The World Is Yours Picture Quotes & Sayings

There in the mountains, close to the delights of Nature, everything you see and hear is a joy. It is a joy unspoiled by any real discomfort. Your legs may possibly ache, or you may feel the lack of something really good to eat, but that is all. I wonder why this should be? I suppose the reason is that, looking at the landscape, it is as though you were looking at a picture unrolled before you, or reading a poem on a scroll. The whole area is yours [...]. You are free from any care or worry because you accept the fact that this scenery will help neither to fill your belly, nor add a penny to your salary, and are content to enjoy it just as scenery. This is the great charm of Nature, that it can in an instant discipline men's hearts and minds, and removing all that is base, lead them into the pure unsullied world of poetry. — Soseki Natsume

Having Simultanagnosia (object blindness), Prosopagnosia (face blindness) and Semantic Agnosia (meaning blindness) goes in my favour with regards to abstract art living in world full of fragmented pieces when I draw it is in real time no visual memory means no "pre-formatted" picture in my mind so I go where my hand takes it's like journey that is happening in the moment, hence why I drew these without my lenses on. When I was younger I would draw pictures by "route" which made it a appear that I had a visual memory (cobbling together things out of context and making a contextual image) — Paul Isaacs

We have a problem with several media taking only a part of the reality and not the whole picture. Some media in the world are more critical towards what's happening than others. It depends on the journalist, it depends how much information they have about the case and which perspective they are asking you from. All of these things can play a role. — Ahmed Akkari

There's something that scares me. It's the way media in the United States presents the rest of the world. I feel like people in America are getting a completely different picture of what's going on in other countries than what is reality. — Rula Jebreal

Time was with most of us, when Christmas Day, encircling all our limited world like a magic ring, left nothing out for us to miss or seek; bound together all our home enjoyments, affections, and hopes; grouped everything and everyone round the Christmas fire, and make the little picture shining in our bright young eyes, complete. — Charles Dickens

She would sit with picture books in her little lap before she even knew how to read, studying the writing as though all the mystery and wonder of the world were contained in the strange, indecipherable symbols. — Molly Ringwald

You have to take in the whole picture, and ask, "What is it you want? What kind of world do you want?" So, I have drawings of different cities. Those cities have an end goal; they're not just cities. The end goal of those cities is to make things relevant to people that they respond to. There's no other way. — Jacque Fresco

she loved to stand in the middle of a market square, or a park, or a beach and take in the smells and the sounds of a world that was completely new to her. she loved being an anonymous extra in a crowd scene, like some real-life where's waldo - a tiny face, wide-eyed with wonder, in a vast, ever-changing picture. — Elizabeth Noble

The wish to be super-strong is a healthy wish, a vital, compelling, power-producing desire. The more the Superman-Wonder Woman picture stories build up this inner compulsion by stimulating the child's natural longing to battle and overcome obstacles, particularly evil ones, the better chance your child has for self-advancement in the world. — William Moulton Marston

By no amount of reasoning can we altogether eliminate all contingency from our world. Moreover, pure speculation alone will not enable us to get a determinate picture of the existing world. We must eliminate some of the conflicting possibilities, and this can be brought about only by experiment and observation. — Morris Raphael Cohen

Can you say those words and not like it? Don't it bring to you a magnificent picture of the pristine world, - great seas and other skies, - a world of accentuated crises, that sloughed off age after age, and rose fresher from each plunge? Don't you see, or long to see, that mysterious magic tree out of whose pores oozed this fine solidified sunshine? What leaf did it have? What blossom? What great wind shivered its branches? Was it a giant on a lonely coast, or thick low growth blistered in ravines and dells? That's the witchery of amber, - that it has no cause, - that all the world grew to produce it, maybe, - died and gave no other sign, - that its tree, which must have been beautiful, dropped all its fruits, and how bursting with juice must they have been - — Harriet Prescott Spofford

Within the secular world picture, Neuromania and Darwinitis are the biggest piles of rubbish. — Raymond Tallis

I have never gone into a picture without first studying my characterization from all angles. I make a study of the fellow's life and try to learn everything about him, including the conditions under which he came into this world, his parentage, his environment, his social status, and the things in which he is interested. Then I attempt to get his mental attitude as much as possible. — William Powell

I think 3D at 24 frames is interesting, but it's the 48 that actually allows 3D to achieve the potential that it can achieve, because it's less eye strain and you have a sharper picture which creates more of a 3-dimensional world. — Peter Jackson

The artist is always concerned with a total view of the world. However, when the photographer takes a picture ... the edge of his picture is just as interesting as the middle, one can only guess at the existence of a whole, and the view presented seems chosen by chance. — Eugene Delacroix

The world before us is a postcard, and I imagine the story we are writing on it. — Mary E. Pearson

Hands. Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter. — N.D. Wilson

It is immediately apparent, however, that this sense-world, this seemingly real external universe - though it may be useful and valid in other respects - cannot be the external world, but only the Self's projected picture of it ... The evidence of the senses, then, cannot be accepted as evidence of the nature of ultimate reality; useful servants, they are dangerous guides. — Evelyn Underhill

From time to time you'll see documentaries about low-ranked wolves who somehow rise to the top of the pack - an omega that earns a position as an alpha. Frankly, I don't buy it. I think that, in actuality, those documentary makers have misidentified the wolf in the first place. For example, an alpha personality, to the man on the street, is usually considered bold and take-charge and forceful. In the wolf world, though that describes the beta rank. Likewise, an omega wolf - a bottom-ranking, timid, nervous animal - can often be confused with a wolf who hangs behind the others, wary, protecting himself, trying to figure out the Big Picture.
Or in other words: There are no fairy tales in the wild, no Cinderella stories. The lowly wolf that seems to rise to the top of the pack was really an alpha all along. — Jodi Picoult

The spirit of Christmas is the spirit of love and of generosity and of goodness. It illuminates the picture window of the soul, and we look out upon the world's busy life and become more interested in people than in things. — Thomas S. Monson

The more formidable the contradiction between inexhaustible life-joy and inevitable fate, the greater the longing which reveals itself in the kingdom of poetry and in the self-created world of dreams hopes to banish the dark power of reality. The gods enjoy eternal youth, and the search for the means of securing it was one of the occupations of the heroes of mythology and the sages, as it was of real adventurers in the middle ages and more recent times ... But the fountain of youth has not been found, and can not be found if it is sought in any particular spot on the earth. Yet it is no fable, no dream-picture; it requires no adept to find it: it streams forth inexhaustible in all living nature. — Ferdinand Cohn

The picture of Chelsea and me that flashed around the world showed a happy mother-daughter team perched on our pachyderm and watching a rare Asian rhino. Later, when we got back to Washington, James Carville remarked: "Don't you just love it? You spent two years trying to get people better health care and they tried to kill you. You and Chelsea rode an elephant, and they loved you! — Hillary Rodham Clinton

The effort of the economist is to "see," to picture the interplay of economic elements. The more clearly cut these elements appear in his vision, the better; the more elements he can grasp and hold in his mind at once, the better. The economic world is a misty region. The first explorers used unaided vision. Mathematics is the lantern by which what before was dimly visible now looms up in firm, bold outlines. The old phantasmagoria disappear. We see better. We also see further. — Irving Fisher

S death one of those adventures from which I can't emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists ... A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? Can she remember that summer's day while I cannot? — Rebecca Goldstein

Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus. — Stephen Shore

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

Our generation grew up with the Review as a fact of life. It was America's literary magazine. To our minds, it still is. It has launched our favorite writers. It has made a special claim for the quarterly as such, being both timely and lasting, free of the news of the day or the pressure to please a crowd. Most of all, the Review has shown, repeatedly, that works of imagination can be as stylish and urgent as the flashiest feature reporting, and can do more to refocus our picture of the world. — Lorin Stein

If you were a country," I said, "what would your national anthem be?"
I meant a pre-existing song
"What a Wonderful World" or "Que Sera, Sera" or something to make it a joke, like "Hey Ya!" ("I would like, more than anything else, for my nation to be shaken like a Polaroid picture.") — David Levithan

A man's work reveals him. In social intercourse he gives you the surface that he wishes the world to accept, and you can only gain a true knowledge of him by inferences from little actions, of which he is unconscious, and from fleeting expressions, which cross his face unknown to him. Sometimes people carry to such perfection the mask they have assumed that in due course they actually become the person they seem. But in his book or his picture the real man delivers himself defenceless. His pretentiousness will only expose his vacuity. The lathe painted to look like iron is seen to be but a lathe. No affectation of peculiarity can conceal a commonplace mind. To the acute observer no one can produce the most casual work without disclosing the innermost secrets of the soul. — W. Somerset Maugham

We live in an age of reproduction. Most of what makes up our personal picture of the world we have never seen with our own eyes
or rather, we've seen it with our own eyes, but not on the spot: our knowledge comes to us from a distance, we are televiewers, telehearers, teleknowers. — Max Frisch

Medicine labours to restore 'natural' structure or 'normal' function. But greed, egoism, self-deception,and self-pity are not abnormal in the same sense as astigmatism or a floating kidney. For who, in Heaven's name, would describe as natural or normal any man from whom these failings were wholly absent? 'Natural,' if you like, in a quite different sense; archnatural, unfallen. We have only seen one such Man. And he was not at all like the psychologist's picture of the integrated, balanced, adjusted, happily married, employed, popular citizen. You can't really be 'well adjusted' to your world if it says 'you havea devil' and ends by nailing you up naked to a stake of wood. — C.S. Lewis

It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed. — Jerry Saltz