The Story Of Stuff Quotes & Sayings

Everyone tells you to write what you know. It's the tried-and-true advice every writer hears at some point in her career. But to take my writing to a deeper level, I've found that a better practice is to simply write what frightens you, haunts you, even. I now keep a sign on the bulletin board in my office that reads: 'Write What Scares You.' I've learned that tapping into the hard stuff - whether it's the fear of loss or a boogeyman lurking in childhood memories - is what ultimately gives a story the power to leap off the page and grab you by the collar. — Sarah Jio

It's often women who are writing leading roles for women. Most of the stuff that comes my way is not actually about women. I'm just asked to be a supporting player in a story about a man, and I, frankly, was not interested in doing that. — Carrie Coon

This thing: information got abolished sometime in the twentieth century, can't say just when; stands to reason, that's part of the information that got abolsh, abolished. Since then we've been living in a fairy-story. Got me? Everything happens by magic. Us faeries haven't a fucking notion what's going on. So how do we know if it's right or wrong? We don't even know what it is. So what I thought was, you can either break your heart trying to work it all out, or you can go sit on a mountain, because that's where all the truth went, believe it or not, it just upped and ran away from these cities where even the stuff under our feet is all made up, a lie, and it hid up there in the thin thin air where the liars don't dare come after it in case their brains explode. — Salman Rushdie

Listen, you might want to pack a few of your things together before going to bed. The former bishop of Turkey will be coming tonight along with six to eight black men. They might put some candy in your shoes, they might stuff you into a sack and take you to Spain, or they might just pretend to kick you. We don't know for sure, but we want you to be prepared.
This was the reward for living in the Netherlands. As a child you get to hear this story, and as an adult you get to turn around and repeat it. — David Sedaris

Now the truth is, writing is a great way to deal with a lot of difficult emotional issues. It can be very therapeutic, but that's best done in your journal, or on your blog if you're an exhibitionist. Trying to put a bunch of *specific* stuff from your personal life into your story usually just isn't appropriate unless you're writing a memoir or a personal essay or something of the sort. — Patrick Rothfuss

That's what art is, he said, the story of a life in all its particularity. It's the only thing that really is particular and personal. It's the expression and, at the same time, the fabric of the particular. And what do you mean by the fabric of the particular? I asked, supposing he would answer: Art. I was also thinking, indulgently, that we were pretty drunk already and that it was time to go home. But my friend said: What I mean is the secret story ... The secret story is the one we'll never know, although we're living it from day to day, thinking we're alive, thinking we've got it all under control and the stuff we overlook doesn't matter. But every damn thing matters! It's just that we don't realize. We tell ourselves that art runs on one track and life, our lives, on another, we don't even realize that's a lie. — Roberto Bolano

What I hadn't expected was to be blindsided by a history lesson that betrayed every hard-won experience I'd had as a player and now a coach at the same school I'd attended. . . Whoever was responsible for sending a championship team into virtual obscurity was either a serious egomaniac or just plain mean. It stung.

After all, wasn't the story told at today's funeral the stuff of legacies? Of school lore passed on to the next class, and the next, building institutional pride as well as magical identities that made every kid in the state want to play there? — Jo Kadlecek

When everyone around you is doing all this incredible pirate acting and you're having to sort of play the straight guy and move the story forward, you kind of want to be doing some of that pirate ripping it up stuff, but in truth, to be a part of that project is what I love. — Orlando Bloom

The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway. — Jack Vance

The story of 'Lasers' is my story. I didn't have to look too far to get subject matter for this record; it was stuff that was happening to me. — Lupe Fiasco

That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut." — Mira Sorvino

Nothing is more important to human beings than an ecologically functioning, life sustaining biosphere on the earth. It is the only habitable place we know of in a forbidding universe. We all depend on it to live and we are compelled to share it; it is our only home ... the earth's biosphere seems almost magically suited to human beings and indeed it is, for we evolved through eons of intimate immersion within it. We cannot live long or well without a functioning biosphere, and so it is worth everything we have. — Joseph Guth

When I was there at Marvel, everybody thought if you could draw well and you could do sensational panels, that you were going to be a success. The truth is that no matter how good or bad you are as a draftsman, if you can't tell a story, you don't last in comics ... About halfway through my stay at Marvel, I realized I was being paid to tell a story, not do a drawing. That's why my stuff is always rather simple and uncomplicated compared to a lot of guys. — John Romita, Sr.

But you're acting like that's the end of the story, that the brokenness is the final answer. When you know very well that it's not. You've always said that at the end of the story the world will be healed, fixed, all wrongs finally righted. And that what's broken is being redeemed, little by little, even now. — Noelle Adams

I don't really get attached to anything. I'm pretty brutal about cutting stuff. With each successful movie, I've discovered anything that's not connected to the immediate story is going to be cut out of it. — Judd Apatow

I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song. — Amy Winehouse

Addiction is the hallmark of every infatuation-based love story. It all begins when the object of your adoration bestows upon you a heady, hallucinogenic dose of something you never even dared to admit that you wanted - an emotional speedball, perhaps, of thunderous love and roiling excitement. Soon you start craving that intense attention, with the hungry obsession of any junkie. When the drug is withheld, you promptly turn sick, crazy and depleted (not to mention resentful of the dealer who encouraged this addiction in the first place but who now refuses to pony up the good stuff anymore - despite ... — Elizabeth Gilbert

Why,' I said, quite surprised by my own eloquence in inventing all this stuff, 'it happens every day. The old old story. Boys and girls fall in love, that is, they are driven mad and go blind and deaf and see each other not as human animals with comic noses and bandy legs and voices like frogs, but as angels so full of shining goodness that like hollow turnips with candles put into them, they seem miracles of beauty. And the next minute the candles shoot out sparks and burn their eyes. And they seem to each other like devils, full of spite and cruelty. And they will drive each other mad unless they have grown some imagination. Even enough to laugh. — Joyce Cary

When you think of Grimm's fairy tales, they are deeply, deeply psychological. They're so powerful, so bloody, and really, really disturbing. Think about five-year-olds reading that stuff. Even 'Little Red Riding Hood' is a really freaky story. Grandma is gobbled up by a wolf, and the wolf is going to eat the girl. That's scary stuff. — Denis O'Hare

In the case of 'Sweet Tooth,' and in the case of a lot of stuff I do, it all starts with the image. It may be something I sketch in my sketchbooks - something that reoccurs in the sketchbooks. Eventually, a character or story line starts to grow out of that. — Jeff Lemire

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific. — John Sayles

I'm excited for everybody to see the books. In Justice League #15, there's a lot of other stuff too that's setup in this storyline that's going to explore Superman and Wonder Woman and Cyborg. Cyborg has a huge role in this story, actually, that sends him on a new path as well. — Geoff Johns

You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe. — John August

Mockumentary formats are great for a couple of things. One of them is delivering the toughest part of any sitcom episode, what writers call "pipe" - the nuts and bolts of the story where you explain what's happening, the boring plot stuff. — Michael Schur

Without the witty, potent dialogue and the puzzling shape of the story, the movie would have been merely an American version of the kind of brooding, shadow-filled, Ufa-style expressionist stuff that Joe had grown up watching in Prague. Without the brooding shadows and cold adventurings of the camera, without the theatrical lighting and queasy angles, it would have been merely a clever movie about a rich bastard. It was much, much more, than any movie really needed to be. In this one crucial regard--its inextricable braiding of image and narrative--Citizen Kane was like a comic book. — Michael Chabon

My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.' — Marsha Norman

I've always liked to read about extremely wealthy people, especially when they are crazy (like Howard Hughes or Caligula.) While writing this book I did a lot of fun research on robber barons like Rockefeller and Morgan. But the most helpful stuff came from studying royal families and mad emperors. The best book I read was probably A King's Own Story, which is the memoir of Edward VIII. Also, anything about Ivan the Terrible or Ted Turner. — Simon Rich

The beating heart of your story ... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money. — Doug Liman

You could use a moth like that as a symbol in a novel, but it was trite, wasn't it? The old moth-to-the-flame image had been used and used again. It was the stuff of amateur poetry. And she, having so little experience crafting a story, would be the most in danger of falling into trite approaches. If she wrote a novel, it probably would be about her father. And the male Luna moth would haunt its pages. Everyone would recognize the work as that of a first novelist. "She wrote about herself through the lens of her father."
The really good novelists, Laura thought, put their fathers, and maybe their mothers too, deeper into the stories. Which, she suddenly thought, might redeem Melville just the littlest bit. — L.L. Barkat

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

That's not the part of the story that I'm interested in, anyway. The part that I'm interested in is all the personal stuff. I tried to base the powers on family archetypes. — Brad Bird

We are made of the stuff of stars, given our lives by a living world, given our selves by time. We are brother to the trees and sister to the sun. We are of such glorious stuff we need not carry pain around like a label. Our duty, as living things, to be sure that pain is not our whole story, for we can choose to be otherwise. As Ellin says, we can choose to dance. — Sheri S. Tepper

I tell my students all the time is, for better or worse, no publisher is going to come wrench your story out of your hands before you're ready to let it go. You will have time to take stuff out. You don't have to show it to anybody. That's what I did. — Melissa Febos

Most of my stuff is just a series of false leads. I'll approach a story as a subject and then make a whole bunch of different runs at the lead. They're all good writing but they don't connect. So I end up having to string leads together. — Hunter S. Thompson

People, heed my warning: That stuff is Specials Olympics in a pint glass. You think they are harmless and not very strong, and the next thing you know it is an hour later and you are in the bathroom of the bar with your pants off, surrounded by five girls, giving your boxers to a bachelorette party because one of the girls is cute and told you that you had a nice butt. Be forewarned.
- from the Austin Road Trip story — Tucker Max

I think about something I once heard on the radio. About Abraham and Isaac."
"I was afraid you'd say something like that."
"You asked."
"So what about them? I don't really know much about that kind of stuff."
"There was a pastor on the radio who said nobody should ever preach that story. Do you remember how it goes? God tells Abraham that he has to sacrifice his son to prove his faith."
"I agree with the pastor. It sounds like a sick story. Ban that shit."
"But isn't that exactly what we do? Send young men off to a war in the desert and ask them to sacrifice themselves for a belief? — A.J. Kazinski

Are you an artist?
I ask this question a lot. Generally, this question is met with a pause and a slightly blank look. In that moment I can almost hear the inner dialogue: "Um, Artist? Well, no. I make stuff. Sometimes. But an "Artist" with a capital A? I want to say yes, but that would be terrifying". What actually comes out of the person's mouth is usually, "Oh. Uh, not really". I should mention that this answer, and those blank looks, are always from adults. When I ask kids the same question, I get a very different response. It goes a little something like this: "Are you an artist?" "Yes". No hesitation. No thinking it over first. They have never sold a painting, or published a story, but they have absolutely no problem answering me with a loud, resounding yes. — Danielle Krysa

The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy. — Gail Collins

Not that I've always loved the movie when they finally come out, or if they ever come out-because many of them don't come out-but I've gotten to work with really good story editors and stuff like that. — John Sayles

I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff. — Alex O'Loughlin

I love the stuff that makes you laugh and cry. It kind of sucker-punches you a little bit. That's the thing that most interests me as a performer, in addition to telling the most captivating story. — Matt McGorry

I'm really proud of all the stuff we've built with Green Lantern - from Larfleeze to the different corps. The universe has expanded and will live well past my run. It was more than just telling another story, but really giving back to the character by expanding and adding to their mythology. — Geoff Johns

When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. — David Lynch

I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career. — Kurt Vonnegut

Life is compost. You think that a strange thing to say, but it's true. All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it had rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on that black stuff that used to be a life, takes its energy for its own. It germinates. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel. — Diane Setterfield

I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we're going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn't feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It's a proper character and that's my favorite stuff to do. — Miles Teller

The story of the Western world since 1945 is that, invited to choose between freedom and government 'security,' large numbers of people vote to dump freedom every time - the freedom to make your own decisions about health care, education, property rights, and a ton of other stuff. — Mark Steyn

At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same. — Colin Farrell

The whole earth is the tomb of heroic men and their story is not given only on stone over their clay but abides everywhere without visible symbol woven into the stuff of other mens lives. — Pericles

Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe ... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is ... just ... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope. — Greg Behrendt

I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint. — Jeff Lemire

I can't get why people are afraid of books or films which are horror. What's the scary of the film "Cube 1,2,3" - Yeah it was brutal I get scary, but after an hour I'm fine. I just continue to live my life. I check out "Saw", the most brutal film ever watched, yeah I could have some kind a bad thoughts and other stuff about the film. Like to think that this guy "Saw", is there with the bike, but after few days everything it went on the right path. I had chance to see what is the real face of the killers - "Saw" and what does goverment do "Cube"!

GreenMile was a sad story, I still can't believe that Stephen King has written it! — Deyth Banger

Every time someone reads a story about the politics poisoning the global warming stuff it makes it feel like a political story, meaning it's Us and Them, instead of what it is: this profound challenge we face given our energy norms right now, the fuels of convenience toward something new. No matter what the politics are, it's still an enormous transformation that has to take place. — Andrew Revkin

Hollywood seems to succumb to fads. Well, action films do well. Give me violence. Give me a scene where there's a couple of car chases or shooting and stuff like that. They're forgetting the fact that there's a basic structure to a story that is essential to making it really broad and appealing. — Clint Eastwood

Everybody is a story. When I was a child, people sat around kitchen tables and told their stories. We don't do that so much anymore. Sitting around the table telling stories is not just a way of passing time. It is the way the wisdom gets passed along. The stuff that helps us to live a life worth remembering. — Rachel Naomi Remen

I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph-each sentence, even-as I go along. — William Styron

I'm constantly trying to make what Stephen King called head movies or skull movies: things should be playing out on the inside of your eyes, if you will, without you having to think about me as an author being present.
I have no interest in being present, in intervening between you and the work. My job is to be as invisible as possible. My job is to say, 'Hey, I wrote this book and I'm on the cover, bye bye!'
The story should have its own momentum; it should make its own way. I have no patience for that showy kind of writing, which is all about how clever the writer is. Postmodern stuff just leaves me totally cold.
I'm much more interested in being drawn into a book, and I want to create the kind of writing which hopefully makes you turn and turn the pages. — Clive Barker

We'd walk home together in the foggy summer night and I'd tell her about sex; the good stuff, like how it could be warm and exciting
it took you away
and the not-so-good things, like how once you showed someone that part of yourself, you had to trust them one thousand percent and anything could happen. Someone you thought you knew could change and suddenly not want you, suddenly decide you made a better story than a girlfriend. Or how sometimes you might think you wanted to do it and then halfway through or afterward realize no, you just wanted the company, really; you wanted someone to choose you, and the sex part itself was like a trade-off, something you felt like you had to give to get the other part. I'd tell her that and help her decide. I'd be a friend. — Sara Zarr

I wanted to deconstruct the puppet show. I wanted to turn it inside out and do stuff that you're not supposed to do. I didn't want it to be gentle like most puppet shows tend to be, since they come from childhood where you're gently trying to tell a story. I wanted to blast all that out of the water. I think there's plenty of room of any kind of attitude toward puppets. I call puppeteering acting while hiding. — Wayne White

Soros and the Tides Foundation have been trying to indoctrinate our kids. Do you remember that stupid what was the name of that film that they did? [clip comes up on monitor] There it is, The Story of Stuff . — Glenn Beck

Not knowing stuff - like how your story ends before you start writing - is the seed of a lot of writer's block. — Dan Alatorre

Everyone in my story has it's own character, GreenHollyWood cheeky, hypocritical and near to mad guy. A guy who really can't understand you and have very wrong conclusion so far I can say they are full of doubt.
John Barker, wow that's one of my favourite characters, he is the guy who always lies and always somebody is behind him, he works at the bakery, he tries to devastate a lot of stuff.
James Downder, the drunkard who knows probably he takes drugs or not, so far he is full of depression and so far the depression kills people.... — Deyth Banger

For the Bible, despite all its contradictions and absurdities, its barbarisms and obscenities, remains grand and gaudy stuff, and so it deserves careful study and enlightened exposition. It is not only lovely in phrase; it is also rich in ideas, many of them far from foolish. One somehow gathers the notion that it was written from end to end by honest men - inspired, perhaps, but nevertheless honest. When they had anything to say they said it plainly, whether it was counsel that enemies be slain or counsel that enemies be kissed. They knew how to tell a story, and how to sing a song, and how to swathe a dubious argument in specious and disarming words. — H.L. Mencken

Many people seem to think that art is a luxury to be imported and tacked on to life. Art springs out of the very stuff that life is made of. Most of our young authors start to write a story and make a few observations from nature to add local color. The results are invariably false and hollow. Art must spring out of the fullness and richness of life. — Willa Cather

I love how my sport reaches out to people with the music and story lines, the glory of standing up for three or four minutes of tough, arduous, gravity-defying skating and all the stuff that goes with it. — Kurt Browning

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid. — Jon Hamm

Once you learn to discern the voice of Mother Culture humming in the background, telling her story over and over again to the people of your culture, you'll never stop being conscious of it. Wherever you go for the rest of your life, you'll be tempted to say to the people around you, how can you listen to this stuff and not recognize it for what it is? — Daniel Quinn

The particular, eternally persisting, elementary physical stuff of the world, according to the standard presentations of relativistic quantum field theories, consists (unsurprisingly) of relativistic quantum fields ... they have nothing whatsoever to say on the subject of where those fields came from, or of why the world should have consisted of the particular kinds of fields it does, or of why it should have consisted of fields at all, or of why there should have been a world in the first place. Period. Case closed. End of story. — David Albert

Short Brief Story, How I started to make this which you see today?
I'm talking about the works, most people doubt about that I will become a writer. Most people said me this, you must drink a lot of teas, to become a writer (you must have a rich vocabulary and many other stuff!). But check out what Stephen King said in his book "Memoir and Craft" this
amazed me.
Most people know him as an actor or as an book writer...Maybe this can change some people opinions which didn't believe in me (in their opinions), I just show in my books a new world, YEAH I read some books in this time, I watched some films, I finished some games, some interesting stuff happened and many other things. But the best thing everything as much as possible was added in the books Series The Life Of One Kid! — Deyth Banger

Gods of Olympus." Piper stared at Leo. "What happened to you?"
His hair was greased back. He had welding goggles on his forehead, a lipstick mark on his cheek, tattoos all over his arms, and a T-shirt that read HOT STUFF, BAD BOY, and TEAM LEO.
"Long story," he said. — Rick Riordan

What a story is, is devious. It pretends transparency, forthrightness. It engages with ordinary people, ordinary matters, recognizable stuff. But this is all a masquerade. What good stories deal with is the horror and incomprehensibi lity of time, the dark encroachment of old catastrophes ... — Joy Williams

Danny had no idea what the thing was. All he knew was that he lived more or less in a constant state of expecting something any day, any hour, that would change everything, knock the world upside down and put Danny's whole life into perspective as a story of complete success, because every twist and turn and snag and fuckup would always have been leading up to this. Unexpected stuff could hit him like the thing at first: a girl he'd forgotten giving his number to suddenly calling up out of the blue, a friend with some genius plan for making money, better yet a person he'd never heard of who wanted to talk. Danny got an actual physical head rush from messages like these, but as soon as he called back and found out the details, the calls would turn out to just be about more projects, possibilities, schemes that boiled down to everything staying exactly like it was. — Jennifer Egan

Nothing to say. I used to be a ghostwriter for a publisher.'
'Medieval stuff?'
'Eighty-page love stories. You have this guy, untrustworthy but good in bed, and this girl, radiant but innocent. In the end they fall madly in love and it's incredibly boring. The story doesn't say when they split up.'
'Of course not,' said Mathias — Fred Vargas

We all got pushed into doing some bad stuff. And some people would blame all of that stuff on their circumstances. Maybe most people do. They come from shit and then do some shit. But you and I know better than that. It's not right. The stuff that's done to us is one thing. But the stuff we do because of it is a different story. There are very few things that are really beyond a person's control in life."
-Caesar — Christine Whitmarsh

I think everybody did their share of experimenting in the 1960s with drugs. My story is real simple. I was taking amphetamines in the late 60s and I was addicted to them. I don't necessarily know the why. I'm sure at the time I could've told you six different reasons why I was doing it. But, in the end, all of that stuff, all chemicals will hurt you. — Tommy James

Just remember, please, most of that stuff is in the past. It isn't the story I want to tell. At all.
You needed to know it, but for the rest of this, I'm choosing my own story.
Because if you can't do that, you might as well just give up. — Patrick Ness

In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see. — Todd Farmer

It's not a bad idea to call this Cthulhuism & Yog-Sothothery of mine "The Mythology of Hastur" although it was really from Machen & Dunsany & others, rather than through the Bierce - Chambers line, that I picked up my gradually developing hash of theogony or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story! — H.P. Lovecraft

I can't recall a story that played out exactly as I'd expected it to. That's one of the thrills of journalism - being surprised, and learning new stuff, but it also poses the biggest challenge to a writer's character. — Dave Barry

Yessir, they's big money involved in this park fight, that's the story. Dyer's the mouthpiece for them east coast developers that has fought that park idea for years; them boys are workin day and night to grab that real estate before all them nature-lovers and such get the Glades nailed down by the federl gov'mint. You ain't seen all that stuff in the papers? Gettin the public fired up against the feds for wastin half of Florida on this big green nothin? Stead of sellin off that land and cuttin taxes? — Peter Matthiessen

My best advice is to first write for yourself and stay in your story and just pour all of your good stuff and bad stuff into it. By 'stuff,' I mean all the experiences and pleasures and little hurts that make up a life. Because even (and especially) the really hard experiences are worth having, if you can channel those emotions into something beautiful. — Jenny Han

What if you allowed your God to exist in he simple words of compassion others offer you? ... What if the greatest beauty of the day is the shaft of sunlight through our window? What if the worst thing happened and you rose anyway? What if you trusted in the human scale? What if you listened harder to the story of the man on the cross who found a way to endure his suffering more than to the one about the impossible magic of the Messiah? Would you see the miracle in that? — Cheryl Strayed

Ah, typical writing day? Well, I tend to do e-mail and the business stuff of writing more in the morning while my brain wakes up and then write more in the afternoon, sometimes from about 11 until 5, or 12 until 5. If a story is driving me nuts, I'll work more in the evenings, but usually I try not to do that. That's family time. — Shiloh Walker

I hope you liked them, Reader; that they did for you what any good story should do
make you forget the real stuff weighing on your mind for a little while and take you away to a place you've never been. It's the most amiable sort of magic I know. — Stephen King

Because here's the thing. We can do a lot in thirty-five days." He sat on the bed and pulled her down next to him. "I mean, think about books and movies. You can watch a great love story in two hours, right? Or read one in maybe two days? So imagine what we can do with thirty-five. We can celebrate a whole year of holidays. We can lock the door at night and turn the music up and memorize each other. We can taste and smell and touch every single thing we love about this whole town, so we never forget, no matter who we turn into out there." He hugged her hands tightly with his. "And then when it's time to leave each other, we'll go off smiling into the future, and we won't be distracted by all that 'when will I find true love' stuff people always worry about because they don't know how it feels. Because we'll already know how it feels. And if neither one of us ever gets another great love story, this one will be enough to last our whole entire lives. — J.C. Lillis

We don't feel pressure of, 'Let's make this really raunchy.' It's more about making a good story, which is 10 times harder. The raunchy stuff's really easy for us. — Matt Stone

WHITEWASHING HISTORY "Whoa!" you might say. "We've never heard this story about the Democrats. Are you making this stuff up?" Actually, no. Nothing I write in this chapter is controversial in terms of whether it happened or not. I am relying on the mainstream historians of slavery: David Brion Davis, Kenneth Stampp, Eugene Genovese, Orlando Patterson. How, then, can my arguments sound so outrageous? The reason is that progressive Democrats have whitewashed the party's history. They have cleaned up the record. — Dinesh D'Souza

Most of the time, the songs have jokes in them, little sarcastic things, or purposely kitsch or something. So that's going along with a story, like I do in life, just talking to myself and making fun of stuff and laughing at stuff that's serious. And sometimes it's a good idea to put the laughing into the songs. Sometimes it's not. Sometimes it's all right just to be serious. But most of the songs have some kind of joke in them. — Paul Simon

Writing about real stuff that really concerned me brought out my craft. If you're writing a story about, 'Is Lois Lane gonna figure out that Superman is Clark Kent?' - it's really hard to get involved in that on anything other than a craft level. And I'm not gonna put down craftsmanship; it is a noble enough thing to have made a table that you can pound on and it doesn't fall down. But occasionally, we might have an assignment that engages some other parts of ourselves, and those tend to be the good stories. — Dennis O'Neil

Supernatural horror was one of the ways we found that would allow us to live with our double selves. By its employ, we discovered how to take all the things that victimize us in our natural lives and turn them into the very stuff of demonic delight in our fantasy lives. In story and song, we could entertain ourselves with the worst we could think of, overwriting real pains with ones that were unreal and harmless to our species. — Thomas Ligotti

One of the things I tell the writers with whom I work is, man, when you finish a draft of a poem, or short story or novel, you make sure you go out and celebrate all night long because whether the world ever notices or not, whether you get it published or not, you did something most people never do: You started, stuck with, and finished a creative work. And that is a triumph. That is something to celebrate. All the stuff that I'm talking about is really from the point of view of trying to create art - and I don't mean to sound highfalutin when I bring the word "art" in. All I mean is, a work that seeks to illuminate truth in whatever way possible. — Andre Dubus III

I've been putting together the story with Rob and putting all the details of it together and looking at all the various designs they have for the toys and stuff, it's pretty exciting. — Nicholas Stoller

In 'Snow White and the Hunstman,' when we see them in the Dark Forest, you're allowed a lot of freedom to be able to cutaway to, for instance, the prince. That B and C story stuff helps the writing process, even though it makes it a more complicated movie. — Evan Daugherty

Don't talk to me about appealing to the public. I am done with the public, for the present anyway. The public reads the headlines and that is all. The story itself is fair and shows the facts. That would be all right if the public read the facts. But it does not. It reads the headlines and listens to the demagogues and that's the stuff public opinion is made of. — J. P. Morgan

The only stuff we looked at were incidents for which there are a paper trail ... (and) everything we looked up was full of lies. (Winfrey said) the belief this book is changing the lives of people trumps the fact that maybe the story is a fake. You would expect somebody in her position would take the ethical stand. — William Bastone

But my body was telling its story. I have read a lot of stuff about cancer. I needed this book. I wish I'd had this book when I had cancer. I wanted someone to be talking to me about "fart floors." I wanted somebody telling me what it was like to have a [colostomy] bag. I felt so alone. And if you're a person who's been traumatized [by past abuse], it's so potentially re-traumatizing. You slip right into "oh my god, this is the only person this has happened to before" mentality: "I'm especially bad and I have especially bad cancer ... " — Eve Ensler

I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful. — Randall Wallace

On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway. — George Saunders

You wanna be the next Tolkien? Don't read big, tolkien-esque fantasies. TOLKIEN didn't read big, tolkien-esque fantasies. He read books on finnish philology. You go and read outside your comfort zone, go and learn stuff. And then the most important thing, once you get any level of quality
get to the point where you wanna write, and you can write
is tell YOUR story. Don't tell a story anyone else can tell. Because you always start out with other people's voices ... There will always be people who are better or smarter than you. There are people who are better writers than me, who plot better than I do, but there is no one who can tell a Neil Gaiman story like I can. — Neil Gaiman

I have only known you about five months. But you know every piece of my life, all the ugly details. Now I'm asking you to trust me with yours - not because I want to know your stuff, but because I want to know you. What made you this amazing woman that you are, this woman that I've grown to admire and love. I want to know her story. — Denise Hildreth Jones