The Story Of With Quotes & Sayings

When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book. — Elif Safak

I started reading Dickens when I was about 12, and I particularly liked all of the orphan books. I always liked books about young people who are left on their own with the world, and the four children's books I've written feature that very thing: children that are abandoned by their families or running away from their families or ignored by their families and having to grow up quicker than they should, like David Copperfield - having to be the hero of their own story. — John Boyne

The Bible is not, in other words, simply a list of true doctrines or a collection of proper moral commands - though it includes plenty of both. The Bible is not simply the record of what various people thought as they struggled to know God and follow him, though it is that as well. It is not simply the record of past revelations, as though what mattered were to study such things in the hopes that one might have one for oneself. It is the book whose whole narrative is about new creation, that is, about resurrection, so that when each of the gospels ends with the raising of Jesus from the dead, and when Revelation ends with new heavens and new earth populated by God's people risen from the dead, this should come not as a surprise but as the ultimate fulfillment of what the story had been about all along. — N. T. Wright

Christianity is different from all other religions? They deal with the story of man's search for God. The Gospels deals with the story of God's search for man. — Dewi Morgan

In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows. — Nick Blaemire

Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy. — Colum McCann

On the movie side of things, the difficulties come with so few movies being made, and when they are, it seems that it's a marketing game. Story sometimes takes a backseat to that one grand marketing idea. — Jim Rash

To her surprise, Jack didn't seem at all fazed by all the exotic ideas she had had and wanted to try. She detailed them out, from a small single-story greenhouse that incorporated rabbit hutches to an extensive two-story generator-powered setup with pigs, cows, and chickens on the upper story, their excrement washed down through gunnels by a sprinkler system where it hit a vat, fermented, created methane to run the generator, and then was fed through a hydroponics system directly to the roots of the plants she was trying to grow. — Sara King

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

I used to think that if you changed from ... valuing one thing to valuing another, it was because you'd learnt something new, understood something better. And it's not like that at all. I just value what I'm stuck with. That's it, that's the whole story. People make a virtue out of necessity. They sanctify what they can't escape. — Greg Egan

Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story. — Tyga

Cantor illustrated the concept of infinity for his students by telling them that there was once a man who had a hotel with an infinite number of rooms, and the hotel was fully occupied. Then one more guest arrived. So the owner moved the guest in room number 1 into room number 2; the guest in room number 2 into number 3; the guest in 3 into room 4, and so on. In that way room number 1 became vacant for the new guest.
What delights me about this story is that everyone involved, the guests and the owner, accept it as perfectly natural to carry out an infinite number of operations so that one guest can have peace and quiet in a room of his own. That is a great tribute to solitude. — Peter Hoeg

What NYU tried to teach had no relation whatsoever with the reality of what making a film is like. You cannot teach someone aesthetics. What you can do is say, "If you were in this situation and this is the kind of story you wanted to tell, here are a couple of ways you could try to make things work." But they didn't really do that. I did my three years there, and I have said at times that besides my childhood, going to NYU was the single most destructive experience of my life. It took me eight years to recover.
~Tom Dicillo — Nicholas Jarecki

The story of my life can be told in silver: in chocolate mills, serving spoons, and services for twelve. The story of my life has nothing to do with me. The story of my life is things. Things that aren't mine, that won't ever be mine. It's all I've ever known.
I wish it wasn't. — Elizabeth Scott

He's been looking at my file. So the question has to be right there on the tip of his tongue right about now, waiting to be spoken. But he keeps up the 'act professional' charade, makes it feel like he sees this kind of thing all the time, but in reality he's having a little fun with it. I'm the story he's going to tell at a bar after making my name anonymous. I'm the case study that's going to become dinner conversation when he takes some rich bitch out next week. He's going to do it to make himself look well-balanced, prove how normal he is in a world full of weirdoes. In short, he's going to look 'normal' at my expense. — Cyma Rizwaan Khan

His own life was no longer a single story but part of a mural, which was a falling together of accomplices. Patrick saw a wondrous night web-all of these fragments of a human order, something ungoverned by the family he was born into or the headlines of the day. A nun on a bridge, a dare-devil who was unable to sleep without drink, a boy watching a fire from his bed at night,an actress who ran away with a millionaire- the detritus and chaos of the age was realigned. — Michael Ondaatje

The universe whispered it's him, but I sent you away ~ I tested our connection and left it to fate,
Years have passed and others have come into our lives, but here we are again, meeting another time.
Our timing is off, so we set our connection free once again, trusting the winds of fate and the synchronicity it sends. — Nikki Rowe

About the Story

Not all the details in this story are true. The times some events occurred have been changed, and the conversations are made up. Most of the things Tad Lincoln did in this story reportedly happened, including saving Jack the turkey and bombarding the Cabinet Room door with his toy cannon. Tad really was determined to raise money to help wounded soldiers and did persuade his father to pardon a woman's husband so he wouldn't be shot. Although Tad's antics often annoyed his father's staff, most agreed he had a big heart and a special way with animals. Once he even hitched goats to a chair and ran them through the White House, upsetting a gathering of dignified ladies. Nothing was too surprising when it came to Tad.
Although several presidents had declared occasional days of thanksgiving, none had ever officially made it a national holiday. Abraham Lincoln finally did so with his Proclamation of Thanksgiving on October 3, 1863. — Gary Hines

I notice that when I feel the most disconnected, once I'm done blaming the moon and everything else, I can see that I am so mired in identification with form and ego and story and identity, and that if I want to, I can read some scripture or read some spiritual book or pray or meditate or sit in the sun or hang around the birds and the dogs, and get a real objective sense of what's really going on here. That usually softens things. — Alanis Morissette

Were you acquainted with me, you would know that my failings are equal to my victories. On my own, I am no more than a pauper. It is the Prince for whom I live and for whom I fight. He raised me from the mire and made me a son. I will aspire to serve Him to the utmost, and perhaps my duty to Him will be fulfilled more as a herald than as a warrior, for if my quill and ink capture your attention and cause you to ponder the chronicles of this great kingdom and the story of the Prince, then I am content. — Chuck Black

I was his "little girl with the William Burroughs mind," his "secret fairy," "female Frank Zappa" and "window onto a magical world." He said I fell to earth, leaving wing-marks on the ceilings of our dreams. — Jalina Mhyana

The multiverse, she said, was like an old library whose shelves were packed with books arranged by a cataloguing system that ranked them according to similarity, each book containing within its covers a story that varied only slightly from the stories of its immediate neighbours, but by increasing degrees from those of increasingly distant books. — Paul McAuley

Sometimes I'll write without the guitar or the piano, but most of the time I'll be playing and just improvising some words. And when I get something that sounds good, a line with a story in it, I'll try and tease it out and figure out where the story is going. — John Darnielle

The very rough story is this: Melbourne boy, out of both my parents' houses at a young age, lived with my grandmother, drama teacher twisted me into doing this TV thing that I thought my mates were doing, too. — Ben Mendelsohn

It's difficult to root for America when the villains of the story live in a ditch and are armed with jagged rocks. At some point in recent years they looked up from their international heroism to realize they'd alienated the entire world. — Yahtzee Croshaw

I regret that there aren't more short stories in other magazines. But in a certain way, I think the disappearance of the short-story template from everyone's head can be freeing. Partly because there's no mass market for stories, the form is up for grabs. It can be many, many things. So the anthology is very much intended for students, but I think we're all in the position of writing students now. Very few people are going around with a day-to-day engagement with the short story. — Lorin Stein

There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story. — Phil Klay

The best thought any writer ever come up with is of having a world with Dragons. — Viraj J. Mahajan

Piper reads the scripts, and we email a lot. Most of her comments are on the more technical side, like "This wouldn't happen. This is against the rules." She's been extremely respectful of our taking her story, and then veering left with it and taking it in its own direction. But, I always want her involved because she's the mother of all this. — Jenji Kohan

'21 Grams' is only one story told by three different points of view, but they are really physically connected - literally, with the heart. — Alejandro Gonzalez Inarritu

She was floating in the midst of a black sea, in the darkest of nights, with no hope or care to see light again. She was a mere wave away from drowning in blackness. — Anam Iqbal

Memory retains some things and discards others. I remember every detail of some scenes from my childhood and adolescence, by no means the most important ones. I remember some people and have totally forgotten others. Memory is like the headlights of a car at night, which fall now on a tree, now on a hut, now on a man. People (usually writers) who tell the story of their lives as a continuous and detailed whole generally fill in the gaps with conjecture; it is hard to tell where genuine reminiscence ends and the novel begins. — Ilya Ehrenburg

Lawford had soundlessly stolen a pace or two nearer, and by stopping forward he could, each in turn, scrutinize the little intent company sitting over his story around the lamp at the further end of the table; squatting like little children with their twigs and pins, fishing for wonders on the brink of the unknown. — Walter De La Mare

You, Celaena Sardothien, are charged with the deaths of the following people ...
And then he began a long recitation of all those lives she'd taken. The brutal story of a girl who was now gone. — Sarah J. Maas

My father's death when I was eighteen and his struggles as a Jewish immigrant provided me with the raw material, but for a long time I went from painting to fiction and then finally to poetry before I could find the right way of telling this story. — Philip Schultz

The second song is called 'Easy As Life,' which really describes the complete conflict of the whole story, her struggle of being in love with the enemy and also being in love with her people. — Deborah Cox

All of us are part of a big story. It is a story that is much bigger than we know. Do not confuse the life you live with the story. Do not be afraid to leave the story. You may get scared sometimes because you fail to understand that what is scared is not you. It's the story. The story looks for a way to travel. The story is afraid you will let go. — Frederick Reiken

Towns like Launceston, Longford, Evandale and other current-day hubs of poppy production in north and central Tasmania had been settled by tens of thousands of British and Irish convicts transported here in the early 19th century as a cheap alternative to prisons in the British Isles. They were followed by thousands of so-called free settlers, who built communities with main streets still lined by two- and three-story pink sandstone buildings. — Anonymous

Bill Condon, I must say, may have been one of the best professional experiences of my life, collaborating with him. He, himself, is an Academy Award winning screenwriter. He is a storyteller first and foremost, so we speak the same language. We approach things always from the story. — Melissa Rosenberg

Amedeo loved thick tomes, and in tackling them he felt the physical pleasure of undertaking a great task. Weighing them in his hand, thick, closely printed, squat, he would consider with some apprehension the number of pages, the length of the chapters, then venture into them, a bit reluctant at the beginning, without any desire to perform the initial chore of remembering the names, catching the drift of the story; then he would entrust himself to it, running along the lines, crossing the grid of the uniform page, and beyond the leaden print the flame and fire of battle appeared, the cannonball that, whistling through the sky, fell at the feet of Prince Andrei, and the shop filled with engravings and statues where Frederic Moreau, his heart in his mouth, was to meet the Arnoux family. Beyond the surface of the page you entered a world where life was more alive than here on this side ... — Italo Calvino

They were best friends and partners who'd finally gotten over all the bullshit and had come to terms with the mutual attraction, deciding that fucking was better than always being so tense about it. That was the end of the story. — Santino Hassell

When and if Violet ever fell in love, lightning would split the heavens, tectonic plates would shift, continents would reorder themselves.
Because she might be willful and spoiled and impetuous, but no one loved with the force of his sister. Her love story would be epic. — Julie Anne Long

A story that began with, and exists because of, my love of the remoter parts of Scotland, where the bones of the Earth show through, and the sky is a pale white, and it's all astoundingly beautiful, and it feels about as remote as any place can possibly be. — Neil Gaiman

Viola had a harrowing story about riding a bicycle west out of the burnt-out ruins of a Connecticut suburb, aged fifteen, harboring vague notions of California but set upon by passersby long before she got there, grievously harmed, joining up with other half feral teenagers in a marauding gang and then slipping away from them, walking alone for a hundred miles, whispering French to herself because all the horror in her life had transpired in English and she thought switching languages might save her, wandering into a town through which the Symphony passed five years later. — Emily St. John Mandel

But that mimosa grove - the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since."
"this then is my story. i have reread it. it has bits of marrow sticking to it, and blood, and beautiful bright-green flies. at this or that twist of it i feel my slippery self eluding me, gliding into deeper and darker waters than i care to probe. — Vladimir Nabokov

The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted. — Cyril Connolly

You witness the artists acting as witnesses, but they provide a point of view that's less monolithic. It's less official in a certain way. Many artists are speaking in the first person singular, as a reaction to dubbed-over media commentary. The thought is: "Enough with how we're represented by the media. Let me tell the story." — Massimiliano Gioni

All this long human story, most passionate and tragic in the living, was but an unimportant, a seemingly barren and negligible effort, lasting only for a few moments in the life of the galaxy. When it was over, the host of the planetary systems still lived on, with here and there a casualty, and here and there among the stars a new planetary birth, and here and there a fresh disaster. — Olaf Stapledon

It was Jesus who gave me peace when the shark severed my arm. I trust in Jesus whenever I'm going through a hard time. I see all the beautiful things that have come out of my situation. I'm able to share my story with young girls who have few role models, and I can help others cope with what they have been through. — Bethany Hamilton

I'd say Rob Reiner's 'When Harry Met Sally' is my all-time favorite. It made me realize there's a way of telling a story where the audience is so in love with the characters that they forget you're even telling a story. — Tim Story

The tapestry of my life was a ruin of unravelling threads. The brightest parts were a nonsensical madman's weaving. And now every day was a grey stitch, laid down with an outpatient's patience, one following the next following the next, a story in lines, like a railway track to nowhere, telling absolutely nothing. — Alexis Hall

ANTHONY DOERR is the author of the story collections Memory Wall and The Shell Collector, the novel About Grace, and the memoir Four Seasons in Rome. He has won numerous prizes both in the United States and overseas, including four O. Henry Prizes, three Pushcart Prizes, the Rome Prize, the New York Public Library's Young Lions Fiction Award, the National Magazine Award for fiction, a Guggenheim Fellowship, and the Story Prize. Raised in Cleveland, Doerr lives in Boise, Idaho, with his wife and two sons. — Anthony Doerr

At the time of the adoption of the constitution, and of the amendment to it, now under consideration [i.e., the First Amendment], the general, if not the universal sentiment in America was, that Christianity ought to receive encouragement from the state, so far as was not incompatible with the private rights of conscience, and the freedom of religious worship. — Joseph Story

My friendship with Jack remains strained. I want to believe that he was duped, but he has always been far too clever to fall for another man's ruse. So we have added yet one more thing to our relationship about which we never speak. Sometimes I think we will break beneath the weight of it, but on those occasions I have but to look at my wife in order to find the strength to carry on. I am determined to be worthy of her and that requires that I be a far stronger and better man than I had ever planned to be.
We see Frannie from time to time, not as often as we'd like unfortunately. She did eventually marry, but that is her story to tell.
Dear Frannie, darling Frannie.
She shall always remain the love of my youth, the one for whom I sold my soul to the devil. But Catherine, my beloved Catherine, shall always be the center of my heart, the one who, in the final hour, would not let the devil have me. — Lorraine Heath

Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward - reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them.
In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know. — Michael Crichton

You have shown me, along with that man over there, that life and love aren't as far apart as we think. They go hand-in-hand, like you and me. You can't have one without the other. Everything around us, inside of us, is love. It's in the birds and the rivers, the newborn baby whimpers, and yes, the passionate kisses we share. Life is a package wrapped up in love. To experience love, we have to open it. Carefully. And cherish every gift we're given. — Marilyn Grey

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

I associate times with certain music. It still is that for me. It's telling the story of our lives. — James Hetfield

With the new game I'm going to be involved from the ground up. I have had story input and the whole thing will have my imprint on it. Even if I don't hands-on do every bit of artwork, I certainly will direct the look of the whole thing. — Dave Gibbons

I'm disappointed in myself. In my life. All my life, everything I tried, I only got halfway there. You try to take advantage of the time you have. That's what they tell you to do. But when you're old, you look back and you see all you did, with all that time, is waste it. All you have is a story of things you never started or couldn't finish. Things you fought with all your heart to build that didn't last or fought with all your heart to get rid of and they're all still around. I'm ashamed of myself. — Michael Chabon

For Russians, to whom Pushkin's poem 'Eugene Onegin' is sacred text, the ballet's story and personae are as familiar and filled with meaning as, for instance, 'Romeo' and 'Hamlet' are for us. Russians know whole stretches of it by heart, the way we know Shakespeare and Italians know Dante. — Robert Gottlieb

Like the librarians of Babel in Borges's story, who are looking for the book that will provide them with the key to all the others, we oscillate between the illusion of perfection and the vertigo of the unattainable. In the name of completeness, we would like to believe that a unique order exists that would enable us to accede in knowledge all in one go; in the name of the unattainable, we would like to think that order and disorder are in fact the same word, denoting pure chance.
It's possible also that both are decoys, illusions intended to disguise the erosion of both books and systems. It is no bad thing in any case that between the two our bookshelves should serve from time to time as joggers of the memory, as cat-rests and as lumber-rooms. — Georges Perec

It's an old story; it's as old as our history. The difference between Democrats and Republicans has always been measured in courage and confidence. The Republicans believe that the wagon train will not make it to the frontier unless some of the old, some of the young, some of the weak, are left behind by the side of the trail. The strong, the strong they tell us, will inherit the land. We Democrats believe in something else. We Democrats believe that we can make it all the way with the whole family intact, and we have more than once. — Mario Cuomo

When they reached the peak, he faced her, gathered her to him, and gazed into her amazing blue eyes. "You look beautiful," he said huskily, surprising himself with his tone. He swept his fingers along the top of her shoulder and cupped his hand on her neck, caressing her velvety earlobe with the pad of his thumb. "You put this awesome sunset to shame. — Tracy March

A story is a map of the world. A gloriously colored and wonderful map, the sort one often sees framed and hanging on the wall in a study full of plush chairs and stained-glass lamps: painstakingly lettered, researched down to the last pebble and participle, drawn with dash and flair, with cloud-goddesses in the corners and giant squid squirming up out of the sea ... [T]here are more maps in the world than anyone can count. Every person draws a map that shows themselves at the center. — Catherynne M Valente

What is style but a form of silent speech? When I put together an outfit to wear, I am putting together chapters of a story that needs to tell itself to the world in merely a minute! When I choose an outfit to wear, I am choosing a speech, a certain flow of mind-to-skin that is important to be understood. Style is the sentiment that I make without needing to speak to anyone and it's also an internal conversation that I make with myself throughout the day, I share those intimate words every time I look into the mirror or every time I look at my photographs. — C. JoyBell C.

Biggie was a lyrical genius: he was a musical painter with words. As he rapped, you would see the picture come to life as you heard his story. You hear a lot of rappers rap; you hear a lot of singers sing, but you don't see the movie in your head the way you do when you hear Biggie rap. — R. Kelly

The truth is, that, even with the most secure tenure of office, during good behavior, the danger is not, that the judges will be too firm in resisting public opinion, and in defence of private rights or public liberties; but, that they will be ready to yield themselves to the passions, and politics, and prejudices of the day. — Joseph Story

[T]he young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.
He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. — William Faulkner

O was infinitely more moving when her body was covered with marks, of whatever kind, if only because these marks made it impossible for her to cheat and immediately proclaimed, the moment they were seen, that anything went as far as she was concerned. For to know this was one thing, but to see the proof of it, and to see the proof constantly renewed, was quite another. — Pauline Reage

If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life.

Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared. — Stephen Lee

The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter ... I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book. — Sandra Dallas

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen. — Marisha Pessl

It takes so many people to make a success story like that. It starts with the song and the songwriters, then Mark Wright's producing, all of the players that played on it, me singing, the marketing department, the promotion department at the label ... It takes a lot of people to make a hit like that. — Lee Ann Womack

Not every breakup hurts, not every love story sucks. It's the love that comes with a warning that it will hurt you and suck your blood out of you. — Bhavik Sarkhedi

It never ceases to amaze me how many Christians, in the North and the South, continue to refer to the former as the "developed" and the latter as the "developing" world. When we in the South use this term to describe ourselves, we are evaluating ourselves by a set of cultural values that are alien to our own cultures, let alone to a Christian world-view! All our normative images and yardsticks of "development" are ideologically loaded. Who dictates that mushrooming TV satellite dishes and skyscrapers are signs of "development"? Who, apart from the automobile industry and the advertising agencies, seriously believes that a country with six-lane highways and multi-story car-parks is more "developed" than one whose chief mode of transport is railways? Does the fact that there are more telephones in Manhattan, New York, than in the whole of sub-Saharan Africa, mean that human communication is more developed in the former than the latter? — Vinoth Ramachandra

The story is told of Socrates walking through the market in Athens, with its groaning abundance of options, and saying to himself, "Who would have thought that there could be so many things that I can do without?"4 — Os Guinness

They don't go into what is the cause of goodness, so why of the other shop? If lewdies are good that's because they like it, and I wouldn't ever interfere with their pleasures, and so of the other shop. And I was patronizing the other shop. More, badness is of the self, the one, the you or me on our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of the brave malenky selves fighting these big machines? — Anthony Burgess

And I have to credit David Jacobs with the opportunities he gave me. He was totally into sharing the creation of characters. David put together a show that told the story of people over many years' time and that was greatly enjoyable. Though nowadays that is frowned upon. — William Devane

Their spirituality was in nature, even though Emerson was a preacher on the pulpit, he ended up going out into nature for direct, face-to-face communication with God, if you want to call all of this creation part of God. — Story Musgrave

The image of God I was raised with was this: God is an angry bastard with a killer surveillance system who had to send his little boy (and he only had one) to suffer and die because I was bad. But the good news was that if I believed this story and then tried really hard to be good, when I died I would go to heaven, where I would live in a golden gated community with God and all the other people who believed and did the same things as I did ... this type of thinking portrays God as just as mean and selfish as we are, which feels like it has a lot more to do with our own greed and spite than it has to do with God. — Nadia Bolz-Weber

Most hiring managers interview a lot of people. So many that they generally have to go back to their notes to remember candidates - the exception being candidates with a strong hook. Sometimes these hooks are how people dress or their personality, but the best hook is a strong story that's work-related. — Travis Bradberry

'Dragon Age' needs to have big story moments. It is a game about character first, and the party is an absolutely central part of that. I want to keep pursuing interactivity with the world: taking crowds to the next level or having things catch fire because you indiscriminately cast a fireball into a wheat field. — Marc Laidlaw

He was clearly in love with Amber too, and this time it wasn't the usual water off the back of the duck. Instead, the duck, wounded by a hunter and bewildered because half its head had been shot way, and was still tottering about on its webby feet by the side of the pond. From the one side it looked like a duck usually looks. From the other, it was a different story. — Ali Smith

Every family has a story that it tells itself, that it passes on to the children and grandchildren. The story grows over the years, mutates, some parts are sharpened, others dropped, and there is often debate about what really happened. But even with these different sides of the same story, there is still agreement that this is the family story. And in the absence of other narratives, it becomes the flagpole that the family hangs its identity from. — A.M. Homes

let them behold him scourged, hunted, trampled on, and they will come back with another story in their mouths. Let them know the heart of the poor slave - learn his secret thoughts - thoughts he dare not utter in the hearing of the white man; — Solomon Northup

The truth, and nothing but the truth, is that dawn begins with a wrestling match with my soul and a systematic rejection of all the other useful possibilities a day offers. I make obeisance to the story, its characters, and the muse with burnt offerings. — Yvonne Adhiambo Owuor

The Samaritans and the Jews were enemies, two tribes caught in an ancient argument about birthright and ethnicity who lived in segregated neighborhoods. By Jesus's time they were forbidden to have contact with each other, and violent squabbles sometimes erupted. The lawyer, who was a Jew, surely knew of both the informal customs and formal laws separating the two groups. Samaritans and Jews were not good neighbors. Yet Jesus turns the ancient Jewish command to love your neighbor into a story about these hostile groups. The man in the ditch, who is Jewish, is bypassed by those close to him by tribal ties (most likely the priest and the Levite were afraid the thieves were still about in the area and that they might be the next victim) and is eventually rescued by a Samaritan. Thus Jesus enlarges the sphere of neighborhood to include those we deem objectionable. — Diana Butler Bass

Make the short story tremendously succinct - with a very short pulse or rhythm - and the closest selection of detail - in other words summarise intensely and deeply and keep down the lateral development. It should be a little gem of bright, quick, vivid form — Henry James

You don't see heroism, humanity and hope like you do in a horror story. Horror celebrates the kind of friendship that keeps you standing shoulder to shoulder with someone even when the world is falling apart around you. — Alexander Gordon Smith

Until a few days ago, humans had been little more than legend to him, and now here he was in their world. It was like stepping into the pages of a book
a book alive with color and fragrance, filth and chaos
and the blue-haired girl moved through it all like a fairy through a story, the light treating her differently than it did others, the air seemed to gather around her like held breath. As if this whole place was a story about her. — Laini Taylor

Is this true on smaller scales too? Apart from a visible fragment is everybody largely invisible - invisible like the magic part of magic mushrooms and the song part of songbirds? Maybe the balance between one's visibility and invisibility is like the balance between the salt and the water in the blood, delicate and critical, as becomes obvious when the balance deteriorates: people with an invisibility deficiency seem like paper dolls, subject to crumple. Other people have the opposite problem: they cannot be seen building a bicycle, nor making lentil soup, nor knitting a green wool sweater by candlelight; neither can you look down from your second-story window in the morning and see them tromping off through the snow — Amy Leach

Sweet, loveable, and with every click revealing a new surprise, 'Botanicula' creates both a wonderful world where bees and twigs play in the universe and sets up a daring story of a group of unlikely heroes taking on a tree's last hope of survival. — Rob Manuel

In so far as I listen with interest to a record, it's usually to figure out how it was arrived at. The musical end product is where interest starts to flag. It's a bit like jigsaw puzzles. Emptied out of the box, there's a heap of pieces, all shapes, sizes and colours, in themselves attractive and could add up to anything
intriguing. Figuring out how to put them together can be interesting, but what you finish up with as often as not is a picture of unsurpassed banality. Music's like that."
From "Derek Bailey and the Story of Free Improvisation" by Ben Watson, Verso, London, 2004, p. 440. — Derek Bailey

I used to think that I needed to be part of a story, a big story, one with trials and villains and temptations and rewards. That's how I would conquer it, conquer death."
She sighed again, and nestled in closer to me. "All that matters, in the end, is the little things. The way Mim says my name to wake me up in the morning. The way Bee's hand feels in mine. The way the sun cast my shadow across the yard yesterday. The way your cheeks flush when we kiss. The smell of hay and the taste of strawberries and the feel of fresh black dirt between my toes. This is what matters, Midnight. — April Genevieve Tucholke

We are glad you have been ordained as the first priest of your people. Now you can help us with their problem.' Tagoona asked, 'What is a problem?' and the white man said, 'Tagoona, if I held you by your heels from a third-story window, you would have a problem.' Tagoona considered this long and carefully. Then he said, 'I do not think so. If you saved me, all would be well. If you dropped me, nothing would matter. It is you who would have the problem. — Margaret Craven

We have been told we cannot do this by a coarse of sentence: it will only grow louder and more dissident. we have been asked to pause for a reality check, we have been warned about offering this nation false hope, but in the unlikely story that is america there has never been anything false about hope.
nothing can stand in the way of millions of voices calling for change
the hopes of little girl who goes to a public school in Dillon are the same as the dreams of a little boy who learns on the streets of L.A. We will remember that there is something happening in America, that we are not as devided as our politics suggest, that we are one people, we are one nation and together we will begin the next great chapter in the American story with three words that will ring from coast to coast, from sea to shining sea: YES WE CAN!
yes we can to justice and equality
yes we can to oppurtunity and prosperity — Barack Obama

Nonetheless, a question remains before us all the same: what is a novelist to do with ordinary, completely "usual" people, and how can he present them to the reader so as to make them at least somewhat interesting? To bypass them altogether in a story is quite impossible, because ordinary people are constantly and for the most part the necessary links in the chain of everyday events; in bypassing them we would thus violate plausibility. To fill novels with nothing but types or even simply, for the sake of interest, with strange and nonexistent people, would be implausible
and perhaps uninteresting as well. — Fyodor Dostoyevsky

American foreign policy is not understood by the vast majority of American people. And that this is due to a media that in this country is suppressed by Washington and by the owners of this media, who often tend to be corporate entities close to the [White House] and very often are arms manufacturers with a vested interest in chaos [in] the Middle East. And as a result Americans do not actually get both sides of the story. — Denis Halliday

What do you suppose 'Jack and the Beanstalk' is about?" she asked. Conner contemplated a moment and slyly grinned. "Bad beans can cause more than indigestion," he answered, laughing hysterically to himself. Alex pursed her lips to hide a smile. "What do you think the lesson of 'Little Red Riding Hood' is?" she asked him. "Do you think she should have just mailed her grandmother the gift basket?" "Now you're thinking!" he said. "Although, I've always felt sorry for Little Red Riding Hood. It's obvious her parents didn't like her very much." "Why do you say that?" Alex asked, wondering how he could have possibly construed that from the story. "Who sends their young daughter into a dark and wolf-occupied forest carrying freshly baked food and wearing a bright jacket?" Conner asked. "They were practically asking for a wolf to eat her! She must have annoyed the heck out of them!" Alex held back laughter with all her might but, to Conner's delight, she let a quiet chuckle slip. "I — Chris Colfer