Three And Out Movie Quotes & Sayings

First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut -' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.' — Ben Stiller

It sucks to be the runner-up because I've been the runner-up for a long time in my career. I would get so close and then lose a huge movie and sometimes it's one kid who beats you out for three different movies. It's so frustrating at the time, but what's so great is the lesson you take from that, which is, 'I've got to get better.' — Jason Dohring

Making movies has not only been an incredibly collaborative process but there's three big parts: pre-production, shooting itself and then post-production, which leads into marketing. And if you're passionate about the movie and you believe in it, and it would make sense that you are having done it, then you want to get out and promote it. It makes it a lot easier when the film is good and people are enjoying it. — Dwayne Johnson

By 1950, Brennan was settling into a schedule that saw him making three films a year, giving him more time on his ranch and with a new business he started in Joseph, a 487-seat movie theater that opened on July 27, 1950. It was housed in a Quonset hut made out of surplus war materials also used to build the civic center. "The reason he got the theater built," Mike recalled, "was because the civic center was the same size, and they [Frank McCully and Walter] got the chance to buy two of them for half the price." At the theater's grand opening, actors Chill Wills and Forrest Tucker said a few words and signed autographs, and Joseph's mayor and other local dignitaries attended the event. A La Grande radio station broadcast the event. Curtain Call at Cactus Creek was the feature, following a musical short with the Nat King Cole trio. — Carl Rollyson

I'm starting to believe that part of the solution regarding the devices is that they have a role to play in engaging the customer and keeping our product in front of them during the pre-show. They certainly have a role to play in ticket sales. Inside the movie auditorium, though, during the feature presenation there's no place for them. Every single weekend two out of the top three reasons people contact us are: somebody's being disruptive, with a device most of the time, or a dirty bathroom. — Gerry Lopez

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

There's something worse than not making a movie. It's doing it for the wrong reasons. Then you end up putting three, four, five years of your life into it and you come out with a thing that you're not proud of. — Guillermo Del Toro

Martin is always telling me to put all of this behind me, to get on with my life. But the thing is, before Jesse, I never really had a life. I had a routine. I did things. But aside from the accident" - he gestured with his prosthetic arm - "nothing ever happened to me. But she happened. And it was like a train wreck. It was big and painful and beautiful and every second mattered. You know what Beaudelaire said about love? It's 'an oasis of horror in a desert of boredom.' But it's still an oasis. Our time together - that's the story of my life. Everything before her was just the boring setup. Like the first hour of a miniseries, the part that's just padding to stretch it out for three nights. And the time since she's gone - that's just been some sort of weird, dragged-out anticlimax. I can feel myself sitting in the audience watching my life and wondering, 'Why isn't this movie over? — Phoef Sutton

McReynolds emphatically shook his head. "No way. Legal's all over that deal. It's squeaky clean. Even the woman signed off. Trammel. I could make her a three-hundred-pound whore who likes black dick in the movie and she couldn't do a thing about it. That deal is perfect." "Yeah, well, what Legal's missed is the part about neither one of them having the rights to the story to sell you in the first place. Those rights happen to reside here with me. Trammel signed them over to me before Dahl came along and took second position. He thought he could move up one by stealing the original contracts out of my files. Only that's not going to work. I've got a witness to the theft and Dahl's fingerprints. He's going to go down on fraud and theft charges and your choice here is to decide whether you want to go down — Michael Connelly

I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being. — Ethan Hawke

They're trying to beat out this movie, the Ring, which is a similar idea. Our movie is about a website you visit and die in three days. Their movie is about a videotape you watch - and die in three days. — Stephen Dorff

I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers. — A.R. Rahman

I remember watching an old Dracula movie once with Alphonse and having him laugh himself sick at the sight of a vamp only a few days out of the grave supposedly raising another one.He'd been impossible for weeks afterwards,mercilessly teasing all the weaker vamps in court about the three-day-old baby that was more powerful than them. — Karen Chance

When you're doing a movie, you're in and out of there in three months. If you hated the experience, it's all good because you can take the paycheck and leave. But, on a television show, you have to love your character and you have to love the experience because you could be there for awhile, fingers crossed. — Jordana Brewster

Movie or no, you should never put pictures of the book's characters on the cover. That only cramps the reader's fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind's eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that's three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it's pretty tough to remember that imaginary face after seeing the actor on the screen. Two — Herman Koch

Taylor was about to answer when, out of the corner of her eye, she caught a glimpse of -
Kate, Val, and Jeremy.
The three of them sat in a row, wide-eyed, staring over the back of the couch at her and Jason. Mesmerized by the scene. Val had gotten hold of some M&M's from the dish on the coffee table and was chewing them distractedly, as if watching a movie.
Taylor cleared her throat. Ahem . . . — Julie James

He was the most perfectly formed man she'd ever imagined. He was movie stars, men in underwear commercials, guys at the gym, the construction worker in the red T-shirt who'd whistled at her but she'd pretended she hadn't heard; he was the men in three-piece suits whose brains were as sexy as their bodies; he was lazy, indolent seventeen-year-old boys whose muscles bulged out of their clothes, rodeo stars, and those smooth-cheeked, eyeglassed men who held their children tenderly. He was all of them. — Jude Deveraux

When you gotta go out and make a movie to pay for the kid's private school and for the three ex-wives, don't talk to me about your artistry. It's their job. It's not my job. It's my calling. — Quentin Tarantino

There were elements of Mad Men at Newsweek, except that unlike the natty advertising types, journalists were notorious slobs and our two- and three-martini lunches were out of the office, not in ... Kevin Buckley, who was hired in 1963, described the Newsweek of the early 1960s as similar to an old movie, with the wisecracking private eye and his Girl Friday. "The 'hubba-hubba' climate was tolerated," he recalled. "I was told the editors would ask the girls to do handstands on their desk. Was there rancor? Yes. But in this climate, a laugh would follow. — Lynn Povich

I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it. — Danny Elfman

I'm trying to be morally responsible and no more. I don't have an agenda I'm trying to push. People talk about Three Days of the Condor as being anti-government but the last statement in that movie is the CIA guy saying to Robert Redford, "Ask 'em when they're running out. Ask 'em when there's no heat in their homes and they're cold. Ask 'em when their engines stop. Ask 'em when people who have never known hunger start going hungry. You want to know something? They won't want us to ask 'em. They'll just want us to get it for 'em!" — Sydney Pollack

Stahl trailed him upstairs, across a mezzanine, and out into the darkness of the sloping balcony. Tom gave the aisle his torch so his guest could see. On the screen below a woman's head was wavering, two or three times larger than life. A metallic voice clanged out, echoing sepulchrally all over the house, like a modern Delphic Oracle. 'Go back, go back!' she said. 'This is no place for you!'
Her big luminous eyes seemed to be looking right at Lew Stahl as she spoke. Her finger came out and pointed, and it seemed to aim straight at him and him alone. It was weird; he almost stopped in his tracks, then went on again. He hadn't eaten all day; he figured he must be woozy, to think things like that. ("Dusk To Dawn") — Cornell Woolrich

I love how you can shoot a movie in a month or two or three of four, and it's this encapsulated story that you box up and ship out into the world, and what it is, is what it is. — Steven Strait

Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful. — Mark Rydell

Outside the window there was snow falling, falling like movie snow, all the dreamy fluffy bits drifting around in the light of a single streetlamp . . . I watched the snow slow down, thin out. Then it was two or three pieces at a time, falling reversibly, wavering up and down and up again like they didn't know where to go. — Alexandra Kleeman

You're a projectionist and you're tired and angry, but mostly you're bored so you start by taking a single frame of pornography collected by some other projectionist that you find stashed away in the booth, and you splice this frame of a lunging red penis or a yawning wet vagina close-up into another feature movie. This is one of those pet adventures, when the dog and cat are left behind by a traveling family and must find their way home. In reel three, just after the dog and cat, who have human voices and talk to each other, have eaten out of a garbage can, there's the flash of an erection. Tyler does this. — Chuck Palahniuk

Know this: It is your right to expect that a man will pay for your dinner, your movie ticket, your club entry fee, or whatever else he has to pay for in exchange for your time. You all have to stop this foolishness with the "I pay for my dinner so he knows I don't need him" approach. As I point out in the next chapter, "The Three Things Every Man Needs: Support, Loyalty, and the Cookie," a man - a real one, anyway - wants to feel needed. — Steve Harvey

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them. — Roger Ebert

Movies don't sit in the theaters for an entire summer like they did in 1982. Now you've got a two- or three-week shelf life so you need to have that awareness right off the bat. And in order to make a lot of people know about your movie, you need to be out there banging the drum and showing your stuff. — Joseph Kosinski

I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert's jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. — Laurie Halse Anderson

Those three years on 'Loving' were instrumental in helping me move through the next few years of work, where it was hit or miss. I was on series that would get canceled, then I would be a movie that wouldn't come out or do as well as I hoped. You learn that you have to just keep plugging away and never take anything for granted. — Michael Weatherly

I believe if you go to a movie theatre, and you see something you think is incredible, if you walk out of the theatre and there was a bin in the lobby of DVDs of the film you just watched, you would buy four of them - one for you and three for your friends. — Kevin Spacey

I've always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you're traveling from movie set to movie set. So I've never been in one place long enough for anything super-bad to happen. — Krysten Ritter

You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It's like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it's gorgeous. You feel very exposed. — Guillermo Del Toro

I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and everyone goes, 'It sucks.' — Jimmy Fallon