Time Studio Quotes & Sayings

Pablo Picasso was notorious for sucking the energy out of the people he met. His granddaughter Marina claimed that he squeezed people like one of his tubes of oil paints. You's have a great time hanging out all day with Picasso, and then you's go home nervous and exhausted, and Picasso would go back to his studio and paint all night, using the energy he'd sucked out of you. — Austin Kleon

I just know that he's Robbie Williams - he's massive, that's all I know! He nailed it. Working in the studio with him was cool. I got there at about six in the afternoon and then stayed until six in the morning. We only worked for like two hours, the rest of the time we were just chilling out the back. The way Robbie handles everything ... he's a star, but there were never any pretensions, no ego. He put effort in. — Dizzee Rascal

I write all the time. The wonderful thing about having a cell phone is that if I get an idea, I knock it out and it's in my phone and I can transfer it to my computer and go into the studio and bring it up. — Ian Astbury

By the time The Band did The Last Waltz, the chemistry had changed, and it wasn't a thrill anymore to live that studio kind of life. — Levon Helm

In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever. — Bruce Nauman

When, about fifteen years ago, I walked into Arshile's studio for the first time, the atmosphere was so beautiful that I got a little dizzy and when I came to, I was bright enough to take the hint immediately. If the bookkeepers think it necessary to make sure of where things and people came from, well then, I came from 36 Union Square ... I am glad that it is about impossible to get away from his powerful influence. — Willem De Kooning

I look at my paintings for a very long time before letting them out of my studio. I like to get on the treadmill and look around at all of my paintings while I exercise. I try to stare them down to make them reveal their weaknesses. If they reveal weaknesses, they get repainted. — Sean Scully

I'm sure." I smiled and took a sip of coffee. "I don't want to be stranded on the side of the road. Will that old thing even make it that far?" He looked toward his truck. "That old thing hasn't let me down yet." "So how long will it take to get there?" "'bout six, six and a half hours. That should give me time to get settled into my motel room and practice a little before I go to the studio in the morning." I nodded. "Have you had breakfast?" "I ate at Mrs. Wrigley's when I dropped Amy off." "How about a cup of coffee?" I said. "No thanks. It'll just make me have to stop and pee." I laughed. I stood and stepped to him. "Call me when you get there. Okay?" "I'll call. I promise." He turned to look down at Bo, who sat in the yard looking up at us, stick in mouth, waiting. "I asked Mike to keep an eye on you while I'm gone," he said. "The — Heather Meyer

Nick Cardy's work helped define some of the things we see in comics today and take for granted. He broke out of the mold in terms of covers and layout and created a truly interactive experience for the reader that directly points back to his time with the Eisner studio. — Jim Lee

I learn stuff from making music every time I go in the studio. I'm continuing to try to find new ways to play in a song or be in a song and have a positive impact on a song. — Stone Gossard

With songwriting I spend a lot of time living life, accruing all these experiences, journaling, and then by the time I get to the studio I'm teeming with the drive to write. — Alanis Morissette

I was very empty after my father passed away. It was an emotional time, as it would be for anyone, but to be in the studio every day was kind of cathartic and healing and it just seemed very natural to continue. — Dhani Harrison

You earn very little money on independent films and I'm the provider for my home, so I do have to think of taking one for the accountant time and again and that means studio pictures. — Vera Farmiga

In this world, this life, "flow" [the times when our work or play so absorbs and attunes our energies that we lose track of time] comes to an end. The canvas is dry, the fugue is complete, the band plays the tag one more time and then resolves on the final chord. And, too, the book is finished, the service is over, the lights go up in the darkened theater and we emerge blinking into the bright lights of the "real world." But what if the timeless, creative world we had glimpsed is really the real world -- and it is precisely its reality that gave it such power to captivate us for a while? What if our ultimate destiny is that moment of enjoyment and engagement we glimpse in the artist's studio? — Andy Crouch

You would think that, by sheer chance, there would come a time when you daughter's two dances would be close together, ideally near the beginning. But the dance studio makes sure this never happens, using the same computer scheduling program that the cable-TV company uses to make sure that the technician, for whom you have been waiting eleven hours, rings your doorbell only when you have just commenced pooping. — Dave Barry

NEXT LIFE. My embroidery studio on the main street of Bayeux will be just one part of my Institute of Slow Information. I will also teach letter writing, listening, miniature portrait painting, and the art of doing one thing at a time. — Vivian Swift

I don't know if I have some kind of defiance disorder or something, but if I'm hired to write something by "The Man," or by a studio, for whatever reason, it's really hard for me to finish. I inevitably wind up using that time to write something else. — Diablo Cody

If you can sell that you're the King of Scotland, or Henry V on a tiny stage in a studio theater somewhere, then you can probably sell that you're a starship captain or a time traveler. — David Tennant

Often, I find it really hard to see what I'm doing when I'm in the thick of things. I can get too precious and have to force myself to put my paintings aside. There's a wall in my studio where I hang paintings that I think are done or nearly done. Over time, I'll realise which ones are working and which aren't. — Cecily Brown

My own personal tastes don't really have an effect on whether song is a parody target or not. But having said that, I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I'm working on them in the studio to possibly playing them onstage for the rest of my life. So I try not to pick songs that I know would drive me crazy. — Al Yankovic

When we came into the studio I became more and more me, making the tracks and choosing the musicians, partly because a great deal of the time during Bridge, Artie wasn't there. — Paul Simon

Every time I'm not on a project, I'm writing or in the studio or doing gigs DJing. — Taryn Manning

I used to carry a notebook to the studio. I don't do that no more 'cause I don't have the time to write anywhere but right there in the studio on the spot. So when you hear my stuff, know that I wrote it in the studio. — Nas

In the beautiful words of Staton Kirkham Davis, 'You may be keeping accounts, and presently you shall walk out of the door that for so long has seemed to you the barrier of your ideals, and shall find yourself before an audience - the pen still behind your ear, the ink-stains on you fingers - and then and there shall pour out the torrent of your inspiration. You may be driving sheep, and you shall wander to the city - bucolic and open-mouthed; shall wander under the intrepid guidance of a spirit into the studio of the master, and after a time he shall say, 'I have nothing more to teach you.' And now you have become the master, who did so recently dream of great things while driving sheep. You shall lay down the saw and the plane to take upon yourself the regeneration of the world. — James Allen

When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces. — Jon Favreau

I never thought I was particularly good looking. But when I see old photographs, I realise that I was. I do wish I had known that at the time because beauty is power. I didn't realise how lucky I was to be young, beautiful and in Hollywood. It didn't hit me. Every day I woke up, went to the film studio and just got on with it. — Joan Collins

When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments. — Richard Clayderman

The average development time for a Hollywood movie is nine years. Nine years for a studio film. And a lot of what you do is abstract. — Stephen Gaghan

He turned her into his arms as they stepped into the studio, ran his hands over her hips. "I missed you. I miss spending large quantities of time with you."
She felt the heat kindle between her thighs, hotter, lustier than the moment called for. Her breasts tingled with it. "I missed you, too. Why don't we figure out how to cut the evening short, go home, and fuck like rabbits?"
He was hard as iron. As he leaned down to nip at her ear, he found himself struggling not to tug at her clothes. "Good thought. Christ, I want you. — J.D. Robb

Every time I went into the studio, I always sung with my heart. If it came out as strong, as good, as powerful as that to my fans, then I was satisfied. I never slacked. I always did all the songs the same way as the first. — Percy Sledge

What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important. — Chris McCormack

You get notes from two studios and a network instead of a studio and a network. Although we early on forced them all to do their notes together. I make them all talk to each other first. Because we went through the pains of getting notes from ABC and at the time it was Touchstone, that were opposite - and then CBS notes that were opposite again. So it was, you guys are going to have to work it out as to what is the most important note. — Edward Allen Bernero

But, like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life's mundane matters. "Who are the best musicians for these songs?" "Am I recording in the right studio?" "Is this song in the right key?" Some things never change, even in 400 years.

Not once have I ever had the time to ask myself, "Are my songs literature?"

So, I do thank the Swedish Academy, both for taking the time to consider that very question, and, ultimately, for providing such a wonderful answer. — Bob Dylan

I've made over 25 studio albums, and I think probably I've made two real stinkers in my time, and some not-bad albums, and some really good albums. I'm proud of what I've done. In fact it's been a good ride. — David Bowie

I feel like I'm stepping into a place of spiritual contemplation every time I enter a studio; it's always had a certain magic to me that has never worn off with familiarity. — David Knopfler

In the late 60's I was enrolled at Occidental College majoring in philosophy and taking several studio art classes, but I dropped out. It was a very confusing time with the war in Vietnam and the social changes sweeping the nation. — Stephen Beal

I get up at seven for the make-up, Rita Hayworth at six, Joan Crawford and Bette Davis at five. I don't want to know the time when I'll have to come to the studio even earlier. — Grace Kelly

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit. — Ben Harper

It was really fun and intimate in a way. Working with George Miller is exquisite. Gloria is different from anything I've ever played before. The first time I saw the characters in the studio I remember thinking that Mumble looked just like Elijah, with such a cute and endearing face. I don't think Gloria looks that much like me. — Brittany Murphy

I guess we all had that work ethic. None of us were rock stars, so if you had time in a studio, it was a big, big deal: you're not going to sit around taking drugs and drinking and waste it, you'll do something. — David Toop

The single most exciting thing that happened for me was getting to spend some time in the studio with both Marty Stuart and Vince Gill. — Charlie Worsham

I mean, just like every other prominent songwriter or producer, you have the shot. You send in records and if they make it, they make it. If they get heard, they get heard. I'm not sure if you know how that circle of songwriting and producing works, but every time a big artist is working, everybody and their mother is in the studio writing records to try to get on it. — Bryce Wilson

It's hard to shape glass. It took me years of practice, and as a result, I've never gotten bored with it. It's difficult. Every time I come into the studio, I've got some sort of new challenge. And something that I would like to learn how to do better, and the material never disappoints me. — Jim McKelvey

The biggest challenge is self-financing 100% of everything. Recording costs, studio time, engineer fees, travel costs are all a part of the creation process. Then after the creation, there are producer fees, mixing, mastering, photo shoots, artwork, packaging, artist feature fees, legal fees, clearances, and so on that must be covered before any music can officially be released to the public. — Mya

It depends on the time of the year and who I've been talking to, I try to put people in the studio I like. — Leo Kottke

The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff. — Erik Hassle

I think I spent more time on the mellotron than on any other instrument in the studio, and it got to the point where I was like, "Well, you can't write an entire album on this instrument." But maybe I would! — Zach Condon

Friends give me a hard time about the pants I'm wearing, which are made in China. Well, how do you find the right clothes? Or the right movie studio? The right people giving you checks? Good luck doing the right thing all the time. — Adam McKay

I think I'm the only singer who doesn't have a temper. The only time I got angry was at a music studio when I was made to wait for three hours without being informed about the delay in the recording. — Sunidhi Chauhan

A lot of rappers want somebody to always sing on their records. If you can hold a note, they're gonna' ask you to come and be apart of their creativity. At that time, they were eager and on the streets selling drugs or in the studio making music. That was a big part of our lives were I grew up. — Nicki Minaj

I love the road, and I love coming in contact with the fans. They talk to me and that's irreplaceable. But when I get tired, I head to the studio and I am in there for a long time. — Yanni

The end of the '60s was a terrible time. I was in Los Angeles then, and I remember the night someone ran into the studio and told us about the Manson murders. Then suddenly something happened, the '60s disappeared. The '70s were completely different. — Claes Oldenburg

Now I have other demands on my time that are not flexible, I just can't wander into the studio at 2 A.M. like I used to. If I have an idea in the middle of the night, I will go and get the bare bones down, but mostly you can learn to tame it to your needs. — Jamie Cullum

You are an explorer. You understand that every time you go into the studio, you are after something that does not yet exist. — Anna Deavere Smith

It's a great time to be a comedian because you've got so much more control. You can say what you want to. I think in the old days with the studio system the performer was a bit of an afterthought. You can be a wildcard on the internet. But if you put something on the internet once it's out there it's out there for life. — Bill Burr

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day. — Quincy Jones

One day I was in the studio with my cousin. My dad was on tour at the time, so just for fun I recorded some stuff with my cousin. We were just playing around. After my dad got back, one day he played what we recorded. He heard my part and was like, "Who is that?" My cousin was like, "Uh, that's your son!" So he was like, "That's hot. You wanna make a record?" — Lil' Romeo

I don't know when the last time was that Steven Spielberg or George Lucas made a movie with Universal, but I can tell you that Universal is leading the charge. They're looking at film differently. They're planning ahead in a way that I've never seen a studio do before. They're believing in a relationship between fan and film franchise, in a new way. They're more receptive to an audience, in part because of social media, in a way we've never been allowed. — Vin Diesel

I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors. — Bernard Hill

I think, if I had my choice, I would spend all my time in the studio writing, and creating music. — Zach Condon

Imagine the first time you are about to rap in a studio and you find yourself in a booth with Redman and KRS! — Angie Martinez

My generation of playwrights have grown up writing for studio theatres, and so the task of writing for more than ten or so actors is a huge challenge. Logistically, it's like doing an enormous Sudoku. Making sure everyone is in the right place at the right time in the right order instantly sends me into a cold sweat. — Lee Hall

Now is the chance for me to let go and release some new Nephilim tracks which have been constrained to the studio for some time. Trying to concentrate the work and thoughts down to a simple single objective is always a difficult practice but that's the nature of the beast ... easy to find the beginning but always hard to reach the end — Carl McCoy

Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year. — Beck

My influences change all the time; they have to remain current, because they're the things that capture your imagination and make you want to go into the studio. — Wayne McGregor

The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio - it sent me a bit mad. — Florence Welch

Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it. — John Lasseter

These galleries are hung, mostly, with images from 'Frog and Toad,' and he moves from each to each, not really seeing them but rather remembering the experience of viewing them for the first time, in JB's studio, when he and Willem were new to each other, when he felt as if he was growing new body parts - a second heart, a second brain - to accommodate this excess of feeling, the wonder of his life. — Hanya Yanagihara

Bono and Clayton had such a great time that the band paid homage to Cash in their Rattle and Hum album package with a huge photo of them in the Sun studio just beneath a framed photo of Phillips and Cash. In the early weeks of 1993, Bono was working — Robert Hilburn

Sketches are social things. They are lonely outside the company of other sketches and related reference material. They are lonely if they are discarded as soon as they are done. And they definitely are happiest when everyone in the studio working on the project has spent time with them. — Bill Buxton

It is possible to have a pretty good life and career being a leech and a parasite in the media world, gadding about from TV studio to TV studio, writing inconsequential pieces and having a good time. — Boris Johnson

I spend so much time in my studio, which can be very dark, so it can begin to feel as if I'm a mole underground. — Jacob Collins

I originally had opened the studio in New York to combine my two loves, music and design. And we created videos and packaging for many musicians that you know, and for even more that you've never heard of. As I realized, just like with many, many things in my life that I actually love, I adapt to it. And I get, over time, bored by them. — Stefan Sagmeister

I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely. — Lee Siegel

I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on. — Evan Parker

There's something fun about the road because there's no 9 to 5. But I do find myself making the effort to take some time off. As much as I don't want to, I have to. I need to reset. I love weeks off, because I can go in the studio and just be creative again. — Hunter Hayes

Some days I'll be like, "You know what? Why don't I go to my daughter's studio and make a song?!" And then I don't! I don't know if I would have all the time it takes to put into a song. — Tameka Cottle

How many leaps did Nijinksy take before he made the one that startled the world? He took thousands and thousands and it is that legend that gives us the courage, the energy, and arrogance to go back into the studio knowing that while there is so little time to be born to the instant, you will work again among the many that you may once more be born as one. That is a dancer's world. — Martha Graham

If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music. — Ariana Grande

I have scars on my hand from touching certain people. Once, in the park, when Frannie was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. — J.D. Salinger

I don't like working in a studio, at all. I just prefer to be on location, rather than hearing the bells of the studio going off. It's like being in Las Vegas, where no one knows the time and there are no windows. — Eric Bana

I left the studio at 5:30 in the morning. It's an incredible mind exercise. You have to, obviously, have stamina, but you really feel like you're kind of feeding your mind. It's a challenge of learning lines very fast and then you have to be lose enough to hopefully make good choices in a much shorter amount of time that it takes to film certain scenes. — Glenn Close

What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something. — Susan Downey

I think quite often when you have a hell of a lot more money and time, as you very much do on a big studio film, you don't necessarily have to make the decisions right there. You can always goback and reshoot it. — Keira Knightley

If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process. — Taylor Dayne

My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else. — Rick Rubin

Being in the studio is a really romantic time. — Alison Krauss

I think I learned the most from Eminem because I spent the most time with him in the studio. Going to L.A. with Dre was a learning experience, just seeing how the dude works and being up-close and personal with a dude whose music I appreciated growing up. — Obie Trice

Whenever I have time, I try to get in the studio and write, whether it's for me or other artists or my catalog of music. It's definitely one of my favorite parts of the music industry. — Jesse McCartney

The beauty of having a studio is I can go in and record any time I want to, so you can always put down your ideas or whatever. You use your voice recorder and, you know, take your voice notes down and just preserve all the little jewels and gems when you're in there, putting that song together. — Big Boi

But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes. — Griffin Dunne

I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over. — Andy Summers

Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle. — David Byrne

I like doing everything. That's why I came to Pixar, as opposed to Disney or any other studio - it's small. At the time I started, I was, like, the 10th person in the animation group, and we all had to do everything. That's the way I like it, keeping it fresh. — Pete Docter

All the world's a stage. Creative work is a kind of theater. The stage is your studio, your desk, or your workstation. The costume is your outfit - your painting pants, your business suit, or that funny hat that helps you think. The props are your materials, your tools, and your medium. The script is just plain old time. An hour here, or an hour there - just time measured out for things to happen. — Austin Kleon

I spend a lot of time working in the studio as a producer, not just a singer. — Vonda Shepard

I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale. — Kate Bush

Yes John and I were together for nearly ten years. It was nice for a long time. I worked for Oldmanston and Pheiff, one of LA's big ad agencies. He and I bought a loft in one of the downtown renovations. Very Pricey. I had a studio. It was all very Queer as Folk. — Z.A. Maxfield

Dust was time in material form, Hubert could no longer remember who had said it, or where he had read it. At any rate, a lot of time seemed to have collected in his studio, because there was a thin, almost transparent layer of dust over everything. — Peter Stamm