The Truth In Painting Quotes & Sayings

Studying the universe engages us in something bigger than ourselves. Science tries to describe, in terms we can only grasp intuitively, things that are beyond our intuition ... all we can hope for is that our physical descriptions, like a song or a good painting, are a faithful evocation of some ineffable truth. — Guy Consolmagno

The simple truth is that being a creative artist takes courage; it's not a job for the faint of heart. It takes courage each and every time you put a book or poem or painting before the public, because it is, in fact, enormously revealing. — Terri Windling

The God who is ever uttering himself in the changeful profusions of nature; who takes millions of years to form a soul that shall understand him and be blessed; who never needs to be, and never is, in haste; who welcomes the simplest thought of truth or beauty as the return for seed he has sown upon the old fallows of eternity, who rejoices in the response of a faltering moment to the age-long cry of his wisdom in the streets; the God of music, of painting, of building, the Lord of Hosts, the God of mountains and oceans; whose laws go forth from one unseen point of wisdom, and thither return without an atom of loss; the God of history working in time unto christianity; this God is the God of little children, and he alone can be perfectly, abandonedly simple and devoted. — George MacDonald

The real truthfulness of all works of imagination, sculpture, painting, and written fiction, is so purely in the imagination, that the artist never seeks to represent positive truth, but the idealized image of a truth — Edward Bulwer-Lytton, 1st Baron Lytton

Slowly I discovered the secret of my art. It consists of a meditation on nature, on the expression of a dream which is always inspired by reality. With more involvement and regularity, I learned to push each study in a certain direction. Little by little the notion that painting is a means of expression asserted itself, and that one can express the same thing in several ways. Exactitude is not truth, Delacroix liked to say. — Henri Matisse

In most natural scenes there is a prevailing colour, which the landscape painter must learn to identify, and which must prevail also in a slightly exaggerated form, in his painting, for the sake of truth, harmony and unity. — Walter J. Phillips

The image titled "The Homeless, Psalm 85:10," featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: "Mercy and truth are met together; righteousness and peace have kissed each other." The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war. — Aberjhani

But the truth is, I want to be some woman's work boots, not her high heels."
"Work boots?" What was sexy about that? And did women have work boots?
"Yeah. You know, the boots she pulls out when she wants to get down and dirty, hiking or gardening or boating or painting the kitchen. The ones she relies on and trusts and lives her life hard and good and on her terms in. Her favorites. — Erin McCarthy

When God intends a mercy for his people, he stirs up the spirit of prayer in them. Fervency unites the soul and directs the thoughts to the work at hand. It will not allow diversions and denies all foreign thoughts seeking to intrude. Pray fervently or you do nothing. Cold praying is no more prayer than a painting of fire is fire. How can prayers that do not even warm your own heart move God's? A fervent prayer will never find a cold reception with God. Elijah's prayer called fire down from heaven because it carried fire up to heaven. — William Gurnall

Love is art, not truth. It's like painting a scenery.' These are the things one takes from mothers. Once they die, of course, you get the strand of pearls, the blue quilt, some of the original wedding gifts - a tray shellacked with the invitation, an old rusted toaster - but the touches and the words and the moaning the night she dies, these are what you seize, save, carry around in little invisible envelopes, opening them up quickly, like a carnival huckster, giving the world a peek. They will not stay quiet. No matter how you try. — Lorrie Moore

We must have design in a picture even at the expense of truth. You are using nature for your artistic needs. — John F. Carlsons

In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting. — Siri Hustvedt

You think that I am naive, but it is you who are naive. You have no idea what is happening inside of you when you look at a painting. You think that you are getting close to art voluntarily, enticed by its beauty, that this intimacy is taking place in an atmosphere of freedom and that delight is being born in you spontaneously, lured by the divine rod of Beauty. In truth, a hand has grabbed you by the scruff of the neck, led you to this painting and has thrown you to your knees. A will mightier than your own told you to attempt to experience the appropriate emotions. Whose hand and whose will? That hand is not the hand of a single man, the will is collective, born in an interhuman dimension, quite alien to you. So you do not admire at all, you merely try to admire. — Witold Gombrowicz

Can one have love? If we could, love would need to be a thing, a substance that one can have, own, possess. The truth is, there is no such thing as "love." "Love" is abstraction, perhaps a goddess or an alien being, although nobody has ever seen this goddess. In reality, there exists only the act of loving. To love is a productive activity. It implies caring for, knowing, responding, affirming, enjoying: the person, the tree, the painting, the idea. It means bringing to life, increasing his/her/its aliveness. It is a process, self-renewing and self-increasing. — Erich Fromm

We would bestow some pains here in minutely describing all the mad pranks which Jones played on this occasion could we be well assured that the reader would take the same pains in perusing them, but as we are apprehensive that after all the labour which we should employ in painting this scene the said reader would be very apt to skip it entirely over, we have saved ourself that trouble. To say the truth, we have from this reason alone often done great violence to the luxuriance of our genius, and have left many excellent descriptions out of our work which would otherwise have been in it. — Henry Fielding

Deconstruction seeks neither to reframe art with some perfect, apt and truthful new frame, nor simply to maintain the illusion of some pure and simple absence of a frame. Rather it shows that the frame is, in a sense, also inside the painting. For the frame is what "produces" the object of art, is what sets it off as an object of art - an aesthetic object. Thus the frame is essential to the work of art; in the work of art. Paint a $5,000 abstract painting on a railroad boxcar and nobody will pay a cent for it. Take a torch, remove the panel of the boxcar, install it in a gallery, and it will be worth $5,000. It will be art because it is now framed by the gallery. But at the same moment that the frame encloses the work in its own protected enclosure, making it a work of art, it becomes merely ornamental - external to the work of art. Thus is the frame central or marginal? Is the frame inside the work of art, essential to it, or outside the work of art, extrinsic to it? — James N. Powell

The nice thing about poetry is that you're always stretching the definitions of words. Lawyers and scientists and scholars of one sort or another try to restrict the definitions, hoping that they can prevent people from fooling each other. But that doesn't stop people from lying.

Cezanne painted a red barn by painting it ten shades of color: purple to yellow. And he got a red barn. Similarly, a poet will describe things many different ways, circling around it, to get to the truth.

My father also had a nice little simile. He said, "The truth is a rabbit in a bramble patch. And you can't lay your hand on it. All you do is circle around and point, and say, 'It's in there somewhere. — Pete Seeger

The explanation of the propensity of the English people to portrait painting is to be found in their relish for a Fact. Let a man do the grandest things, fight the greatest battles, or be distinguished by the most brilliant personal heroism, yet the English people would prefer his portrait to a painting of the great deed. The likeness they can judge of; his existence is a Fact. But the truth of the picture of his deeds they cannot judge of, for they have no imagination. — Benjamin Haydon

Look at a full vivid painting, and look at an empty picture. If you can immediately see an entire universe within the empty picture, and absolutely nothing in the vivid painting, clarity is your friend. If you immediately see a full vivid painting and an empty picture, and see them for what they are, slavery is your friend. — Lionel Suggs

There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art. — Alfred Stieglitz

I think it is the art of the glimpse. If the novel is like an intricate Renaissance painting, the short story is an impressionist painting. It should be an explosion of truth. Its strength lies in what it leaves out just as much as what it puts in, if not more. It is concerned with the total exclusion of meaninglessness. Life, on the other hand, is meaningless most of the time. The novel imitates life, where the short story is bony, and cannot wander. It is essential art. — William Trevor

Simplicity is always the secret, to a profound truth, to doing things, to writing, to painting. Life is profound in its simplicity. — Charles Bukowski

To understand the universe, our world, and all life in the world, you have to step out of time, which for living humanity is not an option, because we are a part of this painting, characters within it, able to perceive it only as a continuing series of events, episodes. However, because we are conscious creatures with the gift of reason, we can seek and learn and extrapolate from what we learn, and conceive the truth. — Dean Koontz

ART
The world is full of confusion and contradiction. We cannot expect to do anything that is absolutely right. We can only measure rightness by the truth within ourselves. And our own truth will never be quite the same as somebody else's. I wish that I could touch you and be sure that it was the right thing to do. I only want to touch you briefly. Just once so that you will know. We are flesh and blood and full of faults. But we are also full of warmth. The world is full of confusion but there is compassion in its midst. communication via simple touch can transmit so much of us in just one minute. Like a painting or a piece of music. I want to touch your soul. I only wish I could be sure it was the right thing to do. — Jay Woodman

All our time spent making lists would be better spent painting, or writing, Or singing, or learning to speak stories. Sometimes I feel as though the Church has a kind of pity for Scripture, Always having to come behind it and explain everything, put everything into actionable steps, acronyms and hidden secrets, as though the original writers, and for that matter the Holy Spirit Who worked in the lives of the original writers, were a bunch of you literate hillbillies. I think the methodology God used to explain His Truth is quite superior. My life is a story, more than a list. I don't feel that a list could ever explain the complexity of all this beauty. — Donald Miller

Humans tend to cling on to a picture that was painted in front of their eyes, instead of opening up their mind to the painting that was already there ... — Lionel Suggs

This truth must be recognized as a dogma and assume the validity of an axiom in the general understanding of painting. — Fernand Leger

One has to seek Beauty and Truth, Sir! As I always say to my pupils, you have to work to the finish. There's only one kind of painting. It is the painting that presents the eye with perfection, the kind of beautiful and impeccable enamel you find in Veronese and Titian. — William-Adolphe Bouguereau

I hate darkness. Claude Monet once said that painting in general did not have light enough in it. I agree with him. We painters, however, can never reproduce sunlight as it really is. I can only approach the truth of it. — Joaquin Sorolla

That is what is wrong with cold people. Not that they have ice in their souls - we all have a bit of that - but that they insist every word and deed mirror that ice. They never learn the beauty or value of gesture. The emotional necessity. For them, it is all honesty before kindness, truth before art. Love is art, not truth. It's like painting scenery. — Lorrie Moore

Have you ever felt so at one with the world, with the universe, with everything that is, that you were overcome with love? That is reality. That is the truth. What we make of it is up to us, as the painting of the sunrise is up to the artist. In our world humanity has strayed from that love. It lives hatred and power struggles and manipulations of the earth itself for its own narrow reasons. Continue and no one will see the sunrise. The sunrise will always exist, of course, but people on earth will know nothing of it and finally even stories of its beauty will fade from our knowing. — Richard Bach

Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century. — Vik Muniz

What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist's subject be religious to be Christian? I don't think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful — R.C. Sproul

When you're telling stories, you are actually trying to illuminate some portion of the truth in an artful way. The story may immediately seem to be a lie, but it's like an impressionistic painting - you see the light and the color better than you would with a photo-realistic piece. — Christopher Moore

I see architecture not as Gropius did, as a moral venture, as truth, but as invention, in the same way that poetry or music or painting is invention. — Michael Graves

I owe you the truth in painting, and I will tell it to you. — Paul Cezanne

These pictures possibly give rise to questions of political content or historical truth. Neither interests me in this instance. And although even my motivation for painting them is probably of no significance, I am trying to put a name to it here, as an articulation, parallel to the pictures, as it were, of my disquiet and of my opinion. — Gerhard Richter

I imagined the lies the valedictorian was telling them right now. About the exciting future that lies ahead. I wish she'd tell them the truth: Half of you have gone as far in life as you're ever going to. Look around. It's all downhill from here. The rest of us will go a bit further, a steady job, a trip to Hawaii, or a move to Phoenix, Arizona, but out of fifteen hundred how many will do anything truly worthwhile, write a play, paint a painting that will hang in a gallery, find a cure for herpes? Two of us, maybe three? And how many will find true love? About the same. And enlightenment? Maybe one. The rest of us will make compromises, find excuses, someone or something to blame, and hold that over our hearts like a pendant on a chain. — Janet Fitch

But didn't everyone get everything? Hadn't they had enough yet? Everything on earth is tailored for this everyone. Everyone gets all the TV programs, damn near all the cinema, and about eighty percent of all music. After that come the secondary medium of painting and those other visual arts that do not move. Those are generally just for someone and although you always hear people moaning that there isn't enough of them, in truth someone does all right. Galleries, museums, basements in Berlin, studio flats, journals, bare walls in urban centers - someone gets what they want and deserve, most of the time. But where are the things that no one wants? Every now and then Alex would see or hear something that appeared to be for no one but soon enough it turned out to be for someone and, after a certain amount of advertising revenue had been spent, would explode into the world for everyone. Who was left to make stuff for no one? — Zadie Smith

Schelling's God is the totality of Nature struggling towards consciousness, and Man is as far as the struggle has got, with the animals not too far behind, vegetables somewhat lagging, and rocks nowhere as yet. Do we believe this? Does it matter? Think of it as a poem or a painting. Art doesn't have to be true like a theorem. It can be true in other ways. This truth says there is a meaning to it all, and Man is where the meaning begins to show. — Tom Stoppard

[Comics is] one of the last havens for honesty when it comes to a reader's genuine response to art. Most of us, if we don't find any sympathy or pleasure, for example, in a modern painting, are likely to blame our own ignorance of the history and theory of painting. But nobody pretends to like a bad comic strip. Such harshness is necessary for any real truth to surface, I think, and for art to really contribute anything to life. Though I don't know. I could be wrong. — Chris Ware

I'm not at all interested in painting the object just as it is in nature. Certainly I'm much more interested in the mood of a thing than the truth of a thing. — Andrew Wyeth

In truth, factual information - names or dates - have never interested me much. Those things are like an alien language that can interfere with the language of the painting, or even prevent its emergence. — Gerhard Richter

Of those who have commanded battalions and squadrons, only the names remain. The human race has nothing to show for a hundred battles that have been waged. But the great men I speak to you about have prepared pure and lasting pleasures for men yet to be born. A canal lock uniting two seas, a painting by Poussin, a beautiful tragedy, a newly discovered truth-these are things a thousand times more precious than all the annals of the court or all the accounts of military campaigns. You know that, with me, great men come first and heroes last.

I call great men all those who have excelled in creating what is useful or agreeable. The plunderers of the provinces are merely heroes. — Voltaire