The Story Of A Land Quotes & Sayings

The story," the intruder said, settling back in the chair. "Once upon a time, over the gravity well and far away, there was a magical land where they had no kings, no laws, no money and no property, but where everybody lived like a prince, was very well-behaved and lacked for nothing. And these people lived in peace, but they were bored, because paradise can get that way after a time, and so they started to carry out missions of good works; charitable visits upon the less well-off, you might say; and they always tried to bring with them the thing that they saw as the most precious gift of all; knowledge; information; and as wide a spread of that information as possible, because these people were strange in that they despised rank, and hated kings ... and all things hierarchic — Iain M. Banks

All health, beauty, intelligence, and social grace has been teased from a vast butcher's yard of unbounded carnage, requiring incalculable eons of massacre to draw forth even the subtlest of advantages. This is not only a matter of the bloody grinding mills of selection, either, but also of the innumerable mutational abominations thrown up by the madness of chance, as it pursues its directionless path to some negligible preservable trait, and then - still further - of the unavowable horrors that 'fitness' (or sheer survival) itself predominantly entails. We are a minuscule sample of agonized matter, comprising genetic survival monsters, fished from a cosmic ocean of vile mutants, by a pitiless killing machine of infinite appetite. (This is still, perhaps, to put an irresponsibly positive spin on the story, but it should suffice for our purposes here.) — Nick Land

Faerie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold ... The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost. — J.R.R. Tolkien

We are born strangers in a strange land, and remain so. Travel simply reminds us of this essential truth. The transmission of a powerful story, one human to another, is an alchemical activity in which we are enlarged and changed. — Richard Halliburton

As a Midlander and a big walker, I'd always loved ridge and furrow fields, the plough-marked land as it was when it was enclosed. It is the landscape giving you a story of lives that ended with the arrival of sheep. — Jim Crace

Perhaps one day someone from a distant land will listen to this story of mine. Isn't this what lies behind the desire to be inscribed in the pages of a book? Isn't it just for the sake of this delight that sultans and viziers proffer bags of gold to have their histories written? — Orhan Pamuk

Some dark nights hide the cruelest of secrets. Such are the tales of the dark shadows hidden in that old castle in a distant land. The story of ages started with a classic; highlighting the infamous monster made out of a man. — Adhish Mazumder

Barbee had always wondered about mental institutions. He thought of taking notes for a feature story on this adventure at Glennhaven, as the evening wore on, began to seem remarkable for utter lack of anything noteworthy. It began to appear as a fragile never-never land, populated with timid souls in continual retreat from the real world outside and even from one another within. — Jack Williamson

The moral of the story, Son," Pun would say, "is Don't take more on your heart than you can shake off on your heels."
Of all lessons, that one I never learned and I hope I never do. My heart daily grows new foliage, always adding people, picking up new heartaches like a wool coat collects cockleburs and beggar's-lice seeds. It gets fuller and fuller as I walk slow as a sloth, carrying all the pain Pun and Frank and so many others tried to walk from. Especially the pain of the lost forest. Sometimes there is no leaving, no looking westward for another promised land. We have to nail our shoes to the kitchen floor and unload the burden of our heart. We have to set to the task of repairing the damage done by and to us. — Janisse Ray

....[T]he night terrors were no match for the glory of waking up to a new day in the Land of Israel. In every conscious moment, Yael was aware that she was living through times that would form the legends and myths of future generations. Just as her generation told and retold the story of the Exodus from Egypt - the event that changed the nature of Israel forever - so would her people hundreds of years from now tell of the end of the Great Exile and the return to this land. The wonder of it touched everything around her, casting a golden glow over even the most mundane events. Nothing seemed impossible, and nothing seemed entirely real. — Yael Shahar

Then again: from the critic's point of view, one of the truly wonderful things about the Star Wars universe is that the territory is so sprawling and borrows from so many sources that it's possible to find just about anything here, if you look hard enough. For example, the story of the original movie can also be summarized as, A restless young boy chafes at life on the dusty old family farm, until he meets a wizard and is swept away to a wondrous land where he meets some munchkins, a tin man, a cowardly lion and Harrison Ford as the scarecrow. — David Brin

We are contemporary citizens living in a technological world. Swimming in crosscultural waters can be dangerous, and if you are honest you can't stay there very long. Sooner or later you have to look at your own reflection and decide what to do with yourself.
We are urban people. We make periodic pilgrimages to the country ... If we align ourselves with the spirit of place we will find humility fused with joy.
The land holds stories. — Terry Tempest Williams

I Am Primate

I was once taught, that I am a soul in a body.
I once believed I was separate from the earth.
A stranger in a strange land,
a sinner in need of a Savior.
But, isn't this my home? This beautiful world?
Isn't this my form?
These hands, these eyes, this touch?
Am I to believe I have violated a rule,
just by being born?
Who claims this right to judge,
and on what authority do you stand?
The truth screams out from my cells.
I am not the imagination of a God,
I am a voice in the earth,
I am that which you deny!
The earth is my home and the stars my destiny.
I will touch the planets through
the hands of my children
. . . not the will of your ghost!
I am a voice in the evolutionary continuum
and I claim the right to be alive,
without your story.
For I Am Human, I Am Proud,
and I AM . . . PRIMATE! — Christopher Zzenn Loren

I am not much interested in discovering new territories to photograph. Instead, what I wish my pictures could do is lessen the distance one often feels when looking at landscape photographs ... The longer I work, the more important it is to me to make photographs that tell my story as a participant, and not just an observer of the land. — Mark Klett

It is not because I do not love my adopted land - it is the natural feeling of one far from home, who remembers those happy, carefree days when life flowed at full tide, without responsibility, flashing past one like the drama in a fascinating story of adventure and romance. — Erich Von Stroheim

I drove out of Dartmouth and after a while Start Bay emerged out of the brightening gloom like the end of a set of parentheses in a book about the natural world. Inside the parentheses was a story about the sea. Outside them, the land: green, red and brown fields, and hills curling over the landscape. I saw small, delicate clumps of snowdrops, big rough patches of gorse, and along the thin road, houses with yellow roses and mimosa growing in their gardens. — Scarlett Thomas

I shall try to persuade first the Rulers and soldiers, and then the rest of the community, that the upbringing and education we have given them was all something that happened to them only in a dream. In reality they were fashioned and reared, and their arms and equipment manufactured, in the depths of the earth, and Earth herself, their mother, brought them up, when they were complete, into the light of day; so now they must think of the land in which they live as their mother and protect her if she is attacked, while their fellow citizens they must regard as brothers born of the same mother earth ... . That is the story. Do you know of any way of making them believe it?"
"Not in the first generation," he said, "but you might succeed with the second, and later generations. — Plato

While they sorted us out for transportation I had a chance to look around. In the light of the dying sun the image glimpsed earlier through the crack in the box car seemed to have changed, grown more eery and menacing. One object immediately caught my eye: an immense square chimney, built of red bricks, tapering towards the summit. It towered above a two-story building and looked like a strange factory chimney. I was especially struck by the enormous tongues of flame rising between the lightning rods, which were set at angles on the square tops of the chimney. I tried to imagine what hellish cooking would require such a tremendous fire. Suddenly I realized that we were in Germany, the land of the crematory ovens. I had spent ten years in this country, first as a student, later as a doctor, and knew that even the smallest city had its crematorium. — Miklos Nyiszli

I remember the tale of the rabbi to whom a dead man came with a problem: he believed that he was alive. "Don't you know," the rabbi told him, "that you are no longer among the living? You are in the Land of Confusion." On hearing the story, the rabbi's son worried that he too was in the Land of Confusion. "Once you know that there exists such a world, you cannot be in it," explained the father. (208) — Michael Greenberg

I want to stretch our legs and show you the view of our valley. It's a tradition when we bring someone special to the ranch for the first time." He set the kitten on the seat opposite them and opened the door. He stepped out, then helped her to the ground and started to release her.
Pamela squeezed his hand and didn't let go.
John's quick smile told her he approved. He led her to a lookout and waved an arm in a sweeping motion. "Our valley."
"Really?" Delighted, she leaned forward to take in the view. Grasslands studded with cattle surrounded a big white house, outbuildings, a barn, and two smaller homes. She studied the house. From this distance, it looked large and comfortable, two-story, as John had described, with a porch across the front. She relaxed at the sight.
The distant mountains still held snow on their peaks. Stark blue sky stretched over the land, with several puffy white clouds floating by. Our valley, she echoed. — Debra Holland

The hassle over the word 'proof' boils down to one question: What constitutes proof? Does a UFO have to land at the River Entrance to the Pentagon, near the Joint Chiefs of Staff offices? Or is it proof when a ground radar station detects a UFO, sends a jet to intercept it, the jet pilot sees it, and locks on with his radar, only to have the UFO streak away at a phenomenal speed? Is it proof when a jet pilot fires at a UFO and sticks to his story even under the threat of court-martial? Does this constitute proof? — J.D. Gray

It's the big new bridge," said Serge. "Takes you right across Lake What-the-Fuck." "Is that another real name?" "No," said Serge. "That's what I call it. It's really named Lake Surprise. But surprise is usually something good that provides delight, like winning the lottery or reaching in the back of the fridge and finding an unexpected jar of olives. But this lake got its name because it pissed people off." "How'd it do that?" "Another funny story. When Henry Flagler started the Overseas Railroad down the Keys, he looked for the route with the most land, because bridges over water cost more. So he sent out surveyors, and they began laying tracks south from the mainland of Florida, across some little islands and an isthmus to Key Largo. And I can't believe they built that far before realizing that right in the middle of a big chunk of land was this giant lake, and now they have to build an extra bridge that wasn't in the budget. — Tim Dorsey

A huge fleet comprised of thousands of large naval and other seaworthy vessels from almost every nation on earth laid in wait off the coasts of the United States of America. The ships were stationary, poised and ready, positioned miles out to sea but still within plain view of every major port city, along every coastal waterway on all three sides of the great North American land mass. — J.A. Willoughby

All storytelling is a form of travel. All of the things you know you should do when traveling this world apple in Elfland as well. The Charms will open the doors to strange and wondrous lands, so some travel tips and runic etiquette may be in order: Be polite. Don't take anything without asking. Laugh at their jokes. Remember, humor is sacred: so is hospitality. Beware of the dark woods at night. Do not trust the wolf in winter. Take notes. Sing for your supper. Pack extra sandwiches. Bring fine gifts. Always tell a story when asked. Listen as if your life depended on it. Start early. Walk the land. Keep your eyes open. Travel wisely and well. Come back safe and sound. — Ari Berk

It's important to people in the Land-of-Almost-Awake that it should be this way, because they believe that nothing really ever completely dies. It just turns into a story, undergoes a little shift in grammar, changes tense from 'now' to 'then'. A — Fredrik Backman

Balochistan was refused legitimacy for its nationhood with the creation of Pakistan due to the geographical location and the rich natural resources. The story would have been completely different if this has been a barren land. — Nilantha Ilangamuwa

Girl from the fifth floor, who feeds the birds every day, climbs up to the water tank and jumps off.
I see her body on the road below, and feel absolutely nothing. Maybe because I expect her to get up and walk off. In a story, the birds would have joined forces in a show of gratitude and broken her fall, carried her to a faraway land of safety. As it is, they just gurgle foolishly and confer about the no-show of breakfast.
I imagine myself in Pigeon girl's place - a split open bag of skin on tar. — Amruta Patil

If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it. — Mike Mills

Although our American friends, some of whose generals visited us, took a more alarmist view of our position, and the world at large regarded the invasion of Britain as probable, we ourselves felt free to send overseas all the troops our available shipping could carry and to wage offensive war in the Middle East and the Mediterranean. Here was the hinge on which our ultimate victory turned, and it was in 1941 that the first significant events began. In war armies must fight. Africa was the only continent in which we could meet our foes on land. The defence of Egypt and of Malta were duties compulsive upon us, and the destruction of the Italian Empire the first prize we could gain. The British resistance in the Middle East to the triumphant Axis Powers and our attempt to rally the Balkans and Turkey against them are the theme and thread of our story now. — Winston S. Churchill

A providence is shaping our ends; a plan is developing in our lives; a supremely wise and loving Being is making all things work together for good. In the sequel of our life's story, we shall see that there was a meaning and necessity in all the previous incidents, except those that were the result of our own folly and sin, and that even these have been made to contribute to the final result. Trust Him, child of God: He is leading you by a right way to the celestial city of habitation; and as from the terrace of eternity you review the path by which you came from the morning-land of childhood, you will confess that He has done all things well. — F.B. Meyer

Anyone can have a once-upon-a-time or a happily-ever-after, but it's the journey between that makes the story worth telling. — Chris Colfer

If a Palestinian bulldozer were ever invented (Haha, I know!) and I were given the chance to be in an orchard, in Haifa for instance,I would never uproot a tree an Israeli planted. No Palestinian would. To Palestinians, the tree is sacred, and so is the Land bearing it — Refaat Alareer

So she steeled herself. "I have never told anyone this story. No one in the world knows it. But it's mine," she said, blinking past the burning in her eyes, "and it's time for me to tell it."
Rowan leaned back on the rock, bracing his palms behind him.
"Once upon a time," she said to him, to the world, to herself, "in a land long since burned to ash, there lived a young princess who loved her kingdom . . . very much."
And then she told him of the princess whose heart had burned with wildfire, of the mighty kingdom in the north, of its downfall and of the sacrifice of Lady Marion. — Sarah J. Maas

You don't know what the story is about when you're in the middle of it. All you can do is keep walking. At the beginning, you have buoyancy and a little arrogance. The journey looks beautiful and bright, and you are filled with resolve and silver strength, sure that you will face it with optimism and chutzpah. And the end is beautiful. You are wiser, better, deeper. The end is revelation, resolution, a soft place to land. But, oh, the middle. The middle is fog, exhaustion, loneliness, the daily battle against despair and the nagging fear that tomorrow will be just like today, only you'll be wearier and less able to defend yourself against it. All you can ask for, in the middle, are sweet moments of reprieve in the company of people you love. For a few hours, you'll feel protected by the goodness of friendship and life around the table, and that's the best thing I can imagine. — Shauna Niequist

Freedom is as frightening now as it was thousands of years ago. It will always require a willingness to sacrifice what is most familiar for what is most true. To be free we may need to act from integrity, on trust, sometimes for a very long time. Few of us will reach our promised land in a day. But perhaps the most important part of the story is that God does not delegate this task. Whenever anyone moves toward freedom, God Himself is there. — Rachel Naomi Remen

What she'd thought was love before felt like a girlhood crush compared to the feeling now crashing over her. It sucked her under like riding whitewater rapids, spinning her around, and tossing her wildly into the air. There was no land, no balance, nothing to hold on to except Victor. In those quiet moments, he captured her loyalty and heart forever. She was done. — Kat Simons

Readers want to know a few things right up front, like what the weather is like and the lay of the land, the color of that lake, or the steep pitch of that steeple. Now whether or not these things have one iota to do with your story doesn't concern the reader. — Ron Rozelle

You see a guy with one leg, he's got a story. "Land mine '69." You see a guy with one arm, he's got a story, too. "Snow blower, bottle of whiskey." You see a guy with one tooth, what would the story be? "Well, uh, I like a lot of taffy." — Dave Attell

And it suggests this truth about the place where aesthetic form meets the human mind. For even if we were to find ourselves homeless, in a strange land, with nothing of ourselves left-say we lost everything-we'd still have another kind of home, in aesthetic form itself, in the familiarity, the unchanging assurance that a known rhythm, a recognised line, the familiar shape of a story, a tune, a line or phrase or sentence gives us every time, even long after we've forgotten we even know it. — Ali Smith

I have seen a large dog fox several times recently but it was a hot afternoon and no doubt, like most creatures, it was lying low in the shade. The fox has an unfortunate reputation. A crafty thief, often a charming one in fable and fairy story, its name is a byword for low (and occasionally high) cunning. A moral outlaw, a trickster and sometimes downright malevolent. The Christian Church often equated the fox with the devil. In many churches across the land you will find images of the fox in priestly robes preaching to a flock of geese. (There is a fine woodcut in the Cathedral at Ely.) The fox is a subtle outlaw, a devilish predator without conscience, and the geese a flock of innocents ... — Kate Atkinson

You land a second strike, this time just on my left cheek. It feels hard already and stings like hell. I imagine the red mark it has left on my behind as I thank you. As the belt catches my right buttock, I squeeze my eyes shut. I know my tears are close. You strike me again and again. You vary the location and the intensity; somehow never letting me settle into a pattern with the pain. I try to keep count in mind, but after fifteen I am lost in the hot, stinging sensation of my behind. — Felicity Brandon

Famous in our circles is the story of the visiting English banker who in 1948 upon seeing our model 95 camera commented, 'Very interesting, but why would one want a picture in a minute?' — Edwin Land

The aboriginal women leaders of Papunya - the Papunya Artists - performed a dance for me: the Honey Ant dance. They'd never done it for anyone else. They honoured me with a ceremonial stick that signifies the story of the land. — Quentin Bryce

Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other. — Robin Wasserman

Jon Land writes great fiction, and Betrayal reads like the best of it. The fact that it's true makes the story all the more riveting ... A sobering indictment of our law enforcement system and one man's relentless quest to see justice done. — Robert Leuci

If you start parsing the cause-and-effect chain backward through time, eventually you land in cosmology - does the story begin with the Big Bang or the out-of-nothing creation of the world by the word of a Southern Baptist god? And that question is even more fraught than any of the others. The stakes couldn't be any higher, because not it's not just a question of life and death, but also a question of life after death or eternal torture after death. — Kyle Minor

I don't have to tell you what this land used to look like," he said. "And you don't have to tell me that I am the one who ruined it. Which I did, with my own hands, and ruined forever. You're old enough to remember when the grass between here and Canada was balls high to a Belgian, and yes it is possible that in a thousand years it will go back to what it once was, though it seems unlikely. But that is the story of the human race. Soil to sand, fertile to barren, fruit to thorns. It is all we know how to do. — Philipp Meyer

There is a way that nature speaks, that land speaks. Most of the time we are simply not patient enough, quiet enough, to pay attention to the story. — Linda Hogan

Our family has made its livelihood from the land, digging trenches for hundreds of miles cross-country. You could say this is a real paradox, to destroy the land, yet love it at the same time. This is a typical story of Westerners, how we build community through change. — Terry Tempest Williams

Some biblical scholars believe that the story of the fall from the Garden of Eden was a cultural memory of the transition from foraging to agriculture: "In the sweat of thy face shalt thou eat bread." 79 So why did our foraging ancestors leave Eden? For many, it was never an explicit choice: they had multiplied themselves into a Malthusian trap in which the fat of the land could no longer support them, and they had to grow their food themselves. The states emerged only later, and the foragers who lived at their frontiers could either be absorbed into them or hold out in their old way of life. For those who had the choice, Eden may have been just too dangerous. A few cavities, the odd abscess, and a couple of inches in height were a small price to pay for a fivefold better chance of not getting speared — Steven Pinker

Moshup made this island He dragged his toe through the water and cut this land from the mainland. He went on then, with much animation, to relate a fabulous tale of giants and whales and shape-shifting spirits. I let hi speak, because I did not want to vex him, but also because I liked to listen to the story as he told it, with expression and vivid gesture. Of course, I thought it all outlandish. But ... it came to me that our story of a burning bush and a parted sea might also seem fabulous, to one not raised up knowing it was true. — Geraldine Brooks

Jeepie said that was why I was always a little bugs the first few days after they let me out of solitary confinement. He said solitary itself was nothing but a room and a cot and you; and the room was a blank to begin with and a blank was comfortable as being asleep or dead. But that if you began filling the room with crazy thoughts you came out of it crazy. Jeepie said perhaps my biggest trouble was I could never forget I'd been to school: "They've taught you that to think is to be smart but my friend there's times when it's smart to be stupid."

But no one's immune to thinking. Try drawing a blank for any length of time, emptying your head of everything and still you land on a color, a shape, a personality, a grievance. I can sit here on this cot in my cell and stare at the plaster wall, go absolutely limp in my head, and the story, the story of Virginia and me is there in the plaster. — Elliot Chaze

With live-action I think we'd have lost the universal appeal of the Persepolis story. With live-action, it would have turned into a story of 'the Other' - people living in a distant land who don't look like us. It might have been exotic, but also a "Third-World" story. — Marjane Satrapi

How had it happened that when choosing the men and women who were to be torn from this subjugated plain, the hand of destiny had stayed so far inland, away from the busy coastlines, to alight on the people who were, of all, the most stubbornly rooted in the silt of the Ganga, in a soil that had to be sown with suffering to yield its crop of story and song? It was as if fate had thrust its fist through the living flesh of the land in order to tear away a piece of its stricken heart. — Amitav Ghosh

I recognized it instantly. It was a made-up story, a fantasy, the tale of four kids who went through a magic wardrobe and found themselves in a strange new world. I'd read it more times than I could remember, and although I sneered at the thought of a magical land with friendly, talking animals, there were times when I wished, in my most secret moments, that I could find a hidden door that would take us allout of this place. — Julie Kagawa

A necessary part of our intelligence is on the line as the oral tradition becomes less and less important. There was a time throughout our land when it was common for stories to be told and retold, a most valuable exercise, for the story retold is the story reexamined over and over again at different levels of intellectual and emotional growth. — Wes Jackson

Many Detroiters, for example, are beginning to see urban agriculture as a real part of the solution; to grow things right where people live, where they work, and definitely need healthier food on the table. Green city gardens are scattered throughout Detroit now, from the schoolyard at Catherine Ferguson Academy for pregnant teens and teen moms, to reclaimed land owned by a local order of Catholic friars (Earthworks), to a seven-acre organic farm in Rouge Park. Together, city gardeners, nonprofit organizations, and the Greening of Detroit resource agency are writing a new local-food story of urban Michigan. — Jaye Beeler

Quiet. But when no one was looking I would slip into Ella's room and steal a book and take it back of the barn and try to read it. Usually I could not decipher enough words to make the story have meaning. I burned to learn to read novels and I tortured my mother into telling me the meaning of every strange word I saw, not because the word itself had any value, but because it was the gateway to a forbidden and enchanting land. One — Richard Wright

Rooted in the word 'history' is 'story.' And America's story is exceptional. It's amazing. Younger students should learn that we have always been and continue to be a land of immigrants - a land committed to bold new ideas. — Heidi Hayes Jacobs

The young of the town, preoccupied with their own germinating angst, which each possessed in varying degree (though few were ever fully aware of its existence), felt no particular connection to the land, its people, its structures, or its history. As such, they had no inclination to defend its invisible borders from declared enemies within or without. They desired only escape from this small village, which each viewed as an existential prison built upon the antiquated expectations of their parents and their parents' parents. And because of their invisible bondage, the young of this town were possessed by a quiet rage. But this rage laid torpid and inert within them, dulled to sleep by the tired repetition of nothing happening over and over and over again, day after day after day.
This is the story of one of those young people, and the terrible things that happened to her, and the terrible things she did as a result. — P.S. Baber

No episode is a priori condemned to remain an episode forever, for every event, no matter how trivial, conceals within itself the possibility of sooner or later becoming the cause of other events and thus changing into a story or an adventure. Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you. — Milan Kundera

Who Moved My Cheese?: The Story ONCE, long ago in a land far away, there lived four little characters who ran through a Maze looking for cheese to nourish them and make them happy. Two were mice, named "Sniff" and "Scurry" and two were Littlepeople - beings who were as small as mice but who looked and acted a lot like people today. Their names were "Hem" and "Haw." Due to their small size, it would be easy not to notice what the four of them were doing. But if you looked closely enough, you could discover the most amazing things! Every day the mice and the Littlepeople spent time in the Maze looking for their own special cheese. The mice, Sniff and Scurry, possessing simple brains and good instincts, searched for the hard — Spencer Johnson

I have read that long ago there was a land of glass castles that sank beneath the sea. It was not called Atlantis, but Lyonesse. This happened before history and across the ocean, but when I was little I wondered about that place, how it could be so beautiful and so lost. Sometimes it seemed that the land around my New England home was like that flooded country, with mud where the streets of gold should be and mayflies swarming where there should be lovely fishes, but here and there a shard of crystal to call the heart to beauty.
"Wetlands," in Phoebe. — Claudia Putnam

This is all a tale of an older world and a forgotten countryside. At this moment of time change has come; a screaming line of steel runs through the heather of no-man's-land, and the holiday-maker claims the valleys for his own. But this busyness is but of yesterday, and not ten years ago the fields lay quiet to the gaze of placid beasts and the wandering stars. This story I have culled from the grave of an old fashion, and set down for the love of a great soul and the poetry of life. — John Buchan

I shivered. The story was true. The Wizard of Oz had been real. Dorothy Gale had really been swept up by a tornado and brought to the Land of Oz. True, what I was living now didn't seem like the kind of storybook tale I was used to. But it didn't mean they didn't exist. — Danielle Paige

We measure our presence in generations; we cannot dig down ten thousand years and find our bones. Our arrival is scribed upon the line of history; it does not drift upon the winds of story, or float upon the shrouds of myth. We are still explorers and discoverers, seeking meaning through movement and examination. But we are coming to a time of listening. Our sweat and breath are now upon this land. Voices rise up, and we begin to hear the echoes in the stones. — Kent Nerburn

We are a race of tradition-lovers in a new land, of king-reverers in a Republic, of hero-worshipers in a society of mundane get-and-spend. It is a Country and a Time where any bank clerk or common laborer can become a famous outlaw, where an outlaw can in a very short time be sainted in song and story into a Robin Hood, where a Frontier Model Excalibur can be drawn from the block at any gunshop for twenty dollars. — Oakley Hall

We can think of the land bridge theory as a master narrative that for a couple of centuries has served multiple ideological agendas, lasting despite decades of growing evidence that casts doubt on the way the story has been perpetuated in textbooks and popular media. — Roxanne Dunbar-Ortiz

All of us have a responsibility to work for the day when the mothers of Israelis and Palestinians can see their children grow up without fear; when the Holy Land of the three great faiths is the place of peace that God intended it to be; when Jerusalem is a secure and lasting home for Jews and Christians and Muslims, and a place for all of the children of Abraham to mingle peacefully together as in the story of Isra - (applause) - as in the story of Isra, when Moses, Jesus, and Mohammed, peace be upon them, joined in prayer. (Applause.) — Barack Obama

Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants. — William Butler Yeats

I want you to read 'God Sees the Truth, but Waits,' " said Mother. "Tolstoy writes about a man, wrongly accused of a murder, who spends the rest of his life in a prison camp. Twenty-six years later, as a convict in Siberia, he meets the true murderer and has an opportunity to free himself, but chooses not to. His longing for home leaves him and he dies." I ask Mother why this story matters to her. "Each of us must face our own Siberia," she says. "We must come to peace within our own isolation. No one can rescue us. My cancer is my Siberia." Suddenly, two white birds about the size of finches, dart in front of us and land on the snow. — Terry Tempest Williams

We gathered up the kids and sat up on the hill. We had no time to get our chickens and no time to get our horses out of the corral. The water came in and smacked against the corral and broke the horses' legs. The drowned, and the chickens drowned. We sat on the hill and we cried. These are the stories we tell about the river," said [Ladona] Brave Bull Allard. The granddaughter of Chief Brave Bull, she told her story at a Missouri River symposium in Bismark, North Dakota, in the fall of 2003.

Before The Flood, her Standing Rock Sioux Tribe lived in a Garden of Eden, where nature provided all their needs. "In the summer, we would plant huge gardens because the land was fertile," she recalled. We had all our potatoes and squash. We canned all the berries that grew along the river. Now we don't have the plants and the medicine they used to make. — Bill Lambrecht

Although I don't know for sure, I'd bet my dog and lot that John Grisham never worked for the mob. All of that is total fabrication (and total fabrication is the fiction-writer's purest delight). He was once a young lawyer, though, and he has clearly forgotten none of the struggle. Nor has he forgotten the location of the various financial pitfalls and honeytraps that make the field of corporate law so difficult. Using plainspun humor as a brilliant counterpoint and never substituting cant for story, he sketches a world of Darwinian struggle where all the savages wear three-piece suits. And - here's the good part - this is a world impossible not to believe. Grisham has been there, spied out the land and the enemy positions, and brought back a full report. He told the truth of what he knew, and for that if nothing else, he deserves every buck The Firm made. — Stephen King

Our story begins with the Grail castle, which is in serious trouble. The Fisher King, the king of the castle, has been wounded. His wounds are so severe that he cannot live, yet he is incapable of dying. He groans; he cries out; he suffers constantly. The whole land is in desolation, for a land mirrors the condition of its king, inwardly in a mythological dimension, as well as outwardly in the physical world. The cattle do not reproduce; the crops won't grow; knights are killed; children are orphaned; maidens weep; there is mourning everywhere - all because the Fisher King is wounded. — Robert A. Johnson

I wonder," she said. "Does this castle have a moat?"
A group of servants were busy emptying the privy buckets into the moat when they were startled by a sudden drawn-out cry. They looked up in time see a scarlet-and-gold clad figure sail out of a first-story window, turn over once and then land with an enormus splash in the dark, rancid waters. They shrugged and went back to work. — John Flanagan

Then what in your opinion is a good story?'
'What it's always been, monkey,' Ganesha said. 'One dhansu conflict. Some chaka-chak song and dance. Grief. Love. Love for the lover, love for the mother. Love for the land. Comedy. Terror. One tremendous villain whom we must love also. All the elements properly balanced and mixed together, item after item, like a perfect meal with a dance of tastes. There you have it. — Vikram Chandra

There is in India a story of a dying youth who, hearing the sobs of grief around him, cried: Insult me not with your cries of sympathy. When I soar to the land of eternal light and love; it is I who should feel for you. For me, disease, shattering of bones, sorrow, excruciating heartaches no more. I dream joy, I glide in joy, I breathe in joy evermore. — Paramahansa Yogananda

So now, Mrs. Ramsay thought, she could return to that dream land, that unreal but fascinating place, the Manning's drawing-room at Marlow twenty years ago; where one moved about without haste or anxiety, for there was no future to worry about. She knew what had happened to them, what to her. It was like reading a good book again, for she knew the end of that story, since it had happened twenty years ago, and life, which shot down even from this dining-room table in cascades, heaven knows where, was sealed up there, and lay, like a lake, placidly between its banks. — Virginia Woolf

Did you hear it? Can you picture the symmetry? Our God is a God of hospitality, creating a place for a people, a place where all life can flourish. God provides for all creation, as our Story shows. Our God is a God of order; we can trust God to provide for us now as in the beginning. "I know that it may not seem that way today, for here we are, exiles in a foreign land. Life is hard. We know that. And that is why we must tell each other the Story, and keep telling it, to do exactly what God has continually told us to do: remember . . . remember . . . remember."[5] — Sean Gladding

Its message is the story's two theological affirmations: (1) God's word is truthful and authoritative; and (2) the fulfillment of his promise of land is coming to pass. — Kenneth A. Mathews

'Kiss Land' is the story after 'Trilogy'; it's pretty much the second chapter of my life. The narrative takes place after my first flight; it's very foreign, very Asian-inspired. When people ask me, 'Why Japan?' I simply tell them it's the furthest I've ever been from home. It really is a different planet. — The Weeknd

You mean we won't get to run through burning buildings?" I could see he wanted to laugh, but instead he watched me intently. "What? Why are you staring at me?"
"I'm not staring. I'm observing."
I smiled through my tears. "And what do you observe?"
He brushed his lips against my ear. "A brave young woman who has always fought for what was right, even when it was unpopular. A woman who can't return to the land of her birth, but is wlcome to cross the seas and rebuild Alexandria in mine. And a woman who has suffered enough in Rome and deserves happiness for a change. Will you come to Mauretania and be my queen?"
He drew back to look at me, but I held him closer. "Yes."
"Just yes?"
I nodded and pressed my lips against his. — Michelle Moran

I would have practically done all my films in 3D. There is something that 3D gives to the picture that takes you into another land and you stay there and it's a good place to be. ( ... ) It's like seeing a moving sculpture of the actor and it's almost like a combination of theater and film combined and it immerses you in the story more. I saw audiences care about the people more. The minute it started people wanted three things: color, sound and depth. You want to recreate life. — Martin Scorsese

People who've never traveled on the ocean have no idea how scary it is to be on a little boat out there with no land in sight, waves towering over you while you do into the valley of a swell with nothing to see except water... water and sky, no other boas anywhere, no semblance of any kinds of firm reality at all. The main thing one shouldn't do is imagine things. One shouldn't think about the boat tipping over, just falling over and rolling under. Things like that happen all of a sudden. A gigantic three story high wave could whollop the boat broadside. Splash! Whoops! You're gone! No hint of a boat in about three minutes! If you don't get sucked under with it, then where are you? — Cookie Mueller

I will tie the glass and stone with string, hang the shards above my bed, so that they will flash in the dark and tell the story of Katrina, the mother that swept into the Gulf and slaughtered. Her chariot was a storm so great and black the Greeks would say it was harnessed to dragons. She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies, as blind puppies, as sun-starved newly hatched baby snakes. She left us a dark Gulf and salt burned land. She left us to learn to crawl. She left us to salvage. Katrina is the mother we will remember until the next mother with large, merciless hands, committed to blood, comes. — Jesmyn Ward

One of the remarkable qualities of the story is that it creates space. We can dwell in a story, walk around, find our own place. The story confronts but does not oppress; the story inspires but does not manipulate. The story invites us to an encounter, a dialogue, a mutual sharing. As long as we have stories to tell to each other there is hope. As long as we can remind each other of the lives of men and women in whom the love of God becomes manifest, there is reason to move forward to new land in which new stories are hidden. — Henri Nouwen

If government ownership of land and natural resources was the best way to protect the environment, then we should have found a Garden of Eden in the Soviet Union after the Iron Curtain came down. Instead, there was one environmental horror story after another. — Malcolm Wallop

Before the Haitian Revolution, Africans toiling in the sugar fields of Saint-Domingue spread the story of the zombi. This was a living-dead person who had been captured by white wizards. Intellect and personality fled home, but the ghost-spirit and body remained in the land of the dead, working at the will of the sorcerers-planters. Any slave could be a zombi..." - The Half Has Never Been Told: Slavery and the Making of American Capitalism — Edward E. Baptist

Strange, the impact of History, the grip it had on us, yet it was nothing but words. Accidental accretions for the most part, leaving most of the story out. We have not yet begun to explore the true power of the Word, I thought. What if we broke all the rules, played games with the evidence, manipulated language itself, made History a partisan ally? Of course, the Phantom was already onto this, wasn't he? Ahead of us again. What were his dialectical machinations if not the dissolution of the natural limits of language, the conscious invention of a space, a spooky artificial no-man's land, between logical alternatives. I loved to debate both sides of any issue, but thinking about that strange space in between made me sweat. Paradox was one thing I hated more than psychiatrists and lady journalists. — Robert Coover

Boy, there are people who conquered half the world, slaughtered whole populations, wiped cultures off the face of the planet, and you know what history calls them? Heroes! Kings, presidents, champions, explorers. You think America was settled by white men because the Indians invited us her? No, we took this land because we were stronger, and that's how every page of human history is written. It's just our nature. We're a predator species, top of the food chain. Survival of the fittest is written in our blood, it's stenciled on every gene of our DNA. The strong take and the strong make, and the weak are there only to help them do it. End of story. — Jonathan Maberry

Oh, pride, pride. I was so wrong. It defeated me. It simply proved insurmountable. There was so much, oh, far too much for me. I mean, there's the weather, there's the water and the land, there are the animals, and the buildings, and the past and the future, there's space, there's history. There's this thread or something caught between my teeth, there's the old woman across the way, did you notice she switched the donkey and the squirrel on her windowsill? And, of course, there's time. And place. And there's you, Mrs. D. I wanted to tell part of the story of part of you. Oh, I'd love to have done that."
"Richard. You wrote a whole book."
"But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?"
"Yes. I suppose we do."
"You kissed me beside a pond."
"Ten thousand years ago."
"It's still happening. — Michael Cunningham