The Shape Of Voice Quotes & Sayings

THE NEXT MORNING, MUTTER stood at the front of his cage as six of the Almightys' Guards drug the body of the thing he'd called the Voice out of the room. It was oblong with no particular shape, just a blob. Two tiny arms stuck out from each side and four tentacles protruded from what was probably its head. A wet trail on the floor left by the Voice's body ran from the cell out the door. There was no way that thing had ever been a Guard. — L.S. O'Dea

Maia screamed and woke.

'Serenity?' Cala's voice, Cala's angular shape outlined against the window.

' 'Tis an ironic title, in sooth,' Maia said feebly, realizing that the entangling garments of the nightmare were merely his bedsheets. His heart was hammering, and he was clammy with sweat. — Katherine Addison

He had figured out that thoughts exist in silence and have no colour or sound or shape until they are turned into words. Spoken words exist in the mind first and then go to the voice and sit temporarily inside ears, and if words are conveyed through sign language, they exist in the motion of hands. — Rita Leganski

With every new manoeuvre, the light was growing dimmer
fading by numbers as well as strength
and the sound could no longer be heard, but only the pulse of it
seen going out in the darkness
losing its edges
caving in at its centre
webbing, now, as if a spider was spinning against the rain
until the last few strands of brightness fell
and were extinguished
silenced and removed from life and from all that lives forever.
And the bell tolled
but the ark, as ever, was adamant. Its shape had taken on a voice. And the voice said: no. — Timothy Findley

I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes ... — Gail Carson Levine

Oh," she said. "Yes." She was warm with the wine, with the shape of the plan she'd begun to form, and could not keep the merriment from her voice, the joy of reaching out into the world and altering it. "There will be a price. — Seth Dickinson

Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably — John Keats

You know why I've always liked your mouth, Rhubarb?" he asked in that whispery voice again, but it was twice as intimate as before. He let go of his prizes and reached up his free hand to rub his thumb over the bottom edge of her lip. Those shivers started again. "Even when you're calling me names, it's the perfect shape for kissing."
"There's no shape for kissing." She wasn't quite sure how the words came out. Her brain was completely disconnected and so her mouth had to be on auto-pilot. Which explained why it didn't do anything when his eyes closed and his lips descended to hers. — Dee Tenorio

Roza ... "
The voice caressed my skin, cold and deadly. Still scrutinizing his surroundings, Dimitri took one step forward. Then another. And then another.
I think it occurred to him to look up the instant I jumped. My body slammed into his, knocking him to the ground back first. He immediately tried to throw me off, just as I tried to drive the stake through his heart. Signs of fatigue and fighting were all over him. Defeating the other Strigoi had taken its toll, though I doubted I was in much better shape. We grappled, and once, I managed to rake the stake over his cheek. He snarled in pain but kept his chest well protected. Over it, I could see where I'd ripped his shirt the first time I'd staked him. The wound had already healed. "You. Are. Amazing," he said, his words full of both pride and battle fury. — Richelle Mead

In acting and speaking, men show who they are, reveal actively their unique personal identities and thus make their appearance in the human world, while their physical identities appear without any activity of their own in the unique shape of the body and sound of the voice. This disclosure of "who" in contradistinction to "what" somebody is - his qualities, gifts, talents, and shortcomings, which he may display or hide - is implicit in everything somebody says and does. — Hannah Arendt

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day ...
To me, it's all art, inside the studio and out. At least it is if we approach our lives that way. — Terri Windling

I never was in love - yet the voice and the shape of a woman has haunted me these two days. — John Keats

I have nothing to offer you' said Hactar faintly, 'but tricks of the light. It is possible to be comfortable with tricks of the light, though, if that is all you have.'
His voice evanesced, and in the dark a long, velvet paisley-covered sofa coalesced into hazy shape.
... At least, if it wasn't real, it did support them, and as that is what sofas are supposed to do, this, by any test that mattered, was a real sofa. — Douglas Adams

She was only a few yards from the door. If she lunged, she could be safely inside with solid metal between her and the bear. But she had called to him, and he had come. The tranquilizer dart that she had shot on the sea ice now lay in front of her. Impossibly, inexplicably, the bear had brought it back to her. She felt light-headed, and she knew she was shaking. She raised her eyes to look at the bear.
He was a mass of shadows at the edge of the station floodlights. She could make out the shape of his muzzle and the hunch of his shoulders. "Cassandra Dasent," he said. His voice was a soft rumble.
She felt as if her heart had stopped beating. — Sarah Beth Durst

The power to shape your reality lies within you, therefore the most important voice you will ever hear is your own. — Max Patrick

He holds out a trembling hand and traces the shape of her arm, descending to her elbow. "You're like mist," he says. "You really don't feel this?"

Love shakes her head. "No."

But that's not entirely true, because this illusion of a touch has turned her into a current, this human has reached down to her bones.

Then his fingers curl right through her hip, and he lowers his voice. "How 'bout that? — Natalia Jaster

Women need to see ourselves as individuals capable of creating change. That is what political and economic power is all about: having a voice, being able to shape the future. Women's absence from decision-making positions has deprived the country of a necessary perspective. — Madeleine M. Kunin

Then the Announcer would transform: into a screen through which to glimpse the past-or into a portal through which to step.
This Announcer was sticky,but she soon pulled it apart,guided it into shape. She reached inside and opened the portal.
She couldn't stay here any longer. She had a mission now: to find herself alive in another time and learn what price the Outcasts had referred to, and eventually,to trace the origin of the curse between Daniel and her.
Then to break it.
The others gasped as she manipulated the Announcer.
"When did you learn how to do that?" Daniil whispered.
Luce shook her head. Her explanation would only baffle Daniil.
"Lucinda!" The last thing she heard was his voice calling out her true name.
Strange,she'd been looking right at his stricken face but hadn't seen her lips move. Her mind was playing tricks.
"Lucinda!" he shouted once more, his voice rising in panic,just before Luce dove headfirst into the beckoning darkness. — Lauren Kate

The abstract idea of a spirit certainly implies that it has neither substance, form, shape, voice, or anything which can render its presence visible or sensible to human faculties. — Walter Scott

Kestrel, this isn't you."
She pressed back against the chill glass. "I don't know what you mean."
"This voice you've been using, that bright one...do you think I don't recognize it? It's the sound of you laying a trap. Of you hiding behind your own words. And I know that the way you've been talking is not you. Say what you want about me, about what happened between us, about the shape of the sun and the color of the grass and any other truths in this world you want to deny. Deny everything until the gods strike you down. But you can't say that I don't know you." He was now close enough that the air between them was alive against Kestrel's skin. "I... have thought about you." His voice dropped. "I have thought about how I have never known you to be dishonest with me. — Marie Rutkoski

Education brings sustainability to all the development goals, and literacy is the foundation of all learning. It provides individuals with the skills to understand the world and shape it, to participate in democratic processes and have a voice, and also to strengthen their cultural identity. — Irina Bokova

I often use the iPhone as an example of how governments shape markets, because what makes the iPhone 'smart' and not stupid is what you can do with it. And yes, everything you can do with an iPhone was government-funded. From the Internet that allows you to surf the Web, to GPS that lets you use Google Maps, to touchscreen display and even the SIRI voice activated system - all of these things were funded by Uncle Sam through the Defense Advanced Research Projects Agency (DARPA), NASA, the Navy, and even the CIA. — Mariana Mazzucato

I have dreamed of you so much that you are no longer real.
Is there still time for me to reach your breathing body, to kiss your mouth and make
your dear voice come alive again?
I have dreamed of you so much that my arms, grown used to being crossed on my
chest as I hugged your shadow, would perhaps not bend to the shape of your body.
For faced with the real form of what has haunted me and governed me for so many
days and years, I would surely become a shadow. — Robert Desnos

I am always in much better shape when I am doing a Broadway show because you have the eight shows a week to kind of keep the body clean and perfect in a sense, you know? For instance, I always eat much better when I am in a show because you can't have dairy - for your voice. — Jane Krakowski

Do you ever think about him? About the boy who infected you?"
Images flash in the darkness: a crown of auburn hair, like autumn leaves burning; the blur of a body, a shape running next to me; a dream-figure. "I try not to," I say.
"Why not?" Julian's voice is quiet.
I say, "Because it hurts. — Lauren Oliver

I loved her voice. Sort of raspy and breathy, but in a sexy way, not in an out-of-shape-smoker way. -Jessie, Love on the Red Rocks — Lisa Moreau

Corporations are great and appalling things. They take you and shape you in nearly nothing flat, twist and swivel you. And they do it without overt persuasion, they do it with smiles and nods, a collective inflection of the voice. You stand at the head of a corridor and by the time you walk to the far end you have adopted the comprehensive philosophy of the firm, the Weltanschauung. I use this grave and layered word because somewhere in its depths there is a whisper of mystical contemplation that seems totally appropriate to the subject of waste. — Don DeLillo

I had to change the shape of my own voice. It was quite hard to pull off and so once I had it, I stayed in Hitchcock's voice all day on set. — Toby Jones

Sojourner [Truth]'s life exemplifies the process that occurs within ourselves as we grow to understand that we hold the authority to shape our own lives. This inner authority came when she embraced all of herself, which enabled her to speak from an authentic voice. — Helen LaKelly Hunt

Sarah, though, was still sometimes ruled by stark pain, lost to everything else. Grief slipped away, only to attack from behind. It changed shape endlessly. It lacerated her, numbed her, stalked her, startled her, caught her by the throat. It deceived her eye with glimpses of Charles, her ear with the sound of his voice. She would turn and turn, expecting him, and find him gone. Again. Each time Sarah escaped her sorrow, forgetful amid other things, she lost him anew the instant she remembered he was gone. — Kate Maloy

I had been right the first time. His sonorous voice echoed through a hollow place of sorrow, catching its reverberations from those ragged walls. His gaiety masked a deep well of loneliness; he was a bright outward shape wrapped around shadows. — Sharon Shinn

Please, Mogget," whispered Lirael, too soft to be heard by anyone at all. But the white shape did hear. It stopped and turned inwards, to face Orannis, changing from a pillar of fire to a more human shape, but one with skin as bright as a burning star. "I am Yrael," it said, casting a hand out to throw a line of silver fire into the breaking spell-ring, its voice crackling with force. "I also stand against you. — Garth Nix

I take care of my voice; I'm working out the way I would do my body, so that stays in shape. — David Coverdale

Night was falling. Birds were singing. Birds were, it occurred to me to say, enacting a frantic celebration of day's end. They were manifesting as the earth's bright-colored nerve endings, the sun's descent urging them into activity, filling them individually with life nectar, the life nectar then being passed into the world, out of each beak, in the form of that bird's distinctive song, which was, in turn, an accident of beak shape, throat shape, breast configuration, brain chemistry: some birds blessed in voice, others cursed; some squeaking, others rapturous. — George Saunders

I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23. — David Suchet

The man who was talking had ceased to be of human size or proportions but had become a Colossus whose silhouette swooned backwards and forwards with the deep droning rhythm of his drug-laden phrases. He went on and on and on, unhurried, unruffled, inexhaustible, inextinguishable, a voice that had taken form and shape and substance, a figure that had
outgrown its human frame, a silhouette whose reverberations rumbled in the depths of the distant mountain sides. — Henry Miller

The resistance to the mimetic contagion prevents the myth from taking shape. The conclusion in the light of the Gospels is inescapable: myths are the voice of communities that unanimously surrender to the mimetic contagion of victimization. — Rene Girard

Volunteerism is the voice of the people put into action. These actions shape and mold the present into a future of which we can all be proud. — Helen Dyer

The powers that be are trying to meld, shape, and corral the culture of hip-hop into another speaking voice for the government. — Chuck D

You and I, as citizens, have the obligation to shape the debates of our time, not only with the votes we cast, but the voices we lift in defense of our most ancient values and enduring ideas. — Barack Obama

As for herself, she'd lacked any type of shield or voice of reason. Her life had been molded into a shape and left to harden in the sun. It was too late for her to change now. — Tessa Bailey

Looking out over the water, I spotted him right away,straddling his board. He was only a dot, but I would have known him anywhere.I thought of the shape of his hands,the hollow at the base of his spine,the way my heart had never stopped skipping a beat at the sound of his voice, and I realized it was the kind of loss- because I knew now that the thing I wanted more than anything in the world not to go fully wrong could- from which I would never fully recover. And I'm not sure I ever fully have. — Heather King

Hey, which one of them is supposed to be your boyfriend?" Stark
asked me. Even in the terrible shape he was in, he caught my glance
with his. His voice was scratchy, and he sounded scarily weak, but
his eyes sparkled with humor.
I am!" Heath and Erik said together. — Kristin Cast

Above all: only grant the suspicion that sport is a pastime for the most stupid as much space as it deserves, do not misuse it as a pretext to drift further in your customary state of self-neglect, distrust the philistine in yourself who thinks you are just fine as you are! Hear the voice from the stone, do not resist the call to get in shape! Seize the chance to train with a god! — Peter Sloterdijk

Then there came a faraway, booming voice like a low, clear bell. It came from the center of the bowl and down the great sides to the ground and then bounced toward her eagerly. 'You see I am fate,' it shouted, 'and stronger than your puny plans; and I am how-things-turn-out and I am different from your little dreams, and I am the flight of time and the end of beauty and unfulfilled desire; all the accidents and imperceptions and the little minutes that shape the crucial hours are mine. I am the exception that proves no rules, the limits of your control, the condiment in the dish of life. — F Scott Fitzgerald

Brandt was in a room full of people all looking at him as he was about to get naked...When Brandt's cock sprung free, there was a gasp from all corners of the room.
Nestor fanned himself. Bryce's mouth made a perfect "O" in exactly the right shape to fit over a beautiful, plump cockhead. Donnelly just stared, blinked hard, and stared some more.
"What? You guys all look like you've never seen a dick before," Brandt said, a touch of defensive anger in his voice.
"Honey, I thought I had, but I have been most cruelly misled," answered Bryce.
--Dressing room incident #3 — Xavier Mayne

How do we recognise another person? At its most basic, by shape, by colour, by outline, by dark and light, by smell. Or by nuances of tone, by the way the face looks in repose, the cadences of the voice, full of small interior knowledge, the way they hold their mouth while listening, or the way their gaze holds yours. By what their eyes say when they are not speaking. — Marion Coutts

The room was almost dark, with just flickers of light coming from the logs burning in the hearth. I could just see his shape, sitting in the leather, wing-backed chair, silhouetted by the fire.
"Come here."
His voice was quiet, but with the firmness I had come to expect from him. I moved closer and knelt down in front of him, my naked bottom facing the warmth of the fire. I bent my head downwards and looked at the floor as I had been taught, but he surprised me by lifting up my chin with his hand.
"You look so beautiful."
He bent and kissed me softly on the lips, and I shivered in anticipation. Was it to be pleasure or pain this time? Or perhaps a combination of both, given in the way that only he can. — Rachel De Vine

How long did they stay there in that room, on the narrow bed? She had a scar on her shoulder, in the shape of a star, that Louis couldn't help but run his lips over. A souvenir of a fall from a horse. It got dark. They could hear the clattering of hooves, a whinny, and the high-pitched voice of the marquis giving orders at more and more distant intervals, like a motif on a flute, clear and desolate, returning again and again. — Patrick Modiano

His voice gave out and he made several wavy motions with his hand, indicative of the shape of a woman who would probably be unable to keep her balance. — Terry Pratchett

The medium of poetry is not words, the medium of poetry is not lines-it is the motion of air inside the human body, coming out through the chest and the voice box and through the mouth to shape sounds that have meaning. It's bodily. — Robert Pinsky

The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice. — Luka Sulic

Whenever her focus slipped, it slipped onto James Holden. The sound of his voice, his despairing and undaunted laughter, the shape of his ass. He haunted her. — James S.A. Corey

I was following a phantom in my mind, whose shadowy form had taken shape at last. Her features were blurred, her coloring indistinct, the setting of her eyes and the texture of her hair was still uncertain, still to be revealed.
She had beauty that endured, and a smile that was not forgotten. Somewhere her voice still lingered, and the memory of her words. — Daphne Du Maurier

A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being. — Dwight Yoakam

The silence of landscape conceals vast presence. Place is not simply location. A place is a profound individuality. With complete attention, landscape celebrates the liturgy of the seasons, giving itself unreservedly to the passion of the goddess. The shape of a landscape is an ancient and silent form of consciousness. Mountains are huge contemplatives. Rivers and streams offer voice; they are the tears of the earth's joy and despair. The earth is full of soul ... Civilization has tamed place. Left to itself, the curvature of the landscape invites presence and the loyalty of stillness. — John O'Donohue

I know you're just trying to be kind. But the world isn't always kind. So sometimes you have to know what you're up against, and match it.' He held up a hand to stop the words about to be spoken; I could see the vague shape of it hovering in the blackness. 'I know it's not right to fight fire with fire. But sometimes, it's all we've got." His voice grew soft, and, in the darkness, his hand found mine, squeezed. 'Don't put your fire out, Kaitlyn. Use it, or pass the torch. — Mackenzie Herbert

As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies. — Mike Colter

The tiny body was slippery, and he held her tightly, afraid she'd slither out of his grip. He rotated the infant face-up, holding her about ten inches away from his face. The top of her head had a slight cone shape. Her blue-tinged hands pinked. The baby's eyes were open, alert and seemingly amazed.
They connected with his.
A jolt of intense feeling, of recognition, flowed between them. As he gazed on the scrunched features of the infant, love surged through him. He'd never felt such a feeling before, and his chest ached with the joyful pressure. Caleb wanted to curl her to his chest and keep her safe. He pressed a kiss to her forehead, inhaling a scent that surprised him with its sweetness.
"My baby?" Maggie asked.
The infant broke eye contact with Caleb and turned her face toward the sound of her mother's voice. He blinked back moisture from his eyes and grinned. "You have a beautiful daughter. — Debra Holland

No name, no number, but she remembered him, his eyes the color of shadow, his arms the shape of oblivion, a voice lulling her, beckoning her into the surf. His name was Brad or Tom or Steve ... or was it Rick? Ten years ago his voice had been the same, supplicating and tender with the promise of fairytale. — V.S. Kemanis

The Fox And The Crow
A CROW having stolen a bit of meat, perched in a tree and held it in her beak. A Fox, seeing this, longed to possess the meat himself, and by a wily stratagem succeeded. "How handsome is the Crow," he exclaimed, in the beauty of her shape and in the fairness of her complexion! Oh, if her voice were only equal to her beauty, she would deservedly be considered the Queen of Birds!" This he said deceitfully; but the Crow, anxious to refute the reflection cast upon her voice, set up a loud caw and dropped the flesh. The Fox quickly picked it up, and thus addressed the Crow: "My good Crow, your voice is right enough, but your wit is wanting. — Aesop

This, then, is the legacy of January 1973. The "me generation" found its voice, religion became a political force, poverty and civil rights became someone else's problem, and the national will for concerted action for the common good of all its citizens was scattered into "a thousand points of light."

At some point, perhaps those scattered lights will re-form and reunite to give birth to a rededicated nation, one that includes a place for everyone, opportunity for all, and help for those who need it. After all, it only takes a moment in time and some simultaneity. As Lyndon Johnson so aptly observed in his greatest speech - the "We Shall Overcome" speech - there are times in America when "history and fate meet at a single time in a single space to shape a turning point in man's unending search for freedom."

Let us hop such a time is nearing. — James Robenalt

They were kissing again, carefully at first, learning the shape and texture of each other's lips, testing the sharpness of the teeth behind them.
It's too fast, said a panicky voice in his mind. And too dangerous. He'll drink your juices, taste your brain, crack your soul open like an egg!
Hell, I think I want him to do all that. — Poppy Z. Brite

Of every aspect of the moor, the earth and stone and rain and fire, the wind is the strongest one in Near. Here on the outskirts of the village, the wind is always pressing close, making windows groan. It whispers and it howls and it sings. It can bend its voice and cast it into any shape, long and thin enough to slide beneath the door, stout enough to seem a thing of weight and breath and bone. The wind was here when you were born, when I was born, when our house was built, when the Council was formed, and even when the Near Witch lived, — Victoria Schwab

Man was the outlaw, the rebel, the distorted shape that scarred the earth, the voice that silenced the music of Eden, the hand that raised up obscenities and blasphemies. Man was the pariah-dog, the moral leper in this translucent mirror of Heaven. He was the muddier of crystal waters, the despoiler of forests, the murderer of the innocent, the challenger against God. He was the assassin of the saints and the prophets, for they spoke of what he WOULD NOT HEAR, in the darkness of his spirit! — Taylor Caldwell

You should really go inside now," he said.

Her glazed, unfocused stare was starting to clear, and the cranky look he was used to being levelled at him started to take shape. "And if I don't?"

"You want to fuck me on your doorstep?" he asked, his voice low and gravelly. "Call me tomorrow when you're sober. I'll be right over."

She jutted her chin defiantly - clearly pissed at him for trying to be the responsible one. "I won't need you after I've spent all night with a couple of multi-speed toyfriends and a box of batteries."

Linc shoved his hands on his hips, pushing back unhelpful images of her naked and pleasuring herself with a hot pink cock. "Go inside," he growled.

Before he did something crazy like offering to watch. — Amy Andrews

I thought once how Theocritus had sung
Of the sweet years, the dear and wished-for years,
Who each one in a gracious hand appears
To bear a gift for mortals, old or young;
And, as I mused it in his antique tongue,
I saw, in gradual vision through my tears,
The sweet, sad years, the melancholy years,
Those of my own life, who by turns had flung
A shadow across me. Straightaway I was 'ware,
So weeping, how a mystic Shape did move
Behind me, and drew me backward by the hair;
And a voice said in mastery, while I strove,
Guess now who holds thee?
Death, I said, But, there,
The silver answer rang,
Not Death, but Love. — Elizabeth Barrett Browning

Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You ... ' " The wind is red and black in the trembling cypress. — Chaim Potok

He took something out of his jacket and handed it to her. It was a long thin dagger in a leather sheath. The hilt of the dagger was set with a single red stone carved in the shape of a rose.
She shook her head. "I wouldn't even know how to use that
"
He pressed it into her hand, curling her fingers around it. "You'd learn." He dropped his voice. "It's in your blood."
She drew her hand back slowly. "All right."
"I could give you a thigh sheath to put that in," Isabelle offered. "I've got tons."
"CERTAINLY NOT," said Simon. — Cassandra Clare

This time Clary concentrated, trying to focus her mind on Simon-The Simon-ness of him, the shape of the way he thought, the feeling of hearing his voice, the sence of him close. His whispers, his secrets, the way he made her laugh.
'So', she thought conversationally, 'now that I'm in your mind, wnat to see some naked mental pictures of Jace?'
Simon jumped. I heard that! And, no. — Cassandra Clare

He looked at the granite. To be cut, he thought, and made into walls. He looked at a tree. To be split and made into rafters. He looked at a streak of rust on the stone and thought of iron ore under the ground. To be melted and to emerge as girders against the sky.
These rocks, he thought, are waiting for me; waiting for the drill, the dynamite and my voice; waiting to be split, ripped, pounded, reborn; waiting for the shape my hands will give them. — Ayn Rand

Meditation helps me feel the shape, the texture of my inner life. Here, in the quiet, I can begin to taste what Buddhists would call my true nature, what Jews call the still, small voice, what Christians call the holy spirit. — Wayne Muller

So," he said, shaking his head. "I'm too much for you. You should have said something. We might be married, Mercy, but no still means no."
I widened my eyes at him. "I just haven't wanted to hurt your feelings."
"When I give you that little nudge, hmm?" His voice took on a considering air. "Come to think of it, I'm feeling a little nudge coming on right now."
"Now?" I whispered in horrified tones. I looked up toward Jesse's room. "Think of the children."
He tilted his head as if to listen, then shook it. "They won't hear anything from there." He started slowly down the stairs.
"Think of Darryl, Zack, Lucia, and Joel," I said earnestly. "They'll be scarred for life."
"You know what they say about werewolves," he told me gravely, stepping down to the ground.
I broke and ran - and he was right on my tail. Figuratively speaking, of course. I don't have a tail unless I'm in my coyote shape. — Patricia Briggs

Maureen clapped her hands together. "Oh," she said in her elfin little voice. "It's pretty."
"Pretty?" Simon looked quickly at the hunched shape on top of the concrete block. "Maureen, what the hell- — Cassandra Clare

It was not her dream that chilled him, but that she did not weep as she told it. As a hero, he understood weeping women and knew how to make them stop crying
generally you killed something
but her calm terror confused and unmanned him, while the shape of her face crumbled the distant dignity he had been so pleased at maintaining. When he spoke again, his voice was young and stumbling. — Peter S. Beagle

The drum, at any rate, from its martial voice and notable physiological effect, nay, even from its cumbrous and comical shape, stands alone among the instruments of noise. — Robert Louis Stevenson

A voice said: One. One. One, two. One, two. Then the footsteps went back into the distance. After a while, another voice said: One, two, three, four- And the universe came into being. It was wrong to call it a big bang. That would just be noise, and all that noise could create is more noise and a cosmos full of random particles. Matter exploded into being, apparently as chaos, but in fact as a chord. The ultimate power chord. Everything, all together, streaming out in one huge rush that contained within itself, like reverse fossils, everything that it was going to be. And, zigzagging through the expanding cloud, alive, that first wild live music. This had shape. It had spin. It had rhythm. It had a beat, and you could dance to it. Everything did. — Terry Pratchett