The Rock Film Quotes & Sayings
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When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film. — D. A. Pennebaker

With digital, you do have the advantage of having an absolutely rock steady image because there's no projector gate, no perforations, no film weaving through a machine. And there's no dust and no scratching. — Greg MacGillivray

I wouldn't say being in a film with The Rock was 'motivating.' 'Terrifying' would be a more accurate description. — Luke Evans

There are those who see film and take it seriously as an artistic medium, and others who go to have a good time, to simply be entertained. I have to be careful , because it sounds like I am condemning, or criticizing what people are doing. I have nothing against that, in the same way that some people like rock music or to go dancing, and other people like to go to a Beethoven concert. It's just that I'm more interested in the one than the other. — Michael Haneke

I actually don't see that strong of a connection between my background as a rock 'n roller and my early films. In a way I think your musical identity in film work is determined by the jobs that come your way. — Cliff Martinez

As recently as the grunge era, there remained a bohemian cachet in casually mentioning that you didn't own a TV. But nobody thinks like that anymore. Today, claiming you don't own a TV simply means you're poor (or maybe depressed). In one ten-year span, high-end television usurped the cultural positions of film, rock, and literary fiction. — Chuck Klosterman

As the final decade of the millennium dawned, there would be no greater expression of the cultural, economic, and social revolutions to come than fashion. What rock 'n' roll was to the '50s, drugs to the '60s, film to the '70s, and modern art to the '80s, fashion was to the '90s: the fuse, then the filter. — Maureen Callahan

And I guess, I guess it's a humanist film. It's not really a spiritual film and it's, you know, it's saying that we're all one tribe of humans and we're on this little rock, floating through the universe and (Amenabar) has these (transitional shots of) POVs where you see humans like ants. — Rachel Weisz

liked the idea of using pop bubblegum music, rock 'n' roll for 14-year-olds. That's what I grew up with as a teen in the '70s. And I thought it's a great ironic counterpoint to the roughness and rudeness and disturbing nature of the film to have this 'What's wrong with this picture?' music playing along with it. — Richard V. Greene

And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way. — Andy Serkis

Michael Heseltine, a wild-haired visionary, Klaus Kinski to Margaret's Thatcher's Werner Herzog, pushed Docklands across the Thames to the East Greenwich Peninsula. The Millennium Dome concept was a remake of 'Fitzcarraldo', a film in which suborned natives (expendable extras) drag a paddle steamer over a hill in order to force a short cut to more exploitable territory. The point being to bring Enrico Caruso, one of the gods of opera, to an upstream trading post. An insane achievement mirrored in the rebranding of the Dome, after its long and expensive limbo, as the O2 Arena, a popular showcase for cryogenic rock acts:Norma Desmond divas and the resurrected Michael Jackson, whose virtual rebirth,post-mortem, gave the shabby tent the status of a riverside cathedral. — Iain Sinclair

Directly after Rock Hudson's death came the fears that gay writers and actors and directors would be denied jobs; who knew if they would live long enough to finish a feature film or television series? And would the unions force directors to give blood tests and ban actors who tested positive? — Michael Shnayerson

My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it. — Paul Thomas Anderson

A "name" no longer carries a film. People used to go to the cinema to see a "John Wayne film." And you don't have that thing happening now except in the rock world, which has taken the event out of movies. — Elizabeth Taylor

On the scale of worlds - to say nothing of stars or galaxies - humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal. It — Carl Sagan

In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star ... Today people can idolize a star in one area and forget about him in another. A big rock star might sell millions and millions of records, but then if he makes a bad movie ... forget it. — Andy Warhol

I think every film actor secretly wants to be a rock star as well; just that part of the job which requires the extrovert in you. Even if you've become an actor because it's your way of hiding in plain sight, there's still part of you which has that craving. — Ben Barnes

I'm a member of the Recording Academy and I see the way it works and even with the whole voting process it's broken down into specific categories. There are Pop categories and Dance and Rock and Metal and Film and Score and everything else. Basically when you are voting you are urged not to vote in the category that you don't know anything about. — John Petrucci

No film critic's going to say it, but 'Madagascar 3' is better than 'The Artist.' — Chris Rock

You stand there, braced. Cloud shadows race over the buff rock stacks as a projected film, casting a queasy, mottled ground rash. The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country
indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky
provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut ...
... Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that. — Annie Proulx

In 'Pacific Rim' I had to have a haircut I wouldn't usually rock. However, the moustache I had in the film - that might have to come out again. It was a good moustache. Good times. — Idris Elba

The Apollo pictures of the whole Earth conveyed to multitudes something well known to astronomers: On the scale of the worlds - to say nothing of stars or galaxies - humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal — Carl Sagan

During the 1970s (and particularly because of Vietnam), it slowly became standard for absolutely everyone to go to college, particularly if they had no desire to get a real job. One of the results was a massive population of film school students, most of whom became waiters and valets in the 1980s. Since the vast majority of these Kubrick wannabes couldn't crack the motion picture industry, they saw opportunities to make minimovies in the world of rock 'n' roll. — Chuck Klosterman

In the beginning my energy and passion for acting came from an almost punk rock need to express a lot of anger wherever that may have come from. As I got older, it became or is coming more from a place of wanting to use the craft to help others in some way, to hold a mirror up to the situations that we're going through, to actually be more cautious about the way that I use the power of film and to see if there's anything that I can do in the performances that will resonate in the public a similar string that's on people's minds and is on my mind. That way we have that relationship. — Nicolas Cage

Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including Pope Francis (with whom Crowe snagged an audience), to salve canonical objections. — Richard Corliss

Ninety-nine per cent of traditional English literature concerns people who never have to worry about money at all. We always seem to be watching or reading about emotional crises among folk who live in a world of great fortune both in matters of luck and money; stories and fantasies about rock stars and film stars, sporting millionaires and models; jet-setting members of the aristocracy and international financiers. — James Kelman

We rode through a three-thousand-year-old country, saw the ruined capital of the Queen of Sheba and the underground red-rock city of Lalibela, fraternized with a tribe of leaden-skinned troglogytes living among the mountains, scrapped with brigands, outwitted crocodiles, and eventually emerged battered and in rags with a book of adventures and 1,000 feet of film. — Rosita Forbes

A film should be like a rock in the shoe. — Lars Von Trier

In The New Biographical Dictionary of Film, David Thomson argues that Brennan should have won awards for even better performances in To Have and Have Not (1944), My Darling Clementine (1946), Red River (1948), The Far Country (1955), and Rio Bravo (1959). Thomson counts no less than twenty-eight high caliber Brennan performances in still more films, including These Three (1936), Fury (1936), Meet John Doe (1941), and Bad Day At Black Rock (1955). Brennan worked with Hollywood's greatest directors - John Ford, Howard Hawks, William Wyler, King Vidor, and Fritz Lang - while also starring in Jean Renoir's Hollywood directorial debut, Swamp Water (1941). To discuss Brennan's greatest performances is also to comment on the work of Gary Cooper, Henry Fonda, Dana Andrews, Spencer Tracy, John Wayne, Humphrey Bogart, Lauren Bacall, Anne Baxter, Barbara Stanwyck, Lana Turner, Linda Darnell, Ginger Rogers, Loretta Young, and many other stars. — Carl Rollyson

The marketing department is really an important part of getting an animated film to work. If the people running it are used to selling live action films and the hard rock music and the sex and all those things ... Anything outside that, they just don't know what to do with it. — Don Bluth

I'd harbored hopes that the intelligence that once inhabited novels or films would ingest rock. I was, perhaps, wrong. — Lou Reed

Actually, I was rock climbing on this film at 7 in the morning. It was quite unique! But in any event, the colour of the leaves disturbed me so we had to work on that. On the other hand, I didn't want to drench it in a kind of depressing tone. — Martin Scorsese

There's no interference in stand-up. It's all the things it's hard to get in film: I get to have a wife, I get to have kids. I get to be sexual. I get to grow. I get to be a man. — Chris Rock

To act with a tennis ball and imagine it's a tentacle, or if you're in some kind of wilderness film and you go, 'Okay, we can't have a grizzly bear here, but imagine when you step over the rock there there's a grizzly bear.' I don't know. They're tough moments. — Joel Edgerton

The shot [in the 1956 film Written on the Wind] with Dorothy Malone walking down the stairs makes all rock videos ever after resemble forgotten, anemic nuns. — Aki Kaurismaki

It was very hard breaking into the film industry in Britain. I had been to art school, and I was painting and doing commercials. And I did some of the very first rock videos. — Tony Scott

It is so strange, to encounter an ex. It's as if you're in a foreign film, and what you're saying face-to-face has nothing to do with the subtitles flowing beneath you. We are so careful not to touch, although once upon a time, I slept plastered to you in your bed, you liked lichen on a rock. We are two strangers who knows every shameful secret, every hidden freckle, every fatal flaw in each other. ah we are ex , kisses indeed !! — Abdul'Rauf Hashmi

I like 'The Usual Suspects'. Great film. I also like 'Scarface', films like that. Lots of gangster films. I really like watching all kinds of films, dramas, romance. I'll watch comedies. I like Al Pacino, Robert De Niro, Denzel Washington, Chris Rock, Dave Chappelle. I'd like to meet them. — Barkhad Abdi

I dropped out of school at 17 and joined the Irish band The Frames, getting my first glimpse into the world of professional film making while shooting of a number of rock videos. — John Carney

I was born and raised in North Little Rock, Arkansas. I was 15 when I got my first job serving food to the residents in a retirement home - 22 years later I would shoot my first film in one. — Joey Lauren Adams

They came there regularly every evening drawn by some need. It was as if the water floated off and set sailing thoughts which had grown stagnant on dry land, and gave to their bodies even some sort of physical relief. First, the pulse of colour flooded the bay with blue, and the heart expanded with it and the body swam, only the next instant to be checked and chilled by the prickly blackness on the ruffled waves. Then, up behind the great black rock, almost every evening spurted irregularly, so that one had to watch for it and it was a delight when it came, a fountain of white water; and then while one waited for that, one watched, on the pale semicircular beach, wave after wave shedding again and again smoothly, a film of mother-of-pearl. — Virginia Woolf