This Is Not The End Of The Book Quotes & Sayings

We left our home forty years ago. Despite the unhappy events we faced there, we left because our faith allowed it, because our belief in the Lord taught us that we would find a new place, a place to build a heaven on earth. War was waged in our home as we left. Many, many innocents dies. To live, people killed and were killed. In the book of Deuteronomy, Moses reminds his people of the promise made to their ancestors regarding the land of Canaan. He delivers the law, teaching them how to win a life of victory in the land of promise. They said, Jehovah, let all the enemies of the Lord face this same end. Do not pity them or offer them promises, only annihilate them all. And yet, Jesus taught love and peace. I say again - those left behind in our hometown had souls, just as we do. It is we who must repent first. (2007: 17) — Hwang Sok-yong

Some excellent reference works already exist on both of these topics, a few of which are mentioned in the bibliography at the end of this book. Not only are there a variety of books that cover digital painting, modeling, animation, and
rendering from a generalized perspective, but there are also specific "how-to" guides for many of the more common software packages.
The third source of imagery-scanned/digitized "live-action" footage-is still probably the most common source with which we deal in digital compositing. There are a myriad of different formats that this source imagery can come from, some of them discussed in greater detail in Chapter 10 and Appendix D. — Brinkmann, Ron

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

Eating is an agricultural act,' as Wendell Berry famously said. It is also an ecological act, and a political act, too. Though much has been done to obscure this simple fact, how and what we eat determines to a great extent the use we make of the world - and what is to become of it. To eat with a fuller consciousness of all that is at stake might sound like a burden, but in practice few things in life can afford quite as much satisfaction. By comparison, the pleasures of eating industrially, which is to say eating in ignorance, are fleeting. Many people today seem erfectly content eating at the end of an industrial food chain, without a thought in the world; this book is probably not for them. — Michael Pollan

The Light in the Labyrinth is a beautifully written book, a gem. I savoured every word; words written with so much 'colour'. Even though I know the story of Queen Anne Boleyn, Dunn's perspective on her last days is missing in so many other books of the genre. Dunn gives grace to the history and an honest, and very compassionate look at Anne's last days. I cried in the end, shedding tears for the young Kate, Anne and her little Bess. I have not yet read a Tudor book that has moved me to tears, as this wonderful journey does. Dunn's dedication and research shines through in this unforgettable book, a book not just for young readers, but also for all." - Lara Salzano, avid Tudor reader. — Wendy J. Dunn

Upon looking back from the end of the last chapter and surveying the texture of what has been wrote, it is necessary, that upon this page and the five following, a good quantity of heterogeneous matter be inserted, to keep up that just balance betwixt wisdom and folly, without which a book would not hold together a single year. — Laurence Sterne

The first aim of a good college is not to teach books, but the meaning and purpose of life. Hard study and the learning of books are only a means to this end. We develop power and courage and determination and we go out to achieve Truth, Wisdom and Justice. If we do not come to this, the cost of schooling is wasted. — John B. Watson

When the author is not traveling, he works at an L-shaped desk, which affords a view north through a large sunny window. He writes everything on an electric typewriter because "it has to be a book from the first day," he explains. He has no daily routine because of all the traveling he does, but follows a very disciplined writing process. He writes each page six times, then places it in a three-ring binder with a DePauw University cover ("a talisman," he calls this memento from his alma mater). When he feels that he has gotten a page just right, he takes out another 20 words. "After a year, I've come to the end. Then I'll take this first chapter, and without rereading it, I'll throw it away and write the chapter that goes at the beginning. Because the first chapter is the last chapter in disguise." He always hands in a completed manuscript, and his editor is his first reader. — Jennifer M. Brown

In the third section, A Discussion, people discuss what The Story meant to them and how they are going to use it in their work and in their lives. Some readers of this book's early manuscript preferred to stop at the end of The Story, without reading further, and interpret its meaning for themselves. Others enjoyed reading A Discussion that follows because it stimulated their thinking about how they might apply what they'd learned to their own situation. Everyone knows that not all change is good or even necessary. But in a world that is constantly changing, it is to our advantage to learn how to adapt and enjoy something better. In any case, I hope each time you re-read Who Moved My Cheese? you will find something new and useful in the brief story, as I do, and that it will help you deal with change and bring you success, whatever you decide success is for you. I hope you enjoy what you discover, and I wish you well. — Spencer Johnson

If you end up doing only one thing from this entire book, let it be this: stop being angry with yourself. That alone is enough to radically alter your health, your relationships, your job, and your life. Don't be angry with yourself for not saying the right thing. Don't be angry with yourself for forgetting to do something you said you would do. Don't be angry with yourself for not finishing that project as fast as everyone else at work. Don't be angry with yourself for finishing school late, for being unemployed, for being single. Don't be angry with yourself for not saying what you wanted to say or not doing what you wanted to do. Regardless of what choices you have made, let go of the habit of self-anger. It doesn't serve you. It never has and it never will. — Emily Maroutian

Good writing does not fail or succeed on the strength of its ability to persuade. Not the kind of writing that you'll find in this book, anyway. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head
even if in the end you conclude someone else's head is not a place you'd really like to be.
from intro to What The Dog Saw — Malcolm Gladwell

I am beginning to be sorry that I ever undertook to write this book. Not that it bores me; I have nothing else to do; indeed, it is a welcome distraction from eternity. But the book is tedious, it smells of the tomb, it has a rigor mortis about it; a serious fault, and yet a relatively small one, for the great defect of this book is you, reader. You want to live fast, to get to the end, and the book ambles along slowly; you like straight, solid narrative and a smooth style, but this book and my style are like a pair of drunks; they stagger to the right and to the left, they start and they stop, they mutter, they roar, they guffaw, they threaten the sky, they slip and fall ...
And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry. — Machado De Assis

When I got out of the movie, I had four text messages from Augustus.
Tell me my copy is missing the last twenty pages or something.
Hazel Grace, tell me I have not reached the end of this book.
OH MY GOD DO THEY GET MARRIED OR NOT OH MY GOD WHAT IS THIS
I guess Anna died and so it just ends? CRUEL. Call me when you can. Hope all's okay. — John Green

St. Augustine accepted a date of about 5000 B.C. for the Creation of the universe according to the book of Genesis. (It is interesting that this is not so far from the end of the last Ice Age, about 10,000 B.C., which is when archaeologists tell us that civilization really began.) — Stephen Hawking

Is it not by learning to read the book of nature with the eyes of faith that we come to recognize the drop of divinity that resides in our own souls though hidden, master? In the end is this not faith; to seek the light that takes us further, the light of Christ that brings that to which reason and knowledge alone can never raise itself? This is truth! — Adriana Koulias

Among the things most characteristic of organisms--most distinctive of living as opposed to inorganic systems--is a sort of directedness. Their structures and activities have an adaptedness, an evident and vital usefulness to the organism. Darwin's answer and ours is to accept the common sense view...[that] the end ("telos") [is] that the individual and the species may survive. But this end is (usually) unconscious and impersonal. Naive teleology is controverted not by ignoring the obvious existence of such ends but by providing a naturalistic, materialistic explanation of the adaptive characteristics serving them. [Book review in "Science," 1959, p. 673.] — George Gaylord Simpson

No, this is not the beginning of a new chapter in my life; this is the beginning of a new book! That first book is already closed, ended, and tossed into the seas; this new book is newly opened, has just begun! Look, it is the first page! And it is a beautiful one! — C. JoyBell C.

Fame in this country is a religion that demands human sacrifice, a religion to which I do not wish to belong. You start to take yourself so seriously - I saw it happening to me, after I had written my first book at the age of 23. I'd give lectures or seminars, people would tell me how amazingly great I was, and sooner or later, you believe them. You end up exactly with what Oscar Levant said to George Gershwin: "Tell me, George, if you had it to do all over again, would you still fall in love with yourself?" After — Ken Wilber

This book will not
contain any panacea or dogma; I detest and fear dogma." ...
"This is not an ideological book except insofar as argument for change,"...
"ideologies tend to be smelted into rigid dogmas claiming exclusive possession of the truth"...
" An organizer working in and for an open society is in an ideological dilemma. To begin with, he does not have a fixed truth. "...
" In the end he has one conviction - a belief that if people have the power to act, in the long run they will, most of the time, reach the right decisions.
I am not concerned if this faith in people is regarded as a prime truth and therefore a contradiction of what I have already written, for life is a story of contradictions. Believing in people, the radical has the job of organizing them so that they will have the power — Saul Alinsky

Grandmaster games are said to begin with novelty, which is the first move of the game that exits the book. It could be the fifth, it could be the thirty-fifth. We think about a chess game as beginning with move one and ending with checkmate. But this is not the case. The games begins when it gets out of book, and it end when it goes into book..And this is why Game 6 [between Garry Kasparov and Deep Blue] didn't count ... Tripping and falling into a well on your way to the field of battle is not the same thing as dying in it ... Deep Blue is only itself out of book; prior to that it is nothing. Just the ghosts of the game itself. — Brian Christian

Lots of people want to have written; they don't want to write. In other words, they want to see their name on the front cover of a book and their grinning picture on the back. But this is what comes at the end of a job, not at the beginning. — Elizabeth George

Or just claim it come from Leviticus since nobody ever read Leviticus. This is how you know. Nobody who get to the end of Leviticus can still take that book seriously. Even in a book full of it, that book is mad as shit. Don't lie with man as with woman, sure I can run with that reasoning. But don't eat crab? Not even with the nice, soft, sweet roast yam? And why kill a man for that? And trust me, the last thing any man who rape my daughter going to get to do is marry her. How, when I slice him up piece by piece, keeping him alive for all of it and have him watch me feed him foot to stray dog? — Marlon James

Tell me my copy is missing the last twenty pages or something.
Hazel Grace, tell me I have not reached the end of this book.
OH MY GOD DO THEY GET MARRIED OR NOT OH MY GOD WHAT IS THIS?! — John Green

Old Testament is all about grace, and it forms the rich soil from which Jesus's gospel of charis blossoms. To understand Jesus, we must soak ourselves in Israel's story of grace. That's why we'll end our adventure in this book by looking at the birth, life, and death of Jesus. Jesus is not just the beginning of the New Testament but also the fitting climax of the Old. — Preston Sprinkle

I would wish this book could take the form of a plea for everlasting peace, a plea from one who knows ... Or it would be fine to confirm the odd beliefs about war: it's horrible, but it's a crucible of men and events and, in the end, it makes more of a man out of you.
But, still, none of these notions seems right. Men are killed, dead human beings are heavy and awkward to carry, things smell different in Vietnam, soldiers are afraid and often brave, drill sergeants are boors, some men think the war is proper and just and others don't and most don't care. Is that the stuff for a morality lesson, even for a theme?
Do dreams offer lessons? Do nightmares have themes, do we awaken and analyze them and live our lives and advise others as a result? Can the foot soldier teach anything important about war, merely for having been there? I think not. He can tell war stories. — Tim O'Brien

The great end of all study--all theology--is a heart for God and a life of holiness. The great goal of all Edwards's work was the glory of God. And the greatest thing I have ever learned from Edwards, and the driving vision of this book, is that God is glorified most not merely by being known, nor by merely being dutifully obeyed, but by being enjoyed in the knowing and the obeying. — John Piper

In literature, the reader standing at the threshold of the end of a book harbors no illusion that the end has not come - he or she can see where it finishes, the abyss the other side of the last chunk of text. Which means that the writer is never in danger of ending too soon - or if he does the reader has been so forewarned. This is the advantage a book has over a film - it is the brain that marshals forward the text and controls the precise moment of conclusion of the book, as the density of the pages thins. A film can end without you if you've fallen asleep or, because you can't wait any longer to use the bathroom, slipped out of the darkness of the theatre salon, and missed it. There will never be a form more perfect than the book, which always moves at your pace, that sits waiting for you exactly where you've left it and never goes on without you. — John M. Keller

It's basically an act of faith, hoping that a small idea will unspool into a bigger whole. Sometimes, in fact often, it doesn't and it just runs out of steam. The hope for me is that it will snowball. the best way to put it is that I have no particular method or technique per se, other than this: I plan nothing, I outline nothing, I start with an idea or an image or a line of dialogue and see where it leads me. Because I never know what the next page will contain, let alone the end of the book, I am perpetually surprised by the course that my characters take. The writing process is as full of surprises and twists for me as the reading experience is for my readers. I love the spontaneity of writing this way, the possibilities left open, the feeling that I am not constrained or committed to any given path. Every day, I am surprised by something. It may not be the most efficient way of writing, but it has served me well thus far. — Khaled Hosseini

But the secrets of such a book are not perpetual. Once they are known, they become relegated to a lesser sphere, which is that of the knower. Having lost the prestige they once enjoyed, these former secrets now function as tools in the excavation of still deeper ones which, in turn, will suffer the same corrosive fate. And this is the fate of all the secrets of the universe. Eventually the seeker of a recondite knowledge may conclude - either through insight or sheer exhaustion - that this ruthless process is never-ending, that the mortification of one mystery after another has no terminus beyond that of the seeker's own extinction. And how many still remain susceptible to the search? How many pursue it to the end of their days with undying hope of some ultimate revelation? Better not to think in precise terms just how few the faithful are. — Thomas Ligotti

I'd like to end the book a lot of ways. Except I don't have any answers. Use your common sense. Be nice. This is the best I can do. All the trouble in the world is human trouble. Well, that's not true. But when cancer cells run amok and burst out of the prostate and take over the liver and lymph glands and end up killing everything in the body including themselves, they certainly are acting like some humans we know. — P. J. O'Rourke

If there is anything I want you to understand at the end of this book, it's this: don't settle for a secondhand relationship with God. That's not the life of passion He is calling you to. Knowing God will keep you stable in hard times. It will make you secure and enable you to press past fear. It will cause you to know He is always with you whether you feel His Presence or not. You can know His forgiveness and mercy, His restoration and favor; truly knowing God will fuel your passion for life. When we see how beautiful and wonderful He really is, and realize all He has done for us in love, how can we not pursue Him and His will passionately? — Joyce Meyer

Having a book is somewhat like having a baby, as many woman writers have observed before me: the conception, the long preparation, the wait, the growing heaviness (not of body in this case but of the spirit and the manuscript) toward the end, the initial delight at the sight of the product, fully formed and seemingly perfect, and then the usual postpartum depression. What will people whose opinion I care about, and those whose views I don't value but have weight in the world of reader, think of it? — Doris Grumbach

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

The paradox of reading is that the path toward ourselves passes through books, but that this must remain a passage. It is a traversal of books that a good reader engages in - a reader who knows that every book is the bearer of part of himself and can give him access to it, if only he has the wisdom to not end his journey there. — Pierre Bayard

Altruism, compassion, empathy, love, conscience, the sense of justice - all of these things, the things that hold society together, the things that allow our species to think so highly of itself, can now confidently be said to have a firm genetic basis. That's the good news. The bad news is that, although these things are in some ways blessings for humanity as a whole, they didn't evolve for the "good of the species" and aren't reliably employed to that end. Quite the contrary: it is now clearer than ever how (and precisely why) the moral sentiments are used with brutal flexibility, switched on and off in keeping with self-interest; and how naturally oblivious we often are to this switching. In the new view, human beings are a species splendid in their array of moral equipment, tragic in their propensity to misuse it, and pathetic in their constitutional ignorance of the misuse. The title of this book is not wholly without irony. — Robert Wright

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

The book of nature has no beginning, as it has no end. Open this book where you will, and at any period of your life, and if you have the desire to acquire knowledge you will find it of intense interest, and no matter how long or how intently you study the pages, your interest will not flag, for in nature there is no finality. — Jim Corbett

There is a larger lesson here, because the book encompasses not just the lives of prisoners in a Soviet prison camp, but every one of us. Shukhov squeezes everything he can out of a mouthful of soup or a bite of bread ... So frozen that he can't even feel his feet, he trowels cement and lays a cinder block wall with care and patience ... Shukhov takes pride in his work. In fact, even though he is starving, he can barely tear himself away at the end of the long day to go eat. He cares about his work and in that way he remains a man. Isn't this kind of pride and gratitude and ironic detachment valuable for all people? — Eric Bogosian

Writing your book is not the end all of your strategy. It is a powerful catalyst that will push you to the top of your game. You see, something magical happens when you write your book and this is the best place to mention it because a sale happens when your book is complete. You sell yourself on the idea that you are more than you previously believed yourself to be. You get to experience that "I did it" moment where your mind releases these wonderful stimulators that make you feel awesome. You see yourself in a different way and this opens up a greater opportunity for accomplishment, achievement, and success. — Kytka Hilmar-Jezek

Like an unexpected wet mop in the face of tired complacency, The Sovereignty Solution works on the receptive mind as a pry bar works on a tightly sealed box. Written with courage and passion, this is a book whose often counterintuitive clarity shakes entombed assumptions like an earthquake. Whether you end up convinced or not, you will never think about American national security the same way ever again. — Adam Garfinkle

They know the outward shows of this life present but of the next life are they careless. Have they not consider the heavens and the earth and all that is between them but for a serious end, and for a fixed term? But truly most men believe not that they shall meet their Lord. — Elijah Muhammad

I will not read the last page of novels first," I said, and then punched myself in the face.
"I promise, I'll never again read the last page of novels first," I said, then smacked myself on the head with a book.
"I really, really, really regret reading the last page of this novel first!"
(This page is, of course, here for those of you who skip to the end of the book first. Naughty, naughty! Fortunately, you're acting out the book like you're supposed to, right? Well, let that be a lesson to you.) — Brandon Sanderson

For Hillary, gangsterism is not merely a matter of means; it is also her end. Hillary wants to be the crime boss of America. That is the only way to satisfy her unquenchable desire for money, power, and social control. As we will see in this book, Hillary is a criminal who found the criminal practices of Saul Alinsky to be too weak-kneed for her taste, and Alinsky was a gangster who found the criminal practices of the Al Capone gang to be a tad sentimental. In short, Hillary is the true Democrat, the gangster par excellence. I suspect this is why the Democratic establishment lined up so quickly behind her. While the Republicans had a real primary, hotly contested, the Democrats had a primary in which Bernie seemed to win again and again but never seemed to make a dent in Hillary's lead. That's because the Democratic super-delegates were uniformly in her camp, even though there was throughout the campaign the risk that she would be indicted. — Dinesh D'Souza

From everything that I've read, people before the collapse were what I would politely call "weak". I'm sure they were nice enough, smart enough, and probably thought they had everything under control, but it doesn't take much to shatter your world. Luk and I had been training for this our entire lives, preparing to enter a world of harsh realities and it's nearly been the end us both multiple times. Back in the day, when chaos reigned, it was kill or be killed, there was little middle ground. The weak definitely did not inherit the Earth. Strength is survival.

Sojourn Book III - The Beastlands — B.D. Messick

This time Simone did not smile at all.
"I cannot tell that to you, child. This is a
secret I am not allowed to talk about. I only hope that you will
know how to follow the true and right path. And now, farewell!" She
turned around and walked away between the bookshelves, disappearing
from their sight.
Nirupa looked at the book she held in her
hand. On its thick front cover she read:
"Atlantis."
Deep shudders shook her body. She turned her
head and looked at Miss Bell, who also looked numb with fear.
"Now that we have started the adventure, me
must carry it through to the end," Ni whispered to Miss Bell,
opening the book. She did not have time to see what was written
inside because, once the first page was open, a whirl of warm air
sucked Ni and Miss. Bell inside, In the twinkle of an eye they
found themselves standing up on the main street of a magnificent
bazaar. — Leora Cika Waldman

The book is not a cut-and-paste job. Yeah, I have a blog, but the material in the book is all new. The blog deals with my life now, whereas as the book starts a few years before my birth until right about the end of junior high. And yes, I am contractually obliged to mention this as much as possible (each time I do, HarperCollins sends me a free pizza). — Jason Mulgrew

I don't know what people want, really. Does somebody have to die? What is meant by resolution? These are questions that I don't quite know what to do with. That being said, I did want the characters to be changed by the end of the book. But will what they've gone through alter their lives from this point forward, i.e. will they make different (better) choices? Probably not. — Mary J. Miller

All these people helped make this book possible. But let me make one thing clear: If there are any errors or omissions in this book, these people are not responsible. In the end, there is only one person responsible for what I write, and that person, of course, is: Donald Trump. — Dave Barry

Are you wearing space pants?" Miranda asked him.
"What?"
How did it end? oh, right. "Because your butt is fine."
He gazed at her in that way he had like he was measuring her for straitjacket. "I think-" he started, then stopped and seemed to be having trouble talking. Cleared his throat three times before saying, "I think the line is 'because your butt is out of this world."
"Oh. That makes a lot more sense. I can see that. See, I read this book about how to get guys to like you and they said it was a line that never failed but i got interrupted in the middle and the line before it was about china-not the country, the kind you eat off of-and that is where the fine part was but i must have gotten them confused. He just kept staring at her. — Michele Jaffe

A is for Alibi, my first book, was published in 1982. As it happened the next couple of books took place in June and August of that year. Without meaning to I painted myself into a corner. The other issue was the aging process. I did not want my main character to age one year for every book so I slowed the whole process down. This way I could get through all 26 letters of the alphabet without making her 109 years old in 2015. I might end the series in either 1990 or on New Years Eve 1989. — Sue Grafton