The Same Scene Quotes & Sayings

Glenn ... I wasn't expecting this. He's not after my blood, and we like the same stuff."
From the rearview mirror, Jenks snickered. "Guns, violence, crime scene photos, leather, sex, and women. Yeah, I can see that."
(Ivy and Jenks) — Kim Harrison

Edward and I had not had a last grand scene of farewell, nor did I plan one. To speak the word was to make it final. It would be the same as typing the words The End on the last page of a manuscript. So we did not say our goodbyes, and we stayed very close to each other, always touching. Whatever end found us, it would not find us separated. — Stephenie Meyer

In 'Taxi,' I kept doing the same scene for three years. I was underused. — Jeff Conaway

The Feynman Dilemma
A diner says to a waiter, "What's this fly doing in my soup?" And the waiter says, "It looks like the backstroke." Yet if the same scene is viewed while plunging into a black hole at the speed of light, it will look like a Mickey Mouse lunch pail from the thirties, except that Mickey's head has been replaced by a Lincoln penny — Steve Martin

Harry Potter and the Sorcerer's Stone (2001)
[deleted scene]
Professor Severus Snape: For your information Potter, Asphodel and Wormwood make a sleeping potion so powerful it is known as the Draught of the Living Death, a Bezoar is a stone taken from the stomach of a goat and it will save you from most poisons. As for Monkshood and Wolfbane, they are the same plant which also goes by the name of Aconite. Well, why aren't you all copying this down? — J.K. Rowling

When those closest to us respond to events differently than we do, when they seem to see the same scene as part of a different play, when they say things that we could not imagine saying in the same circumstances, the ground on which we stand seems to tremble and our footing is suddenly unsure. — Deborah Tannen

WALTER SICKERT was connected with Jack the Ripper long before I appeared on the scene. I'm not the first one to think of him. But I'm the first to investigate him the same way we would a suspect today. — Patricia Cornwell

The stage is that immediate rush of energy you get from the audience. Also, doing something in chronology - something that starts and finishes the same night. In television, you work toward the one scene, you shoot it, and then you have to forget about it because you have to worry about the next scene. — Juan Pablo Di Pace

I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous. — Boy George

Any strongly marked expression of face on the part of a chief actor in a scene of great interest to whom many eyes are directed, will be unconsciously imitated by the spectators. Her forehead was painfully anxious and intent as she gave this evidence, and, in the pauses when she stopped for the Judge to write it down, watched its effect upon the counsel for and against. Among the lookers-on there was the same expression in all quarters of the court; insomuch, that a great majority of the foreheads there, might have been mirrors reflecting the witness, — Charles Dickens

All objects in the universe are unique. No two things that happen by chance ever happen in exactly the same way. No two things are ever constructed or manufactured in exactly the same way. No two things wear in exactly the same way. No two things ever break in exactly the same way. — Joe Nickell

If you're filming a scene on horseback, if you're trying to control an animal that's much larger than you and trying to get it to do the exact same thing so you can match things up, that can get tricky, especially if the horse gets tired or angry or something. — Daniel Portman

It would seem to me ... an offense against nature, for us to come on the same scene endowed as we are with the curiosity, filled to overbrimming as we are with questions, and naturally talented as we are for the asking of clear questions, and then for us to do nothing about, or worse, to try to suppress the questions ... — Lewis Thomas

It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place. — Arto Lindsay

Comedy is much harder, it's a lot more exacting. You can't just be real and you can't just use the same kind of techniques you use to fill up a regular scene. — Jack Nicholson

I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene. — Jose Padilha

I've never been in love, but I've always imagined it
weirdly
like some sort of OxiClean commercial. The TV host shows a scene from an ordinary day, and then takes a big old sponge soaked in love and swipes away the stains. Suddenly that same scene is missing all the mistakes, all the loneliness. The colors are like jewels, ten times richer than they were before. The music is louder and clearer. "Love," the host will say, "makes life a little brighter. — Jodi Picoult

Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time. — Matthijs Van Heijningen Jr.

The music scene as I look at it today is a little different from when I was growing up. The percentages are roughly the same - 95 percent rubbish, 5 percent pure. — Eric Clapton

I had to get a driver's license and drive to St. Louis to find the punk-rock scene that was happening there. And there was a punk-rock scene. It was sweet. It was real. It was like everywhere else in the county. It was a handful of people who were feeling the same pull, and, of course, it was like the Island of Misfit Toys in Rudolph the Red-Nosed Reindeer [1964]. Just the freaks, the fags, the fat girls, the unbelievable eccentrics . — Michael Stipe

I heard that the same thing occurred in a scene in Alien, where the creature pops out of the chest of a crewman. The other actors didn't know what was to happen; the director wanted to get true surprise. — Marvin Minsky

As a standup performer, I'm onstage, and it's important how the audience is looking at me. I'm looking at whether they're leaning forward or not, those types of things. You read an energy. And it's the same thing in a scene with other actors. — Jerrod Carmichael

Hot dogs and Communion at the Hope Rescue Mission. I will always think of the body of Christ now with this scene in mind. Doctors and housewives and professors in nice shoes and brightly colored sweaters shuffling to the table together with men and women who hadn't changed clothes for days or weeks. The sophisticated smell of after-shave mixed with the sharp scent of dirty socks and stale smoke. People whose lives seemed all together sharing the same loaf with people whose lives were broken and tattered. We were all one body, for we all ate from the same loaf. — Leonard J. Vander Zee

You know how they do that effect in movies, where they make it look like you have a twin, but it's really just the same actor playing both characters in the scene? I knew this would be the best route, but I just wasn't comfortable dressing as a woman, so I had to hire other actors. — Zach Braff

No matter when you had been to this spot before, a thousand years ago or a hundred thousand years ago, or if you came back to it a million years from now, you would see some different things each time, but the scene would be generally the same. — Neil Armstrong

Some directors don't say much. Michael Mann, for example. I remember on 'The Insider' he never had much to say. He would do a scene, just kind of nod, and then set it up to do it again. And you might do a scene 10 or 12 times or more, the same little 31-second bit. And you could tell he wasn't satisfied, but he wouldn't say much. — Philip Baker Hall

Looking at a photograph by Helen Levitt of four boys in a New York street, we are likely to find ourselves longing to comfort the grim-faced, stoic young man in the corner, whose mother perhaps only half an hour ago did up the many buttons of his handsome coat, and whose distressed expression evokes a pure form of agony. But how very different the same scene would have looked from just a metre away and another viewpoint. To the boy at the far right, what appears to matter most is a chance to take a closer look at his friend's toy. He has already lost any interest in the overdressed crybaby by the wall, whom he and his classmates have just slapped hard for a bit of fun, on this day as on most others. — Alain De Botton

When the essence of a scene demands the simultaneous presence of two or more factors in the action, montage is ruled out." It can reclaim its right to be used, however, whenever the import of the action no longer depends on physical contiguity even though this may be implied. For example, it was all right for Lamorisse to show, as he did, the head of the horse in close-up, turning obediently in the boy's direction, but he should have shown the two of them in the same frame in the preceding shot. — Andre Bazin

Was he here? How close? She fought with the same determination she had then to prevent herself from passing out, as though giving in to unconsciousness would be fatal now, as then. Began to breathe more easily. Maybe he wasn't here. She was just spooked. Dreading the kill scene because of all it would bring back to her. Determined, she moved on down the street. 8:05 — William Appel

When you do a slasher film, you find yourself repeating the same kind of scene, then it becomes not very challenging and not very interesting. — Alexandre Aja

There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging. — Marjane Satrapi

Remember that old Disney movie, the cartoon with the dogs, Lady and the Tramp?" she said with a jerky laugh. "it's Jade's favorite of course. We've watched it a million times. This reminds me of that scene where they're eating spaghetti."
He raised his eyebrows. He knew exactly the scene. Both dogs both slurped the same piece and ended up kissing. — Roxanne Snopek

In Birmingham, Manchester or Liverpool there are white gangs that share the same backgrounds - they come from broken homes, completely dysfunctional, mums for the most part unable to cope, the fathers of these kids completely not in the scene. — Iain Duncan Smith

I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day. — Mark Strong

God first appeared on the scene of human history in the role of a matchmaker. What a profound and exciting revelation!
Is it too much to suggest that Eve came to Adam on the arm of the Lord Himself in the same way that a bride today walks down the aisle of the church on her father's arm? What human mind can fathom the depth of love and joy that filled the heart of the great Creator as He united the man and woman in this first marriage ceremony?
Surely this account is one among countless indications that the Bible is not a work of merely human authorship. Moses is generally accepted as the author of the creation record. But apart from supernatural inspiration, he would never have dared to open human history with a scene of such amazing intimacy - first between God and man, and then between man and woman. — Derek Prince

There's the movie you write, there's the movie you shoot and the movie you edit, and often, you find that you're getting the same information out of a scene that you already have and a scene that's actually more powerful, so you have to make the tough decision to take it out. — Tate Taylor

The scientific observer of the realm of nature is in a sense naturally and inevitably disinterested. At least, nothing in the natural scene can arouse his bias. Furthermore, he stands completely outside of the natural so that his mind, whatever his limitations, approximates pure mind. The observer of the realm of history cannot be disinterested in the same way, for two reasons: first, he must look at history from some locus in history; secondly, he is to a certain degree engaged in its ideological conflicts. — Reinhold Niebuhr

There are portions of the sovereign people who spend most of their spare time and spare money on motoring and comparing motor cars, on bridge-whist and post-mortems, on moving pictures and potboilers, talking always to the same people with minute variations on the same old themes. They cannot really be said to suffer from censorship, or secrecy, the high cost or the difficulty of communication. They suffer from anemia, from lack of appetite and curiosity for the human scene. Theirs is no problem of access to the world outside. Worlds of interest are waiting for them to explore, and they do not enter. — Walter Lippmann

'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom. — Tom DeLonge

If you ask people why they move to the city, they always give the same reasons. They've come to get a job or follow their friends or to be at the center of a scene. That's why we pay the high rent. Cities are all about the people, not the infrastructure. — Geoffrey West

Are we just going to keep having sex so we can avoid talking about what we need to talk about?"
Prophet pulled back and looked between Tom's legs.
"What?"
"Just checking to make sure you still have a dick."
"Same one that fucked you through the wall while you begged for it," Tom pointed out, and Prophet eyes grew heavy lidded with lust again. "You're so easy, Proph."
"For you. — S.E. Jakes

A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium
stage, film, music
doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way. — Lois Lowry

Along the way I stopped into a coffee shop. All around me normal, everyday city types were going about their normal, everyday affairs. Lovers were whispering to each other, businessmen were poring over spread sheets, college kids were planning their next ski trip and discussing the new Police album. We could have been in any city in Japan. Transplant this coffee shop scene to Yokohama or Fukuoka and nothing would seem out of place. In spite of which
or, rather, all the more because
here I was, sitting in this coffee shop, drinking my coffee, feeling a desperate loneliness. I alone was the outsider. I had no place here.
Of course, by the same token, I couldn't really say I belonged to Tokyo and its coffee shops. But I had never felt this loneliness there. I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself. — Haruki Murakami

It is a second-generation Seattle-scene record label; all of its artists are young people who came to Seattle after they graduated college in search of the legendary Seattle music scene and discovered that it didn't really exist
it was just a couple of dozen guys who sat around playing guitar in one another's basements
and so who were basically forced to choose between going home in ignominy or fabricating the Seattle Music scene of their imagination from whole cloth. This led to the establishment of any number of small clubs, and the foundation of many bands, that were not rooted in any kind of authentic reality whatsoever but merely reflected the dreams and aspiration of pan-global young adults who had flocked to Seattle on the same chimera hunt. — Neal Stephenson

I never come back home with the same moral character I went out with; something or other becomes unsettled where I had achieved internal peace; some one or other of the things I had put to flight reappears on the scene. — Lucius Annaeus Seneca

I started using Twitter about year after its very early adoption and ended up investing in it around that same time. I'm involved with the Tech scene and companies ranging from Facebook, Stumbleupon and Twitter. — Timothy Ferriss

So the question is not whether we will be extremists, but what kind of extremists we will be. Will we be extremists for hate or for love? Will we be extremists for the preservation of injustice or for the extension of justice? In that dramatic scene on Calvary's hill three men were crucified. We must never forget that all three were crucified for the same crime
the crime of extremism. Two were extremists for immorality, and thus fell below their environment. The other, Jesus Christ, was an extremist for love, truth and goodness, and thereby rose above his environment. — Martin Luther King Jr.

But how?" my students ask. "How do you actually do it?"
You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind
a scene, a locale, a character, whatever
and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind. — Anne Lamott

Have you ever seen The Last of the Mohicans?"
"I love it."
"Really?" I'm over the moon. We share a movie. Finally, we're on the same planet.
"Don't you love the part where he says, 'Stay alive. I will find you'?" I ask.
"I love that massacre scene," he says, like an excited little boy, "where they're walking down that path in the middle of nowhere and they're surrounded by the woods and you know the Indians are going to attack and it's so tense."
Things that make you go hmmm. — Melina Marchetta

I treat any scene the same - dialogue, action - you're still creating something in character. It's all acting, fighting. — Clive Owen

Such arguments remind me of a scene from Woody Allen's movie Manhattan, where a group of people is talking about sex at a cocktail party and one woman says that her doctor told her she had been having the wrong kind of orgasm. Woody Allen's character responds by saying, "Did you have the wrong kind? Really? I've never had the wrong kind. Never, ever. My worst one was right on the money."
Grace works the same way. It is what it is and it's always right on the money. You can call it what you like, categorize it, vivisect it, qualify, quantify, or dismiss it, and none of it will make grace anything other than precisely what grace is: audacious, unwarranted, and unlimited. — Cathleen Falsani

The cinematography is as much involved with the physicality of the scene, so a lot of our shots are hand-held. I felt the cinematographer needed to be the fourth-character with the same drive as the actors — J. Robert Spencer

The thing that impressed everyone when he same on the scene as a 17 year old was he already spoke like a man.
(on Michael Owen) — Graeme Souness

When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects.
I think the life is the same. — Hiroko Sakai

Here's where things get hazy. John claims that the men hauling him away from the scene were escorted by other men carrying submachine guns, though when pressed, he admitted that they may have been flashlights. Either way, John says the men threw him down and intended to execute him, at which point he kicked one of the men in the face and backflipped to his feet. He then wrestled away the man's gun and "dick-whipped" him with it. I am unclear as to whether or not this means he struck the man in the groin or merely slapped him in the same manner in which he would slap a person with his dick. I never ask John to clarify such things. Anyway, he said he swung again and slammed another man's skull with the gun, so hard it "made the batteries fly out. — David Wong

If you have someone falling out of the boat, you'd have to drag the boat up the river and film the same scene ten times, every time, dragging the boat exactly where it was up the river. — Bonnie Jo Campbell

The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy). — Madeline Miller

England has the most sordid literary scene I've ever seen. They all meet in the same pub. This guy's writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. They're all scratching each other's backs. — William S. Burroughs

This was the affair which had ended quietly and decently, without fuss or scenes or hysteria. When you were nineteen, and it was the first time you had been let down, you did not make scenes. You felt as if your back was broken, as if you would never move again. But you did not make a scene. That started later on, when the same thing had happened five or six times over, and you were supposed to be getting used to it. — Jean Rhys

These are very difficult times for new artists. Back in the day, a hit song could really seep into a person's DNA with radio and MTV. A hit today is not the same as a hit twenty years ago. Now there is so much competition, it is very hard to reach the people. The music scene is so overly saturated. There are no gatekeepers like there used to be. — Vivian Campbell

I direct in the same way that I act, which is thinking about what the scene needs. — Liev Schreiber

Syn was new to relationships Furi had no doubt he could keep him spellbound indefinitely. He would show the gorgeous specimen stretched out beneath him how beautiful it is to be a gay man in a committed relationship. He'd hoped the scene tonight at God and Day's didn't dissuade him. Furi didn't need any more cocks in bed with them. While it could be fun, not all gay men played with other couples. One man was enough for Furi. Syn was man enough for Furi. He'd show him every day if he'd let him. Syn would be able to trust him with his heart and his body, knowing there was no way he'd hurt him. And he secretly hoped Syn felt the same way. "Furi, — A.E. Via

It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me. — Kristen Stewart

They all occupied the same space but did not occupy it together. Imagine a thousand leaves of tracing paper, each with one person lightly pencilled on it, all stacked atop a scene of a frozen city block. A thousand discreet and solitary realities that appear to be occurring in the same location. — Doug Dorst

Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot. — Anthony Michael Hall

I have a few celebrity friends, but I'm really not into the whole Hollywood scene. I like to separate myself from my work. It stresses me out if I do too much of the same. — Keke Palmer

My grandmother, when she looked at American movies, she said, 'They're all the same. In the first scene somebody shoots somebody and then everybody makes phone calls.' — Marina Abramovic

Alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right. Yet it is certain that the power to produce this delight, does not reside in nature, but in man, or in a harmony of both. It is necessary to use these pleasures with great temperance. For, nature is not always tricked in holiday attire, but the same scene which yesterday — Ralph Waldo Emerson

If I wrote something just for a musician and not for a soundtrack I would have no inspiration from scenes or from the story. It's like if a painter sees a beautiful scene and he paints it. If he's in his home it's not the same. — Claudio Simonetti

When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue. — Martin Scorsese

Action, reaction, motivation, emotion, all have to come from the characters. Writing a love scene requires the same elements from the writer as any other. — Nora Roberts

Unlike the close-knit, DIY queer scene you were once at the center of in San Francisco, the queer scene in LA can feel like everything else in LA: partitioned by traffic and freeways, oppressively cliquish and bewilderingly diffuse at the same time, hard to fathom, to see. — Maggie Nelson

By the time we were done I was exhausted. I don't know how movie stars do the same scene over and over like that. It takes a lot out of you. — Michael Thomas Ford

The main thing about improvising is listening so if something happens that wasn't expected and you know your character, you know what has to happen in this scene, you can react to that in a way that's honest and it might take you in a different direction to go to the same place. — Vince Vaughn

It was entirely taken for granted that there wasn't any lying in our family, and I was advanced in adolescence before I realized that in plenty of homes where I played with schoolmates, and went to their parties, children lied to their parents and parents lied to their children and to each other. It took me a long time to realize that these very same everyday lies, and the stratagems and jokes and tricks and dares that went with them, were in fact the basis of the scenes I so well loved to hear about and hoped for and treasured in the conversation of adults. My instinct - the dramatic instinct - was to lead me, eventually, on the right track for a storyteller: the scene was full of hints, pointers, suggestions, and promises of things to find out and know about human beings.I had to grow up and learn to listen for the unspoken as well as the spoken - and to know a truth, I also had to recognize a lie. — Eudora Welty

One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes. — James Wan

The same camera that photographs a murder scene can photograph a beautiful society affair at a big hotel. — Weegee

Despite all the videos you see from the Ministry of Defence or the Pentagon, and all the sanitised language describing smart bombs and pinpoint strikes, the scene on the ground has remained remarkably the same for hundreds of years. Craters. Burned houses. Mutilated bodies. Women weeping for children and husbands. Men for their wives, mothers children. — Marie Colvin

The concept of a writer writing a vivid and accurate scene in a language transparent and devoid of decoration so that we see through to the object without writerly distraction suffers the same contradiction as the concept of a painter painting a vivid and accurate scene with pigments transparent and devoid of color, including white and black - so that the paint will not get between us and the picture. — Samuel R. Delany

There is a recurrent scene from those dinners that surfaces again and again, like an obsessive undercurrent in a dream. Julian, at the head of the long table, rises to his feet and lifts his wineglass. 'Live forever,' he says.

And the rest of us rise too, and clink our glasses across the table, like an army regiment crossing sabres: Henry and Bunny, Charles and Francis, Camilla and I. 'Live forever,' we chorus, throwing our glasses back in unison.

And always, always, that same toast. Live forever. — Donna Tartt

But the more I read ... after awhile ... I begin to find they were all writing about the same thing, this same dull old here-today-gone-tomorrow scene ... Shakespeare, Milton, Matthew Arnold, even Baudelaire, even this cat whoever he was that wrote Beowulf ... the same scene for the same reasons and to the same end, whether it was Dante with his pit or Baudelaire with his pot ... the same dull old scene ... — Ken Kesey

I happened to observe a mother lifting her eight-year-old boy in her arms. As she did so she laughed and said, "You're getting so big you'll be lifting me soon." It was the simplest of statements. Yet I felt something transiently touching about the scene merely because millions upon millions of mothers reaching back into the dawn of history must have said the same thing to their children at some time and because other millions will say it in the remote future long — Leo Tolstoy

Writers and actors have some creative ground in common, and so when you're writing a scene and hoping to convey a mood it's not the worst idea to try to put that mood into your headspace -- feel it, if only a little. I'm not saying you have to kill a kitten or punch your mother to feel something -- I just mean, stir up the memory of certain emotions if not the emotion itself. Same way an actor might think about a sad moment to conjure tears on-camera. 23. — Chuck Wendig

I want to sleep with people, steal, get run out of town, leave my fingerprints on every scene. We have a name for it, our generation. It's our Baghdad."
"Your what?"
"My Baghdad," Tommy said laughing, knowing it was dumb, savoring the dumbness, and maybe also its truth. "The situation you get into knowing it's fucked-up but you keep doing it anyway, making it an even bigger disaster. Everyone gets one, but that's how you learn. It builds character, makes you dirty and real. You know you're a superpower when you can lose every war and still be a superpower. Maybe you're a superpower because you can afford to lose them. Same here. There should be a Web site that records all the risks a person has taken, all the famous people they've met, all their gnarly trips and bad decisions. Like a Web site that ranks who's lived the most."
"Isn't that called Facebook?" Mills asked. — Christopher Bollen

Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same. — Anna Brackett

Writing about sex is a challenge for the same reason sex is a challenge. Because it's complicated. Because it doesn't always make sense and it isn't always perfect and it's sometimes awful and it's sometimes hilarious. But underneath all the clever wordplay, it's about hope. Hope that someone will see us, and accept us, and perhaps - after all that - choose us. It's the barest we will ever be. The barest a character will ever be. That's why it's difficult.
As for what makes a good sex scene, a romance novelist would have told you that when done well and with a skilled hand, the best sex scenes can at once arouse and empower. Sex on the page gives readers the freedom to explore their own sexuality, their own pleasures, their own identities. With hope. And without judgment. — Sarah MacLean

The way I paint is similar to rock in that you don't stand around and say, 'Gee, what are they talking about?' Rock is simple, blunt, colorful. Same with my paintings. You don't stand back and wonder what it is. That's Jim Morrison, that's a panda, that's a scene on the West Coast. It's not abstract. — Grace Slick

When you start to see things that are well-executed you'll watch a lot of stuff in 3D and see the same scene again in 2D and realize, "Oh, my god, it's like you turned the color off or the sound off." Once you get used to it, I think audiences and the public will want more of it. — Andrew Wight

When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out. — Kurt Fuller

At some point during my research, I came across the term "gender fluid." Reading those words was a revelation. It was like someone tore a layer of gauze off the mirror, and I could see myself clearly for the first time. There was a name for what I was. It was a thing. Gender fluid.

Sitting there in front of my computer--like I am right now--I knew I would never be the same. I could never go back to seeing it the old way; I could never go back to not knowing what I was.

But did that glorious moment of revelation really change anything? I don't know. Sometimes, I don't think so. I may have a name for what I am now--but I'm just as confused and out of place as I was before. And if today is any indication, I'm still playing out that scene in the toy store--trying to pick the thing that will cause the least amount of drama. And not having much success. — Jeff Garvin

Many fear mistakes. In TV and films you just re-shoot the scene. In life do the same and just shoot a re-take. — Ian Dobson

As soon as you know the voice and understand what it is, the whole scene changes. The same world which was the ghastly battlefield of maya is now changed into something good and beautiful. — Swami Vivekananda

Here was the same beautiful scene, the same abundant foliage, the same splendid palaces and magnificent ruins, the — H.G.Wells

I tried so hard to fight the endless sobbing. I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, "Is there anything about this scene you can change, Liz?" And all I could think to do was stand up, while still sobbing, and try to balance on one foot in the middle of my living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control. At least I could cry hysterically while balanced on one foot. Hey, it was a start. — Elizabeth Gilbert

Sometimes filming can be grueling when you're shooting the same scene for a week, or you're sitting around for 7 hours a day. They sound like very first-world champagne problems. I don't mean to sound like life is so hard, but filming sometimes is tougher than other times. — Jai Courtney

In writing I try to pare down the descriptive bits. If I feel that I could say something in as few words as possible, then I would rather do it than to go on padding. One should describe sufficiently to give the reader a sense of what one feels, but not at the same time overwhelm the reader in any way. For example, I feel that if you use lots of adjectives they have a mutually cancelling effect. If you can describe a scene well enough, without having to use far too many words, I would rather do so. — Arthur Yap

My editor and I remain very disciplined. It's just sometimes when you're making a film, you get into the cutting room and you see a scene that's slowing you down in a certain section, but if you remove that scene then, emotionally or story-wise, another scene a half-hour later won't have the same impact. You just get stuck with it. — Alexander Payne

This scene was little more than a somewhat hollow ceremonial gesture. The real work of the conference had already begun, by a far smaller, more elite, and far less disparate set of individuals. All were white Westerners of elite backgrounds with more congruent temperaments and, as it turned out, goals. The first unofficial meetings between the leaders of the Big Four peacemakers - dubbed the Supreme Council - and their aides had been taking place for a week in a smaller chamber in the same building, and the maneuverings were afoot. It was nine weeks since the armistice — David A. Andelman

If there is one thing that, as a director, you don't want to be a part of, it's a group. It's the same thing with music. I don't want to be a part of a scene. Just leave me alone. It's just my nature, and it's nothing against the people that are in that group, but I just like to be left alone. — Rob Zombie

I was having panic attacks. I didn't want to live that way anymore. I was in love and I wanted it to work. I was tired of travelling, tired of the whole scene, just tired. I sat around. I was lazy. I wanted a routine, and I wanted to wake up in the same bed every day, and I got my wish. — Linda Evangelista