They Call Me A Hoe Quotes & Sayings

I keep three hoes, But don't'call me Santa — Nicki Minaj

Christy said. "It's just weird, your seeing him like that. What are you going to do?"
"Nothing. What can I do?"
"Maybe he'll call you to see if you're okay," Katie said.
"No," Christy said, "in the movies he would have told his friend to stop the car, and he would have run back to you with an umbrella and walked you the rest of the way hoe, and you would have made him a pot of tea."
Sierra laughed. "I am drinking tea right now," she said. "Maybe my life is a low budget 'B' movie, and all I get is the tea. No hero. No umbrella."
"Yeah, well then my life is a class 'Z' movie," Katie said. "No tea. No hero. No umbrella. No plot
"
"Yours is more of a mystery," Christy interrupted cheerfully. "The ending will surprise all of us. — Robin Jones Gunn

I hope it might help players have confidence in our own ways, and not to be afraid of them, as Bernstein showed - things like hoe-downs, fiddle songs, and the art of improvisation, and the New Orleans funeral tradition, and call-and-response church singing, and the fact that the blues run through everything. And in our relationship to European music, in that we don't have to imitate it, it's a part of us, inseparable. — Wynton Marsalis

They call me Superman, leap tall hoes in a single bound. — Eminem

Most men call fretting a minor fault, a foible, and not a vice. There is no vice except drunkenness which can so utterly destroy the peace, the happiness of a hoe. — Helen Hunt Jackson

This backwards journey in the narrating of this 'membering, this remembrance, is a lesson I learned from Geoffrey Chaucer's Canterbury Tales, and which considers how language, in this case, English, the only language I know, is at present of profound interest, when used in a non-traditional manner. I have used this language in The Polished Hoe, and I call it many things, but the most precise definition I have given it is contained in a booklet published by the Giller Prize Foundation, celebrating the tenth anniversary of this literary prize. In that review of the literary problems I faced in the writing of The Polished Hoe in 2002, my main concern was to find a language, or to more strictly use the language I already knew, in such a way that it became, in my manipulation of it, a "new" language. And to explain the result of this experiment, I said that I intended to "creolize Oxford English. — Austin Clarke