Quotes & Sayings About The Power Of Dialogue

It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestick wisdom. It was said of Euripides, that every verse was a precept and it may be said of Shakespeare, that from his works may be collected a system of civil and oeconomical prudence. Yet his real power is not shown in the splendour of particular passages, but by the progress of his fable, and the tenour of his dialogue; and he that tries to recommend him by select quotations, will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his pocket as a specimen. — Samuel Johnson

The method that is required is not one of correlation but of liberation. Even the term "method" must be reinterpreted and in fact wrenched out of its usual semantic field, for the emerging creativity in women is by no means a merely cerebral process. In order to understand the implications of this process it is necessary to grasp the fundamental fact that women have had the power of naming stolen from us. We have not been free to use our power to name ourselves, the world or God. The old naming was not the product of dialogue- a fact inadvertently admitted in the genesis story of Adam's naming the animals and the women. Women are now realizing that the universal imposing of names by men has been false because partial. That is, inadequate words have been taken as adequate. — Mary Daly

Backs dialogue for solving disputes and not military power and threats. — Amr Moussa

I believe in the power of journalism. To make informed decisions, you have to have an understanding of the dynamics of a situation. And journalism does bridge gaps and creates dialogue. — Brad Pitt

Dialogue launches language, the mind, but once it is launched we develop a new power, "inner speech," and it is this that is indispensable for our further development, — Oliver Sacks

One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right. — Gerard Butler

No sensitive Christian can be satisfied with a distinction between righteousness and unrighteousness drawn only between communities, with each individual belonging unambiguously on one or the other side of the line. The behavior of "the righteous" is often very disappointing, while "the unrighteous" regularly perform in a manner that is much better than our theology might lead us to expect of them. Thus the need for a perspective that allows for both a rather slow process of sanctification in the Christian life and some sort of divine restraint on the power of sin in the unbelieving community. These theological adjustments to a religious perspective that might otherwise betray strong Manichean tones provide us with yet another reason for openness to a broad-ranging dialogue: Christians have good grounds for believing that their own weakness can be corrected by encountering the strengths of others. — Richard J. Mouw

Let us ask Mary to help us respond to violence, to conflict and to war, with the power of dialogue, reconciliation and love. She is our mother: may she help us to find peace; all of us are her children! — Pope Francis

A reader's emotions can be sparked with few words. That's the power of dialogue. — Sol Stein

Better to do nothing than to engage in localized acts whose ultimate function is to make the system run more smoothly. The threat today is not passivity, but pseudo-activity, the urge to "be active", to "participate", to mask the Nothingness of what goes on. People intervene all the time, "doing something"; academics participate in meaningless "debates," etc.; but the truly difficult thing is to step back, to withdraw from it all. Those in power often prefer even "critical" participation or a critical dialogue to silence, since to engage us in such a "dialogue" ensures that our ominous passivity is broken. The "Bartlebian act" I propose is violent precisely insofar as it entails ceasing this obsessive activity-in it, violence and non-violence overlap (non-violence appears as the highest violence), likewise activity and inactivity (the most radical thing is to do nothing). — Slavoj Zizek

The biblical teaching is clear. It always contests political power . It incites to "counterpower," to "positive" criticism , to an irreducible dialogue (like that between king and prophet in Israel ), to antistatism, to a decentralizing of the relation, to an extreme relativizing of everything political, to an anti-ideology, to a questioning of all that claims either power or dominion (in other words, of all things political), and finally, if we may use a modern term, to a kind of " anarchism " (so long as we do not relate the term to the anarchist teaching of the nineteenth century). — Jacques Ellul

Robert Frost didn't like to explain his poems - and for good reason: to explain a poem is to suck the air from its lungs. This does not mean, however, that poets shouldn't talk about their poetry, or that one shouldn't ask questions about it. Rather, it suggests that any discussion of poetry should celebrate its ultimate ineffability and in so doing lead one to further inquiry. I think of that wonderful scene from Elie Wiesel's memoir, Night, where Mosche the Beadle of the local synagogue, in dialogue with the young, precocious author, explains: Every question possesses a power that does not lie in the answer. — Tony Leuzzi

What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need. — Chinua Achebe

Asking ourselves, 'Where am I right now?' gives us a chance to step outside the internal dialogue for a moment of peace. Look around you, take a deep breath and notice what you see, hear and feel. Present moment awareness is the point of power and choice. It frees us from our compulsive thoughts. — Laura Harvey

[The myth of the absolutizing of ignorance] implies the existence of someone who decrees the ignorance of someone else. The one who is doing the decreeing defines himself and the class to which he belongs as those who know or were born to know; he thereby defines others as alien entities. The words of his own class come to be the "true" words, which he imposes or attempts to impose on the others: the oppressed, whose words have been stolen from them. Those who steal the words of others develop a deep doubt in the abilities of the others and consider them incompetent. Each time they say their word without hearing the word of those whom they have forbidden to speak, they grow more accustomed to power and acquire a taste for guiding, ordering, and commanding. They can no longer live without having someone to give orders to. Under these circumstances, dialogue is impossible. — Paulo Freire

This is an extraordinary book of unique psychological power. It reveals not only scholarship and sophistication of the author, but deep and intimate knowledge of the recesses of the human psyche. By masterful juxtaposition of evocative images, poetry, and selected quotes from scholars, Flesh and Blood seems to engage both the right and left hemispheres in an unprecedented dialogue. The result is a multi-dimensional, almost holographic picture of the primordial foundations of the human mind. — Stanislav Grof

Rather than make claims of final theories, perhaps we should focus on our ever-continuing dialogue with the universe. It is the dialogue that matters most, not its imagined end. It is the sacred act of inquiry wherein we gently trace the experienced outlines of an ever-greater whole. It is the dialogue that lets the brilliance of the diamond's infinite facets shine clearly. It is the dialogue that instills within us a power and capacity that is, and always has been, saturated with meaning. — Adam Frank

I have no illusions that my work can rouse the masses to create change, because literature simply doesn't have that power anymore in my country, if it does anywhere. But I do hope that it can be read by those who are in positions to create change, or that it can at least be part of that dialogue. — Miguel Syjuco

There's power in believing there's a God in each of us because if we are made in His/Her/Their image, aren't we all like good horcruxes for God? Because a piece of them is in us? — Luvvie Ajayi

The absolutist lays down the law, but the relativist hears only roaring and bawling. Or, when the relativist voice, as it is heard from philosophers such as Nietzsche or James, itself starts to grate and sounds shrill, as it often does, and when the relativist then offers concessions, the absolutist hears only insincerity. The war of words can often turn into a dialogue of the deaf, and this too if part of its power to arouse outrage and fury. — Simon Blackburn

Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems. — Linda Austin

Cultural relativism has used this deceit to gain power. The absolute relativists want to assert their sincere desire for dialogue UNTIL they become a majority. Then they often want to settle issues by either exclusion or coercion. They first argue for democratic fairness, but when they acquire their majority, they are tempted to turn immediately to a triumphalism that assumes that liberal justice has triumphed. From then on, dialogue about truth is forbidden, and about absolute truth is absolutely forbidden. — Thomas C. Oden

In a situation of manipulation, the Left is almost always tempted by a "quick return to power," forgets the necessity of joining with the oppressed to forge an organization, and strays into an impossible "dialogue" with the dominant elites. It ends by being manipulated by these elites, and not infrequently itself falls in an elitist game, which it calls "realism."
Manipulation, like the conquest whose objectives it serves, attempts to anesthetize the people so they will not think. For if the people join to their presence in the historical process critical thinking about that process, the threat of their emergence materializes in revolution ... One of the methods of manipulation is to inoculate individuals with the bourgeois appetite for personal success. This manipulation is sometimes carried out directly by the elites and sometimes indirectly, through populist leaders. — Paulo Freire

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things
a chair, a window curtain, a fork, a stone, a woman's earring
with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine
the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. — Raymond Carver

I am somebody who focuses on a dialogue between generations - that's the drive of my work. I believe the young generation take the power; they'll take over at one point, but the older generation, they'll push it away only because of the fear. I'm the opposite; I'm curious. — Raf Simons

In the Second Part of this Dialogue, that which hath already been shewn concerning the passive power of the universe is demonstrated for the active power of the efficient cause, set forth with arguments of which the first deriveth from the fact that divine power should not be otiose; particularly positing the effect thereof outside the substance thereof (if indeed aught can be outside it), and that it is no less otiose and invidious if it produce a finite effect than if it produce none. — Giordano Bruno

There is a tendency to underestimate the power of what we can do without words. Sometimes you can make a scene even more powerful and precise without dialogue. — Mads Mikkelsen

Finally, many people simply think better thoughts when in dialogue with others. Remember I^We: an individual's power is raised exponentially with the help of a network. This is partly because when information moves back and forth between knowledgeable people who care, the signal strengthens. Two (or more) well-coordinated brains beat one every time. — Reid Hoffman

I'm calling for dialogue. I'm gathering attention for dialogue which is what you do in a struggle for power. — Tupac Shakur

It is my firm belief that the solution to all problems lies in dialogue. Earlier, it was believed that force indicates power. Now, power must come through the strength of ideas and the effective dialogue. — Narendra Modi