This House Of Sky Quotes & Sayings

This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. — Shirley Jackson

I call it the 'doll house,' ... It's absolutely gorgeous, especially at this time of year. It's a crisp sky and, you know, if we wake up on a clear morning, and then I take little Norm out for a walk, have a little coffee on the deck. — Jennifer Aniston

What is going on inside me I cannot tell. In the sky a thousand stars are magnetized, and I lie glued by the swing of the planet to the sand. A different weight brings me back to myself. I feel the weight of my body drawing me towards so many things. My dreams are more real than these dunes, than that moon, than these presences. My civilization is an empire more imperious than this empire. The marvel of a house is not that it shelters or warms a man, nor that its walls belong to him. It is that it leaves its trace on the language. Let it remain a sign. Let it form, deep in the heart, that obscure range from which, as waters from a spring, are born our dreams. — Antoine De Saint-Exupery

I want to skip this part. I want to pull on the arm of my slot machine and let the rolls flip over until they show a green tree in the summertime, and me away from that house, walking tall under a blue sky. — Catherynne M Valente

He slowed down when the house was in sight, despite the cries of his parents, despite the terror in their voices. This was the time of day he felt most alive. He watched the sun dip in the sky, eclipsed by the turning of the world beneath him. Shadows began to lengthen. He waited until the last minute, and then ran to his house as fast as he could, the exhilarating tingle of fear sweeping over him, making his heart pound and his hands shake. Air tasted better in those few seconds, his body alive with sensation. No sight was more beautiful than the reds and oranges of dusk, no sound more exciting than his parents' warnings. He tumbled over the threshold, careful not to disturb the wards, and turned to watch the corelings rise. — Peter V. Brett

It was a pleasure to burn.
It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. — Ray Bradbury

In the big house opposite someone was playing the piano at Dolzhikov's. It was beginning to get dark, and stars were twinkling in the sky. Here my father, in an old top-hat with wide upturned brim, walked slowly by with my sister on his arm, bowing in response to greetings.
"Look up," he said to my sister, pointing to the sky with the same umbrella with which he had beaten me that afternoon. "Look up at the sky! Even the tiniest stars are all worlds! How insignificant is man in comparison with the universe!"
And he said this in a tone that suggested that it was particularly agreeable and flattering to him that he was so insignificant. How absolutely devoid of talent and imagination he was! — Anton Chekhov

Once upon a time, somewhere in the universe very far from here, lived a peaceful star, which moved peacefully in the immensity of the sky, surrounded by a crowd of peaceful planets about which we have not a thing to report. This star was very big and very hot, and its weight was enormous: and here a reporter's difficulties begin. We have written "very far," "big," "hot," "enormous": Australia is very far, an elephant is big and a house is bigger, this morning I had a hot bath, Everest is enormous. It's clear that something in our lexicon isn't working. — Primo Levi

One Saturday morning last May, I joined the presidential motorcade as it slipped out of the southern gate of the White House. A mostly white crowd had assembled. As the motorcade drove by, people cheered, held up their smartphones to record the procession, and waved American flags. To be within feet of the president seemed like the thrill of their lives. I was astounded. An old euphoria, which I could not immediately place, gathered up in me. And then I remembered, it was what I felt through much of 2008, as I watched Barack Obama's star shoot across the political sky. I had never seen so many white people cheer on a black man who was neither an athlete nor an entertainer. And it seemed that they loved him for this, and I thought in those days, which now feel so long ago, that they might then love me, too, and love my wife, and love my child, and love us all in the manner that the God they so fervently cited had commanded. — Ta-Nehisi Coates

Go & tell your drinking buddies
& psychoanalyst your neighbor
has risen from the ashes. I wonder
if I should tell you about the love letters
hidden behind the doorjamb. This house
still stands among my lavender flowers.
Tell your inheritors to think of me
when they smile up at the sky. — Yusef Komunyakaa

A Place in the Forest On the way there a pair of startled wings clattered up, that was all. You go there alone. There is a tall building which consists entirely of cracks, a building which is perpetually tottering but can never collapse. The thousand-fold sun floats in through the cracks. In this play of light an inverted law of gravity prevails: the house is anchored in the sky and whatever falls, falls upwards. You can turn round there. There you are allowed to grieve. You can dare to see certain old truths which are otherwise kept packed, in storage. The roles I have, deep down, float up there, hang like the dried skulls in the ancestral cabin on some out-of-the-way Melanesian islet. A childlike aura round the gruesome trophies. So mild it is, in the forest. — Tomas Transtromer

I AM RESTLESS
AM restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore.
I am eager and wakeful, I am a stranger in a strange land.
Thy breath comes to me whispering an impossible hope.
Thy tongue is known to my heart as its very own.
O Far-to-seek, O the keen call of thy flute!
I forget, I ever forget, that I know not the way, that I have not the winged horse.
I am listless, I am a wanderer in my heart.
In the sunny haze of the languid hours, what vast vision of thine takes shape in the blue of the sky!
O Farthest end, O the keen call of thy flute!
I forget, I ever forget, that the gates are shut everywhere in the house where I dwell alone! — Rabindranath Tagore

Sometimes when i am alone out there, or even here in my house, it seems almost possible that i might lose myself: there in that silence where there is no need of words or discourse. i have heard it said that there are men who have lost their minds to it, reason drained away into the dissolving space of sea and sky. And indeed while there are times when this place is full of life, a raucous cavalcade, even then there is a sense of emptiness, as if some ancient silence lingers in the fabric of this place, something alien, and unknowable. — Thomas F. Monteleone

When we are sad - at least I am like this - it can be comforting to cling to familiar objects, to the things that don't change. Your descriptions of the desert - that oceanic, endless glare - are terrible but also very beautiful. Maybe there's something to be said for the rawness and emptiness of it all. The light of long ago is different from the light of today and yet here, in this house, I'm reminded of the past at every turn. But when I think of you, it's as if you've gone away to sea on a ship - out in a foreign brightness where there are no paths, only stars and sky. — Donna Tartt

I want to stretch our legs and show you the view of our valley. It's a tradition when we bring someone special to the ranch for the first time." He set the kitten on the seat opposite them and opened the door. He stepped out, then helped her to the ground and started to release her.
Pamela squeezed his hand and didn't let go.
John's quick smile told her he approved. He led her to a lookout and waved an arm in a sweeping motion. "Our valley."
"Really?" Delighted, she leaned forward to take in the view. Grasslands studded with cattle surrounded a big white house, outbuildings, a barn, and two smaller homes. She studied the house. From this distance, it looked large and comfortable, two-story, as John had described, with a porch across the front. She relaxed at the sight.
The distant mountains still held snow on their peaks. Stark blue sky stretched over the land, with several puffy white clouds floating by. Our valley, she echoed. — Debra Holland

I have every useless thing in the world in my house there. The only thing wanting is the necessary thing, a great patch of open sky like this. Always try to keep a patch of sky above your life, little boy," he added, turning to me. "You have a soul in you of rare quality, an artist's nature; never let it starve for lack of what it needs. — Marcel Proust

This building we're in has doors and windows. If we close the doors and windows, we can't get out. People lock themselves inside a house of delusions. But they're only delusions. They can leave anytime. Actually there is no house to leave. There's not even any leaving. What we see are flowers in the sky, the moon in the water. As for the meditative powers of Zen masters like Hsu-yun, sometimes it's useful to meditate and sometimes it isn't. — Bill Porter

The voice welling up out of this little man is terrific, Harry had noticed it at the house, but here, in the nearly empty church, echoing off the walnut knobs and memorial plaques and high arched rafters, beneath the tall central window of Jesus taking off into the sky with a pack of pastel apostles for a launching pad, the timbre is doubled, richer, with a rounded sorrowful something Rabbit hadn't noticed hitherto, gathering and pressing the straggle of guests into a congregation, subduing any fear that this ceremony might be a farce. Laugh at ministers all you want, they have the words we need to hear, the ones the dead have spoken. — John Updike

Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part. — Leonardo Da Vinci

Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light. — Mason West

And in all those escapes he could not help being astonished by the beauty of this land that was not his. He his in its breast, fingered its earth for food, clung to its banks to lap water and tried not to love it. On nights when the sky was personal, weak with the weight of its own stars, he made himself not love it. Its graveyards and its low-lying rivers. Or just a house - solitary under a chinaberry tree; maybe a mule tethered and the light hitting its hide just so. Anything could stir him and he tried hard not to love it. — Toni Morrison

The Meeting is actually like the Gunpowder Meeting, or some of the earlier American Quaker MeetingsThe long house form is something that was traditionthat's what I started with as an idea. But then making this in terms of the sizing and the use that was asked for by Live Oak Meeting- I mean it's a very traditional form, except it's convertible. The top opens, and it makes a sky space where sky is really brought down to you; your awareness of it is made quite different. It was a little bit of a novel idea, that it's a roof that opens. — James Turrell

The tyrant-father of Heaven, the one who created, hated and drove out the first woman, yoked men with a horrible curse, far worse than any imagined to have been handed down to Eve. Men were told they were masters of this world, of their mates, of the beasts and fish, of the land and sea and sky. How ridiculous! That's like telling a little boy he's in charge of the house when his da is gone. It's silly!
And like that little boy, men have tried to live up to the unreasonable demands of their mute, wayward, celestial father. They have enslaved and dominated, conquered and killed, all in the name of shepherding, of protecting, of ruling the world. They spend their lives trying to do what they think is right, what their father on high would want of them. The bastard. — R.S. Belcher

LOOKING
The world goes by, and what have I to do with it? I merely observe how the geese stretch their necks towards the orange rim of sky. I watch how light fades and children make their way home, hungry and tired. The bushes outside become ghosts while baths run and kitchen windows steam up with the cooking. This is the smell of our home, where I have a place in the wrinkled hours making beds and hugging boys awake. This is the sound of the house where I feel out lives into words, translate ragged nights and days into something whole, or try to. You may look if you wish ... The world goes by, and what have you or I to do with it, except perhaps for looking ... ? — Jay Woodman

Jon Stone spoke thirteen languages and was fluent in six, French being one. He spoke it so well the girls thought he was a native Parisian pretending to be an American. This ability to blend with the natives was a valuable tool when Jon plied his trade. Jon eased from the bed. Floor-to-ceiling sliding glass doors lined the back of his house, ten-foot-tall, custom-designed monsters so Jon could Zen on the view. Golden lights glittered to the horizon, ruby flashes marked ghetto-bird prowlers, jets descending toward LAX were strung like pearls across a tuxedo black sky. The doors were heavy as trucks, but silent as silk when they slid open. Jon stepped out and went to the pool. Pike was a silhouette cutout, backlit by the city as Jon swaggered close. "What — Robert Crais

Let's say a person is down in the dumps, or maybe just lazy, and they stop doing the dishes. Soon the dishes are piled sky-high and it seems impossible to even clean a fork. So the person starts eating with dirty forks out of dirty dishes and this makes the person feel like a homeless person. So they stop bathing. Which makes it hard to leave the house. The person begins to throw trash anywhere and pee in cups because they're closer to the bed. We've all been this person, so there is no place for judgment, but the solution is simple:Fewer dishes. — Miranda July

New Season
No coats today. Buds bulge on chestnut trees,
And on the doorstep of a big, old house
A young man stands and plays his flute.
I watch the silver notes fly up
And circle in the blue sky above the traffic,
Travelling where they will.
And suddenly this paving-stone
Midway between my front door and the bus stop
Is a starting point.
From here I can go anywhere I choose. — Wendy Cope

Me dad planted that tree,' she said absently, pointing out through the old cracked window.
The great beech filled at least half the sky and shook shadows all over the house.
Its roots clutched the slope like a giant hand, holding the hill in place. Its trunk writhed with power, threw off veils of green dust, rose towering into the air, branched into a thousand shaded alleys, became a city for owls and squirrels. I had thought such trees to be as old as the earth, I never dreamed that a man could make them. Yet it was Granny Trill's dad who had planted this tree, had thrust in the seed with his finger. How old must he have been to leave such a mark? Think of Granny's age, and add his on top, and you were back at the beginning of the world. — Laurie Lee

I was downstairs, reading."
" Now?" I strained to see her face. She was smiling, it appeared.
"Yes, now," she said. "It's nice, sometimes, to read in the middle of the night. The sky is so dark and soft-looking outside the window, all the stars out. You have just on light on, you know, and it seems to pour onto the page. Makes the book seem better. You are this little island, just up alone with a book. And you heard the night sounds of the house ... It's so interesting to me, that sound. Time. The measure of it. — Elizabeth Berg

If somewhere beneath the blood, the past must beat in me to make a rhythm of survival for itself - to go on as this half-life which echoes as a second pulse inside the ticking moments of my existence - if this is what must be, why is the pattern of remembered instants so uneven, so gapped and rutted and plunging and soaring? I can only believe it is because memory takes its pattern from the earliest moments of the mind, from childhood. And childhood is a most queer flame-lit and shadow-chilled time. — Ivan Doig

Look at her good, Lily," she said, "'cause you're seeing the end of something."
"I am?"
"Yes, you are, because as long as people have been on this earth, the moon has been a mystery to us. Think about it. She is strong enough to pull the oceans, and when she dies away, she always comes back again. My mama used to tell me Our Lady lived on the moon and that I should dance when her face was bright and hibernate when it was dark."
August stared at the sky a long moment and then, turning toward the house, said, "Now it won't ever be the same, not after they've landed up there and walked around on her. She'll be just one more science project. — Sue Monk Kidd

My house contains every useless thing in the world. it lacks only the one essential, a piece of sky like this one ... — Marcel Proust

I dwell in Possibility
A fairer House than Prose
More numerous of Windows
Superior - for Doors
Of Chambers as the Cedars
Impregnable of Eye
And for an Everlasting Roof
The Gambrels of the Sky
Of Visitors - the fairest
For Occupation - This
The spreading wide of narrow Hands
To gather Paradise - — Emily Dickinson

Until they stood at last by a crumbling wall, looking up and up and still farther up at the great tombyard top of the old house. For that's what it seemed. The high mountain peak of the mansion was littered with what looked like black bones or iron rods, and enough chimneys to choke out smoke signals from three dozen fires on sooty hearths hidden far below in dim bowels of this monster place. With so many chimneys, the roof seemed a vast cemetery, each chimney signifying the burial place of some old god of fire or enchantress of steam, smoke, and firefly spark. even as they watched, a kind of bleak exhalation of soot breathed up out of some four dozen flues, darkening the sky still more, and putting out some few stars. — Ray Bradbury

This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye. — Ted Hughes

That moon, which the sky ne'er saw even in dreams, has returned
And brought a fire no water can quench.
See the body' s house, and see my. soul,
This made drunken and that desolate by the cup of his love.
When the host of the tavern became my heart-mate,
My blood turned to wine and my heart to kabab.
When the eye is filled with thought of him, a voice arrives :
W ell done, O flagon, and bravo, wine!
Love's fingers tear up, root and stem,
Every house where sunbeams fall from love.
When my heart saw love's sea, of a sudden
It left me and leaped in, crying, , Find me.'
The face of Shamsi Din, Tabriz's glory, is the sun
In whose track the cloud-like hearts are moving — Rumi

Every tree near our house had a name of its own and a special identity. This was the beginning of my love for natural things, for earth and sky, for roads and fields and woods, for trees and grass and flowers; a love which has been second only to my sense of enduring kinship with birds and animals, and all inarticulate creatures. — Ellen Glasgow

Victoria spent most of the morning in the town house's private garden. It was a cool, humid day, the sky liberally laced with clouds, the air stirring with mild breezes. She sat at the stone table and read for a while, then wandered along graveled paths bordered with boxes of lilac, jessamine, and Russian honeysuckle. The carefully tended garden was bordered by poplar hedges and ivy-covered walls. Well-stocked beds of flowering and fruit-bearing paths and filled the air with perfume.
In this small, secluded world, it seemed as if the city were a hundred miles away. It was difficult not to be contented in such beautiful surroundings. — Lisa Kleypas

Later that day I went back to the old turf-house door and drew back the ivy. There between the stones was the dried-out bird's nest that was no longer in use because its owner was on her foreign holidays. I eased my letter to Santa out of my pocket and tucked it into the nest. I considered this the ideal resting place because the owner and Santa both belonged to foreign places and came here across the sky. There was the mystery of the unknown about the worlds they both came from; they belonged in the sky and my letter was destined to join them there when the time was right. — Alice Taylor

It's the 50th year of Doctor Who and look what's going on! We're up in the sky and under the sea! We're running round the rings of an alien world and then a haunted house. There's new Cybermen, new Ice Warriors and a never before attempted journey to the centre of the TARDIS. And in the finale, the Doctor's greatest secret will at last be revealed! If this wasn't already our most exciting year it would be anyway! — Steven Moffat

I can remember when I was a bit of an ETA fan myself. It was in 1973, when a group of Basque militants assassinated Adm. Carrero Blanco. The admiral was a stone-faced secret police chief, personally groomed to be the successor to the decrepit Francisco Franco. His car blew up, killing only him and his chauffeur with a carefully planted charge, and not only was the world well rid of another fascist, but, more important, the whole scheme of extending Franco's rule was vaporized in the same instant. The dictator had to turn instead to Crown Prince Juan Carlos, who turned out to be the best Bourbon in history and who swiftly dismantled Franco's entire system. If this action was 'terrorism,' it had something to be said for it. Everyone I knew in Spain made a little holiday in their hearts when the gruesome admiral went sky-high. — Christopher Hitchens

The park is high. And as out of a house
I step out of its glimmering half-light
into openness and evening. Into the wind,
the same wind that the clouds feel,
the bright rivers and the turning mills
that stand slowly grinding at the sky's edge.
Now I too am a thing held in its hand,
the smallest thing under the sky. --Look:

Is that one sky?:
Blissfully lucid blue,
into which ever purer clouds throng,
and under it all white in endless changes,
and over it that huge, thin-spun gray,
pulsing warmly as on red underpaint,
and over everything this silent radiance
of a setting sun.

Miraculous structure,
moved within itself and upheld by itself,
shaping figures, giant wings, faults
and high mountain ridges before the first star
and suddenly, there: a gate into such
distances as perhaps only birds know... — Rainer Maria Rilke

Words are little houses, each with its cellar and garret. Common-sense lives on the ground floor, always ready to engage in "foreign commerce" on the same level as the others, as the passers-by, who are never dreamers. To go upstairs in the word house, is to withdraw, step by step; while to go down to the cellar is to dream, it is losing oneself in the distant corridors of an obscure etymology, looking for treasures that cannot be found in words. To mount and descend in the words themselves - this is a poet's life. To mount too high or descend too low, is allowed in the case of poets, who bring earth and sky together. — Gaston Bachelard

Children I implore you
get out of the burning house now
three carts wait outside
to save you from a homeless life
relax in the village square
before the sky everything's empty
no direction is better or worse
east is just as good as west
those who know the meaning of this
are free to go where they want — Han-shan

Hang care!' exclaimed he. 'This is, a delicious evening; the wine has a finer relish here than in the house, and the song is more exciting and melodious under the tranquil sky than in the close room, where sound is stifled. Come, let us have a bacchanalian chant - let us, with old Sir Toby, make the welkin dance, and rouse the night-owl with a catch. I am right merry. Pass the bottle, and tune your voices - a catch, a catch! The lights will be here anon.'

("The Haunted House Of Paddington") — Charles Ollier

So you used to know everything?"
She wrinkled her nose. "Everybody did. I told you. It's nothing special, knowing how things work. And you really do have to give it all up if you want to play."
"To play what?"
"This," she said. She waved at the house and the sky and the impossible full moon and the skeins and the shawls and clusters of bright stars. — Neil Gaiman

The die was cast. It was a proud day for the Milligan family as I was taken from the house. "I'm too young to go," I screamed as Military Policemen dragged me from my pram, clutching a dummy. At Victoria Station the R.T.O. gave me a travel warrant, a white feather and a picture of Hitler marked "This is your enemy." I searched every compartment, but he wasn't on the train. At 4.30, June 2nd, 1940, on a summer's day all mare's tails and blue sky we arrived at Bexhill-on-Sea, where I got off. It wasn't easy. The train didn't stop there. — Spike Milligan

My house here is painted the yellow colour of fresh butter on the outside, with glaringly green shutters; it stands in full sunlight in a square that has a green garden with plane trees, oleanders and acacias. It is completely whitewashed inside, with a floor made of red bricks. And over it there is the intensely blue sky. In this house I can love and breathe, meditate and paint. — Vincent Van Gogh

Statements made by distant church bells remind me it is Sunday. Today the sky has become cloudy. I have been watching the clouds and it occurs to me that I have never done this in my life before, simply sit and watch clouds. As a child I would have been far too anxious to 'waste time' in this way. And my mother would have stopped me. As I write this I am sitting on my plot of grass behind the house where I have put a chair, cushions, rugs. It is evening. Thick lumpy slate-blue clouds, their bulges lit up to a lighter blue, move slowly across a sky of muddy and yet brilliant gold, a sort of dulled gilt effect. At the horizon there is a light glittering slightly jagged silver line, like modern jewellery. Beneath it the sea is a live choppy lyrical goldeny-brown, jumping with white flecks. The air is warm. Another happy day. ('Whatever will you do down there?' they asked.)
In a quiet surreptitious way I am feeling very pleased with myself. — Iris Murdoch

He saw the human shadows flitting through his second world. Most of them had unkempt beards. Some walked along looking at the sky, others at the ground. All wore shabby clothing. All lived in poverty. And all were serene. Closed in on every side by streetcars, they freely breathed the air of peace. The men in this world were unfortunate, for they knew nothing of the real world. But they were fortunate as well, for they had fled the Burning House of worldly suffering. Professor Hirota was in this second world. So, too, was Nonomiya. Sanshiro stood where he could understand the air of this world more or less. He could leave it whenever he wished. But to do so, to relinquish a taste he had finally begun to savor, was something he was loath to do. — Soseki Natsume

VII
From my village I see as much of the universe as can be seen
from the earth,
And so my village is as large as any town,
For I am the size of what I see
And not the size of my height ...
In the cities life is smaller
Than here in my house on top of this hill.
The big buildings of cities lock up the view,
They hide the horizon, pulling our gaze far away from the
open sky.
They make us small, for they take away all the vastness our
eyes can see,
And they make us poor, for our only wealth is seeing. — Fernando Pessoa

This is our goal as writers, I think; to help others have this sense of
please forgive me
wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds. When this happens, everything feels more spacious. Try walking around with a child who's going, "Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!" And the child points and you look, and you see, and you start going, "Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!" I think this is how we are supposed to be in the world
present and in awe. — Anne Lamott

In my mind, I built stairways. At the end of the stairways, I imagined rooms. These were high, airy places with big windows and a cool breeze moving through. I imagined one room opening brightly onto another room until I'd built a house, a place with hallways and more staircases. I built many houses, one after another, and those gave rise to a city -- a calm, sparkling city near the ocean, a place like Vancouver. I put myself there, and that's where I lived, in the wide-open sky of my mind. I made friends and read books and went running on a footpath in a jewel-green park along the harbour. I ate pancakes drizzled in syrup and took baths and watched sunlight pour through trees. This wasn't longing, and it wasn't insanity. It was relief. It got me through. — Amanda Lindhout

They hurry in; the wind bangs a door behind them. Rafe takes his arm. He says, this silence of More's, it was never really silence, was it? It was loud with his treason; it was quibbling as far as quibbles would serve him, it was demurs and cavils, suave ambiguities. It was fear of plain words, or the assertion that plain words pervert themselves; More's dictionary, against our dictionary. You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, holds a concord. A shrivelled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.
Someone - probably not Cristophe - has put on his desk a shining silver pot of cornflowers. The dusky blueness at the base of the crinkled petals reminds him of this morning's light; a late dawn for July, a sullen sky. — Hilary Mantel