This Is My Last Poem Quotes & Sayings

No blame. No regrets. Gratitude and happiness in every direction. — J.T. Gillett

Greta is great, but he's a little ... extremely ... moody. Take my birthday last year. At the stroke of midnight, he appeared at my door.
"I wrote this poem for you," he said, shoving a piece of crumpled paper into my hands.
'The world must burn.
Lava exploding into faces.
Their skeletons are screaming now.
No survivors.
- From Greta'
"Oh ... uh ... wow ... " I began.
"Don't bother thanking me," he said. "I just wanted to comfort you for being one year closer to the grave. Of course, I failed miserably, because comfort doesn't exist in this universe. — Bratniss Everclean

Poem
Heart of the heartless world,
Dear heart, the thought of you
Is the pain at my side,
The shadow that chills my view.
The wind rises in the evening,
Reminds that autumn is near.
I am afraid to lose you,
I am afraid of my fear.
On the last mile to Huesca,
The last fence for our pride,
Think so kindly, dear, that I
Sense you at my side.
And if bad luck should lay my strength
Into the shallow grave,
Remember all the good you can;
Don't forget my love. — John Cornford

Why do you think I am like this?" It didn't really sound like a question; there was no regret, or sorrow, or genuine tinge of curiosity. I didn't think he expected a complex answer in any case, as I'm pretty sure we both knew that a team of neuroscientists and psychologists could work on Mad Dog for a decade and still not have all of the answers. Instead, I removed a sheet of paper from my legal folder and wrote one quatrain from a poem by W.H. Auden: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. He received this carefully and spent a moment looking it over. For the tiniest fraction of a second his face relaxed and his eyes softened and he seemed to shrink into himself as he breathed in. Then it was over, and he turned away from me, a dismissal if I ever saw one. He crumpled up my note angrily and tossed it away onto the floor. It was the last time we ever spoke. — Jean Casella

And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire
clearly I'm not needed,
yet I feel myself turning
into something of inexplicable value.
-from The Buddha's Last Instruction — Mary Oliver

In the forestlichen writhes and assembles itself into signs to light my path through the deep dark north shadow; and I emerge at last onto a hillside strewn with logogrammatic stones, and scramble away from spruce tops." in the poem "Beyond the Beacon" from Terra Affirmative. — Jay Woodman

I deliberately wrote a poem in my last book where I was suggesting that there are other passions as great as or more important than the passion of sex. — Thom Gunn

I thought I was growing wings
it was a cocoon.
I thought, now is the time to step
into the fire
it was deep water.
Eschatology is a word I learned
as a child: the study of Last Things;
facing my mirror - no longer young,
the news - always of death,
the dogs - rising from sleep and clamoring
and howling, howling ...
("Seeing For a Moment") — Denise Levertov

I haven't written poetry in a long time but I read it and I miss it. It is so hard to write. So hard to finish, so hard to find the exact word to make it shine. In honor of my youth I will write a poem to finish this essay. It is spring in the Ozark Mountains. The yellow flowers are blooming and the birds wake me at dawn and last night five planets lined up by the moon in the western sky. If that doesn't inspire me to poetry what will? — Ellen Gilchrist

Stilletos of a frozen stillicide [ ... ] In the lovely line heading this comment the reader should note the last word. My dictionary defines it as 'a succession of drops falling from the eaves, eavesdrop, cavesdrop.' I remember having encountered it for the first time in a poem by Thomas Hardy. The bright frost has eternalized the bright eavesdrop. — Vladimir Nabokov

But the loneliness was still on Danny and demanded an outlet.
'Here we sit,' he began at last.
' - broken-hearted,' Pilon added rhythmically.
'No, this is not a poem,' Danny said. 'Here we sit, homeless. We gave our lives for our country, and now we have no roof over our head.'
'We never did have,' Pilon added helpfully.
Danny drank dreamily until Pilon touched his elbow and took the bottle.
'That reminds me,' Danny said, 'of a story of a man who owned two whore-houses
' His mouth dropped open. 'Pilon! my little fat duck of a baby friend. I had forgotten! I am an heir! I own two houses.'
'Whore-houses?' Pilon asked hopefully. 'Thou art a drunken liar,' he continued.
'No, Pilon. I tell the truth. The viejo died. I am the heir. I, the favourite grandson.'
'Thou art the only grandson,' said the realist Pilon. — John Steinbeck

At last the bottom fell out.
No more water in the pail.
No more moon in the water. — John Gould

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

Land sakes, I can't make a speech," she said. "Tell you what: I'll recite a poem I composed while in jail." And she began. "Although in jail in Centerboro, I do not fret or stew or worro. And confidently I confront The judge, because I'm innosunt. Tho I'm a cow, I am no coward I have not flinched when thunder rowered. When lightning flashed I've merely giggled Like one whose funnybone is tiggled. And I shall never give up hoping That soon the jail front door will oping And I'll once more enjoy my freedom On Bean's green fields. When last I seed 'em They were a fair and lovely vision And so for my return I'm wishun. I hope that Bismuth will get his'n And spend a good long time in prison. — Walter R. Brooks

A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do. — Leonard Cohen

This is for you, all the women of the world
Those who lived, all who ever will
this is for your love, mine is yours
Love is fate, I am here
Because you know the meaning of life
That begins and ends with a kiss
We are knights in shining ardor, who toil for you
And our children, it's a circle
So they will know this truth
Love is the sacred gospel, all we need to know
As your son and lover, my spirit lives imbued
With, from and by your wisdom and beauty
I am here to pay honor and homage to your soul
This is and will always be my devotion
This I dedicate, because through you I become whole — Trevor McShane

On his last voyage he had seemed on the brink of success and had stood in the prow reciting a grand poem of his own composition to a dim blue promontory in which he recognized one of the capes of Greenland. But it is idle to deny that the general feeling was dampened somehow, when they discovered it was the Cape of Good Hope. In short, the admiral was one of those who keep the world young. — G.K. Chesterton

... the river sliding along its banks, darker now than the sky descending a last time to scatter its diamonds into these black waters that contain the day that passed, the night to come.
- Excerpt from the poem The Mercy — Philip Levine

That small word "Force," they make a barber's block,
Ready to put on
Meanings most strange and various, fit to shock
Pupils of Newton ...
The phrases of last century in this
Linger to play tricks
Vis viva and Vis Mortua and Vis Acceleratrix:
Those long-nebbed words that to our text books still
Cling by their titles,
And from them creep, as entozoa will,
Into our vitals.
But see! Tait writes in lucid symbols clear
One small equation;
And Force becomes of Energy a mere
Space-variation. — James Clerk Maxwell

A Poem
By Max
White is the color of little bunnies with pink noses.
White is the color of fluffy clouds fluffing their way across the sky.
White is the color of angel's wings and Angel's wings.
White is the color of brand-new ankle socks fresh out of the bag.
White is the color of crisp sheets in schmancy hotels.
White is the color of every last freaking, gol-danged thing you see for endless miles and miles if you happen to be in Antarctica trying to save the world, which now you aren't so sure you can do because you feel like if you see any more whiteness-Wonder Bread, someone's underwear, teeth-you will completely and totally lose your ever-lovin' mind and wind up pushing a grocery cart full of empty cans around New York City, muttering to yourself.
That was my first poem ever.
Okay, so it's not Shakespeare, but I liked it. — James Patterson

On the Gallows Once
Kofi Awoonor

I crossed quite a few
of your rivers, my gods,
into this plain where thirst reigns
I heard the cry of mourners
the long cooing of the African wren at dusk
the laughter of the children at dawn
had long ceased
night comes fast in our land
where indeed are the promised vistas
the open fields, blue skies, the singing birds
and abiding love?
History records acts
of heroism, barbarism
of some who had power
and abused it massively
of some whose progenitors
planned for them
the secure state of madness
from which no storm can shake them;
of some who took the last ships
disembarked on some far-off shores and forgot
of some who simply laid down the load
and went home to the ancestors — Kofi Awoonor

Shonin: I have composed a poem. Kokushi: Let's hear it. Shonin: When I chant, Both Buddha and self Cease to exist. There is only the voice that says, Namu Amida Butsu. Kokushi: Something's wrong with the last couple of lines, don't you think? (after a lapse of time) Shonin: This is how I've written it: When I chant, Both Buddha and self Cease to exist. Namu Amida Butsu. Kokushi: There! You got it! — Takuan Soho

Bhagat Singh revered Lajpat Rai as a leader. But he would not spare even Lajpat Rai, when, during the last years of his life, Lajpat Rai turned to communal politics. He then launched a political-ideological campaign against him. Because Lajpat Rai was a respected leader, he would not publicly use harsh words of criticism against him. And so he printed as a pamphlet Robert Browning's famous poem, 'The Lost Leader,' in which Browning criticizes Wordsworth for turning against liberty. The poem begins with the line 'Just for a handful of silver he left us.' A few more of the poem's lines were:
'We shall march prospering, not thro' his presence;
Songs may inspirit us, not from his lyre,' and
'Blot out his name, then, record one lost soul more.'

There was not one word of criticism of Lajpat Rai. Only, on the front cover, he printed Lajpat Rai's photograph! — Bipan Chandra

Tell me not, sweet, I am unkind," he said, "That from the nunnery, Of they chaste breast and quiet mind."
I looked up at him, and said the next line, "To war and arms I fly."
"True, a new mistress now I chase," he said.
"The first foe in the field," I said, and let him draw me closer.
"And with a stronger faith embrace," he said.
"A sword, a horse, a shield." And the last word was whispered against his chest, still looking up into those eyes, searching his face.
"Yet this inconstancy is such, As thou too shalt adore," he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. "I could not love thee, dear, so much, Loved I not honor more. — Laurell K. Hamilton

So I'm reading some poem by Louise . . . something, I forget her last name, but it's about Hades and the underworld, and I don't even notice that Paige has come up to my table until she says, 'Doesn't everyone want love?' And I'm thinking, wow, that's a pretty deep question, but then again Paige is really smart, and this is my chance to finally show her that I'm not just a dumb jock. So I say, 'I heard this theory once that love means your subconscious is attracted to someone else's subconscious.'"

"Very deep," Cade said.

"Exactly. And I'm feeling proud of myself for that one, until she points to the book and says, 'Oh, that wasn't a question. I was just quoting a line from the poem. — Julie James

Dante is the first Christian poet, the first one whose whole system of thought is colored by a pure Christian theology. But the poem comes nearer to us than this. It is there real history of a brother man, of a tempted, purified, and at last triumphant human soul; it teaches the benign ministry of sorrow. His is the first keel that ever ventured into the silent sea of human consciousness to find a new world of poetry. He held heartbreak at bay for twenty years, and would not let himself die until he had done his task. Neither shall Longfellow. Neither shall I."
Lowell turned and started to descend. — Matthew Pearl

Magic existed in his eyes, his energy as he lived his daily life. I could fall into his soul and lay my worries to rest, but if by chance this happened; it wouldn't last the test.
because there's much to learn, before we can meet, I want to collide with his heart; allow our souls to fleet.
His arms will hold my fears, but he won't carry the load; as it is my lesson to love myself, and find my own sense of hope.
When we cross our paths, our knowledge will last the test; as patience fills the air and our burdens are put to rest,
I will honour my truth, and seek what I desire; ever lasting love and passion set on fire. — Nikki Rowe

I began composing the next poem, the one that was to be written next. Not the last poem of those I had read, but the poem written in the head of someone who may never have existed but who had certainly written another poem nonetheless, and just never had the chance to commit it to ink and the page. — Steve Erickson

Since when," he asked,
"Are the first line and last line of any poem
Where the poem begins and ends? — Seamus Heaney

He cleared his throat and held up one hand dramatically.
"Green grass breaks through snow.
Artemis pleads for my help.
I am so cool."
He grinned at us, waiting for applause.
"That last line was four syllables." Artemis said.
Apollo frowned. "Was it?"
"Yes. What about I am so bigheaded?"
"No, no, that's six syllable, hhhm." He started muttering to himself.
Zoe Nightshade turned to us. "Lord Apollo has been going through this haiku phase ever since he visited Japan. Tis not as bad as the time he visited Limerick. If I'd had to hear one more poem that started with, There once was a godess from Sparta-"
"I've got it!" Apollo announced. "I am so awesome. That's five syllables!" He bowed, looking very pleased with himself. — Rick Riordan

The true poem is the poet's mind; the true ship is the ship-builder. In the man, could we lay him open, we should see the reason for the last flourish and tendril of his work; as every spine and tint in the sea-shell preexist in the secreting organs of the fish. — Ralph Waldo Emerson

Last night your thin walls invited me to the party next door / reminded me I am a quiet person in a quiet life. — Drew Myron

Making Cocoa For Kingsley Amis
It was a dream I had last week
And some kind of record seemed vital.
I knew it wouldn't be much of a poem
But I love the title. — Wendy Cope

When the years have all passed, there will gape the uncomfortable and unpredictable dark void of death, and into this I shall at last fall headlong, down and down and down, and the prospect of that fall, that uprooting, that rending apart of body and spirit, that taking off into so blank an unknown, drowns me in mortal fear and mortal grief. After all, life, for all its agonies of despair and loss and guilt, is exciting and beautiful, amusing and artful and endearing, full of liking and of love, at times a poem and a high adventure, at times noble and at times very gay; and whatever (if anything) is to come after it, we shall not have this life again. — Rose Macaulay

He was never a man of many words but the look that he gave me spoke volumes saying what he felt in his heart — Vivian E. Moore

There's a poem by Adrienne Rich I first read twenty years ago called "Splittings" that I thought of when I read your letter. The last two lines of the poem are: "I choose to love this time fore once / with all my intelligence. — Cheryl Strayed

That poem you like, how does it end?"
He knows how it ends. He's looked it up by now, that's why he asks.
But I answer him anyway.
"'We have lingered in the chambers of the sea, by sea-girls wreathed
with seaweed red and brown, till human voices wake us, and we drown.'"
Eliot shakes his head. "It does not need the last three words. The last
three words are wrong."
I laugh at his correcting a Nobel prize-winning poet, but I agree. I
know what drowning feels like. It doesn't need water. And human voices,
if they say the right things, can save you.
"Eliot, do you have a pen I can borrow?"
I can feel him smiling in the dark, and we watch the sea caress the
sand.
"That man in the poem, Mr. Prufrock, he was a coward, wasn't he?"
Eliot says.
My answer to his question is the same as his answer to mine. — Ray Cluley

For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss. — Ally Condie

Yet deep inside I know that I'm truly blessed that I was loved by someone like you. I'll always love you my Mia Amor. I'll never forget the first poem I've written for you and how that was the first taste of love I've ever felt in my 26 years.
You've shown me a love that I've never known.
A love that comes along 'once' in a lifetime! A love 'through the years'; I have shared with you! You are this kind of love, I love you. Thank you for being the "PERFECT LOVE" for me. — Chimnese Davids

As we joined the line of people getting off at the last stop before Sofia, I looked once more at the little boy, whom I felt I would never forget, though maybe it wasn't exactly him I would remember, I thought, but the use I would make of him. I had my notes, I knew I would write a poem about him, and then it would be the poem I remembered, which would be both true and false at once, the image I made replacing the real image. Making poems was a way of loving things, I had always thought, of preserving them, of living moments twice; or more than that, it was a way of living more fully, of bestowing on experience a richer meaning. But that wasn't what it felt like when I looked back at the boy, wanting a last glimpse of him; it felt like a loss. Whatever I could make of him would diminish him, and I wondered whether I wasn't really turning my back on things in making them into poems, whether instead of preserving the world I was taking refuge from it. — Garth Greenwell

Poem for Liu Ya-tzu I cannot forget how in Canton we drank tea and in Chungking went over our poems when leaves were yellowing. Thirty-one years ago and now we come back at last to the ancient capital Peking. In this season of falling flowers I read your beautiful poems. Be careful not to be torn inside. Open your vision to the world. Don't say that waters of Kumming Lake are too shallow. We can watch fish better here than in the Fuchun River in the south. — Mao Zedong

Journeying over many seas & through many countries
I came dear brother to this pitiful leave-taking
The last gestures by your graveside
The futility of words over your quiet ashes.
Life cleft us from each other
Pointlessly depriving brother of brother
Accept then, our parents' custom
These offerings, this leave-taking
Echoing forever, brother, through a brother's tears — Catullus

Until the day that "the Great Judge proclaims: / 'The last addict's died,'254 " the poem said, "Then - not till then - may you be retired. — Johann Hari

Because
you rubbed
my shoulder
last night
a poem
traveled down
my arm. — Alice Walker

There is nothing we should be quite so grateful for as the last line of the poem that goes, 'When your own heart asks. — Tsunetomo Yamamoto

I Have Loved Hours at Sea
I have loved hours at sea, gray cities,
The fragile secret of a flower,
Music, the making of a poem
That gave me heaven for an hour;
First stars above a snowy hill,
Voices of people kindly and wise,
And the great look of love, long hidden,
Found at last in meeting eyes.
I have loved much and been loved deeply
Oh when my spirit's fire burns low,
Leave me the darkness and the stillness,
I shall be tired and glad to go. — Sara Teasdale

First is a poem, a ballad, out of Scotland. You may say there is no king in it, and of course there isn't, which is what makes it so sad. The last line of the third verse, 'O he might hae been a king' is so sad that I don't like to look at it with both eyes at once. — William Mayne

The Poem That Took The Place Of A Mountain
There it was, word for word,
The poem that took the place of a mountain.
He breathed its oxygen,
Even when the book lay turned in the dust of his table.
It reminded him how he had needed
A place to go to in his own direction
How he had recomposed the pines,
Shifted the rocks and picked his way among clouds
For the outlook that would be right,
Where he would be complete in an unexplained completion:
The exact rock where his inexactness
Would discover, at last, the view toward which they had edged
Where he could lie and gazing down at the sea,
Recognize his unique and solitary home. — Wallace Stevens

It's not realistic to imagine that any poem will last forever. Our species won't last forever! We try to capture and preserve our impressions of reality because it's all going away: everything we think and remember, everything we've ever felt, everyone we love. — James Arthur

The time of minor poets is coming. Good-by Whitman, Dickinson, Frost. Welcome you whose fame will never reach beyond your closest family, and perhaps one or two good friends gathered after dinner over a jug of fierce red wine ... While the children are falling asleep and complaining about the noise you're making as you rummage through the closets for your old poems, afraid your wife might've thrown them out with last spring's cleaning.
It's snowing, says someone who has peeked into the dark night, and then he, too, turns toward you as you prepare yourself to read, in a manner somewhat theatrical and with a face turning red, the long rambling love poem whose final stanza (unknown to you) is hopelessly missing. — Charles Simic