Through The Eyes Of A Woman Quotes & Sayings

That woman - the me that had married Charlie - had tried and failed to find a gap in all of this that was so ordinary, to take some instrument to the gap and shape it, widen it until it got big enough to slip through. She'd wanted to make a beautiful thing, like the Flax Hill natives did. But not a lantern or a bookcase, a life. Not to have what it takes, and to be surrounded by witnesses too. The man you tried with. The children. A boy version of you, or a girl version of him, or both, looking at you with clear, pitiless eyes. — Helen Oyeyemi

Editing. This never-ending maze through which I run, searching soulful nooks for the faintest shimmers of solace or escape. There is no such comfort. I tread this treacherous path of shadows, this menacing labyrinth that never stops beckoning. I'm like a woman whose soul is possessed, standing on the edge. It wants me. Calls to me. Consumes my every thought. Closing my eyes, my arms open wide. Submitting, I fall in. — Kristine Cheney

Deputy Grayson?"
He turned to stare down into those soft green eyes, his pulse ratcheting up. "Yes, Miss Smith?"
"Thank you." She touched his arm. "And no matter what happens, I promise I'm not a bad person."
She flung her arms around his neck and kissed his cheek....
Warmth rushed through Nash and tingling spread from where Phoebe's lips had touched his cheek. He raised a hand to the spot and stared at the woman, a frown pulling his brows downward.
He hadn't begun the day with the intent of finding a runaway bride stranded on the side of the road. Scenarios like that were only found in those unrealistic romance novels women liked reading.No. He hadn't asked for a kiss. But now that she'd done it, she couldn't undo it, and he couldn't unfeel it. — Elle James

You will then. Listen here ... I've always got this to look forward to: I'll settle down by that man's side. I'll be as virtuous as any woman. I've made up my mind to it and I'll be it. And I'll be bored stiff for the rest of my life. Except for one thing. I can torment that man. And I'll do it. Do you understand how I'll do it? There are many ways. But if the worst comes to the worst I can always drive him silly ... by corrupting the child!' She was panting a little, and round her brown eyes the whites showed. 'I'll get even with him. I can. I know how, you see. And with you, through him, for tormenting me. I've come all the way from Brittany without stopping. I haven't slept ... But I can ... — Ford Madox Ford

The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman's shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star. — Charlotte Bronte

It was a newsmagazine she was reading, something she hadn't done for quite a while - she turned one page quickly, because she couldn't stand to look at the president's face: His close-set eyes, the jut of his chin, the sight offended her viscerally. She had lived through a lot of things with this country, but she had never lived through the mess they were in now. Here was a man who looked retarded, Olive thought, remembering the remark made by the woman in Moody's store. You could see it in his stupid little eyes. And the country had voted him in! A born-again Christian with a cocaine addiction. So they deserved to go to hell, and would. — Elizabeth Strout

When I stopped seeing my mother through the eyes of a child, I saw the woman who helped me give birth to myself. — Nancy Friday

Memory was that woman on the train. Insane in the way she sifted through dark things in a closet and emerged with the most unlikely ones - a fleeting look, a feeling. The smell of smoke. A windscreen wiper. A mother's marble eyes. Quite sane in the way she left huge tracts of darkness veiled. Unremembered. — Arundhati Roy

The news networks and the local TV stations all led with the same footage. An obviously moved, very pretty young woman with blond hair and alert blue eyes looking up. Eyes widening. Stumbling a little as she pushed back her chair and went around the table.
Shaky cameras turning too fast, following her as she ran to a boy at the back of the room who pushed through the press of people to reach her.
The embrace.
The kiss that went on for a very long time. — Michael Grant

Helen, you would just have to sit still, close your eyes and think of me, and I would turn the universe inside out to find you. I would go anywhere and fight anything to get to you - witches, dragons, and even pirates. If I have to pass through a hundred lifetimes, I will do it to find you. I may be an old man and you may be an old woman. You may not even recognize me by the time it happens, but you will know and I will know, because nothing can separate us. We will always be together. I promise you. Now stop worrying. — Linda Becker

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

Daniel observed her from afar, and tried in vain to conceal the hunger in his eyes. She showed none of the disdain against the Indians that he had encountered from whites back east. Aimee was genuinely warm and friendly with these people who were like family to him. She obviously loved children. She played games with the younger ones, and each time she held Elk Runner's infant in her arms, a new wave of desire spread through him. He tried not to think about what it would be like to see her holding a child, their child, in her arms. That could never happen. His white mother had died in this wilderness, giving birth to him. No matter how she dressed, or her abilities on the trail, Aimee was still a white woman. Like a beautiful spring flower, she would wither and die in these mountains. Neither lasted long in this harsh environment. — Peggy L. Henderson

She has a serene, glowing disposition. She looks at you and the rest of the world through the eyes of a lynx and is always mysterious, possibly because she always harbours those hidden laughs just beneath her lips. She's always ready to laugh. — C. JoyBell C.

Her brows had drawn together over those big eyes, in an expression that no doubt she thought stern, but that was, in reality, rather adorable. Like a small girl chiding a kitten. A streak of anger surged through him. She shouldn't be out by herself in the ruined garden. If he'd been another type of man - a brutal man, like the ones who'd run Bedlam - her dignity, perhaps even her life, might've been in danger. Didn't she have a husband, a brother, a father to keep her safe? Who was letting this slip of a woman wander into danger by herself? — Elizabeth Hoyt

So it is in our HEART, not in our sexualness, that we human beings think and decide how to live - even if the decision is to indulge in venery of whatever sort. A man sees the complementarity of woman and man not through the eyes of lust but in his heart. Jacob's lust for Rachel distracted him from perceiving the virtue of Leah, a virtue to complement or complete his. It's in his heart, not through the lust of his eyes, that a man sees or learns to see the complementation of woman and man. If a man is 'homosexual' or has little lust toward attractive women, this is no obstacle to his perceiving woman as his complement or helper. — Jonathan Mills

I feel another argument coming on." His mocking amusement might not have shown on his face, but she could feel it in her mind. Jacques simply lifted her and tossed her over his shoulder.
"No way, you wild man. You aren't Tarzan. I don't like heights. Put me down."
"Close your eyes. Who is Tarzan? Not another male, I hope."
The wind rushed over her body, and she could feel them moving fast, so fast the world seemed to blur. She closed her eyes and clutched at him, afraid to do anything else. His laughter was happy and carefree, and it warmed her heart, dispelling any residue of fear she carried. It was a miracle to her that he could laugh, that he was happy.
Tarzan is the ultimate male. He swings through trees and carries his woman off into the jungle.
He patterns himself after me.
She nuzzled his back. He tries. — Christine Feehan

On that golden summer day, the young woman had just finished her morning run. She had sprinted the last half mile, then stopped abruptly to catch her breath. She was bent at the waist, hands on her knees, eyes on the ground, her mind a world away, perhaps in Barcelona or Tuscany or Rome, exulting in the enchanting sights she would soon see, the splendid life she would have.

It was then that the train hit her.

Unaware, unthinking, oblivious to everything but the beguiling visions in her head, she had ended her run on the railroad tracks that wound through the center of her small Oregon town, one moment in the fullest expectancy of her glorious youth, adrenaline and endorphins coursing through her body, sugarplum visions dancing in her head, the next moment gone, the transition instantaneous, irrevocable, complete.

If I'd had to die young, hers is the death I would have chosen. — Lionel Fisher

I'm fat," she blurted out.
"You are not fat. You're the most beautiful, voluptuous woman I know." His eyes moved down her body, deliberately, slowly, then back up to her face. What she saw in them sent fire squirming through her stomach and lower.
"I want every inch of you," he said, growling it. "I want to fall on my knees and worship at your hips." He reach out, shaped her curves from breast to hips with a burning sweep of his hand that a man was allowed to give only his wife. — Eloisa James

' Bout time you married someone and stopped tempting every man from here to the Blue Sea," Padera said, slurring the words through toothless gums. "You know, wars have started over women like you."
Moya scoffed. "You're so full of crap, old woman."
"Brin?" Padera called.
Brin tore her eyes away from the doorway. "Augusta of Melen, daughter of Chieftain Eisol, started the Battle of the Red River when she refused to marry Theo of Warric. When Theo's father was killed in the fight, Theo vowed vengeance and summoned all of Clan Warric to his banner. This resulted in what became known as the Ten Year War, which claimed the lives of a thousand men and instigated a famine that lasted two years. — Michael J. Sullivan

Then right before my eyes, she flew. She actually flew like a bird. No, she flew as a young girl might fly, or a woman or a man, if people were meant to fly. She soared through the air. And that changed the course of my life forever. — James Patterson

Now she took a close look at me for the first time, puffing on her pipe while the old woman beside her sighed. I didnt feel I could look at Mother directly, but I had the impression of smoke seeping out of her face like steam from a crack in the earth. I was so curious about her that my eyes took on a life of their own and began to dart about. The more I saw of her, the more fascinated I became. Her kimono was yellow, with willowy branches bearing lovely green and orange leaves; it was made of silk gauze as delicate as a spiders web. Her obi was every bit as astonishing to me. It was a lovely gauzy texture too, but heavier-looking, in russet and brown with gold threads woven through. The more I looked at her clothing, the less I was aware of standing there in that dirt corridor, or of wondering what had become of my sister and my mother and father and what would become of me. — Arthur Golden

The man peered through the doorway - a blond bearded man with steel blue eyes, who first considered her holding Niall's sword, and then Niall in her bed. She couldn't believe he would grin at them. The heathen. His friend was sick and could be dying and Gunnolf was grinning?
What kind of a friend did that?
"I should have known you would be in a lass' bed while I have been searching for you everywhere. Not to mention trying to locate our horses, and the lass we should be finding. Is the woman protecting you with your own sword, mon?" Gunnolf laughed.
"He was wounded and is now feverish. There is naught to jest about," Anora said harshly.
Gunnolf laughed again. "I hope you plan to wed the lass, Niall. She appears to be just the one for you. Every mon needs a woman who will fight to protect him. — Terry Spear

She was halfway through the book, her eyes heavy with sleep, when the bedroom door opened. Brishen stood at the threshold, dressed down to undertunic and trousers, his feet bare and his hair damp. He leaned against the door frame and crossed his arms. "Woman of day, you waited for me."

Ildiko closed her book and offered him a drowsy smile. Relief and happiness coursed through her. "Prince of night, you've come back to me - your head intact."

"I promised I'd try." — Grace Draven

Lot's Wife

And the just man trailed God's messenger,
his huge, light shape devoured the black hill.
But uneasiness shadowed is wife and spoke to her:
'It's not too late, you can look back still

At the red towers of Sodom, the place that bore you,
the square in which you sang, the spinning-shed,
at the empty windows of that upper storey
where children blessed your happy marriage-bed.'

Her eyes that were still turning when a bolt
of pain shot through them, were instantly blind;
her body turned into transparent salt,
and her swift legs were rooted to the ground.

Who mourns one woman in a holocaust?
Surely her death has no significance?
Yet in my heart she never will be lost,
she who gave up her life to steal one glance.

1922-24 — Anna Akhmatova

I was a thirty-eight-year-old man, so I had plenty of time to consider the world through the eyes of someone else: yet that someone had rarely been a woman. — Laila Lalami

fear. 'Don't go inside.' He placed his hands on her shoulders. 'We've called an ambulance and the police. There's nothing more we can do.' Claire shrugged his hands from her and pushed past him. 'I am the police,' she said over her shoulder, and stepped through the front door. She looked around and heard commotion coming from above. Her eyes travelled towards the stairs as she heard a woman screaming. Then came the sound of other people running around the landing overhead. Claire closed her eyes and took a deep breath. She didn't have to see upstairs to know what had been discovered. She was about to ascend the stairs when she heard the sirens in the background, drawing closer. Just then two more people came running down — T.M.E. Walsh

He was gazing down at me, and his eyes were endless, deep pools of pleading and fire and barely restrained something or other, and they were magnetic, like black holes, but full of flames, and yet gray, and yet full of colors and see-through and dancing with little flecks of glitter, and I couldn't look away, and what pretty eyelashes he had, as long and dark as a woman's, as a kitten's, as a panther's, and the smell, oh, the smell, like crushed heather and berries and springtime in the morning and bodies rolling over and over in the grass and everything covered with dew like cobwebs making mandalas of raindrops, and I couldn't stand it, couldn't hold back for one more second ... — Delilah S. Dawson

Finnick!" Something between a shriek and a cry of joy. A lovely if somewhat bedraggled young woman
dark tangled hair, sea green eyes
runs toward us in nothing but a sheet. "Finnick!" And suddenly, it's as if there's no one in the world but these two, crashing through space to reach each other. They collide, enfold, lose their balance, and slam against a wall, where they stay. Clinging into one being. Indivisible.
A pang of jealousy hits me. Not for either Finnick or Annie but for their certainty. No one seeing them could doubt their love. — Suzanne Collins

The morning sun on her white hair and pale face made her seem almost translucent. She'd been a beautiful woman in her day, with wide eyes, high cheekbones, and a long, thin nose. Sometimes you could still catch sight of that beauty, and it was like looking through enchanted glass. — Sarah Addison Allen

o here I am, upside down in a woman. Arms patiently crossed, waiting, waiting and wondering who I'm in, what I'm in for. My eyes close nostalgically when I remember how I once drifted in my translucent body bag, floated dreamily in the bubble of my thoughts through my private ocean in slow-motion somersaults, colliding gently against the transparent bounds of my confinement, the confiding membrane that vibrated with, even as it muffled, the voices of conspirators in a vile enterprise. That was in my careless youth. Now, fully inverted, not an inch of space to myself, knees crammed against my belly, my thoughts as well as my head are fully engaged. I've no choice, my ear is pressed all day and night against the bloody walls. I listen, make mental notes, and I'm troubled. I'm hearing pillow talk of deadly intent and I'm terrified by what awaits me, by what might draw me in. — Ian McEwan

After leaving Barnes & Noble, I went to a drive-through fast food restaurant to get a Diet Dr Pepper. Right as I pulled up to the window, my cell phone rang. I wasn't quite sure, but I thought it might be Charlie's school calling, so I answered it. It wasn't the school - it was someone calling to confirm an appointment. I got off the phone as quickly as I could. In the short time it took me to say, "Yes, I'll be at my appointment," the woman in the window and I had finished our soda-for-money transaction. I apologized to her the second I got off of the phone. I said, "I'm so sorry. The phone rang right when I was pulling up and I thought it was my son's school." I must have surprised her because she got huge tears in her eyes and said, "Thank you. Thank you so much. You have no idea how humiliating it is sometimes. They don't even see us." I — Brene Brown

It is thought strange and particularly shocking by some persons for a woman to question the absolute correctness of the Bible. She is supposed to be able to go through this world with her eyes shut, and her mouth open wide enough to swallow Jonah and the Garden of Eden without making a wry face ... Of all human beings a woman should spurn the Bible first. — Helen H. Gardener

I regret nothing. No woman with any self-respect would have done less. The question of good and evil will always be one of philosophy's most intriguing problems, up there with the problem of existence itself. I'm not quarreling with your choice of issues, only with your intellectually diminished approach. If evil means to be self-motivated, to live on one's own terms, then every artist, every thinker, every original mind, is evil. Because we dare to look through our own eyes rather than mouth cliches lent us from the so-called Fathers. To dare to see is to steal fire from the Gods. This is mankind's destiny, the engine which fuels us as a race. — Janet Fitch

It was a woman's voice, high and sweet, with a strange music in it like none that he had ever heard and a sadness that he thought might break his heart. Bran squinted, to see her better. It was a girl, but smaller than Arya, her skin dappled like a doe's beneath a cloak of leaves. Her eyes were queer
large and liquid, gold and green, slitted like a cat's eyes. No one has eyes like that. Her hair was a tangle of brown and red and gold, autumn colors, with vines and twigs and withered flowers woven through it.
"Who are you?" Meera Reed was asking.
Bran knew. "She's a child. A child of the forest. — George R R Martin

It was a woman, naked and not long dead. Her staring eyes still showed traces of kohl; her teeth gleamed faintly through half-parted lips. He tried to judge her as he had judged the women whose compliance he had secured for coins, to weigh her breasts with his eyes and applaud or condemn the roundness of her belly; he discovered that he could not do so, that in the way he sought to see her she was beyond his sight, unreachable as the unborn, unreachable as his mother had been when he had once, as a boy, happened upon her bathing. Eata's — Gene Wolfe

She touched him, placing her hand over his curled fingers, straightening them so that they were palm to palm, then she interlaced her fingers with his. Her fingertips were icy. A silent, dangerous thrill coursed through him. He wanted to pull her atop him and show her what awaited a foolish young woman who slipped into a man's bedroom in the dead of the night after having devoured him all evening with those dark, intense eyes of hers, setting his blood to simmer over three long hours. — Sherry Thomas

When Annunziata said she loved me or any of her thousands of other friends and beloveds, she was really saying, at least in my mind, "God loves you." To quote the singer/songwriter James Taylor, she showered the people she loved with love, always showing the way that she felt without holding back. Even as her body could barely contain her soul any longer, she'd open wide the gates of herself with a smile, that giggle, her twinkling eyes, and she'd let the supernatural love flow through her. Walking out of the chapel after her funeral, a woman I'd never seen before stopped me and said, "You're Cathleen, aren't you?" "Yes," I croaked, tears rolling off my nose as I fingered the prayer card with Annunziata's picture on it. Slipping an arm around my shoulders, the woman explained that she was one of Annunziata's former students and said, "She loved you so much." I know. — Cathleen Falsani

She moved in her world in slow motion. The little pills she took kept her safe, her eyes were empty of colour, of light. Every couple of years Joe's father would take his wife to Greece, make a trek to a valley where the Virgin was said to appear. They would drink the holy water, cross themselves, and still the woman would search through her bag to get to the little pills that kept her sane. Sanity is a chemical reaction. — Christos Tsiolkas

Lincoln grinned. "The Academy owns a number of buildings. There are walkways between them." I couldn't take my eyes off the sky folk. "There are people wandering around in the sky, Linc. Explain this to me." He laughed one of his low, secretive laughs. One that echoed through my entire body. One that told me he adored me. One that somehow I knew, out of everyone in the world, was reserved for me. The laugh that broke my heart. Breathe. "I'm glad you find me amusing. Less laughing, more telling!" He laughed again and I was about a second away from either throwing a punch or throwing myself at him when a woman's voice caught our attention. "I — Jessica Shirvington

And that's the insult of it, how always it comes back to a woman being a "good" mother in the world's eyes or a "bad" mother, how everything in a woman's life is funneled through her body between her legs. — Joyce Carol Oates

She's thinking about grief and trauma, how they can hide out inside a woman, how they can come back.
The playwright follows her eyes, until he sees what she sees.
The photographer's framed image, the orphan girl lit up by the explosion, a girl blowing forward, a girl coming out of fire, a girl who looks as if she might blast right through image and time into the world
"I know what's happened," the poet says. — Lidia Yuknavitch

Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn't a mask, it couldn't be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn't a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher's knife. It was the knife that, a moment later, cut off her scream.
And her head. — Robert Bloch

More than forty years had passed over the grey head of this determined woman, since the time she recalled. More than forty years of strife and struggle with the whisper that, by whatever name she called her vindictive pride and rage, nothing through all eternity could change their nature. Yet, gone those more than forty years, and come this Nemesis now looking her in the face, she still abided by her old impiety - still reversed the order of Creation, and breathed her own breath into a clay image of her Creator. Verily, verily, travellers have seen many monstrous idols in many countries; but no human eyes have ever seen more daring, gross, and shocking images of the Divine nature than we creatures of the dust make in our own likenesses, of our own bad passions. — Charles Dickens

On to the library. And all through his time at the card catalog, combing the shelves, filling out the request cards, he danced a silent, flirtatious minuet of the eyes with a rosy-cheeked redhead in the biology section, pages of notes spread before her. All his life, he had had a yen for women in libraries. In a cerebral setting, the physical becomes irresistible. Also, he figured he was really more likely to meet a better or at least more compatible woman in a library than in a saloon. Ought to have singles libraries, with soups and salads, Bach and Mozart, Montaignes bound in morocco; place to sip, smoke, and seduce in a classical setting, noon to midnight. Chaucer's Salons, call them, franchise chain. — Stephen Minkin

I can well imagine a lily-livered coward shying away from taking you on. But don't try to tell me that you haven't had your chances. I refuse to believe that every man in Hampshire is blind and stupid. Unless thin English blood is to blame." "You forget I've got thin English blood." He smiled. "There's nothing thin about your blood, lassie. Perhaps that's why it takes a proud Scot to see your true worth. I don't want a milk-and-water miss at my side. I want a woman of strength and fire. A woman like you." Shocked, she struggled to sit up. He'd started out with the familiar teasing, but purpose had resonated through that declaration. "Nobody's ever said anything like that to me before." "I want a wife to share my joys and troubles." His Scottish burr deepened with every word. "I want a wife who meets a challenge with a sparkle in her eyes. I want a wife who gives me a run for my money." Inside — Anna Campbell

A Note from Alan
Out of the many memorable lines and quotes I have heard from my dad through the years, the one that always seems to stand out the most is "Son, don't ever tell people how good or great you are at something; let them tell you." For a man who has achieved his own level of greatness in the eyes of so many, those words were both prophetic and wise. To be the best at anything, one has to have a lot of confidence and a certain amount of ego and drive. But one must also have humility to make a life-changing impact on people. I realize now that that is what Dad was teaching me all those years ago. Of course, to become a legend, one that other people admire and want to emulate, you also have to add faith and dedication to what you love. A good woman doesn't hurt either. — Phil Robertson

THE POET A moody child and wildly wise Pursued the game with joyful eyes, Which chose, like meteors, their way, And rived the dark with private ray: They overleapt the horizon's edge, Searched with Apollo's privilege; Through man, and woman, and sea, and star, Saw the dance of nature forward far; Through worlds, and races, and terms, and times, Saw musical order, and pairing rhymes. Olympian bards who sung Divine ideas below, Which always find us young, And always keep us so. — Ralph Waldo Emerson

And a naked woman was waiting for him on it. Oh, crap. He'd forgotten all about Ellen, but Marcus's winery manager obviously hadn't forgotten about him. If things had gone differently tonight - way differently - he knew he would have been psyched to find her already stripped down and ready for him. Only, after meeting Chloe, Chase was about as unpsyched by Ellen's naked presence in the house as he could be. Ellen's eyes were wide as she looked between him and Chloe. Clearly, surprise had her frozen in place on the bed as it took her a minute to remove her iPod headphones. Obviously, the music had masked the sound of Chase and Chloe's conversation in the living room, and Ellen had had no idea that Chase wouldn't be walking through the bedroom door alone. — Bella Andre

He sat down and played again that piece of Scriabin's that Lydia thought he played so badly, and as he began he had a sudden recollection of that stuffy, smoky cellar to which she had taken him, of those roughs he had made such friends with, and of the Russian woman, gaunt and gipsy-skinned, with her enormous eyes, who had sung those wild, barbaric songs with such a tragic abandon. Through the notes he struck he seemed to hear her raucous, harsh and yet deeply moving voice. Leslie Mason had a sensitive ear. — W. Somerset Maugham

The woman rolled her eyes. "DarkRiver males are damn possessive and complete exhibitionists during the mating dance."
Sascha ran through her dictionary of changeling terminology and could find no fit. "Mating dance?"
Mercy whistled. Dorian winced. Tamsyn suddenly got interested in her dough. Clay and Vaughn mysteriously disappeared. Behind her, Lucas's body was a hard wall of heat. "I think we need to discuss this upstairs. — Nalini Singh

Man's and woman's bodies lay without souls
Dully gaping, foolishly staring, inert
On the flowers of Eden.
God pondered.

The problem was so great, it dragged him asleep.

Crow laughed.

He bit the Worm, God's only son,
Into two writhing halves.

He stuffed into man the tail half
With the wounded end hanging out.

He stuffed the head half headfirst into woman
And it crept in deeper and up
To peer out through her eyes
Calling it's tail-half to join up quickly, quickly
Because O it was painful.

Man awoke being dragged across the grass.
Woman awoke to see him coming.
Neither knew what had happened.

God went on sleeping.

Crow went on laughing.

- A Childish Prank — Ted Hughes

He enjoyed dancing with a fair stranger, enjoyed the vacuous, chaste talk, through which you listen closely to that bewitching, vague something going on inside you and inside her, which will last a couple of bars more and then, finding no resolution, will vanish forever and be utterly forgotten. But while the bond of bodies is still unbroken, the outlines of a potential love affair begin to form, and the rough draft already comprises everything: the sudden silence between two people in some dimly lit room; the man carefully placing with trembling fingers on the edge of an ashtray the just-lit bit impedient cigarette; the woman's eyes slowly closing in as in a film scene.. — Vladimir Nabokov

When I entered and shut the door, the Darkling gave me a small bow. "How are you, Alina?"
"I'm fine," I managed.
"She's fine!" hooted Baghra. "She's fine! She cannot light a hallway, but she's fine."
I winced and wished I could disappear into my boots.
To my surprise, the Darkling said, "Leave her be."
Baghra's eyes narrowed. "You'd like that, wouldn't you?"
The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. "Baghra has her own way of doing things," he said.
"Don't patronize me, boy!" Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he'd caught himself.
"Don't chide me, old woman," he said in a low, dangerous voice. — Leigh Bardugo

Though I had been nearly two years on Winter I was still far from being able to see the people of the planet through their own eyes. I tried to, but my efforts took the form of self-consciously seeing a Gethenian first as a man, then as a woman, forcing him into those categories so irrelevant to his nature and so essential to my own. — Ursula K. Le Guin

What does this wildish intuition do for women? Like the wolf, intuition has claws that pry things open and pin things down, it has eyes that can through the shields of persona, it has ears that hear beyond the range of mundane human hearing. With these formidable psychic tools a woman takes on a shrewd and even precognitive animal consciousness, one that deepens her femininity and sharpens her ability to move confidently in the outer world. — Clarissa Pinkola Estes

If a person continues to see only giants, it means he is still seeing the world through the eyes of a child. I have a feeling that man's fear of woman comes from having first seen her as the mother, creator of men. — Anais Nin

Inside, there was a bed, and upon the bed there was a woman. More beautiful was she even than the damask rose while her scent, drifting through the open window, was that of the night dew. Her hair was silken as the raven's wing. Quite naked, she lay, so still upon the bed, her eyes closed in reverie.

The young man looked first upon her breasts, where her hand rested. And upon each breast, there was a rosebud nipple. Upon each nipple there was a tip most tender. Upon each tip there was a milky drop.

Chin lifted, lips parted, she milked her maiden breast.

'What I would give to suckle at that teat,' thought he.

from 'Against Faithlessness' in Cautionary Tales — Emmanuelle De Maupassant

Amour, love, the dream of man,
Woman's deep devoted plan.
Amour

Amor means no hungry child,
Begging, hair blowing wild.

Searching amongst the rats and mice,
Left-over food, contaminated rice.
Eyes, the saddest soul sight,
Hidden is the child's plight.
Bleeding feet, glass cut bare,
Dirty rags for a child to wear.
Clambering through the bin,
Society's senseless sin.

Amor, love save this child's life,
Poverty is the nefarious knife,
A child of poverty and strife,
Deserves amour, love of life.

Maureen Brindle from Beloved Isles
[Inspired by H.H. Princess Maria Amor We Care for Humanity] — Maureen Brindle

I stare down into her eyes, smoky and glistening in the light stealing through the window.

Eyes you can fall into and keep falling.

She isn't the mother of my son, she isn't my wife, we haven't made a life together, but I love her all the same, and not jsut the version of Daniela that exists in my head, in my history. I love the physical woman underneath me in this bed here and now, wherever this is, because it's the same arrangement of matter--same eyes, same voice, same smell, same taste...

It isn't married-people lovemaking that follows.

We have fumbling, groping, backseat-of-the-car, unprotected-because-who-gives-a-fuck, protons-smashing-together sex. — Blake Crouch

Again the water rose, they both took a breath; again they were submerged and his leg hooked over something, an old pipe, unmoving. The next time, they both reached their heads high as the water rushed back, another breath taken. He heard Mrs. Kitteridge yelling from above. He couldn't hear the words, but he understood that help was coming. He had only to keep Patty from falling away, and as they went again beneath the swirling, sucking water, he strengthened his grip on her arm to let her known: He would not let her go. Even though, staring into her open eyes in the swirling salt-filled water, with sun flashing through each wave, he thought he would like this moment to be forever: the dark-haired woman on shore calling for their safety, the girl who had once jumped rope like a queen, now holding him with a fierceness that matched the power of the ocean - oh, insane, ludicrous, unknowable world! Look how she wanted to live, look she wanted to hold on. — Elizabeth Strout

All right," he said. "Ready for the moment of truth?"
Lindsay looked at him quizzically.
Fred held a wooden spoonful of fudge up in front of her, waving it lightly through the air to cool it. "Here. Time to see if I've got it right."
Lindsay looked at him over the spoon, a wonderful complication of emotions in her eyes. Did she want him to win or lose the bet? Fred wasn't sure she knew the answer herself. She turned her face up toward him as he held the spoon to her lips. And then, as she tasted it, she closed her eyes, savoring the chocolate. Her expression was one of blissful surrender.
This was the real Lindsay, her face unguarded, completely in the moment. Very much like a woman lost in a kiss.
He never should have brought the bloody mistletoe. — Sierra Donovan

Now, when it was too late, and Life's shops were closed, he regretted not having bought a certain book he had always wanted; never having gone through an earthquake, a fire, a train accident; never having seen Tatsienlu in Tibet, or heard blue magpies chattering in Chinese willows; not having spoken to that errant schoolgirl with shameless eyes, met one day in a lonely glade; not having laughed at the poor little joke of a shy ugly woman, when no one had laughed in the room; having missed trains, allusions, and opportunities; not having handed the penny he had in his pocket to that old street violinist playing to himself tremulously on a certain bleak day in a certain forgotten town. — Vladimir Nabokov

Sometimes, but only for a moment, I saw a faint solitary
figure with a Rosa veiled face, and carrying a faint torch, flit among the dancers, but like a dream within a
dream, like a shadow of a shadow, and I knew by an understanding born from a deeper fountain than thought,
that it was Eros himself, and that his face was veiled because no man or woman from the beginning of the
world has ever known what love is, or looked into his eyes, for Eros alone of divinities is altogether a spirit,
and hides in passions not of his essence if he would commune with a mortal heart. So that if a man love nobly
he knows love through infinite pity, unspeakable trust, unending sympathy; and if ignobly through vehement
jealousy, sudden hatred, and unappeasable desire; but unveiled love he never knows. — W.B.Yeats

Sin spied a straw-covered head peeping over the side of the wagon. Once the man disappeared from sight, the woman scrambled from the cart, with the boy one step behind. No one seemed to notice her peculiar activity, or if they did, they ignored it. She took a moment to dust the straw off them, but somehow she missed a piece that hung in the midst of one coppery curl. It bobbed as she moved.
Simon laughed as she took the boy's hand and led him through the crowd. "Why was she hiding?"
"She seeks to escape royal custody."
The mirth faded from Simon's eyes. "Should we notify the guards?"
"Nay, I think we can manage to retake her."
"Then what are we waiting for?"
"I have no idea. I simply like watching her maneuver."
-Simon, Sin, Callie & Jamie — Kinley MacGregor

The old woman's voice echoed through his mind, like she'd been lurking in the shadows as the centuries passed, just waiting.
'A woman with violet eyes will signal the beginning and ending of your life. — Lisa Kessler

Babe, best wool men ever pulled was lettin' women think we think with our dicks. We pay a fuckuva lot of attention. We know your shit maybe more than you do because we live it right along with you and some of you try to make us eat it. It's just that some of us choose not to get sucked in the drama and instead focus on getting laid regularly."
I felt my eyes get big right before I wrapped my arms around him and started giggling, but I managed to push through my giggles, "Honey, not sure you should share the brotherhood's secrets."
"You talk, no woman will listen. They prefer to think a man's brain is in his dick. Gives 'em something to bitch about. — Kristen Ashley

The worst part about being a fat woman isn't that people look at you with judgment in their eyes. It's that most don't look at you at all. You cease to be a person for whom they need to account. They look over your shoulder, or at the ground in front of you, or they glaze their eyes and look directly through you. It's like being a ghost, but with none of the fun of haunting. — Michele Gorman

His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she had ever been. Still, seeing her through other people's eyes, Hanfeng realized that all that made her who she was - the decades of solitude in her widowhood, her coldness to the prying eyes of people who tried to mask their nosiness with friendliness, and her faith in the notion of living one's own life without having to go out of one's way for other people - could be deemed pointless and laughable. Perhaps the same could be said of any living creature: a caterpillar chewing on a leaf, unaware of the beak of an approaching bird; an egret mesmerized by its reflection in a pond, as if it were the master of the universe; or Hanfeng's own folly of repeating the same pattern of hope and heartbreak, hoping despite heartbreak. — Yiyun Li

For years she had had her back against the stone wall of Rhett's love and had taken it as much for granted as she had taken Melanie's love, flattering herself that she drew her strength from herself alone. And even as she had realized earlier in the evening that Melanie had been beside her in her bitter campaigns against life, now she knew that silent in the background, Rhett had stood, loving her, understanding her, ready to help. Rhett at the bazaar, reading her impatience in her eyes and leading her out in the reel, Rhett helping her out of the bondage of mourning, Rhett convoying her through the fire and explosion the night Atlanta fell, Rhett lending her the money that gave her her start, Rhett who comforted her when she woke in the nights crying with fright from her dreams-why, no man did such things without loving a woman to distraction! — Margaret Mitchell

He's often wished that he could capture the full essence of each woman's laugh on canvas, but he settles instead, on watching how, when a woman chuckles, her head moves slightly to the left or right so that the light grazes it at a new angle and creates a new pattern of highlight and shadow. It's this subtle shifting that he finds astounding - how everything and nothing can be written on a face through its lines, through the way skin around the eyes crinkle or how the shifting of a mouth belies joy or sarcasm or simple placation. He wonders what Vermeer might have said to that girl with the pearl earring, what words could have stirred in her that wanton expression, because even amateurs understand that faces allow an entry point and that negative space is the key to any good painting: what isn't included is sometimes more important than what is. — Adam Gallari

He rubbed his thumb over the smoothness of her cheek, thinking she was the most beautiful woman he'd ever known. "You don't think you're worth killing for?"
Her laugh was brittle. "Hardly."
For a moment, there was only the sound of their breathing and the wind gusting through the trees. And then he said, "I disagree."
She stared up at him, trembling, her eyes filled with the questions she couldn't put into words.
"I mean it," he rasped. "I would kill for you. Easily. Without remorse. Again and again. — Rhyannon Byrd

Savannah's fear was being pushed aside by the heated tenderness of Gregori's mouth, by the gentleness in his caressing hands. He carelessly shoved the sheet down, exposing her bare breasts to his hungry gaze. Hot. He was so hot. Savannah could not stand the feel of the thin sheet of her heated hips, twisting around her legs. Her hands were tangled in Gregori's thick hair, crushing it in her fingers like so much silk.His shirt was open to his tapered waist, his hard muscles pressing against her soft breasts. The rough,dark hair on his chest rasped erotically over nipples.
A wave of heat heralded a storm of fire, through him, through her. Savannah's hands, of their own accord, pushed his shirt from his wide shoulders. She watched with enormous eyes as he slowly shrugged out of it, his silver gaze holding her blue one captive. She was drowning in those pale, mesmerizing eyes. Eyes filled with such intensity, with so much hunger for one woman. Her. Only her. — Christine Feehan

Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. — Ray Bradbury

His gaze slid toward the back of the sanctuary and collided with Joanna, standing silently in the doorway. You ... Crockett's voice tapered off.
For a moment, all he could do was stare. Her rapt attention, the tiny smile that brought into relief the freckles dusting her cheekbones, the way the light passed through the doorway behind her to see her hair ablaze beneath the prim straw bonnet she wore. Yet it was her inner light that captured him the most. The serenity of her features. The glow in her blue eyes. This was a woman of authentic spirituality. No wonder the Master Weaver had chosen her to be the central thread to anchor his new tapestry. — Karen Witemeyer

With the wild nature as ally and teacher we see not through two eyes but through the many eyes of intuition. With intuition we are like the starry night, we gaze at the world through a thousand eyes. The wild woman is fluent in the language of dreams, images, passion, and poetry. — Clarissa Pinkola Estes

Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. — Lewis Carroll