The Woman In The Window Quotes & Sayings

Suddenly, the double doors of the parlor whooshed open. A large fleshy woman stood before me in full regalia. Her eyes were all made up, earrings and bracelets jangling. The sign in the window said Miss Sadie was a medium. From the look of her, I'd say that was a bit wishful. — Clare Vanderpool

It was as if she had spoken slightingly of a woman he loved. For he dreamed of peace by day and night. Once in sleep it had appeared to him as the great glowing shoulder of the moon heaving across his window like an iceberg, arctic and destructive in the moment before the world was struck: by day he tried to win a few moments of its company, crouched under the rusting handcuffs in the locked office, reading the reports from the sub-stations. Peace seemed to him the most beautiful word in the language: My peace I give to you, my peace I leave with you: O Lamb of God, who takest away the sins of the world, grant us thy peace. In the Mass he pressed his fingers against his eyes to keep the tears of longing in. — Graham Greene

When the Romantic Novelists' Association was founded 35 years ago (in 1960) the image was of pink fluffy bimbos. Now, the view of life through rose-coloured spectacles has gone out of the window. A realistic background and certainly a more realistic relationship between a man and a woman are the important things. — Jean Chapman

At times I am gripped by an absurd desire: that the sentence I am about to write be the one the woman is reading at that same moment. The idea mesmerizes me so much that I convince myself it is true: I write the sentence hastily, get up, go to the window, train my spyglass to check the effect of my sentence in her gaze, in the curl of her lips, in the cigarette she lights, in the shifts of her body in the deck chair, in her legs, which she crosses or extends. — Italo Calvino

Under this window in stormy weather I marry this man and woman together; Let none but Him who rules the thunder Put this man and woman asunder. — Jonathan Swift

You told everyone when I locked myself out last week. I fielded calls on that one all day long." "Yes, well, that's because you were wearing only your towel, which you dropped when you climbed in the window, mooning Mr. Kletzy across the street. Word is he hadn't seen a naked woman in fifty years. He's now requesting that next time you lose your towel at high noon because the light is better. — Jill Shalvis

By nice women ... you probably mean selfish women who have no more thought for the underprivileged, overworked women than a pussycat in a sunny window for the starving kitten in the street. Now in that sense I am not a nice woman, for I do care. — Nellie L. McClung

So you've probably already shown them Bernard and Bianca - The Rescuers." "Like every other mom." "That cartoon contains a subliminal image of a naked woman hiding in a window, at one point. A small personal quirk of the animator's, no doubt. Don't worry, it won't have any effect on your children's minds - the image is too tiny! The fact remains that no one ever saw it, in all the years that cartoon was being shown. — Franck Thilliez

How destiny plays games so thrilling,
both stay in the same building.
His books declared for the best seller of the year,
and she lives in the apartment to his but upstairs.
He is making fame, she has committed suicide severe.


The same window of the tall building instigated,
such varied colors.

In the woman-frustration and fear.
In the man- an inspiration so rare.
They share the same height, same sight,
of the same building.
From which,
one flew like kite and the other down right. — Jasleen Kaur Gumber

How can I ever make you understand Cassie and me? I would have to take you there, walk you down every path of our secret shared geography. The truism says it's against all odds for a straight man and woman to be real friends, platonic friends; we rolled thirteen, threw down five aces and ran away giggling. She was the summertime cousin out of storybooks, the one you taught to swim at some midge-humming lake and pestered with tadpoles down her swimsuit, with whom you practiced first kisses on a heather hillside and laughed about it years later over a clandestine joint in your granny's cluttered attic. She painted my fingernails gold and dared me to leave them that way for work ... We climbed out her window and down the fire escape and lay on the roof of the extension below, drinking improvised cocktails and singing Tom Waits and watching the stars spin dizzily around us.
No. — Tana French

Keeping her man well fed and fucked are number one priorities that she can't slack on because you can never know when a woman dressed to the nines with a blond wig, long legs and a high fat ass that should have been equal to you in almost every way may decide to hop on the first southbound Greyhound and end up looking at you through whispering letters on a dusty storefront window. — Bernice L. McFadden

Scrooge followed to the window: desperate in his curiosity. He looked out.
The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever — Charles Dickens

Nothing in the world is as hopeful as knowing a woman you like is somewhere thinking about only you. Conversely, there is no badness anywhere as acute as the badness of no woman out in the world thinking about you. Or worse. That one has quit because of some bone-headedness on your part. It is like looking out an airplane window and finding the earth has disappeared. No loneliness can compete with that. — Richard Ford

The dog continued to bark at night, sometimes far away, sometimes close to the house. Towards morning, he would howl. It could be quiet for hours, but there were those who lay in bed waiting for the next howl, and they would say, "Did you hear that? It's like having a wolf in the woods. An unhappy woman has an unhappy dog. It ought to be shot."
Katri did not talk about the dog, but she put out food and water in the yard. Sometimes at night Mats would wait by the kitchen window with the light off and the door open. He saw the dog only once, just as it was growing light, and he went very slowly out on the steps and tried to coax it in. But it ran off into the woods, so he gave up. — Tove Jansson

A boy from Brooklyn used to cruise on summer nights.
As soon as he'd hit sixty he'd hold his hand out the window,
cupping it around the wind. He'd been assured
this is exactly how a woman's breast feels when you put
your hand around it and apply a little pressure. Now he knew,
and he loved it. Night after night, again and again, until
the weather grew cold and he had to roll the window up.
For many years afterwards he was perpetually attempting
to soar. One winter's night, holding his wife's breast
in his hand, he closed his eyes and wanted to weep.
He loved her, but it was the wind he imagined now.
As he grew older, he loved the word etcetera and refused
to abbreviate it. He loved sweet white butter. He often
pretended to be playing the organ. On one of his last mornings,
he noticed the shape of his face molded in the pillow.
He shook it out, but the next morning it reappeared. — Mary Ruefle

He asked her, 'Why do you feel sorry for me, Old Woman?'
The Old Woman stood beside him and looked out the window at the Garden, so beautiful, flowering and everywhere illuminated by the rays of the setting sun, and said, 'I feel sorry for you, dear Youth, because I know where you are gazing and what you are waiting for. I feel sorry for you and your mother.'
Perhaps because of these words, or perhaps because of something else, there was a change in the Youth's mood. The Garden, flowering behind the high fence below his window, and exuding a wonderful fragrance, suddenly seemed somehow strange to him; and an ominous sensation, a sudden fear, gripped his heart with a violent palpitation, like heady and languid fragrances rising from brilliant flowers.
'What is happening?' he wondered in confusion.
("The Poison Garden") — Valery Bryusov

I came across this quote by Grenville Kleiser. It exemplifies the change I desire to be; the woman who stands beyond the window of each human eye, and reflects the love of God in all that she does--a servant ready and prepared for His work. Let your intentions be good - embodied in good thoughts, cheerful words, and unselfish deeds - and the world will be to you a bright and happy place in which to work and play and serve. ~ Grenville Kleiser — Darlene Schacht

Returning to town in the stage-coach, which was filled with Mr. Gilman's guests, we stopped for a minute or two at Kentish Town. A woman asked the coachman, "Are you full inside?" Upon which Lamb put his head through the window and said, "I am quite full inside; that last piece of pudding at Mr. Gilman's did the business for me." — Charles Lamb

Rome and New York were impressive, but they knew they were. They had the beauty of a vain woman who had squeezed herself into her favourite dress after hours of careful self worship. There was a raw, feral beauty about this landscape that was totally unselfconscious but no less real...There was no pomp or vainty here; this was an innocent, natural beauty, the best kind, like a woman first thing in the morning, lit up by the sun streaming through a window, who doesn't quite believe it when you tell her how beautiful she is. — Leonardo Donofrio

Will these millions of children, for generations upon future generations, know that some of their atoms cycled through this woman? [ ... ] Will they feel what she felt in her life, will their memories have flickering strokes of her memories, will they recall that moment long ago when she stood by the window, guilt ridden and confused, and watched as the tadr bird circled the cistern? No, it is not possible. [ ... ] But I will let them have their own brief glimpse of the Void, just at that moment they pass from living to dead, from animate to inanimate, from consciousness to that which has no consciousness. For a moment, they will understand infinity. — Alan Lightman

Once I was looking through the kitchen window at dusk and I saw an old woman looking in. Suddenly the light changed and I realized that the old woman was myself. you see, it all happens on the outside; inside one doesn't change. — Molly Keane

Oliver liked to keep the windows and shutters wide open in the afternoon, with just the swelling sheer curtains between us and life beyond, because it was a 'crime' to block away so much sunlight and keep such a landscape from view, especially when you didn't have it all life long, he said. Then the rolling fields of the valley leading up to the hills seemed to sit in a rising mist of olive green: sunflowers, grapevines, swatches of lavender, and those squat and humble olive trees stooping like gnarled, aged scarecrows gawking through our window as we lay naked on my bed, the smell of his sweat, which was the smell of my sweat, and next to me my man-woman whose man-woman I was, and all around us Mafalda's chamomile-scented laundry detergent, which was the torrid afternoon world of our house. — Andre Aciman

I trust you above all others", he told her. "Above myself". She shook her head, but then leaned into him, as though taking shelter. He drew her close, the crown of her head beneath his cheek. Beyond the hansom's window, New York was an endless rhythm of walls and windows and doors, darkened alleys, flashes of sunlight. he thought, if he could pick a moment to be taken into the flask, a moment to live in endlessly, perhaps he would choose this one: the passing city, and the woman at his side. — Helene Wecker

The woman who had been born in an imperial palace, and then, as Queen of France, had had hundreds of rooms in her dwelling house, was now imprisoned in a tiny basement cell, its walls streaming with damp, and its grated window half occluded. — Stefan Zweig

She opened her curtains, and looked out towards the bit of road that lay in view, with fields beyond outside the entrance-gates. On the road there was a man with a bundle on his back and a woman carrying her baby; in the field she could see figures moving - perhaps the shepherd with his dog. Far off in the bending sky was the pearly light; and she felt the largeness of the world and the manifold wakings of men to labor and endurance. She was a part of that involuntary, palpitating life, and could neither look out on it from her luxurious shelter as a mere spectator, nor hide her eyes in selfish complaining. — George Eliot

It wasn't until the drive home, while Ian gazed out the passenger window, that I remembered the old woman had described us as two young people in love. Was this what it was like to be in love? To know that you had something precious and live in constant terror it'd be taken away? — Megan Erickson

Spread my usual smokescreen of farce. They say that love flies out the window when poverty comes in the door, but people generally get the sense backwards. It doesn't mean that when a man's money runs out he's shaken off by women. When he runs out of money, he naturally is in the dumps. He's no good for anything. The strength goes out of his laugh, he becomes strangely soured. Finally, in desperation, he shakes off the woman. — Osamu Dazai

When a man is driving in a car and looks out the window and notices a woman with a great body, as he strains to check her face out, how does she know to keep turning so the back of her head is always toward him? — Woody Allen

The woman who engaged him had no idea that her gardener was one of the most distinguished scientists in Britain until a friend came for tea one day and, looking out the window, casually asked: "My dear, why is the Nobel laureate Sir Lawrence Bragg pruning your hedges?" Late — Bill Bryson

To know myself as woman in the image of God to know God as Mother and to know my own mother as a window into God: these three are inseparable.If one is implausible to the heart the other two are as well. — Roberta C. Bondi

Silly that a grocery should depress one - nothing in it but trifling domestic doings - women buying beans - riding children in those grocery go-carts - higgling about an eighth of a pound more or less of squash - what did they get out of it? Miss Willerton wondered. Where was there any chance for self-expression, for creation, for art? All around her it was the same - sidewalks full of people scurrying about with their hands full of little packages and their minds full of little packages - that woman there with the child on the leash, pulling him, jerking him, dragging him away from a window with a jack-o'-lantern in it; she would probably be pulling and jerking him the rest of her life. And there was another, dropping a shopping bag all over the street, and another wiping a child's nose, and up the street an old woman was coming with three grandchildren jumping all over her, and behind them was a couple walking too close for refinement. — Flannery O'Connor

A woman spent all Christmas Day in a telephone box without ringing anyone. If someone comes to phone, she leaves the box, then resumes her place afterwards. No one calls her either, but from a window in the street, someone watched her all day, no doubt since they had nothing better to do. The Christmas syndrome. — Jean Baudrillard

Remember when I was obsessed with that little Lithuanian restaurant downtown? And it was only ever open when the grumpy old woman ran it felt like opening? I'd stop by every day for a week with no luck. And then, when I'd pretty much given up on ever tasting Napoleonas torte again, I'd drive by and see the open sign in the window.
Well, being with Chris is like trying to date that restaurant. I never know when he's going to be there and how open he'll be to me. Almost never is he all there, all in. Almost never do I get the Chris I got the night of Kiley's wedding
open sign, cold cucumber soup, rouladen, poppy seed kolaches. — Rainbow Rowell

A lot of the songs start with an image. I was sitting there playing the guitar and I pictured this old, dirty green car, with the window rolled down, in the hot, hot, hot Texas heat, and this beautiful woman I knew when I was a kid sitting behind the wheel, looking out at me. — Edie Brickell

I'm still dropping dishes thinking in slow motion about the GPS woman in Mom's car. I imagine her beckoning me from outside the kitchen window illuminated like some robot-angel calling me forth to the Lexus where she will ferry me off to that planet of monotonous peace that special otherworldly place where all the residents are relaxed and confident and completely numb.
Your life will. Get better in. Six. Point four. Million. Miles. — Sarah Ockler

Between takeoff and landing, we are each in suspended animation, a pause between chapters of our lives. When we stare out the window into the sun's glare, the landscape is only a flat projection with mountain ranges reduced to wrinkles in the continental skin. Oblivious to our passage overhead, other stories are unfolding beneath us. Blackberries ripen in the August sun, a woman packs a suitcase and hesitates at her doorway, a letter is opened and the most surprising photograph slides from between the pages. But we are moving too fast and we are too far away; all the stories escape us, except our own. When I turn away from the window, the stories recede into the two-dimensional map of green and brown below. Like a trout disappearing into the shade of an overhanging bank, leaving you staring at the flat surface of the water and wondering if you saw it at all. — Robin Wall Kimmerer

You'd like some soothin', wouldn't you, Mr. Fairfax?" she asked in a sympathetic voice. A raw chuckle left his throat as he thought of Emma forcing this poor little minx into a calico dress and an old lady's snood. "I sure would, Callie," he answered honestly, "but I'm afraid there's only one woman I want." A mischievous grin curved Callie's mouth. "Miss Emma?" "The same," Steven admitted with a sigh, "but don't you tell her. I want this to be our little secret." Callie sat down in the chair Emma always occupied when she read to him. He found himself missing that redheaded hellcat with a fierce keenness, as though they'd been parted a month instead of a few hours. "She got real upset, Miss Emma did," Callie confided in a happy whisper, "when I came over here and told her Miss Chloe'd sent me to look after you." Steven laughed. "Good," he replied, staring out the window at the sun. It seemed to be immersing itself in the far side of the lake. "I'm making progress." Callie — Linda Lael Miller

The room smelled of lemon wax and the perfume she wore, something delicate and unassuming, not truly mirroring the complex woman she was. She would wear something hinting of roses, or more exotic blooms, a scent that teased the senses.
She hated the mirrors, so he had them removed. He found another desk in the attics, one more suited for a study, but she'd been overjoyed when first viewing it. There was enough space in the sitting room, and that's where it rested, beneath the window looking out over Huntly's glen.
He wished this view of the lake. She would have liked the sight of the birds soaring over the trees or the pale light of dawn reflected in the water. — Karen Ranney

turning my gaze away from the kitchen to the reflection in the window. An old lady. I saw her every day, this woman, but her reflection never ceased to surprise me. When did I become her? — Sarah Jio

Oh, Myr," he chokes out. "I hate having to ask this of you ... "
He glances towards the car again, and I crouch down in the shadows, hoping it's too dark for him to see whether the window is open or closed. The woman pats his arm, cradling her hand against his elbow.
"You know I'd do anything for you and Hil," she says. I like her voice. It's throaty and rich.
"You'd do anything?" my father repeats numbly. "Even now? After -?"
"Even now," the woman says firmly. — Margaret Peterson Haddix

Smuggling poems out of prison in the soles of mt shoes i'm way past finding salvation in the arms of a woman, I look out my window and see burning flowers and starving armies but when I look up into the night sky I see the souls of dead heroes — Raegan Butcher

Oh, well, it might look like a patterned world, laid out in prim design, but to those living there it could never be so simple. They were as alive as she: that old peasant contriving to outwit the cold; that woman anxiously counting her comical flock lest one goose escape her vigilance; all those who slept, or toiled, or loved under the low-hung roofs or the sharp turrets. Those people out there, if they caught sight of her own face pressed close to the window pane, might be speculating about her. To them she was part of the pattern of the lumbering train with its trail of smoke and little boxlike carriages. Perhaps they envied her, riding at ease to distant Paris. How little they knew of that! How little she herself know what awaited her at the end of the journey! — Rachel Field

We circled around and came in from the northwest." I lifted my wrist to show him the compass on my watch band, although I hoped that, being the pilot, he knew we'd approached from the northwest. "I was looking out the window. I saw a woman running down the street. There was a pack of dogs after her and a guy with a switchblade down the street in the direction she was running."
"Ma'am," he said, still very patiently. I reached out and took a fistful of his shirt. Actually, at the last moment, I grabbed the air in front of his shirt. I didn't think security could throw me out of the airport for grabbing air in a threatening fashion, not even in this post-9/11 age.
"Don't ma'am me . . . — C.E. Murphy

All this time he was sitting up in bed and looking at the woman who was lying beside him and holding his hand in her sleep. He felt an ineffable love for her. Her sleep must have been very light at the moment because she opened her eyes and gazed up at him questioningly.
"What are you looking at?" she asked.
He knew that instead of waking her he should lull her back to sleep, so he tried to come up with an answer that would plant the image of a new dream in her mind.
"I'm looking at the stars," he said.
"Don't say you're looking at the stars. That's a lie. You're looking down."
"That's because we're on an airplane. The stars are below us."
"Oh, in an airplane," said Tereza, squeezing his hand even tighter and falling asleep again. And Tomas knew that Tereza was looking out of the round window of an airplane flying high above the stars. — Milan Kundera

The process by which the idea for a play comes to me has always been something I really couldn't pinpoint. A play just seems to materialize; like an apparition, it gets clearer and clearer and clearer. It's very vague at first, as in the case of Streetcar, which came after Menagerie. I simply had the vision of a woman in her late youth. She was sitting in a chair all alone by a window with the moonlight streaming in on her desolate face, and she'd been stood up by the man she planned to marry. — Tennessee Williams

The year was dying early, the leaves were falling fast, it was a raw cold day when we took possession, and the gloom of the house was most depressing. The cook (an amiable woman, but of a weak turn of intellect) burst into tears on beholding the kitchen, and requested that her silver watch might be delivered over to her sister (2 Tuppintock's Gardens, Liggs's Walk, Clapham Rise), in the event of anything happening to her from the damp. Streaker, the housemaid, feigned cheerfulness, but was the greater martyr. The Odd Girl, who had never been in the country, alone was pleased, and made arrangements for sowing an acorn in the garden outside the scullery window, and rearing an oak. — Charles Dickens

Youths should study,' grumbled the Old Woman, 'and not take the laws apart. And you, dear Youth, before you become acquainted with the Beautiful Woman, take a good look into her Garden through the window tomorrow morning, when everything is clearly and genuinely visible in the light of the sun. You will see that in the Garden there are no flowers which are familiar to anyone here, and only such flowers as none of us in the City know. Just think about this carefully, after all, there is something strange about it. The devil is cunning; is this not his creation for the damnation of people?'
("The Poison Garden") — Valery Bryusov

After leaving Barnes & Noble, I went to a drive-through fast food restaurant to get a Diet Dr Pepper. Right as I pulled up to the window, my cell phone rang. I wasn't quite sure, but I thought it might be Charlie's school calling, so I answered it. It wasn't the school - it was someone calling to confirm an appointment. I got off the phone as quickly as I could. In the short time it took me to say, "Yes, I'll be at my appointment," the woman in the window and I had finished our soda-for-money transaction. I apologized to her the second I got off of the phone. I said, "I'm so sorry. The phone rang right when I was pulling up and I thought it was my son's school." I must have surprised her because she got huge tears in her eyes and said, "Thank you. Thank you so much. You have no idea how humiliating it is sometimes. They don't even see us." I — Brene Brown

As a child
I put my finger in the fire
to become
a saint.

As a teenager
every day I would knock my head against the wall.

As a young girl
I went out through a window of a garret
to the roof
in order to jump.

As a woman
I had lice all over my body.
They cracked when I was ironing my sweater.

I waited sixty minutes
to be executed.
I was hungry for six years.

Then I bore a child,
they were carving me
without putting me to sleep.

Then a thunderbolt killed me
three times and I had to rise from the dead three times
without anyone's help.

Now I am resting
after three resurrections. — Anna Swir

I even got a letter from a young woman in British Columbia that began as follows: 'Today I am eighteen. I am sitting at the window, looking out at the rain, and thinking how much I love you.' — Isaac Asimov

For instance, if you woke up in the middle of the night and saw a masked woman trying to crawl through your bedroom window, you might call your mother or father to help you push her back out. If you found yourself hopelessly lost in the middle of a strange city, you might ask the police to give you a ride home. And if you were an author locked in an Italian restaurant that was slowly filling up with water, you might call upon your acquaintances in the locksmith, pasta, and sponge business to come and rescue you. — Lemony Snicket

Here, there was an air of a country village. An apricot-colored cat sat on top of a fence, bathing himself in the sun. A woman entered a courtyard, her face veiled behind a huge bunch of lilies and baby's breath. The sounds of Mozart drifted down from a window. It was a pleasant surprise; I hadn't known such neighborhoods existed in Montmartre. — Alice Steinbach

Cobb was in a Klan group back in the 60's, and told me stories about how they used to throw live 'coons, possums, porcupines, or ganders into Black houses at night in attempts to run them out of Johnston and Harnett County. Cobb said that late one night, he and three or four other local rednecks snuck up on the house of one Black family, peered through the window and saw a huge Black woman sitting in front of a TV watching Gunsmoke, with a gang of children all around her.
The window was open and Cobb threw a live possum in her lap. Cobb said she squalled about the loudest and longest he'd ever heard, and jumped about four feet up in the air. Cobb then ran and jumped into a nearby ditch to observe what would happen next, and it wasn't long before they saw the Black woman bust out of the back door and run across a cotton field with a trail of children behind. Cobb said she was as wide as three rows of cotton, but fast and agile. She outran all the young'uns. — Frazier Glenn Miller

She was a woman with a broom or a dust-
pan or a washrag or a mixing spoon in her hand. You saw
her cutting piecrust in the morning, humming to it, or you
saw her setting out the baked pies at noon or taking them in,
cool, at dusk. She rang porcelain cups like a Swiss bell ringer
to their place. She glided through the halls as steadily as a
vacuum machine, seeking, finding, and setting to rights. She
made mirrors of every window, to catch the sun. She strolled
but twice through any garden, trowel in hand, and the flowers
raised their quivering fires upon the warm air in her wake.
She slept quietly and turned no more than three times in a
night, as relaxed as a White glove to which, at dawn, a brisk
hand will return. Waking, she touched people like pictures,
to set their frames straight. — Ray Bradbury

It's goddamned funny in this police racket how an old woman can look out of a window and see a guy running and pick him out of a line-up six months later, but we can show hotel help a clear photo and they just can't be sure.'
'That's one of the qualifications for good hotel help,' I said. — Raymond Chandler

The task of an American writer is not to describe the misgivings of a woman taken in adultery as she looks out of a window at the rain but to describe four hundred people under the lights reaching for a foul ball. This is ceremony. — John Cheever

Hing hang hung! the words rang faintly through his daydream like echoes of Miz Cunningham's tart little doorbell. Then he looked again at the old woman herself. Why, she was really quite wonderful - this old fat woman! In the end, she got her hands on nearly everything in the world! Just look at her window! There by the pair of old overshoes were Jamey Hankins' ice skates. There was old Walt Spoon's elk's tooth. There - his mother's own wedding ring! There was a world in the window of this remarkable old woman. And it was probable that when Miz Cunningham like an ancient barn owl fluttered and flapped to earth at last, they would take her away and pluck her open and find her belly lined with fur and feathers and the tiny mice skulls of myriad dreams. — Davis Grubb

Do you remember that piece of footage on the local news, just as the first tower comes down, woman runs in off the street into a store, just gets the door closed behind her, and here comes this terrible black billowing, ash, debris, sweeping through the streets, gale force past the window ... that was the moment, Maxi. Not when 'everything changed.' When everything was revealed. No grand Zen illumination, but a rush of blackness and death. Showing us exactly what we've become, what we've been all the time."
"And what we've always been is ... ?"
"Is living on borrowed time. Getting away cheap. Never caring about who's paying for it, who's starving somewhere else all jammed together so we can have cheap food, a house, a yard in the burbs ... planetwide, more every day, the payback keeps gathering. And meantime the only help we get from the media is boo hoo the innocent dead. Boo fuckin hoo. You know what? All the dead are innocent. There's no uninnocent dead. — Thomas Pynchon

My name is Lev," said Lev.
"My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator."
"That sounds promising."
"I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial."
Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?"
"Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean? — Rose Tremain

I don't want your babies, Felix. I can assure you I'm not sitting up here like some tragic fallen woman every night dreaming of having your babies." She began tracing a figure of eight with her fingernail along his stomach. The movement looked idle but the nail pressed in hard. "You realize of course that if it were the other way round there would be a law, there would be an actual law: John versus Jen in the high court. And John would put it to Jen that she did wilfully fuck him for five years, before dumping him without warning in the twilight of his procreative window, and taking up with young Jack-the-lad, only twenty-four years old and with a cock as long as my arm. The court rules in favor of John. Every time. Jen must pay damages. Huge sums. Plus six months in jail. No - nine. Poetic justice. — Zadie Smith

And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is woman's whole existence. And if we look for a moment at Orlando writing at her table, we must admit that never was there a woman more fitted for that calling. Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window
all of which is, of course, the very stuff of life and the only possible subject for fiction. — Virginia Woolf

Inside, there was a bed, and upon the bed there was a woman. More beautiful was she even than the damask rose while her scent, drifting through the open window, was that of the night dew. Her hair was silken as the raven's wing. Quite naked, she lay, so still upon the bed, her eyes closed in reverie.

The young man looked first upon her breasts, where her hand rested. And upon each breast, there was a rosebud nipple. Upon each nipple there was a tip most tender. Upon each tip there was a milky drop.

Chin lifted, lips parted, she milked her maiden breast.

'What I would give to suckle at that teat,' thought he.

from 'Against Faithlessness' in Cautionary Tales — Emmanuelle De Maupassant

Were I a man," she struck a fencing pose and swept her hand before her as if it held a razor-sharp rapier, "I'd fix him thus!" She stabbed once, twice, thrice, then whipped the imaginary tip across her victim's throat. Delicately she wiped the phantom blade and restored it to an equally airy scabbard. "Were I a man," she straightened to stare pensively through the window, "I'd assure myself that braggart knew the error of his ways and henceforth would bend to seek his fortune in some other corner of the world." She caught her reflection in the crystal panes and folding her hands, struck a demure pose. "Alas, a brawling lad I am not, but a mere woman." She turned her head from side to side to inspect the carefully arranged raven tresses, then smiled wisely at her image. "Thus my weapons must be my wit and tongue."
-Erienne — Kathleen E. Woodiwiss

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

There is not a street in Naples in which some tough little kid in shorts and mismatched socks is not screaming up from the sidewalk to some other tough little kid on a rooftop nearby. Nor is there a building in this town that doesn't have at least one crooked old woman seated at her window, peering suspiciously down at the activity below. — Elizabeth Gilbert

This initial numbness and denial is shock and it is a gift. Shock is a grace period. It gives a woman time to gather what she needs around her, before the exhaustion and panic set in like a heavy snow. Shock allows her time to circle her people so that she can enter the hard work of grief, which will require all of her. Shock is the window offered after the fall so a woman can prepare herself for winter. Two — Glennon Doyle Melton

Solitary like a pool at evening, far distant, seen from a train window, vanishing so quickly that the pool, pale in the evening, is scarcely robbed of its solitude, though once seen.
***
Here sitting on the world, she thought, for she could not shake herself free from the sense that everything this morning was happening for the first time, perhaps for the last time, as a traveller, even though he is half asleep, knows, looking out of the train window, that he must look now, for he will never see that town, or that mule-cart, or that woman at work in the fields, again. — Virginia Woolf

The wind was blowing from the east and the cedars bent before it, - blowing from the east like the breath of the war god. And Fred and Stanley were waving their hats gayly back to her, while the cedars bent and the wind blew from the east. They were like her own boys marching off to war. Children of her children, she loved them as she had loved their parents. Did a woman never get over loving? Deep love brought relatively deep heartaches. Why could not a woman of her age, whose family was raised, relinquish the hold upon her emotions? Why could she not have a peaceful old age, wherein there entered neither great affection nor its comrade, great sorrow? She had seen old women who seemed not to care as she was caring, whose emotions seemed to have died with their youth. Could she not be one of them? For a long time she stood in the window and looked at the cedars twisting before the east wind, like so many helpless women under the call from the east. — Bess Streeter Aldrich

Her face turned to the window, and he saw her swallow. She was not as calm as she appeared, but for some reason, it was important for her to seem so. He drew a breath and remembered the advice another woman had given him: Everyone is brave in his own way. You must not blame others if they don't fit your mold. — Meredith Duran

Blaise decided that the thing he would remember most about this London was the sour stink of it. The overripe foulness of the streets made him gag, and when a woman emptied a chamber pot from a top window, nearly catching him in its spray, he bent over and wretched, much to the Nightsneaks' amusement. — Teresa Flavin

The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going? — Tom Stoppard

Oh hell. A warm, lush, naked woman coming on to him? Nothing in the military had prepared him for an onslaught like this. The never-surrender thing went right out the window, and he started waving the white flag like a dog wagging his tail. — Maya Banks

The music of a popular song now came from the radio as Hawksmoor gazed out of the window; and he saw a door closing, a boy dropping a coin in the street, a woman turning her head, a man calling. For a moment he wondered why such things were occurring now: could it be that the world sprang up around him only as he invented it second by second and that, like a dream, it faded into the darkness from which it had come as soon as he moved forward? But then he understood that these things were real: they would never cease to occur and they would always be the same, as familiar and as ever-renewed as the tears which he had just seen on the woman's face. — Peter Ackroyd

Same day, 11 o'clock p. m.. - Oh, but I am tired! If it were not that I had made my diary a duty I should not open it tonight. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything, except of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital 'severe tea' at Robin Hood's Bay in a sweet little oldfashioned inn, with a bow window right over the seaweedcovered rocks of the strand. I believe we should have shocked the 'New Woman' with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls. — Bram Stoker

Buying a fly rod in the average city store, that is, joining it up and safely waggling it a bit, is much like seeing a woman's arm protruding from a car window: all one can readily be sure of is that the window is open. — John D. Voelker

Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, What's the matter? You haven't been yourself lately. — Haruki Murakami

He felt that he had always been there, among the apple trees, watching for the woman in the tower to come to her window. Seasons may have passed, years may have grown green on the bough, then withered and fallen, but he would stand there and wait for a chance to keep a promise he had made. — Ava Zavora

A woman stood, smiling with adoration at the baby in her arms. Suddenly, she turned, showing her angelic face. Her eyes were large, beautiful, brown eyes, but terror displayed across her face.
Elizabeth felt a deep, sharp ache penetrate her heart, as she reached deep for air and it came in a low gasp. Her hands flew to her chest. She soon realized the window in front of her was the same one in the vision. — Beth Bares

Emily just knew that the grocery store clerk's cousin had slipped on a bath mat and fallen out a second-story open window only to be saved because the woman landed on a discarded mattress.
But what interested Emily most about the incident was how the cousin had subsequently met a man in physical therapy who introduced her to his half brother who she ended up marrying and then running over with her car a year later after a heated argument. And that man, it was discovered, had been the one to dump the mattress in her yard.
He'd saved her so that she could later cripple him.
Emily found that not ironic but intriguing.
Because everything, she believed, was connected. — Holly Goldberg Sloan

There was a tiny house in town
That had always stayed the same,
Home to a girl wearing a sundress
Calling each flower by name.
It was the calm within the chaos,
The sun around which we revolved,
As stubborn as a stone
In its refusal to evolve.
I thought it had forever
Trapped within its weathered walls,
Watching all the lives
They built around its rise and fall.
But one day with no warning
The world felt shallower and strange,
And the view outside my window
Seemed to all at once have changed.
I ran with lungs near bursting
To that tiny house in town,
Yet the ashes of forever
Was the only thing I found.
Walking home it felt the world
Was made of me and salty tears,
And the woman in a sundress
Who watched me slowly disappear. — Emily Hanson

Beauty itself soon fades, and when a woman has beauty and nothing else, well, it's like putting all the goods in the shop window, isn't it? And the moment she loses her good looks-poor creature! what is she? Just a mere bit of faded finery to be thrown aside. — Henry Arthur Jones

Go to Lord & Taylor on Fifth Avenue, I think it's the eighth floor, and it's just a department called 'Woman.' It's rather devastating. You've never seen such hideous clothes in your entire life. I mean, it's simply appalling. Thank God there are no windows on that floor, because if I were a size 18, I'd throw myself right out the window [after seeing those clothes]. It's insulting what these designers do to these women. — Tim Gunn

Mark this one thing my boy: never, never, never can a man make himself ridiculous in the eyes of a woman by anything he may do on her account. Not even by the most childish performances. Do anything you like, stand on your head, talk the most utter twaddle, swank like a peacock, sing under her window - anything at all but one thing: don't be matter of fact, don't be sensible. — Erich Maria Remarque

The Witch's Life
When I was a child
there was an old woman in our neighborhood whom we called The Witch.
All day she peered from her second story
window
from behind the wrinkled curtains
and sometimes she would open the window
and yell: Get out of my life!
She had hair like kelp
and a voice like a boulder.
I think of her sometimes now
and wonder if I am becoming her. — Anne Sexton

At her dressing table putting on earrings. She is a pretty woman in the prime of life, and her ignorance of financial necessity is complete. Her neck is graceful, her breasts gleamed as they rose in the cloth of her dress, and, seeing the decent and healthy delight she took in her own image, I could not tell her that we were broke. She had sweetened much of my life, and to watch her seemed to freshen the wellsprings of some clear energy in me that made the room and the pictures on the wall and the moon that could see outside the window all vivid and cheerful. — John Cheever

On the other hand, she never looked as -big- as she did at that moment.
"What?" Rose demanded, glaring up at him.
The warning signal flashed bright red in Kane's head. Telling a woman she was as big as a beach ball wouldn't win any points. How did one describe how she looked? A basketball? Volleyball? He studied her furious little face. Yeah. He was in big trouble no matter what he said. Description was out of the question. He needed diplomacy, something that flew out of the window when he was near her and she said the words like contractions. — Christine Feehan

For a moment, Isabel's eyes met those of someone looking out of the window, a thin-faced woman with her hair done up in a bun. The woman began a smile, but stopped, as if conscious of somehow transgressing the conventions of isolation with which as city-dwellers we immure ourselves. The bus moved on, and zisabel felt a sudden desire to run alongside it, to wave to the woman, to aknowledge the unexpected exchange of fellow feeling between them. But she did mot, necause she never acted on these impulses, and because it might have puzzled or even frightened the other woman. — Alexander McCall Smith

Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar. A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable - not unlike Lincoln's, craggy like that, and tinted by sun and wind; but it is delicate, too, finely boned, and her eyes are sherry-colored and timid. "Oh my," she exclaims, her breath smoking the windowpane, "it's fruitcake weather! — Truman Capote

Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window. — Alan Moore

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things
a chair, a window curtain, a fork, a stone, a woman's earring
with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine
the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. — Raymond Carver

Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us. — Khaled Hosseini

Jenny lacked any sense of property - she was constantly apologising to Yevgenia and asking for her permission to open the small upper window in order to let in her elderly tabby cat. Her main interests and worries centered around this cat and how to protect it from her neighbors ... She fed her own rations to the cat, whom she called 'my dear, silver child' The cat adored her; he was a rough sullen beast, but would become suddenly animated and affectionate when he saw her. — Vasily Grossman

Who the fuck has a hedge maze in a residential neighborhood?" "This woman's parents," said Piotr. "Aside from that . . . serial killers, presumably. People who enjoy Stephen King novels a bit too much. And people who are hoping that one night, they'll wake up to find David Bowie standing at their window." "Right, — Seanan McGuire

But china is seldom thrown from a great height; it is one of the rarest of human actions. You have to find in conjunction a very high house, and a woman of such reckless impulse and passionate prejudice that she flings her jar or pot straight from the window without thought of who is below. — Virginia Woolf

You shouldn't be pressured into trying to be thin by the fashion industry, because they only want models that are like human mannequins. They know that if we see an outfit on a mannequin in a shop window we will love it and want to buy it whatever size we are. That's why they have size zero models - they want to sell clothes. But you have to remember that it's not practical or possible for an everyday woman to look like that. Being size zero is a career in itself so we shouldn't try and be like them. It's not realistic and it's not healthy. — Rhianna

I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed. — Christopher Isherwood

The sky is the color of gray flannel, the darkness broken only by the dormer window of another early riser. The woman who lives in that attic painted her walls yellow, and the reflected light bounces out like a spring crocus. If light were sound, her window would be playing a concerto. — Eloisa James

And the City, in its own way, gets down for you, cooperates, smoothing its sidewalks, correcting its curbstones, offering you melons and green apples on the corner. Racks of yellow head scarves; strings of Egyptian beads. Kansas fried chicken and something with raisins call attention to an open window where the aroma seems to lurk. And if that's not enough, doors to speakeasies stand ajar and in that cool dark place a clarinet coughs and clears its throat waiting for the woman to decide on the key. She makes up her mind and as you pass by informs your back that she is daddy's little angel child. The City is smart at this: smelling and good and looking raunchy; sending secret messages disguised as public signs: this way, open here, danger to let colored only single men on sale woman wanted private room stop dog on premises absolutely no money down fresh chicken free delivery fast. And good at opening locks, dimming stairways. Covering your moans with its own. — Toni Morrison

I stare down into her eyes, smoky and glistening in the light stealing through the window.

Eyes you can fall into and keep falling.

She isn't the mother of my son, she isn't my wife, we haven't made a life together, but I love her all the same, and not jsut the version of Daniela that exists in my head, in my history. I love the physical woman underneath me in this bed here and now, wherever this is, because it's the same arrangement of matter--same eyes, same voice, same smell, same taste...

It isn't married-people lovemaking that follows.

We have fumbling, groping, backseat-of-the-car, unprotected-because-who-gives-a-fuck, protons-smashing-together sex. — Blake Crouch

Sitting on the train I watch the scenery speeding by, notice a cobweb in the top corner of the window, undulating with a gentle breeze I can't feel. I lean back in my seat and take my book out of the carrier bag. Turning it over in my hand, it feels warm. It feels how I want to feel; full of knowledge, full of the future.
The time I've spent staying in bed smoking dope I've been hibernating, recuperating and gaining strength. I'm weak socially, but being away from other drug users has made me resilient. It's allowed my mind and body to heal and mend. As if the winter is over, I've come out stronger now. I'm on my own. I have the choice of what to do with my life.
I'm going to stay clean. I'm going to be the woman I can be. — Christine Lewry