Title Story Quotes & Sayings

A lot of time, with stories, I'll start out with a title and try to dream myself into the story that it evokes - a kind of subconscious exercise in which I'm trawling for some kind of entryway into fiction. — Dan Chaon

The movie is actually from a book by Stephen King called The Body. When they were gonna put it to a motion picture, they found the story was a bit too strong for the title The Body, based on a young kid's movie. It would be too heavy. — Ben E. King

It is so appropriate to color hope yellow, like the sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. 'Open the Window and Stand in the Sunshine.' Yet, I hesitate to name our story that. For I think of us more as flowers in the attic. — V.C. Andrews

What I hadn't expected was to be blindsided by a history lesson that betrayed every hard-won experience I'd had as a player and now a coach at the same school I'd attended. . . Whoever was responsible for sending a championship team into virtual obscurity was either a serious egomaniac or just plain mean. It stung.

After all, wasn't the story told at today's funeral the stuff of legacies? Of school lore passed on to the next class, and the next, building institutional pride as well as magical identities that made every kid in the state want to play there? — Jo Kadlecek

Any time I put together a story collection, I don't know what it's going to look like overall - or even what the title story is going to be. Over time, I end up with a dozen or so stories, and I start to see a shape to them, how they fit together, and then I write stories that complement or extend that shape. — Brian Evenson

As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real.The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing. — Haruki Murakami

Look at that symbol,' she said, pointing to the top of a page. Above what Harry assumed was the title of the story (being unable to read runes, he could not be sure), there was a picture of what looked like a triangular eye, its pupil crossed with a vertical line. 'I never took Ancient Runes, Hermione.' 'I know that, but it isn't a rune and it's not in the syllabary, either. All along I thought it was a picture — J.K. Rowling

After all what's the lesson from all that?
...

Sometimes the title hasn't anything to do with the story... — Deyth Banger

Interpreter of Maladies is the title of one of the stories in the book. And the phrase itself was something I thought of before I even wrote that story. — Jhumpa Lahiri

If my life were a movie ... the title sequence would start out like a typical high school story, but then reveal that something's amiss. There'd be a tight shot, or piece of dialogue, or something that would make the viewer uncomfortable. Something to give them that prickly feeling.
-Dez — Dawn Klehr

Reason gives us tools to control nature. But it cannot indicate which uses of nature are good or humane. Reason shows us how to achieve our goals. But it cannot determine which goals are right to pursue in the first place. It ascertains what we can do, but not what we should do. What works, but not what is good. Facts, but not values. As a result, many people concluded that the only way to plumb the Big Questions was to "escape from reason" (the title of one of Schaeffer's books). That is, to leave reason behind and take a leap of faith from the lower story to the upper story. — Nancy Pearcey

Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game. — Rob Manuel

Nothing good about this but it's title. A priggish little yarn. And Hidden Riches is not a story
it's a machine. It creaks. It never made me forget for one instant that it was a story. Hence it isn't a story. — L.M. Montgomery

The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does
or even should
contribute to the story in hand being any better than it would have been without it. — Charles De Lint

I was worried that if I told her the story, she would identify with it too much. That her sympathy, however well-meaning, would make me possessive, angry again. She was always making things personal, seeing only their relationship to her rather than what was complex about them. — Olivia Sudjic

Too few of us from the Black Power generation and the movements to take power in cities through the election of black elected officials have told our story. Hence there is very little understanding of the agenda for change we outlined for black people and America in the 1960s and early 1970s. We wanted self-determination, and end to racism, and economic security. It is an agenda that was never fulfilled, and hence the title of my book, Unfinished Agenda. — Junius Williams

My first book of stories was 'Satan in the Suburbs'. The title story was in part suggested to me by a stranger whom I met in Mortlake and who, when he saw me, crossed the road and made the sign of the Cross as he went. — Bertrand Russell

Serendipity is another word in the luck family. Invented by Horace Walpole in 1754, it appropriately began life as a misprint. Walpole wrote a letter to Horace Mann developing the idea of serendipity from a 'silly fairytale' about chance called The Three Princes of Serendip. But Walpole had made a mistake: the real title of the story was The Three Princes of Sarendip (the ancient name for Sri Lanka). Before its current fashionable — Ed Smith

I told him that if we doubted that we are demons in Hell, he should read The Mysterious Stranger, which Mark Twain wrote in 1898, long before the First World War (1914-1918). In the title story he proves to his own grim satisfaction, and to mine as well, that Satan and not God created the planet earth and "the damned human race." If you doubt that, read your morning paper. Never mind what paper. Never mind the date. — Kurt Vonnegut

My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it. — Saul Bass

The Commissioner went away, taking three or four of the soldiers with him. In the many years in which he had toiled to bring civilization to different parts of Africa he had learned a number of things. One of them was that a District Commissioner must never attend to such undignified details s cutting a hanged man from a tree. Such attention would give the natives a poor opinion of him. In the book which he planned to write he would stress that point. As he walked back to the court he thought about that book. Every day brought him some new material. The story of the man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter ob him. Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting details. He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger. — Chinua Achebe

Out of respect for the love of liberty shown by the Chinese people, and also in the belief that the future of the world lies with the yellow man and the brown man now that our erstwhile master, the white-skinned man, has wasted himself through buggery, cell phone usage, and drug abuse, I offer to tell you, free of charge, the truth about Bangalore.
"By telling you my life's story.
"See, when you come to Bangalore, and stop at a traffic light, some boy will run up to your car and knock on your window, while holding up a bootlegged copy of an American business book wrapped carefully in cellophane and with a title like:
TEN SECRETS OF BUSINESS SUCCESS!
or
BECOME AN ENTREPRENEUR IN SEVEN EASY DAYS!
"Don't waste your money on those American books. They're so yesterday.
"I am tomorrow. — Aravind Adiga

'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story. — Garrett Hedlund

Sometimes it bursts from your imagination fully formed, sometimes you absorb from nonfiction, sometimes you're able to imprint your own autobiographical experiences on a world you never yourself were a part of. A decent number of the one-liners in the title story originally came up in conversations with my girlfriend or my neighbor. — Anthony Marra

AS C.S. Lewis once said, for Joe life here on earth was only the title and cover page. And now he has begun the greatest story of all, one that no one on earth has ever read in which ever chapter is better than the last. — Karen Kingsbury

I have always credited the writer of the original material above the title: Mario Puzo's The Godfather, Bram Stoker's Dracula, or John Grisham's The Rainmaker. I felt that I didn't have the right to Francis Coppola's anything unless I had written the story and the screenplay. — Francis Ford Coppola

I made the rules I figured I could be the one to break them. I thought I would write about xenophobia, a hatred of foreigners. After I stated writing the story there was not a foreigner to be had. I did not want to just stick one in there so I could get a title out of it since it seemed like cheating. I never figured out how I could get out of this dilemma so I just called it X and weaved X traits into the story. — Sue Grafton

When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she'd gone and I'd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving. — Roman Payne

What are you?' Trout asked the boy scornfully. 'Some kind of gutless wonder?'
This, too, was the title of a book by Trout, The Gutless Wonder. It was about a robot
who had bad breath, who became popular after his halitosis was cured. But what made
the story remarkable, since it was written in 1932, was that it predicted the widespread
use of burning jellied gasoline on human beings.
It was dropped on them from airplanes. Robots did the dropping. They had no
conscience, and no circuits which would allow them to imagine what was happening to
the people on the ground.
Trout's leading robot looked like a human being, and could talk and dance and so on,
and go out with girls. And nobody held it against him that he dropped jellied gasoline on
people. But they found his halitosis unforgivable. But then he cleared that up, and he was
welcomed to the human race. — Kurt Vonnegut

All writers know how important a good title is. It's the first thing readers see, along with a knock-your-socks-off cover - a seductive 'come hither' for the story within. — Caroline Leavitt

This is not a romance. Romances are filled with valiant men and simpering damsels in distress. Romances have heroes worthy of the title. They slay dragons and climb towers to rescue beautiful princesses they immediately marry and impregnate. Romances end with a happily ever after. This is not a romance. This is a love story. — C.J. Roberts

Incase the title was misleading, this is the story of Qorth. He was an alien, but he was more normal, more boring, more goofy, and more ho-hum than any human I'd ever known . . . to the point that I sometimes wonder if he was really even an alien. To be fair, he did have "magical" otherworldly powers and some weird traits, like pointed ears. It rained when he was sad. His eyes were solid black, which really creeped me out in the beginning but, eh, I got used to it. He had weird tastes in food, like he would put ketchup on pancakes, and animals were sock puppets to him. The night I found him, it was the animals who led me to him. — Ash Gray

Those who spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment. The putting of dispersed sets of volumes together, or the turning right way up of those which the dusting housemaid has left in an apoplectic condition, appeals to them as one of the lesser Works of Mercy. Happy in these employments, and in occasionally opening an eighteenth-century octavo, to see 'what it is all about,' and to conclude after five minutes that it deserves the seclusion it now enjoys, I had reached the middle of a wet August afternoon at Betton Court ...
-the beginning of the story A Neighbor's Landmark — M.R. James

Our eyes are not viewers, they're also projectors that are running a second story over the picture that we see in front of us all the time. Fear is writing that script, and the working title is 'I'll never be enough' — Jim Carrey

I will tell you a story, one I used to tell to a little boy with dark hair. A silent boy who rarely laughs, who listened more closely than I realized. A boy who had a name and not a title — Leigh Bardugo

All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn't know any story to tell his children was once John. — J.M. Barrie

There are many facts within fiction. This captivating story provides invaluable insights into the childhood of a girl who has Asperger's syndrome. Fiction allows the author to explore different perspectives and add poignancy to the experiences of sensory sensitivity and being bullied and teased of someone who has Asperger's syndrome. The title Delightfully Different describes Asperger's syndrome but also the qualities of this novel. — Tony Attwood

Apple of My Eye is a twisted collection of short stories by Amy Grech, including the sexy and deadly title story that makes you want to stay home with the door locked and the lights on. Grech's stories are sinister, sneaky, convoluted and dangerous - and absolutely not to be missed!
- Jonathan Maberry, Bram Stoker Award-Winning Author of
Ghost Road Blues and Dead Man's Song — Jonathan Maberry

The title for this story comes from the Dutch philosopher Spinoza, who gave Part IV of his work Ethics the title Of Human Bondage, or the Strength of the Emotions. Spinoza makes the point that humans are held hostage by their emotions and that to free oneself from this captivity, one has to know one's aims in life and follow them. It is an apt title, as the novel is centred on the unconscious search of the main character, Philip Carey, for his path in life and the tribulations he faces in trying to find peace. — William Somerset Maugham

And as He spoke, He no longer looked to them like a lion; but the things that began to happen after that were so great and beautiful that I cannot write them. And for us this the end of all the stories, and we can most truly say that they all lived happily ever after. But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before. — C.S. Lewis

In honor of the marriage that worked, I include in this collection a sickeningly slick love story from The Ladies' Home Journal, God help us, entitled by them "The Long Walk to Forever." The title I gave it, I think, was "Hell to Get Along With. — Kurt Vonnegut Jr.

Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the "Secret Annexe." The title alone would be enough to make people think it was a detective story. — Anne Frank

The enlightened rational man is not unlike the title character in Mozart's opera "Don Giovanni": a likeable rake, intelligent and enterprising, free to do as he pleases, outmaneuvering his honorable, tradition-bound adversaries at every step. One cannot begrudge him his liberty and pursuit of happiness, but looming large above him is his fatal flaw: his mind's maturity does not match his freedom. His pursuits are frivolous, tawdry and destructive. And this, we maintain, is the historical moment of our techno-scientific world: like some allegorical alien race in a science fiction story, we have placed broad freedoms and enormous power in the hands of a flawed creature: ourselves. Empirical reason has brought us here, and by its light we will have to find a way forward. — Danko Antolovic

That can be the cruelest part of happiness--its tendency to disguise itself in boredom."
- Marie-Helene Bertino, Safe as Houses, title story — Marie-Helene Bertino

The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it. — Carlos Ruiz Zafon

The art teacher's scarlet book was called Story of the Eye by Georges Bataille. 'As the title suggests,' Mr Dunwoody saw the book'd caught my attention, 'it's about the history of opticians. What are you about? — David Mitchell

Oh, how our good knight reveled in this speech, and more than ever when he came to think of the name that he should give his lady! As the story goes, there was a very good=looking farm girl who lived near by, with whom he had once been smitten, although it is generally believed that she never knew or suspected it. Her name was Aldonza Lorenzo, and it seemed to him that she was the one upon whom he should bestow the title of mistress of his thoughts. For her he wished a name that should not be incongruous with his own and that would convey the suggestion of a princess or a great lady; and, accordingly, he resolved to call her "Dulcinea del Toboso," she being a native of that place. A musical name to his ears, out of the ordinary and significant, like the others he had chosen for himself and his appurtenances. — Miguel De Cervantes Saavedra

In Cold Blood is the story of these six people - the [four] Clutters, who died together November 15, 1959, and Perry Smith and Richard Hickock, who were hanged April 14, 1965. And my book is the story of their lives and their deaths. It's a completely factual account and every word is true.

- Truman Capote, interviewed in A Visit with Truman Capote, Maysles Films, 1966 (alternate title: With Love From Truman). — Truman Capote

I was overjoyed when I was offered the title role in 'Well Done Abba.' I was ready for the role even before I heard the story because you don't ask questions when it is Shyam Benegal's film. It is the chance of a lifetime. — Boman Irani

'Parenthood' is a story about people's lives - the title helps. Very early on during the show's launch, the title was something familiar for the audience. It grabbed people's interest. — Jason Katims

For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase. — Jhumpa Lahiri

Ok now
I don't read "all the time." Remember, that these ratings are over quite a while. I'll try to put in some comments over what I've been reading lately. I like Vince Flynn's spy/thrillers. Also, check out Umberto Eco's one "On Beauty"
not the precise title, but great art/comments. Also, Sophie's World if you like a pretty unusual story with philosophy mixed in. — Umberto Eco

The most terrifying thing I can think of is being alone - and I mean utterly alone, like no one else in the world alone - at night. That's the nucleus of the first story in my collection and it's also where the title came from for the book. — Paul Kane

People talk and rumors follow," I said.
"Most people claim that only a person possessed of the devil could write such horror."
"And what do you think?"
"You are an angel to me, Eddy, but never bet the devil your head."
"That would make a great title for a story," I observed. — Andrew Barger

In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story. — Uwe Boll

Small towns begin with a sign. The words can be as simple as the title of a story
Welcome to Harberville, Now entering Clawson
but once you cross, you are inside that story, and all that you do will be part of its tale. — Mitch Albom

Many people think that it is important to have a title before you begin writing the book, but I think you should never sit around waiting for the right title to strike before you start writing. Crack on with the story, put in the hard work, and the title will come eventually. — Darren Shan

The Quakers have a saying: "An enemy is one whose story we have not heard." To communicate to post-Christians, I must first listen to their stories for clues to how they view the world and how they view people like me. Those conversations are what led to the title of this book. Although God's grace is as amazing as ever, in my divided country it seems in vanishing supply. — Philip Yancey

I tell students, when in doubt, to title their story after the smallest concrete object in their story. I warn them off plays on words, ('The Rent Also Rises'
no; 'Life in My Cat House'
no) and no grand reaches, either. 'Reverence,' 'Respect,' 'Regret,' 'Greed,' 'Adventure,' 'Retribution.' And never use the worst title of all time, 'The Gift,' a story I read six times a year. — Ron Carlson

Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes. — Alex Tabarrok

Pg 679 and he goes slowly to the wall behind the painting and sees its title;
WILLEM LISTENING TO JUDE TELL A STORY, GREENE STREET
... and he feels his breath abandon him — Hanya Yanagihara

I once believed in faith - that if I patiently waited, something good will happen. But at the end of the chapter, I found myself devastated. Years have gone by and I'm back at chapter one again. I've tried several times already and ended up in the same ending. It was always a different title, same story; different choices made but ending up with the same plot and finale. I grew tired of this never ending maze, wandering endlessly and finally giving up faith. — Raphael Paolo Augustine Camanag

Twilight is the first series of books I've ever read. I didn't get into the Harry Potter series, even though I love the movies. Twilight really caught my attention and held it. I'm really excited to see the book adapted to film and excited that our band gets to be a part of the phenomenon. I chose the title "Decode" because the song is about the building tension, awkwardness, anger and confusion between Bella and Edward. Bella's mind is the only one which Edward can't read and I feel like that's a big part of the first book and one of the obstacles for them to overcome. It's one added tension that makes the story even better. — Hayley Williams

She has a bookshelf for a heart, and ink runs through her veins, she'll write you into her story with the typewriter in her brain. Her bookshelf's getting crowded. With all the stories that's she's penned, of all the people who flicked through her pages but closed the book before it ended. And there's one pushed to the very back, that sits collecting dust, with its title in her finest writing, 'The One's Who Lost My Trust'. There's books shes scared to open, and books she doesn't close. Stories of every person she's met stretched out in endless rows. Some people have only one sentence while others once held a main part, thousands of inky footprints that they've left across her heart. You might wonder why she does this, why write of people she once knew? But she hopes one day she'll mean enough for someone to write about her too. — E.H.

More than anything, I wanted to help her write new words, on perfectly crisp, untouched paper, and to come up with a flawless title, for the perfect story. — Rachel Brookes

Aureliano Segundo was deep in the reading of a book. Although it had no cover and the title did not appear anywhere, the boy enjoyed the story of a woman who sat at a table and ate nothing but kernels of rice, which she picked up with a pin, and the story of the fisherman who borrowed a weight for his net from a neighbor and when he gave him a fish in payment later it had a diamond in its stomach, and the one about the lamp that fulfilled wishes and about flying carpets. Surprised, he asked Ursula if all that was true and she answered him that it was, that many years ago the gypsies had brought magic lamps and flying mats to Macondo.
"What's happening," she sighed, "is that the world is slowly coming to an end and those things don't come here any more. — Gabriel Garcia Marquez

I can tell you that I never begin working on a story until I have a title centered at the top of the first page. — Kevin Brockmeier