To Love A Poet Quotes & Sayings

Think of my Pleasure in Solitude, in comparison of my commerce with the world - there I am a child - there they do not know me not even my most intimate acquaintance - I give into their feelings as though I were refraining from irritating a little child - Some think me middling, others silly, other foolish - every one thinks he sees my weak side against my will; when in thruth it is with my will - I am content to be thought all this because I have in my own breast so graet a resource. This is one great reason why they like me so; because they can all show to advantage in a room, and eclipese from a certain tact one who is reckoned to be a good Poet - I hope I am not here playing tricks 'to make the angels weep': I think not: for I have not the least contempt for my species; and though it may sound paradoxical: my greatest elevations of Soul leave me every time more humbled - Enough of this - though in your Love for me you will not think it enough. — John Keats

[John Clare's] father was a casual farm labourer, his family never more than a few days' wages from the poorhouse. Clare himself, from early childhood, scraped a living in the fields. He was schooled capriciously, and only until the age of 12, but from his first bare contact fell wildly in love with the written word. His early poems are remarkable not only for the way in which everything he sees flares into life, but also for his ability to pour his mingled thoughts and observations on to the page as they occur, allowing you, as perhaps no other poet has done, to watch the world from inside his head. Read The Nightingale's Nest, one of the finest poems in the English language, and you will see what I mean.
("John Clare, poet of the environmental crisis 200 years ago" in The Guardian.) — George Monbiot

Like a Passover Poet gliding from house to house and from trembling soul to trembling soul the wind scribbled sonnets of first time love and weeping haikus of last hours on earth. — Aberjhani

There can be no health in us, nor any good thing grow, for the land is one with the Dragon Reborn and he one with the land. Soul of fire, heart of stone, in pride he conquers, forcing the proud to yield. He calls upon the mountains to kneel, and the seas to give way, and the very skies to bow. Pray that the heart of stone remebers tears, and the soul of fire, love.
-From a much-disputed translation of The Prophecies of the Dragon by the poet Kyera Termendal, of Shiota, believed to have been published between FY 700 and FY 800 — Robert Jordan

One thing in our favor: some of this "becoming kinder" happens naturally, with age. It might be a simple matter of attrition: as we get older, we come to see how useless it is to be selfish - how illogical, really. We come to love other people and are thereby counter-instructed in our own centrality. We get our butts kicked by real life, and people come to our defense, and help us, and we learn that we're not separate, and don't want to be. We see people near and dear to us dropping away, and are gradually convinced that maybe we too will drop away (someday, a long time from now). Most people, as they age, become less selfish and more loving. I think this is true. The great Syracuse poet, Hayden Carruth, said, in a poem written near the end of his life, that he was "mostly Love, now. — George Saunders

The sincere love of books has nothing to do with cleverness or stupidity any more than any other sincere love. It is a quality of character, a freshness, a power of pleasure, a power of faith. A silly person may delight in reading masterpieces just as a silly person may delight in picking flowers. A fool may be in love with a poet as he may be in love with a woman. — Gilbert K. Chesterton

A bard's down-to-earth love: My mistress' eyes are nothing like the sun; Coral is far more red and when she walks, treads on the ground ... — John Geddes

The Don Juan of knowledge: he has yet to be discovered by any philosopher or poet. He is lacking in love for the things he comes to know, but he has intellect, titillation, and pleasure in the hunt and intrigues involved in coming to know--all the way up to the highest and most distant planets of knowledge--until finally nothing remains for him to hunt down other than what is absolutely painful in knowledge, like the drunkard who ends up drinking absinthe and acqua fortis. Thus he ends up lusting for hell--it is the last knowledge that seduces him. Perhaps, like everything he has come to know, it will disillusion him as well! And then he would have to stand still for all of eternity, nailed on the spot to disillusionment, and himself having become the stone guest longing for an evening meal of knowledge that he never again will receive!--For the entire world of things no longer has a single morsel to offer this hungry man. — Friedrich Nietzsche

The Black homosexual is hard pressed to gain audience among his heterosexual brothers; even if he is more talented, he is inhibited by his silence or his admissions. This is what the race has depended on in being able to erase homosexuality from our recorded history. The "chosen" history. But the sacred constructions of silence are futile exercises in denial. We will not go away with our issues of sexuality. We are coming home. It is not enough to tell us that one was a brilliant poet, scientist, educator, or rebel. Whom did he love? It makes a difference. I can't become a whole man simply on what is fed to me: watered-down versions of Black life in America. I need the ass-splitting truth to be told, so I will have something pure to emulate, a reason to remain loyal. — Essex Hemphill

To love a poet is to love a moment. — James Wylder

Men of dreams, the lovers and the poets, are better in most things than the men of my sort; the men of intellect. You take your being from your mothers. You live to the full: it is given you to love with your whole strength, to know and taste the whole of life. We thinkers, though often we seem to rule you, cannot live with half your joy and full reality. Ours is a thin and arid life, but the fullness of being is yours; yours the sap of the fruit, the garden of lovers, the joyous pleasaunces of beauty. Your home is the earth, ours the idea of it. Your danger is to be drowned in the world of sense, ours to gasp for breath in airless space. You are a poet, I a thinker. You sleep on your mother's breast, I watch in the wilderness. On me there shines the sun; on you the moon with all the stars. Your dreams are all of girls, mine of boys - — Hermann Hesse

The man who is unable to people his solitude is equally unable to be alone in a bustling crowd. The poet enjoys the incomparable privilege of being able to be himself or some one else, as he chooses. [ ... ] The solitary and thoughtful stroller finds a singular intoxication in this universal communion. [ ... ] What men call love is a very small, restricted, feeble thing compared with this ineffable orgy, this divine prostitution of the soul giving itself entire ... to the unexpected as it comes along, the stranger as he passes. — Charles Baudelaire

Love, as the poet says, is like the spring. It grows on you and seduces you slowly and gently, but it holds tight like the roots of a tree. You don't know until you're ready to go that you can't move, that you would have to mutilate yourself in order to be free. That's the feeling. It doesn't last, at least it doesn't have to. But it holds on like a steel claw in your chest. Even if the tree dies, the roots cling to you. I've seen men and women give up everything for love that once was. — Walter Mosley

When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written anywhere, but this rule existed nonetheless. Consequently, I received plenty of serious criticism. — Kim Hyesoon

My girl was mad and I loved her. Upon a night, she read my poetry; and kissing me madly she cried, 'You are a genius, my love!' To which I replied, 'My girl,' whispering, 'Every doctor in this land with a prescription pad is more of a genius than I. — Roman Payne

You claim to love God, and yet you disobey God
This is a bizarre way of reasoning
Surely, the lover, if his love is true,
Is most obedient to the one he loves. — Poet

I began to write poetry again in 1975, when I fell in love with another woman. I returned to poetry not because I had "become a lesbian" - but because I had returned to my own body after years of alienation. The sensual details of life are the raw materials of a poet - and with that falling-in-love I was able to return to living fully in my own fleshly self. — Minnie Bruce Pratt

They always told each other about the parts of the day they had spent apart, sketching in detail so the other could see it, so it became a memory they seemed to share in common. They were good at talking. Sharing stories. Everything he did only seemed to take root when he told her about it. There were times when he arrived home as breathless as an inspired poet with the urgency to talk to her. — Glenn Haybittle

When men are prosperous, they are in love with life. Nature grows beautiful, the arts begin to flourish, there is work for painter and sculptor, the poet is born, the stage is erected - and this life with which men are in love is represented in a thousand forms. — Robert Green Ingersoll

You're confusing desire and love,' she said, watching him. 'They are not the same.'
'I do love you. I feel near to murder at the idea of you marrying another man, and that's the truth of the matter.'
'Desire is bloody, perjured, full of blame.'
Ewan walked up the steps to her. 'Is that poetry?'
'Yes.'
'I don't like the sound of it. There's something nasty about that poet.'
'It's Shakespeare,' Annabel said.
Ewan obviously dismissed Shakespeare as a lost cause. 'We would be happy together,' he said. — Eloisa James

Clarissa will be bereaved, deeply lonely, but she will not die. She will be too much in love with life, with London. Virginia imagines someone else, yes, someone strong of body but frail-minded; someone with a touch of genius, of poetry, ground under by the wheels of the world, by war and government, by doctors; a someone who is, technically speaking insane, because that person sees meaning everywhere, knows that trees are sentient beings and sparrows sing in Greek. Yes, someone like that. Clarissa, sane Clarissa -exultant, ordinary Clarissa - will go on, loving London, loving her life of ordinary pleasures, and someone else, a deranged poet, a visonary, will be the one to die. — Michael Cunningham

If I knew what to do
I'd do more than write a song for you — Criss Jami

Love is like a magic trick
You know you are getting fooled, but still, you stand in line
And pay to see it again and again. — Yarro Rai

He had grown up among people to whom such emotions were unknown. The old Marquess's passion for his fields and woods was the love of the agriculturist and the hunter, not that of the naturalist or the poet; and the aristocracy of the cities regarded the country merely as so much soil from which to draw their maintenance. The gentlefolk never absented themselves from town but for a few weeks of autumn, when they went to their villas for the vintage, transporting thither all the diversions of city life and venturing no farther afield than the pleasure-grounds that were but so many open-air card-rooms, concert-halls and theatres. Odo's tenderness for every sylvan function of renewal and decay, every shifting of light and colour on the flying surface of the year, would have been met with the same stare with which a certain enchanting Countess — Edith Wharton

An Exhortation

Chameleons feed on light and air:
Poets' food is love and fame:
If in this wide world of care
Poets could but find the same
With as little toil as they,
Would they ever change their hue
As the light chameleons do,
Suiting it to every ray
Twenty times a day?

Poets are on this cold earth,
As chameleons might be,
Hidden from their early birth
In a cave beneath the sea;
Where light is, chameleons change:
Where love is not, poets do:
Fame is love disguised: if few
Find either, never think it strange
That poets range.

Yet dare not stain with wealth or power
A poet's free and heavenly mind:
If bright chameleons should devour
Any food but beams and wind,
They would grow as earthly soon
As their brother lizards are.
Children of a sunnier star,
Spirits from beyond the moon,
O, refuse the boon! — Percy Bysshe Shelley

Ovid lies here, the poet, skilled in love's gentle sport;
By his own talents he worked his undoing.
Oh, you who pass by, if ever you have loved,
Think it not a burden to wish him calm repose. — Ovid

Youngest Brother, swan's wing,
where one arm should be, yours the shirt
of nettles short a sleeve
and me with no time left to finish --
I didn't mend you all the way back into man
though I managed for your brothers;
they flit again from court to playing-courts
to courting, while you station yourself,
wing folded from sight, avian eye
to the outside, no rebuke meant but love's.
Was it better then, the living on the water,
the taking to air...?

("Ever After," from the book 'The Poets' Grimm') — Debora Greger

To become the love of a poet is to become both a muse and an immortal all at the same time. — Jennifer Megan Varnadore

The Best Thing I love about being a writer and a poet is, I can make up my own words to fit my imagination. — Ocean Crisstopher Poet

He, who doesn't know why he lives, cannot feel love for people or for life itself. I don't love myself enough, so I don't love people enough. One of my major defects is impatience: I try to get rid of it, but i can't. I am not tolerant enough for my age. I suffer for this, because i can't approach people with sympathy. They annoy me. — Andrei Tarkovsky

When i first saw him i thought he was as beautiful as a knight from the romances, like a troubadour, like a poet. I thought i could be like a lady in a tower and he could sing beneath my window and
persuade me to love him. But although he has the looks of a
poet he doesn't have the wit. I can never get more than two
words out of him, and i begin to feel that i demean myself in trying to please him. — Philippa Gregory

Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment "already"? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a "cristallisation," so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different. — Czeslaw Milosz

I started as - well, I wanted to be Poet Laureate. And I wanted to be a naturalist. That's how I began. I didn't have any desire to go and be a scientist. Louis Leakey channeled me there. I'm delighted he did. I love science. I love analyzing and making sense of all these observations. So, it was the perfect rounding off of who I was into who I am. — Jane Goodall

Just at that moment, Lucilla happened to cross the lawn at a distance. At sight of her, I could not, as I pointed to her, forbear exclaiming in the words of Sir John's favorite poet,
There doth beauty dwell,
There most conspicuous, e'en in outward shape,
Where dawns the high expression of a mind.
"This is very fine," said Sir John, sarcastically. "I admire all you young enthusiastic philosophers, with your intellectual refinement. You pretend to be captivated only with _mind_. I observe, however, that previous to your raptures, you always take care to get this mind lodged in a fair and youthful form. This mental beauty is always prudently enshrined in some elegant corporeal frame, before it is worshiped. I should be glad to see some of these intellectual adorers in love with the mind of an old or ugly woman. I never heard any of you fall into ecstasies in descanting on the mind of your grandmother. — Hannah More

If you want to be a poet, there is no greater mistake you could make than to publish whatever work you have as soon as you can. Why? Well because your debut is the only shot you have. It should be made of dynamite. There is nothing worse - believe me - than to have an oeuvre with a mediocre debut, and likely you wont get that far at all, and you will wait for reviews that wont come, just a horrible idea really. I don't need tell this to the rare and extreme talents - they are like a force of nature - but i am talking to the rest of you. People who love their youth don't make it easy on them - making it easy for them is a way to destroy them, But the representatives of my generation have no clue,or idea about Bildung at all, which is why I am at odds with most of them. — Martijn Benders

Poor Cecil, consumed by a grande passion, only to be told to compress his love manifesto into a haiku. "I won't try to excuse my behavior," he said. "It was despicable."

Or a limerick.

There once was a rotter named Cecil,
Whose Love Interest wished he could be still.

Oh well. Unlike some, at least, I've never pretended to be a poet. — Franny Billingsley

The Child Christ lives on from generation to generation in the poets, very often the frailest of men but men whose frailty is redeemed by a child's unworldliness, by a child's delight in loveliness, by the spirit of wonder.

Christ was a poet, and all through His life the Child remains perfect in Him. It was the poet, the unworldly poet, who was King of the invisible kingdom; the priests and rulers could not understand that. The poets understand it, and they, too, are kings of the invisible kingdom, vassal kings of the Lord of Love, and their crowns are crowns of thorns indeed. — Caryll Houselander

When I have had enough of tears and love, I turn to some poet, and set out again for a new world. — Xavier De Maistre

You ask me to write you a poem,
I pen you an empty ocean,
You run away.
You ask me who I am,
I paint you a breaking sky,
You weep in the rain. — Jenim Dibie

Once, on a walk by a river- Eskdale in low reddish sunlight, with a dusting of snow- his daughter quoted to him an opening verse by her favourite poet. Apparently, not many young women loved Phillip Larkin the way she did. 'If I were to construct a religion/ I should make use of water.' She said she liked the laconic use of 'called in'- as if he would be, as if anyone ever is. They stopped to drink coffee from a flask, and Perowne, tracing a line of lichen with a finger, said that if he ever got the call, he'd make us of evolution. What better creation myth? An unimaginable sweep of time, numberless generations spawning by infinitesimal steps complex living beauty out of inert matter, driven on by the blind furies of random mutation, natural selection and environmental change, with the tragedy of forms continually dying, and lately the wonder of minds emerging and with them morality, love, art, cities- and the unprecedented bonus of this story happening to be demonstrably true. — Ian McEwan

I may not be able to say these words to you but that doesn't mean I can't say it to the rest of the world. I'm not a poet. Nor do I try to be one. I simply share what I do in my spare time. All poetry springs from genuine feelings. I'm only a woman expressing herself to the world. — Tammy-Louise Wilkins

Never durst a poet touch a pen to write
Until his ink was tempered with love's sighs. — William Shakespeare

As a poet I hold the most archaic values on earth ... the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times. — Gary Snyder

Even now I often ask myself: perhaps love produces a feeling of inspiration similar to that experienced by an artist or a poet? — Chingiz Aitmatov

Shall we speak of the inspiration of a poet or a priest, and not of the heart impelled by love and self-devotion to the lowliest work in the lowliest way of life? — Charles Dickens

Poet of Nature, thou hast wept to know
That things depart which never may return:
Childhood and youth, friendship and love's first glow,
Have fled like sweet dreams, leaving thee to mourn.
These common woes I feel. One loss is mine
Which thou too feel'st, yet I alone deplore.
Thou wert as a lone star, whose light did shine
On some frail bark in winter's midnight roar:
Thou hast like to a rock-built refuge stood
Above the blind and battling multitude:
In honored poverty thy voice did weave
Songs consecrate to truth and liberty,
Deserting these, thou leavest me to grieve,
Thus having been, that thou shouldst cease to be — Percy Bysshe Shelley

Some people make you want to be a better person, and that, for me, is the purest form of love. — Charlotte Eriksson

In particular I may mention Sophocles the poet, who was once asked in my presence, How do you feel about love, Sophocles? are you still capable of it? to which he replied, Hush! if you please: to my great delight I have escaped from it, and feel as if I had escaped from a frantic and savage master. I thought then, as I do now, that he spoke wisely. For unquestionably old age brings us profound repose and freedom from this and other passions. — Plato

Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet. — Pablo Neruda

Elizabeth Bishop wrote love poems, and poems about lovemaking, and one of the best poems ever written in English about the loss of love, but she had made her way through life as an orphan, a solitary. Reticence wasn't the reason she'd become a poet of the self - of a singular "mind in action," as she'd once described the effect she hoped to achieve in her poems. She had discovered early on, perhaps too early, that she was "an I . . . an Elizabeth" - and she'd treasured that painful, "unlikely" self-awareness ever since, knowing it was the same thing as her imagination. — Megan Marshall

Do you wanna be a poet and write? Do you wanna be an actor up in lights? Do you wanna be soldier, and fight for love? Do you wanna travel the world? Do you wanna be a diver for pearls? Or climb the mountain, and touch the clouds above? Be anyone you want to be. Bring to life your fantasies. But I want something in return, I want you to burn, burn for me, baby. Like a candle in the night. Oh burn, burn for me, burn for me. — Jo Dee Messina

If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida
hardly comedy at all
where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend. — Harold Clarke Goddard

And again there are no words.
Words exist that can, used by a poet, achieve a dim monochrome of the body's love, but beyond that they fail clumsily.
My love flowed out to her, hers back to me. Mine stroked and soothed. Hers caressed. The distance - and the difference - between us dwindled and vanished. We could meet, mingle, and blend. Neither one of us existed any more; for a time there was a single being that was both. There was escape from the solitary cell; a brief symbiosis, sharing all the word ... — John Wyndham

To live for others as a definite self-conscious aim was not his creed. It was not the basis of his creed. When he says, 'Forgive your enemies,' it is not for the sake of the enemy, but for one's own sake that he says so, and because love is more beautiful than hate. In his own entreaty to the young man, 'Sell all that thou hast and give to the poor,' it is not of the state of the poor that he is thinking but of the soul of the young man, the soul that wealth was marring. In his view of life he is one with the artist who knows that by the inevitable law of self-perfection, the poet must sing, and the sculptor think in bronze, and the painter make the world a mirror for his moods, as surely and as certainly as the hawthorn must blossom in spring, and the corn turn to gold at harvest-time, and the moon in her ordered wanderings change from shield to sickle, and from sickle to shield. — Oscar Wilde

Sometimes, when I am tired of so many oscillations, I look for refuge in a word which I begin to love for itself. Resting in the heart of words, seeing clearly into the cell of a word, feeling that the word is the seed of a life, a growing dawn ... The poet Vandercammen says all that in a line: "A word can be a dawn and even a sure shelter." — Gaston Bachelard

The desire to lift, the willingness to help, and the graciousness to give come from a heart filled with love. The poet wrote, 'Love is the most noble attribute of the human soul.' And William Shakespeare cautioned, 'They do not love who do not show their love' (Two Gentlemen of Verona, act 1, sc. 2, line 31). — Thomas S. Monson

I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry. — Chinua Achebe

The goal is not to answer these questions. The goal is to be present to them with all that we are. In a way we are following the poet Rilke's advice when he counseled the young artist, be patient toward all that is unsolved in your heart and try to love the questions themselves. Perhaps you will then gradually, without noticing it, live along into the answer. — Adam Bucko

More than any other contemporary British playwright, Tom Stoppard populates his plays
from Rosencrantz and Guildenstern Are Dead to The Invention of Love (his portrait of the poet and scholar A. E. Housman)
with characters from life and literature. But one cannot always tell the difference between those who are real and those who are imaginary. — Mel Gussow

To love is to transform; to be a poet. — Norman O. Brown

Before I met Maria, I was your basic craven hermit. I spent most of my time in my room, in love with my walls, hiding out from the world with my
fanzines and my records. I thought I was happier that way. I had developed these monastic habits to protect myself from something, probably, but
whatever it was, the monastic habits had turned into the bigger problem. In my headphones, I led a life of romance and incident and intrigue, none
of which had anything to do with the world outside my Walkman. I was an English major, obsessed with Oscar Wilde and Walter Pater and Algernon
Swinburne, thrilling to the exploits of my decadent aesthete poet idols, even though my only experience with decadence was reading about it. — Rob Sheffield

The earth, saith the poet, doth often long after the rain. So is the glorious sky often as desirous to fall upon the earth, which argues a mutual kind of love between them. — Marcus Aurelius

I shall be your poet! I do not want to be a poet for others; make your appearance, and I shall be your poet. I shall eat my own poem, and that will be my food. Or do you find me unworthy? Just as a temple dancer dances to the honor of the god Gudutl, so I have consecrated myself to your service; light, thinly clad, limber, unarmed, I renounce everything. I own nothing; I desire to own nothing; I love nothing; I have nothing to lose-but have I not thereby become more worthy of you, you who long ago must have been tired of depriving people of what they love, tired of their craven sniveling and craven pleading. Surprise me-I am ready — Soren Kierkegaard

Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name. — William Shakespeare

And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is woman's whole existence. And if we look for a moment at Orlando writing at her table, we must admit that never was there a woman more fitted for that calling. Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window
all of which is, of course, the very stuff of life and the only possible subject for fiction. — Virginia Woolf

There are no barriers to poetry or prophecy; by their nature they are barrier-breakers, bursts of perceptions, lines into infinity. If the poet lies about his vision he lies about himself and in himself; this produces a true barrier. — Lenore Kandel

Embellish the soul with simplicity, with prudence, and everything which is neither virtuous nor vicious. Love all men. Walk according to God; for, as a poet hath said, his laws govern all. — Marcus Aurelius

Great lecturers seldom hesitate to use dramatic tricks to enshrine their precepts in the minds of their audiences, and at Yale perhaps Chauncey B. Tinker was the most noted. To read one of his lectures was like reading a monologue of the great actress Ruth Draper
you missed the main point. You missed the drop in his voice as he approached the death in Rome of the tubercular Keats; you missed the shaking tone in which he described the poet's agony for the absent Fanny with him his love had never been consummated; you missed the grim silence of the end. — Louis Auchincloss

But love ... of whom?" I say at last. "Of what? What great passion would forestall death?"
Her graceful eyebrow arches, "You do not know? You, a poet?"
I do not know. I say as much.
She leans forward so that I can hear the rustle of her starched cotton blouse and silk beneath. Our faces are so close that I can feel the warmth from her skin. "Then you need more time to learn," she whispers, her voice as filled with emotion as when she cried out last night. — Dan Simmons

She was not a poet. She was a poem. She was about to snap in half. He thought his own poetry had made her la la la la love him. It was unbearable. — Deborah Levy

My friend, it was but a song of love out of a poet's heart, sung by every man to every woman. — Kahlil Gibran

They say that I am a poet I wonder what they would say if they saw me from the inside I bottle emotions and place them into the sea for others to unbottle on distant shores I am unsure as to whether they ever reach and for that matter as to whether I ever get my point across or my love — Saul Williams

Rilke wrote in one of my favourite books [Letters to a Young Poet], "Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love." It takes courage to live as our true selves; especially when doing so can be faced with such unkindness. But I believe the more we show of ourselves, the more we make space for positive change in the world. I feel so grateful I get to be a part of a series that is contributing to that change. — Elise Bauman

When we are alone on a starlit night, when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children, when we know love in our own hearts; or when, like the Japanese poet, Basho, we hear an old frog land in a quiet pond with a solitary splash - at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, all these provide a glimpse of the cosmic dance. — Thomas Merton

The poet must be free to love or hate as the spirit moves him, free to change, free to be a chameleon, free to be an enfant terrible. He must above all never worry about this effect on other people. — May Sarton

When a poet settled down to write a poem, could he foresee the lines he would write? Did his head constantly spin with riddles and rhymes and was his only job to put them down? What if he couldn't get them to make sense, and no one, not even the person he cared for most, could have pleasure in reading it? What would he do? — Alysha Speer

The power of the artform is stronger than stone, the poet says, and chooses the sonnet, a form concerned with argument and persuasion, to say so. This sonnet, he says, will last longer than any gravestone-and you'll be made shinier, brighter, by it. In this form it will-and therefore you will-avoid destruction by war, history, time generally; it'll even keep you alive after death; in fact it'll form a place for you to live, not die, where you'll be seen in the eyes of and the context of this love right to the end of time. — Ali Smith

He wanted to know if the master sergeant had read Auden, the twentieth century's most influential Christian poet, "English majors in the army, not many of them, not many of us, am I right, Top." Burnette, nonplussed, wondered if he should mention Eliot or the eccentric religious impulses of JD Salinger, but instead mumbled the only line he could recall from Auden's work, "We must love one another or die." Bingo, said the colonel. Son of a bitch had the wrong conjunction. — Bob Shacochis

The typewriter is neat and compact and sturdy and blue, just the right machine to pound out a missive of love. When you strike the keys it's a sound that hasn't been heard in the qorld world for thirty years (we are so far away from a time when typewriters won world wars). When you strike the keys they make a sound like a pistol shot, a sound so definite and sure you feel like a genius, or an orayor orator, or a beat poet. When you strike the keys you just want to keep on fucking writing. You have to wrestle with the thing, like I am doing now, steer it like an old manual car, keep the words together and right and on the page, but the blood and muscle of a typewriter, it is a beautiful thing. — Yvette Walker

People think, 'Oh my goodness! I have to do something really big.' You don't. Do what you love. There's a great quote from a poet I use all the time: 'Instead of asking what the world needs, ask yourself what you love,' because what the world needs is more people doing what they love. — Maria Shriver

The first study for the man who wants to be a poet is knowledge of himself, complete: he searches for his soul, he inspects it, he puts it to the test, he learns it. As soon as he has learned it, he must cultivate it! I say that one must be a seer, make oneself a seer. The poet becomes a seer through a long, immense, and reasoned derangement of all the senses. All shapes of love suffering, madness. He searches himself, he exhausts all poisons in himself, to keep only the quintessences. Ineffable torture where he needs all his faith, all his superhuman strength, where he becomes among all men the great patient, the great criminal, the great accursed one
and the supreme Scholar! For he reaches the unknown! ... So the poet is actually a thief of Fire! — Arthur Rimbaud

Who Am I?
I'm a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer's heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me. — Sharon M. Draper

The Hegelian babble about the real being the true is therefore the same kind of confusion as when people assume that the words and actions of a poet's dramatic characters are the poet's own. We must, however, hold fast to the belief that when God - so to speak - decides to write a play, he does not do it simply in order to pass the time, as the pagans thought. No, no: indeed, the utterly serious point here is that loving and being loved is God's passion. It is almost - infinite love! - as if he is bound to this passion, almost as if it were a weakness on his part; whereas in fact it is his strength, his almighty love: and in that respect his love is subject to no alteration of any kind. There — Hans Urs Von Balthasar

As I stood in contemplation of the garden of the wonders of space," Milosz writes, "I had the feeling that I was looking into the ultimate depths, the most secret regions of my own being; and I smiled, because it had never occurred to me that I could be so pure, so great, so fair! My heart burst into singing with the song of grace of the universe. All these constellations are yours, they exist in you; outside your love they have no reality! How terrible the world seems to those who do not know themselves! When you felt so alone and abandoned in the presence of the sea, imagine what solitude the waters must have felt in the night, or the night's own solitude in a universe without end!" And the poet continues this love duet between dreamer and world, making man and the world into two wedded creatures that are paradoxically united in the dialogue of their solitude. — Gaston Bachelard

He was not such a special person. He loved to read very much, and also to write. He was a poet, and he exhibited me many of his poems. I remember many of them. They were silly, you could say, and about love. He was always in his room writing those things, and never with people. I used to tell him, What good is all that love doing on paper? I said, Let love write on you for a little. But he was so stubborn. Or perhaps he was only timid. — Jonathan Safran Foer

Light itself was your first love: you paint only as a means of telling about light... Ink and catgut and paint were necessary down there, but they are also dangerous stimulants. Every poet and musician and artist, but for Grace, is drawn away from love of the thing he tells, to love of the telling till, down in Deep Hell, they cannot be interested in God at all but only what they say about Him. — C.S. Lewis

To Beatrice- My love flew like a butterfly Until death swooped down like a bat As the poet Emma Montana McElroy said: 'That's the end of that — Daniel Handler

For a man to become a poet (witness Petrarch and Dante), he must be in love, or miserable. — Lord Byron

I would like to beg you dear Sir, as well as I can, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don't search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.
Letter to a Young Poet, 1903 — Rainer Maria Rilke

The difference from a person and an angel is easy. Most of an angel is in the inside and most of a person is on the outside. These are the words of six- year old Anna, sometimes called Mouse, Hum, or Joy. At five years, Anna knew absolutely the purpose of being, knew the meaning of love, and was a personal friend and helper of Mister God. At six, Anna was a theologian, mathematician, philosopher, poet, and gardener. If you asked her a question you would always get ananswer in due course. On some occasions the answer would be delayed for weeks or months; but eventually, in her own good time, the answer would come: direct, simple, and much to the point. — Fynn

The poet makes himself a voyant through a long, immense reasoned deranging of all his senses. All the forms of love, of suffering, of madness; he tries to find himself, he exhausts in himself all the poisons, to keep only their quintessences. — Arthur Rimbaud

In a universe devoid of life, any life at all would be immensely meaningful. We ARE that meaning. "And what we see, "says the poet Mary Oliver, "is the world that cannot cherish us, but which we cherish." As though life itself is the great, universal, unrequited love of all time. But there is even more to this. Deep mystery. We are the universe aware of itself. We let the miracle get lost in distractions. On a planet so rich with living companions, much of humanity sentences itself to solitary confinement. Late at night, I used to lie in my boat listening to radio calls from ships to families ashore. There was only one conversation, and it boils down to, "I love you and I miss you: come home safe." Connections make us individuals. Ironic, isn't it? The more connected, the more unique our life becomes ... — Carl Safina

There lived a poet in the lands of gold,
Wrote along poems unaffected by warmth or cold,
His words spoke truth and pen's stroke was bold,
His only motive: lives to mould — Adhish Mazumder

Every mother should be a true artist, who knows how to weave into her child's life images of grace and beauty, the true poet capable of writing on the soul of childhood the harmony of love and truth, and teaching it how to produce the grandest of all poems - the poetry of a true and noble life. — Frances Ellen Watkins Harper

A poet need not trouble himself if he lies. He lies only in the matter of love, as the regions of the heart are open to tempting conquest. — Mahmoud Darwish

Pure poetry in motion. A swift-moving, heartfelt tale of love and loss, two stories intersecting-an d connecting-by magic. Michelle Baker is a born poet, and a born writer. The Canoe is just the start of what I hope to be a long idyllic journey through the love and soul of the human heart. — Trent Zelazny

Tickle my heart with your pen. Write me for all to read. Bind our love inside a book. Make me your poetry. — N'Zuri Za Austin

What goes on in your innermost being is worthy of your whole love; you must somehow keep working at it and not lose too much time and too much courage in clarifying your attitude toward people.
Rilke, Rainer Maria (1993-09-17). Letters to a Young Poet (p. 22). W. W. Norton & Company. Kindle Edition. — Rainer Maria Rilke

Science! true daughter of Old Time thou art!
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise?
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car?
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree? — Edgar Allan Poe

with you, the sense i have lost my place in a book
or simply lost - misplaced the memory
which isn't in the last place where I looked.
a thought that the clouds don't move - that it is we
who thunder past - there it is! an old vacation,
a train ride - sense of immobility.
as sky and forest scroll past in relation,
we are not moved, pretend to love the view,
resort at length to scripted conversation
by a poet-turned-screenwriter who
didn't want this job, career gone grossly wrong
and now drafts action film scripts wholly two-
dimensional unless you choose to don
the 3d glasses that do not stay on - — Joshua Ip