and thinking that if you're religious, you could be. But you shouldn't be! You can be extremely religious and have your faith and still be open-minded to art. Because this is art. That's part of the excitement. It literally is "The Jerry Springer Show" on-stage set to beautiful operatic music. That's what's so incredible about it! — Max Von Essen

We (pop stars) are people not androids. We've got views. I've got opinions and I don't see why I shouldn't use a bit of my art to put them over. I think music is one of the most powerful media forces in the world today. — Roger Meddows Taylor

Sex, creativity, music, art, family, love, beauty, and creative imagination are all part of the spiritual path in the tantric traditions. So I think that for today that has a lot to say to us about not dividing ourselves from ourselves. — Surya Das

Arthur Hughes is one of the pioneers of modern database marketing. His new book, Strategic Database Marketing, Third Edition, contains the wisdom of twenty years of database marketing experience from scores of companies throughout the US. I can heartily endorse Arthur's book for anyone who wants to know the state of the art in database marketing today. — Lester Wunderman

Older generations can sometimes look down on today's hip hop but I refuse that mindset. I remember how hurt I was when older people told me that Run-D.M.C. was jungle music or that it was not music at all. Or that LL Cool J was not art. — Erik Parker

Since the beginning of Humanities every era has had an elitist group that attempted to dictate what is and is not acceptable forms of art. As time has moved on, what is considered the "peasant" class or the lower echelons of society have overwhelmingly gone against the elitist point of view. Without that continuous evolution art would not be where it is today ... enjoyed by the masses. — Tracy L. Darity

There is a great deal of illusion in a work of art; one could go farther and say that it is illusory in and of itself, as a "work." Its ambition is to make others believe that it was not made but rather simply arose, burst forth from Jupiter's head like Pallas Athena fully adorned in enchased armor. But that is only a pretense. No work has ever come into being that way. It is indeed work, artistic labor for the purpose of illusion-and now the question arises whether, given the current state of our consciousness, our comprehension, and our sense of truth, the game is still permissible, still intellectually possible, can still be taken seriously; whether the work as such, as a self-sufficient and harmonically self-contained structure, still stands in a legitimate relation to our problematical social condition, with its total insecurity and lack of harmony; whether all illusion, even the most beautiful, and especially the most beautiful, has not become a lie today. — Thomas Mann

To contradict, even in little matters, is the supreme necessity of art today. — Witold Gombrowicz

Transparence is the highest, most liberating value in art - and in criticism - today. Transparence means experiencing the luminousness of the thing in itself, of things being what they are. — Susan Sontag

Strauss's, for instance, which begins in the heavens. The artist doesn't ascend to glory, he appears in it, he already has it and the world is prepared to recognize him. Meteoric, like a comet - those are the phrases we apply, and it's true, it is a kind of burning. It makes them highly visible, and at the same time it consumes them, and it's only afterwards, when the brilliance is gone, when their bones are lying alongside those of lesser men, that one can really judge. I mean, there are famous works, renowned in antiquity, and today absolutely forgotten: books, buildings, works of art. — James Salter

The newsprint thesp celebrity interview as a middle-brow art form suffers from desperate overproduction. There'll be at least 10 in the broadsheets today and every Sunday hereafter. — Peter York

Take the sum of human achievement in action, in science, in art, in literature subtract the work of the men above forty, and while we should miss great treasures, even priceless treasures, we would practically be where we are today ... The effective, moving, vitalizing work of the world is done between the ages of twenty-five and forty. — William Osler

Back then: to be regarded as well-known, one had to be great. Today: to be regarded as great, one has to be well-known. — Mokokoma Mokhonoana

"I was born in the US and l have lived in Mexico since 1946. I believe that all these states of being have influenced my work and made it what you see today. I am inspired by Black people and Mexican people, my two peoples. My art speaks for both my peoples" ~ Elizabeth Catlett — Melanie Anne Herzog

Recent fads in history and biography have increasingly exalted the aridity of chronology and fact, and have, with some valid reason, rejected romanticizing and the presumption of guessing at the inner thoughts of historical figures. Unfortunately, the result has largely been not to demythologize the past, but merely to dehumanize and depersonalize it. As Roger Mudd has pointed out, 'Too many of today's historians [and biographers] ... seem to have forgotten that the writing of history is a literary art. — Markham Shaw Pyle

I don't think that the big crunch should be seen as a menace, but rather as an opportunity. It's one of these times in -history - and we have plenty of examples from the past - where it's possible to really make a difference. And if art is serious about claiming a central role in today's society and culture, this is the best chance it's had in ages. — Maurizio Cattelan

It takes more to make one sage today than it did to make the seven of Greece. And you need more resources to deal with a single person these days than with an entire nation in times past. — Baltasar Gracian

All great art, and today all great artlessness, must appear extreme to the mass of men, as we know them today. It springs from the anguish of great souls. From the souls of men not formed, but deformed in factories whose inspiration is pelf. — Alexander Trocchi

It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. — Robert Hughes

When I was a younger man, art was a lonely thing. No galleries, no collectors, no critics, no money. Yet, it was a golden age, for we all had nothing to lose and a vision to gain. Today it is not quite the same. It is a time of tons of verbiage, activity, consumption. Which condition is better for the world at large I shall not venture to discuss. But I do know, that many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow. We must all hope we find them. — Mark Rothko

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.)
The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have. — Susan Sontag

Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out. — Harold Rosenberg

In my contemporary stories, I write about today's quilters, inventive techniques they use, and how technology has influenced their art. Novels set in the past let me have fun researching patterns that were popular and fabrics and tools available to quilters through history. — Jennifer Chiaverini

It was shameless how life made fun of one; it was a joke, a cause for weeping! Either one lived and let one's senses play, drank full at the primitive mother's breast - which brought great bliss but was no protection against death; then one lived like a mushroom in the forest, colorful today and rotten tomorrow. Or else one put up a defense, imprisoned oneself for work and tried to build a monument to the fleeting passage of life - then one renounced life, was nothing but a tool; one enlisted in the service of that which endured, but one dried up in the process and lost one's freedom, scope, lust for life...
Ach, life made sense only if one achieved both, only if it was not split by this brittle alternative! To create, without sacrificing one's senses for it. To live, without renouncing the mobility of creating. Was that impossible? — Hermann Hesse

So Spring comes merry towards me here, but earns
No answering smile from me, whose life is twin'd
With the dead boughs that winter still must bind,
And whom today the Spring no more concerns.
Behold, this crocus is a withering flame;
This snowdrop, snow; this apple-blossom's part
To breed the fruit that breeds the serpent's art.
Nay, for these Spring-flowers, turn thy face from them,
Nor stay till on the year's last lily-stem
The white cup shrivels round the golden heart. — Dante Gabriel Rossetti

Like it or not, war (cold or hot) is the most powerful funding driver in the public arsenal. Lofty goals such as curiosity, discovery, exploration, and science can get you money for modest-size projects, provided they resonate with the political and cultural views of the moment. But big, expensive activities are inherently long term, and require sustained investment that must survive economic fluctuations and changes in the political winds. In all eras, across time and culture, only war, greed, and the celebration of royal or religious power have fulfilled that funding requirement. Today, the power of kings is supplanted by elected governments, and the power of religion is often expressed in nonarchitectural undertakings, leaving war and greed to run the show. Sometimes those two drivers work hand in hand, as in the art of profiteering from the art of war. But war itself remains the ultimate and most compelling rationale. — Neil DeGrasse Tyson

Great works of art can be produced in barbarous societies in fact the very narrowness of primitive society gives their ornamental art a peculiar concentration and vitality. At some time in the ninth century one could have looked down the Seine and seen the prow of a Viking ship coming up the river. Looked at today in the British Museum, it is a powerful work of art; but to the mother of a family trying to settle down in her little hut, it would have seemed less agreeable as menacing to her civilisation as the periscope of a nuclear submarine. — Kenneth Clark