To Anton Chekhov Quotes & Sayings

all this world of ours is nothing but a speck of mildew, which has grown up on a tiny planet. And for us to suppose we can have something great - ideas, work - it's all dust and ashes." "But — Anton Chekhov

A litterateur is not a confectioner, not a dealer in cosmetics, not an entertainer ... He is just like an ordinary reporter. What would you say if a newspaper reporter, because of his fastidiousness or from a wish to give pleasure to his readers, were to describe only honest mayors, high-minded ladies, and virtuous railroad contractors. — Anton Chekhov

You are right to demand that an artist engage his work consciously, but you confuse two different things: solving the problem and correctly posing the question. — Anton Chekhov

Anna Petrovna: Never talk to women about your own good qualities. Let them find out for themselves. — Anton Chekhov

Man has been endowed with reason, with the power to create, so that he can add to what he's been given. But up to now he hasn't been a creator, only a destroyer. Forests keep disappearing, rivers dry up, wild life's become extinct, the climate's ruined and the land grows poorer and uglier every day. — Anton Chekhov

In a century or two, or in a millennium, people will live in a new way, a happier way. We won"t be there to see it - but it"s why we live, why we work. It"s why we suffer. We"re creating it. That"s the purpose of our existence. The only happiness we can know is to work toward that goal. — Anton Chekhov

We just philosophize, complain of boredom, or drink vodka. It's so clear, you see, that if we're to begin living in the present, we must first of all redeem our past and then be done with it forever. And the only way we can redeem our past is by suffering and by giving ourselves over to exceptional labor, to steadfast and endless labor. — Anton Chekhov

This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know
which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension! — Anton Chekhov

no family can get on without women to help; that in every family, poor or rich, there are and must be nurses, either relations or hired. "No, — Anton Chekhov

The illusion which exalts us is dearer to us than ten thousand truths. — Anton Chekhov

Those who take an official, business-like attitude towards other people's suffering, like judges, policemen, doctors, from force of habit, as time goes by, become callous to such a degree that they would be unable to treat their clients otherwise than formally even if they wanted to; in this respect they are no different from the peasant who slaughters sheep and calves in his backyard without noticing the blood. — Anton Chekhov

Yakov spent the whole day playing his fiddle; when it got completely dark, he took the notebook in which he recorded his losses daily, and out of boredom began adding up the yearly total. It came to over a thousand roubles. This astounded him so much that he flung the abacus to the floor and stamped his feet. Then he picked up the abacus, again clicked away for a long time, and sighed deeply and tensely. His face was purple and wet with sweat. He thought that if he could have put that lost thousand roubles in the bank, he would have earned at least forty roubles a year in interest. And therefore those forty roubles were a loss. In short, wherever you turned, there was nothing but losses everywhere.
- Rothchild's Fiddle — Anton Chekhov

There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck ... — Anton Chekhov

It was hard and sour, but, as Poushkin said, the illusion which exalts us is dearer to us than ten thousand truths. I saw a happy man, one whose dearest dream had come true, who had attained his goal in life, who had got what he wanted, and was pleased with his destiny and with himself. — Anton Chekhov

Though what is 'Romeo and Juliet' after all?" he added after a short pause. "The beauty of poetry and holiness of love are simply the roses under which they try to hide its rottenness. Romeo is just the same sort of animal as all the rest of us. — Anton Chekhov

We all have too many wheels, screws and valves to judge each other on first impressions or one or two pointers. I don't understand you, you don't understand me and we don't understand ourselves. — Anton Chekhov

How does Chekhov's artistic "programme" comment on the message of The Duel, and vice versa? I should like to be a free artist and nothing more, and I regret that God has not given me the power to be one. I hate lying and violence in all their forms ... Pharisaism, stupidity and despotism reign not in merchants' houses and prisons alone. I see them in science, in literature, in the younger generation ... That is why I have no preference either for gendarmes, or for butchers, or for scientists, or for writers, or for the younger generation. I regard trade-marks and labels as a superstition. My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom - freedom from violence and lying, whatever forms they may take. This is the programme I would follow if I were a great artist.* — Anton Chekhov

In my opinion it is harmful to place important things in the hands of philanthropy, which in Russia is marked by a chance character. Nor should important matters depend on leftovers, which are never there. I would prefer that the government treasury take care of it. — Anton Chekhov

Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why? — Anton Chekhov

In two or three hundred years life on earth will be unimaginably beautiful, astounding. Man needs such a life and if it hasn't yetappeared, he should begin to anticipate it, wait for it, dream about it, prepare for it. To achieve this, he has to see and know more than did his grandfather and father. — Anton Chekhov

It is as acceptable now to love the wives of others as it is to smoke their cigars and read their books. — Anton Chekhov

SORIN
Last night I went to bed at ten and woke at nine this morning, feeling as if, from oversleep, my brain had stuck to my skull. [Laughing] And yet I accidentally dropped off to sleep again after dinner, and feel utterly done up at this moment. It is like a nightmare. — Anton Chekhov

He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another life running its course in secret. And through some strange, perhaps accidental, conjunction of circumstances, everything that was essential, of interest and of value to him, everything in which he was sincere and did not deceive himself, everything that made the kernel of his life, was hidden from other people. — Anton Chekhov

And in this way I have, during the years I have been regarded as grown up, lost nine situations, to the great mortification of my father, the architect of our town. I have served in various departments, but all these nine jobs have been as alike as one drop of water is to another: I had to sit, write, listen to rude or stupid observations, and go on doing so till I was dismissed. — Anton Chekhov

Everything I have written up to now is trifling compared to that which I would like to write and would write with great pleasureEither I am a fool and a self-conceited person, or I am a being capable of becoming a good writer; I am displeased and bored with everything now being written, while everything in my head interests, moves, and excites me-whence I draw the conclusion that no one is doing what is needed, and I alone know the secret of how it should be done. In all likelihood everyone who writes thinks that. In fact, the devil himself will be brought to his knees by these questions. — Anton Chekhov

Every happy man should have some one with a little hammer at his door to knock and remind him that there are unhappy people, and that, however happy he may be, life will sooner or later show its claws, and some misfortune will befall him
illness, poverty, loss, and then no one will see or hear him, just as he now neither sees nor hears others. But there is no man with a hammer, and the happy go on living, just a little fluttered with the petty cares of every day, like an aspen-tree in the wind
and everything is all right. — Anton Chekhov

And the man who seeks salvation in change of place like a migrating bird would find nothing anywhere, for all the world is alike to him. — Anton Chekhov

Warmly and impulsively he put his arms round her and covered her knees and hands with kisses. Then when she muttered something and shuddered with the thought of the past, he stroked her hair, and looking into her face, realised that this unhappy, sinful woman was the one creature near and dear to him, whom no one could replace. When he went out of the house and got into the carriage he wanted to return home alive. — Anton Chekhov

How easy it is, Doctor, to be a philosopher on paper, and how difficult in real life! — Anton Chekhov

In this town to know three languages is an unnecessary luxury. It's not even a luxury, but a sort of unnecessary addition, like a sixth finger. We have a great deal of superfluous knowledge. — Anton Chekhov

He had cast out of heaven his dim star; it had fallen, and its track was lost in the darkness of night. It would never return to the sky again, because life was given only once and never came a second time. If he could have turned back the days and years of the past, he would have replaced the falsity with truth, the idleness with work, the boredom with happiness; he would have given back purity to those whom he had robbed of it. He would have found God and goodness, but that was as impossible as to put back the fallen star into the sky, and because it was impossible he was in despair. — Anton Chekhov

They say we fear only what we don't understand. And, indeed, it's very hard to understand why doormen and ushers are so important, so arrogant, and so majestically impolite. When I read serious articles I feel exactly the same vague fear. — Anton Chekhov

It's the correct thing to say that a man needs no more than six feet of earth. But six feet is what a corpse needs, not a man. And they say, too, now, that if our intellectual classes are attracted to the land and yearn for a farm, it's a good thing. But these farms are just the same as six feet of earth. To retreat from town, from the struggle, from the bustle of life, to retreat and bury oneself in one's farm - it's not life, it's egoism, laziness, it's monasticism of a sort, but monasticism without good works. A man does not need six feet of earth or a farm, but the whole globe, all nature, where he can have room to display all the qualities and peculiarities of his free spirit. — Anton Chekhov

Wine and tobacco destroy the individuality. After a cigar or a glass of vodka you are no longer Peter Sorin, but Peter Sorin plus somebody else. Your ego breaks in two: you begin to think of yourself in the third person. — Anton Chekhov

Nadya Zelenin and her mother had returned from a performance of Eugene Onegin at the theatre. Going into her room, the girl swiftly threw off her dress and let her hair down. Then she quickly sat at the table in her petticoat and white bodice to write a letter like Tatyana's.
'I love you,' she wrote, 'but you don't love me, you don't love me!'
Having written this, she laughed.
She was only sixteen and had never loved anyone yet. She knew that Gorny (an army officer) and Gruzdyov (a student) were both in love with her, but now, after the opera, she wanted to doubt their love. To be unloved and miserable: what an attractive idea! There was something beautiful, touching and romantic about A loving B when B wasn't interested in A. Onegin was attractive in not loving at all, while Tatyana was enchanting because she loved greatly. Had they loved equally and been happy they might have seemed boring.
("After The Theatre") — Anton Chekhov

Lvov: I need to have a candid talk with you, Nikolay Alekseyevich.
Ivanov: Doctor, if we're going to have a candid talk every day, I haven't the strength for it. — Anton Chekhov

His reading suggested a man swimming in the sea among the wreckage of his ship, and trying to save his life by greedily clutching first at one spar and then at another. — Anton Chekhov

The wealthy man is not he who has money, but he who has the means to live in the luxurious state of early spring. — Anton Chekhov

To judge between good or bad, between successful and unsuccessful would take the eye of a God. — Anton Chekhov

It seems as though there is something going wrong with me," she thought from time to time through — Anton Chekhov

It is a common saying that a man needs only six feet of land. But surely a corpse wants that, not a man. And I hear that our intellectuals have a longing for the land and want to acquire farms. But it all comes down to the six feet of land. To leave town, and the struggle and the swim of life, and go and hide yourself in a farmhouse is not life
it is egoism, laziness; it is a kind of monasticism, but monasticism without action. A man needs, not six feet of land, not a farm, but the whole earth, all Nature, where in full liberty he can display all the properties and qualities of the free spirit. — Anton Chekhov

Everyone judges plays as if they were very easy to write. They don't know that it is hard to write a good play, and twice as hardand tortuous to write a bad one. — Anton Chekhov

I felt this beauty rather strangely. It was not desire, nor ecstacy, nor enjoyment that Masha
excited in me, but a painful though pleasant sadness. It was a sadness vague and undefined
as a dream. For some reason I felt sorry for myself, for my grandfather and for the
Armenian, even for the girl herself, and I had a feeling as though we all four had lost
something important and essential to life which we should never find again. — Anton Chekhov

There is no greater sorrow than to know another's secret when you cannot help them. — Anton Chekhov

I often wonder: suppose we could begin life over again, knowing what we were doing? Suppose we could use one life, already ended, as a sort of rough draft for another? I think that every one of us would try, more than anything else, not to repeat himself, at the very least he would rearrange his manner of life, he would make sure of rooms like these, with flowers and light ... I have a wife and two daughters, my wife's health is delicate and so on and so on, and if I had to begin life all over again I would not marry ... No, no! — Anton Chekhov

At Oreanda they sat on a beach not far from the church, looked down at the sea, and were silent. Yalta was barely visible through the morning mist; white clouds rested motionlessly on the mountaintops. The leaves did not stir on the trees, cicadas twanged, and the monotonous muffled sound of the sea that rose from below spoke of the peace, the eternal sleep awaiting us. So it rumbled below when there was no Yalta, no Oreanda here; so it rumbles now, and it will rumble as indifferently and as hollowly when we are no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies, perhaps, a pledge of our eternal salvation, of the unceasing advance of life upon earth, of unceasing movement towards perfection. — Anton Chekhov

When you describe the miserable and unfortunate, and want to make the reader feel pity, try to be somewhat colder - that seems to give a kind of background to another's grief, against which it stands out more clearly. Whereas in your story the characters cry and you sigh. Yes, be more cold ... The more objective you are, the stronger will be the impression you make. — Anton Chekhov

Children are holy and pure. Even those of bandits and crocodiles belong among the angels ... They must not be turned into a plaything of one's mood, first to be tenderly kissed, then rabidly stomped at. — Anton Chekhov

Tsars and slaves, the intelligent and the obtuse, publicans and pharisees all have an identical legal and moral right to honor the memory of the deceased as they see fit, without regard for anyone else's opinion and without the fear of hindering one another. — Anton Chekhov

To be in continual ecstasies over nature shows poverty of imagination. In comparison with what my imagination can give me, all these streams and rocks are trash, and nothing else. — Anton Chekhov

The boy sang in a shrill high descant and seemed to be trying not to sing in tune. — Anton Chekhov

The health of domestic animals ought to be as well cared for as the health of human beings. — Anton Chekhov

Who keeps the tavern and serves up the drinks? The peasant. Who squanders and drinks up money belonging to the peasant commune, the school, the church? The peasant. Who would steal from his neighbor, commit arson, and falsely denounce another for a bottle of vodka? The peasant. — Anton Chekhov

As a rule, however fine and deep a phrase may be, it only affects the indifferent, and cannot fully satisfy those who are happy or unhappy; that is why dumbness is most often the highest expression of happiness or unhappiness; lovers understand each other better when they are silent, and a fervent, passionate speech delivered by the grave only touches outsiders, while to the widow and children of the dead man it seems cold and trivial. — Anton Chekhov

When we retreat to the country, we are hiding not from people, but from our pride, which, in the city and among people, operates unfairly and immoderately. — Anton Chekhov

And when it seemed as though the mists were hiding a fathomless abyss, Lipa and her mother who were born in poverty and prepared to live so till the end, giving up to others everything except their frightened, gentle souls, may have fancied for a minute perhaps that in the vast, mysterious world, among the endless series of lives, they, too, counted for something ... — Anton Chekhov

Don't be ashamed of loving someone. You should know that someone who must be ashamed; actually that who does not know how to love someone even though know loved by someone — Anton Chekhov

Country life has its advantages,' he used to say. 'You sit on the veranda drinking tea and your ducklings swim on the pond, and everything smells good ... and there are gooseberries. — Anton Chekhov

The time has come for writers, especially those who are artists, to admit that in this world one cannot make anything out, just as Socrates once admitted it, just as Voltaire admitted it. — Anton Chekhov

Oh, how people love to disappear from your life. Especially when you already got attached to them. — Anton Chekhov

Be sure not to discuss your hero's state of mind. Make it clear from his actions.
(Letter to Alexander Chekhov, May 10, 1886) — Anton Chekhov

LUBOV. I'm quite sure there wasn't anything at all funny. You oughtn't to go and see plays, you ought to go and look at yourself. What a grey life you lead, what a lot you talk unnecessarily. — Anton Chekhov

It's easier to ask for money from the poor than from the wealthy. — Anton Chekhov

THE Superintendent said to me: "I only keep you out of regard for your worthy father; but for that you would have been sent flying long ago." I replied to him: "You flatter me too much, your Excellency, in assuming that I am capable of flying. — Anton Chekhov

The time's come: there's a terrific thunder-cloud advancing upon us, a mighty storm is coming to freshen us up ... It's going to blow away all this idleness and indifference, and prejudice against work ... I'm going to work, and in twenty-five or thirty years' time every man and woman will be working. — Anton Chekhov

It's hard to avoid the suspicion that in seeing all the trees I missed the wood — Anton Chekhov

It is true that, in poetizing love, we assume in those we love qualities that are lacking in them, and that is a source of continual mistakes and continual miseries for us. But to my thinking it is better, even so; that is, it is better to suffer than to find complacency on the basis of woman being woman and man being man. — Anton Chekhov

It's better to live down a scandal than to ruin one's life. — Anton Chekhov

April was just beginning, and after the warm spring day it turned cooler, slightly frosty, and a breath of spring could be felt in the soft, cold air. The road from the convent to town was sandy, they had to go at a walking pace; and on both sides of the carriage, in the bright, still moonlight, pilgrims trudged over the sand. And everyone was silent, deep in thought, everything around was welcoming, young, so near - the trees, the sky, even the moon - and one wanted to think it would always be so. — Anton Chekhov

In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she. — Anton Chekhov

Anna Petrovna: I am beginning to think, doctor, that fate has cheated me. The majority of people, who maybe are no better than I am, are happy and pay nothing for that happiness. I have paid for everything, absolutely everything! And how dearly! Why have I paid such terrible interest? — Anton Chekhov

Your talent sets you apart: if you were a toad or a tarantula, even then, people would respect you, for to talent all things are forgiven. — Anton Chekhov

I know very well you can't help me," he said. "But I tell you, because unsuccessful and superfluous people like me find their salvation in talking. I have to generalise about everything I do. I'm bound to look for an explanation and justification of my absurd existence in somebody else's theories, in literary types - in the idea that we, upper-class Russians, are degenerating, for instance, and so on. Last night, for example, I comforted myself by thinking all the time: 'Ah, how true Tolstoy is, how mercilessly true!' And that did me good. Yes, really, brother, he is a great writer, say what you like!" Samoylenko, who had never read Tolstoy and was intending to do so every day of his life, was a little embarrassed, and said: "Yes, all other authors write from imagination, but he writes straight from nature. — Anton Chekhov

[Ognev] recalled endless, heated, purely Russian arguments, when the wranglers, spraying spittle and banging their fists on the table, fail to understand yet interrupt one another, themselves not even noticing it, contradict themselves with every phrase, change the subject, then, having argued for two or three hours, begin to laugh. — Anton Chekhov

Anna Petrovna: Kolya, my dearest, stay at home.
Ivanov: My love, my unhappy darling, I beg you, don't stop me going out in the evenings. It's cruel and unjust on my part, but let me commit that injustice. It's an agony for me at home. As soon as the sun disappears, my spirit begins to be weighed down by depression. What depression! Don't ask why. I myself don't know. I swear by God's truth I don't know. Here I'm in anguish, I go to the Lebedevs and there it's still worse; I return from there and here it's depression again, and so all night ... Simply despair! — Anton Chekhov

I still lack a political, religious, and philosophical world view. I change it every month, so I'll have to limit myself to the description of how my heroes love, marry, give birth, die, and how they speak. — Anton Chekhov

When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief. — Anton Chekhov

You know I can't stand Shakespeare's plays, but yours are even worse. — Leo Tolstoy

Ivanov: You only qualified last year, my dear friend, you're still young and confident, but I am thirty-five. I have the right to give you some advice. Don't marry a Jew or a psychopath or a bluestocking but choose yourself someone ordinary, someone a shade of grey, with no bright colour and no superfluous noises. In general, construct your whole life on a conventional pattern. The greyer, the more monotonous the background, the better. My dear fellow, don't do
battle against thousands all on your own, don't tilt against windmills, don't beat your head against walls ... And may
God preserve you from all kinds of rational farming, newfangled schools, fiery speeches ... Shut yourself in your shell and do your little God-given business ... It's snugger, healthier and more honest. — Anton Chekhov

It's immoral to steal, but you can take things. — Anton Chekhov

A doctrine which advocates indifference to wealth and to the comforts of life, and a contempt for suffering and death [the Stoics'] is quite unintelligible to the vast majority of men, since that majority has never known wealth or the comforts of life; and to despise suffering would mean to despise life itself, since the whole existence of man is made up of the sensations of hunger, cold, injury, loss, and a Hamlet-like dread of death. — Anton Chekhov

NINA: ... what's important is ... the ability to endure. To be able to bear one's cross and have faith. I have faith, and it's not so painful now, and when I think of my vocation, I'm not afraid of life. — Anton Chekhov

Anna Petrovna: Do you know what, Kolya? Try and sing, laugh, get angry, as you once did ... You stay in, we'll laugh and drink fruit liqueur and we'll drive away your depression in a flash. I'll sing if you like. Or else let's go and sit in the dark in your study as we used to, and you'll tell me about your depression ... You have such suffering eyes. I'll look into them and cry, and we'll both feel better. — Anton Chekhov

Life is a vexatious trap; when a thinking man reaches maturity and attains to full consciousness he cannot help feeling that he is in a trap from which there is no escape. — Anton Chekhov

Being in love shows a person how he ought to be. — Anton Chekhov

Nobody asks her not to understand! It's a lesson for these foreigners! — Anton Chekhov

It is uncomfortable to ask condemned people about their sentences just as it is awkward to ask wealthy people why they need so much money, why they use their wealth so poorly, and why they don't just get rid of it when they recognize that it is the cause of their unhappiness. — Anton Chekhov

The next dish given him was spinach with hard-boiled eggs, while Nadyezhda Fyodorovna, as an invalid, had jelly and milk. When with a preoccupied face she touched the jelly with a spoon and then began languidly eating it, sipping milk, and he heard her swallowing, he was possessed by such an overwhelming aversion that it made his head tingle. He recognised that such a feeling would be an insult even to a dog, but he was angry, not with himself but with Nadyezhda Fyodorovna, for arousing such a feeling, and he understood why lovers sometimes murder their mistresses. He would not murder her, of course, but if he had been on a jury now, he would have acquitted the murderer. — Anton Chekhov

Humankind has understood history as a series of battles because, to this day, it regards conflict as the central facet of life. — Anton Chekhov

One more nice thing about short stories is that you can create a story out of the smallest details -an idea that springs up in your mind, a word, an image, whatever. In most cases it's like jazz improvisation, with the story taking me where it wants to. And another good point is that with short stories you don't have to worry about failing. If the idea doesn't work out the way you hoped it would, you just shrug your shoulders and tell yourself that they can't all be winners. Even with masters of the genre like F. Scott Fitzgerald and Raymond Carver -even Anton Chekhov- not every short story is a masterpiece. I find this a great comfort. You can learn from your mistakes (in other words, those you can't call complete success) and use that in the next story you write. — Haruki Murakami

Except for two or three older writers, all modern literature seems to me not literature but some sort of handicraft, which exists only so as to be encouraged, though one is reluctant to use its products. — Anton Chekhov

The desire to serve the common good must without fail be a requisite of the soul, a necessity for personal happiness; if it issuesnot from there, but from theoretical or other considerations, it is not at all the same thing. — Anton Chekhov

The snow has not yet left the earth, but spring is already asking to enter your heart. If you have ever recovered from a serious illness, you will be familiar with the blessed state when you are in a delicious state of anticipation, and are liable to smile without any obvious reason. Evidently that is what nature is experiencing just now. The ground is cold, mud and snow squelches under foot, but how cheerful, gentle and inviting everything is! The air is so clear and transparent that if you were to climb to the top of the pigeon loft or the bell tower, you feel you might actually see the whole universe from end to end. The sun is shining brightly, and its playful, beaming rays are bathing in the puddles along with the sparrows. The river is swelling and darkening; it has already woken up and very soon will begin to roar. The trees are bare, but they are already living and breathing. — Anton Chekhov

Having sex is easy," he ocntinued. "All you need to do is undress the woman. But it's what comes afterwards that's such a drag; such a load of nonsense! — Anton Chekhov

I really like the stuff that is very absurd and very real at the same time. I think Anton Chekhov is the greatest comedy writer of all time. I think he would make a great addition to The Office staff. If you look through Chekhov plays there is a lot of awkward pauses in there. His mixture of pathos, absurdity, truthfulness and whimsy is just mixed together perfectly. — Rainn Wilson

From mere common humanity he ought to be treated seriously. — Anton Chekhov

We can't know everything, how and wherefore," said the old man. "It is ordained for the bird to have not four wings but two because it is able to fly with two; and so it is ordained for man not to know everything but only a half or a quarter. As much as he needs to know so as to live, so much he knows." ,From 'In The Ravine'~Chekhov~, — Anton Chekhov

I am a man of cultivation; I have studied various remarkable books, but I cannot fathom the direction of my preferences; do I want to live or do I want to shoot myself, so to speak? But in order to be ready for all contingencies, I always carry a revolver in my pocket. — Anton Chekhov

We have been sincere from beginning to end," said I, "and if anyone is sincere he is right. — Anton Chekhov

To harbor spiteful feelings against ordinary people for not being heroes is possible only for narrow-minded or embittered man. — Anton Chekhov