The Mood Book Quotes & Sayings

So this is supposed to be about the how, and when, and why, and what of reading
about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time. — Nick Hornby

If absence makes the heart grow fonder, then DO NOT be afraid to LEAVE someone who is messing with YOUR MOOD in a detrimental way. — Shay Dawkins

I suspect that I'm not alone when it comes to altering my surroundings depending on how I feel at any particular moment: diving into a specific book, immersing inside a particular movie, devouring certain foods or humming to just the right song. — Barbara Brooke

From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came into adolescence and when she wanted to feel a closeness to someone she could read a biography. On that day when she first knew she could read, she made a vow to read one book a day as long as she lived. — Betty Smith

From the time I was a baby, my mom took me to the library at least once a week. Librarians were like Mary Poppins to me. They always knew how to match a book to my mood or to whatever I was going through at the time. I could always find peace in books.
pg 151 — Rachel Cohn

Gunner shook his head; he wasn't in the mood. He stared down at his bottle as he spoke. "Yeah, and what if I do go after it and what if I find no one, and I'm alone for the next sixty years? What then? Huh? Friends and family will get married. I'll be stuck buying gifts. Years pass: children, birthday parties. At dinner parties, I'll be odd man out, forcing people to arrange five chairs around a table instead of four or six. Or, okay, let's say maybe twenty years down the line I meet someone nice and I've already given up on ever finding true love. Let's say the girl is a few pounds overweight, has fizzy hair and an annoying laugh, but at this point, I'm also a few pounds overweight and my hair is thinning and my laughter is annoying. Maybe then the two of us get married, and both our groups of friends will say, 'See I told you that you'd find true love. It just took a while.' And we'll smile, but we'll both know it's a lie-- — Michael Anthony

On Thursday, I woke to find a perfect September morning, summer with the first gentle hint of autumn, exactly the wrong day to be away from the country. I would have gone for an enormous walk
except that, while in the bath, I saw exactly how to finish the book I was writing, after being stuck for weeks; though as things turned out, I doubt if I should have walked or written, because during breakfast I suddenly knew how to paint the view framed by my open window. I had been threatening to paint for months, sometimes seeing myself as a primitive, sometimes as an abstractionist. Today the primitive mood was in the ascendent. — Dodie Smith

It's this mood, these sentiments - the excitement of exploration and the surprises and delights of travel to foreign locales - that I hope to inspire with this book. — Mary Roach

She attended the French performance, but the play's content now had a connection to her life. She read a book and the book invariably had lines with sparks from her mind, the fire of her emotions flickered here and there, and words spoken the night before were written down, as if the author had overheard how her heart beat.
The forest held the same trees, but their sound had taken on special meaning; she had established a vibrant consonance with them. The birds did not simply twitter and chirp but were saying something to each other. Everything around her spoke and responded to her mood; a flower would blossom and she seemed to hear its breathing.
pp. 256-257 — Ivan Goncharov

The mood in which my book was conceived and executed, was in fact to some extent a passing one. — F.H. Bradley

I've always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There's no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word. — Shannon Hale

Just looking at them I grow greedy, as if they were freshly baked loaves waiting on their shelves to be broken open
that one and that
and I make my choice in a mood of exalted luck, browsing among them like a cow in sweetest pasture. For life is continuous as long as they wait to be read
these inked paths opening into the future, page after page, every book its own receding horizon. And I hold them, one in each hand, a curious ballast weighing me here to earth. — Linda Pastan

If there is a book that the script came from you have to read it, you have to see what you can get out of it: mood, back story and things that may not even be in the film. They kick off your imagination and broaden the character, I think. — Miranda Otto

I live for books that produce a mood of gathering creepy fascination, a true descent in the Weird. — Gemma Files

The richly cadenced prose is hypnotic, the research prodigious, the analysis acute, the mood spellbinding, and the cast of characters mythic in scale. I cannot conceive of a better book about Capitol Hill. An unforgettable, epic achievement in the art of biography. — Ron Chernow

Every book is good to read which sets the reader in a working mood. — Ralph Waldo Emerson

Magda was reading a book by a Trappist, in a better mood, and I was sitting on the edge of the bed, fingering my useless map. — Junot Diaz

When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing - she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision. — Mary Grandpre

We live in a cluttered culture, a culture of information in which even our computers can't tell us what's worth knowing and what is merely cultural scrap. In such a society, we don't have the experience of contemplative space, of the time or mood to engage a book of poetry or even read a novel. Who can achieve the unconscious-conscious state of the reader when everything is stimulation, everything is movement and information? — T.C. Boyle

I like the book ask my mood ring How a I Feel. — Diana Lopez

When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images-things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit. — China Mieville

What is fear? Why are you so afraid? Even if everything is known about you and you are an open book, why fear? How can it harm you? Just false conceptions, just conditionings given by the society - that you have to hide, that you have to protect yourself, that you have to be constantly in a fighting mood, that everybody is and enemy, that everybody is against you. Nobody is against you! Even if you feel somebody is against you, he is not against you because everybody is concerned with himself, not with you — Rajneesh

Writers sometimes ruin a book by adding a lighthearted mood at the wrong moment. — Gayle Lynds

I do believe, especially with the character of Batman, that the tone and the mood of the book is 80% of the job right there. And the more control I had over the story, the more control I had over the tone and the mood. — David Finch

One holds every phrase, every scene to the light as one reads - for Nature seems, very oddly, to have provided us with an inner light by which to judge of the novelist's integrity or disintegrity. Or perhaps it is rather that Nature, in her most irrational mood, has traced in invisible ink on the walls of the mind a premonition which these great artists confirm; a sketch which only needs to be held to the fire of genius to become visible. When one so exposes it and sees it come to life one exclaims in rapture, But this is what I have always felt and known and desired! And one boils over with excitement, and, shutting the book even with a kind of reverence as if it were something very precious, a stand-by to return to as long as one lives, one puts it back on the shelf [ ... ]. — Virginia Woolf

I went to work, but the mood of the book would not die; it lingered, coloring everything I saw, heard, did. I now felt that I knew what the white man were feeling. Merely because I had read a book that had spoken of how they lived and thought, I identified myself with that book. — Richard Wright

Dash said, "From the time I was a baby, my mom took me to the library at least once a week. Librarians were like Mary Poppins to me. They always knew how to match a book to my mood or to whatever I was going through at the time. I could always find peace in books."
"And escape."
"Escape sure. But it wasn't so much about getting away, as going to. You can go anywhere in a book. Books are adventure. Knowledge. Possibility. Magic. — David Levithan

As you'll learn in this book, research shows that human beings are hardwired to choose immediate gratification over benefits we have to wait to receive. Logic doesn't motivate us - emotions do. But there is real science behind the idea that moving our bodies changes our brains in ways that lead to happiness and much more. The benefits that research shows for regular exercise are truly astounding: more energy, better sleep, less stress, less depression, enhanced mood, improved memory, less anxiety, better sex life, higher life satisfaction, more creativity, and better well-being overall. — Michelle Segar

[The book, Anna Karenina, is] a mirror held up to the real, grimy, quotidian interactions of married life, of which romance is little more than a passing mood: marriage, that slippery social contract that, if it works at all, depends more on indulgent disconnection than on some kind of sacred accord. — Kate Moses

In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write. — Pearl S. Buck

When I was little, I had this science book. There was a section on 'What would happen to the world if there was no friction?' Answer: 'Everything on earth would fly into space from the centrifugal force of revolution.' That was my mood. — Haruki Murakami

In my practice I use neurofeedback primarily to help with the hyperarousal, confusion, and concentration problems of people who suffer from developmental trauma. However, it has also shown good results for numerous issues and conditions that go beyond the scope of this book, including relieving tension headaches, improving cognitive functioning following a traumatic brain injury, reducing anxiety and panic attacks, learning to deepen meditation states, treating autism, improving seizure control, self-regulation in mood disorders, and more. — Bessel A. Van Der Kolk

I am writing a book more improbable than 'The Interrogative Mood' that I call 'Manifesto'. It's two guys talking who speak artificially conveniently. — Padgett Powell

He joined Jude in the kitchen and began making a salad, and JB slumped to the dining-room table and started flipping through a novel Jude had left there. "I read this," he called over to him. "Do you want to know what happens in the end?"
"No, JB," said Jude. "I'm only halfway through."
"The minister character dies after all."
"JB!"
After that, JB's mood seemed to improve. — Hanya Yanagihara

So this is supposed to be the how, and when, and why, and what or reading - about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time. "We talked about books," says a character in Charles Baxter's wonderful Feast of Love, "how boring they were to read, but how you loved them anyway. Anyone who hasn't felt like that isn't owning up. — Nick Hornby

Never write when you are not in the mood; when you are not feeling it. If the words do not flow freely, and come to you almost magically, then put it down and do not force yourself to write in the book, or it will reflect in your writing and it will be terribly obvious. — Wayne Hoss

While I was fighting, I heard other people speaking in the name of freedom, and the more they defended this unique right, the more enslaved they seemed to be to their parents' wishes, to a marriage in which they had promised to stay with the other person "for the rest of their lives," to the bathroom scales, to their diet, to half-finished projects, to lovers to whom they were incapable of saying "No" or "It's over," to weekends when they were obliged to have lunch with people they didn't even like. Slaves to luxury, to the appearance of luxury, to the appearance of the appearance of luxury. Slaves to a life they had not chosen, but which they had decided to live because someone had managed to convince them that it was all for the best. And so their identical days and nights passed, days and nights in which adventure was just a word in a book or an image on the television that was always on, and whenever a door opened, they would say: "I'm not interested. I'm not in the mood. — Paulo Coelho

I said that sometimes it is an esteemed author who puts one on the track of a buried book. "What! He liked that book?" you say to yourself, and immediately the barriers fall away and the mind becomes not only open and receptive but positively aflame. Often it happens that it is not a friend of similar tastes who revives one's interest in a dead book but a chance acquaintance. Sometimes this individual gives the impression of being a nitwit, and one wonders why he should retain the memory of a book which this person casually recommended, or perhaps did not recommend at all but merely mentioned in the course of conversation as being an "odd" book. In a vacant mood, at loose ends, as we say, suddenly the recollection of this conversation occurs, and we are ready to give the book a trial. Then comes a hock, the shock of discovery. — Henry Miller

The health benefits, both mental and physical, of humor are well documented. A good laugh can diffuse tension, relieve stress, and release endorphins into your system, which act as a natural mood elevator. In Norman Cousin's book, Anatomy of an Illness, Cousin's describes the regimen he followed to overcome a serious debilitating disease he was suffering from. It included large doses of laughter and humor. Published in 1976, his book has been widely accepted by the medical community. — Cherie Carter-Scott

My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite. — Amy Tan

if you want to set the tone or mood, make sure you get some of the first words in. Think about it, which meeting would you prefer to attend? One that starts with "Let's get going because we have so much to do today and a lot of fires to put out" or one that starts with "I'm happy to see you all today - it's great that we have such a strong team working on these exciting new projects"? Same reality but a very different outlook. Then sit back and watch how people's engagement and motivation improve in response to your power lead. It's one of the most effective tools in this book. — Shawn Achor

Bastian looked at the book.
'I wonder,' he said to himself, 'what's in a book while it's closed. Oh, I know it's full of letters printed on paper, but all the same, something must be happening, because as soon as I open it, there's a whole story with people I don't know yet and all kinds of adventures, deeds and battles. And sometimes there are storms at sea, or it takes you to strange cities and countries. All those things are somehow shut in a book. Of course you have to read it to find out. But it's already there, that's the funny thing. I just wish I knew how it could be.'
Suddenly an almost festive mood came over him.
He settled himself down, picked up the book, opened it to the first page, and began to read ... — Michael Ende

While writing, I tend to repeat the same song, endlessly, for thousands of times. This helps me ignore any lyrics, and helps create a consistent mood for each book. — Chuck Palahniuk

A book, unlike any other friend, will wait, not only upon the hour but upon the mood. — Myrtle Reed

Martha told me, I don't know how you're going to talk about romance in your book, but you're going to have to because its truly part of all our lives down there-and in a big way- because its an incredibly sensuous environment. Think of how many times you've fallen in love down there, and how many times people have fallen in love with you. Its a place where we shine. We're the happiest in our lives. We're vibrant. We're just so full of life, and not only does that put you in the mood for love, it sets you up for it. People are really drawn to people who are shining, who feel so happy where they are and who they are and what they're doing and who they're doing it with. — Martha Clark

In any case, the time has come when I must start a new book. This is not a trivial matter. Characters parade before me; some I like and admire, others I find not useful. The ones I use become very real, and many stay with me always: Cugel, Madouc, Navarth the Mad Poet, Howard Alan Treesong and Wayness Tamm, for instance. Beside characters to be interviewed, there are a dozen concepts to be pieced together, a locale selected, perhaps a whole new way of life to be studied and evaluated; and every story has, or should have, a mood: the connective tissue which holds the story together. In this regard some writers are adroit, others don't have a clue. — Jack Vance

To lighten the mood a little, I decided to distract him. "So, I have some more questions," I began.
"What would you like to know?"
"Why do you smell so good?"
"It's another aspect of being vampire; my scent is designed to entice my victims, to attract them."
"You don't always smell the same to me."
Lucas smiled. "Pheromones create the scent, something that will most appeal to the human I'm with at the time, dependent on what will lull them into relaxing."
"How do you know what will have the right effect?"
"Years of instinct."
"It certainly works," I pointed out.
"It's pleasant to know that at least one of my evil powers works on you," Lucas responded dryly. — D.S. Williams

1) Work on one thing at a time until finished.
2) Start no more new books, add no more new material to "Black Spring."
3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4) Work according to Program and not according to mood. Stop at the appointed time!
5) When you can't create you can work.
6) Cement a little every day, rather than add new fertilizers.
7) Keep human! See people, go places, drink if you feel like it.
8) Don't be a draught-horse! Work with pleasure only.
9) Discard the Program when you feel like it - but go back to it next day. Concentrate. Narrow down. Exclude.
10) Forget the books you want to write. Think only of the book you are writing.
11) Write first and always. Painting, music, friends, cinema, all these come afterwards. — Henry Miller

Actually,the nightmarish thought occurred to me that with electronic delivery of books becoming a norm, soon writers may be expected to provide several versions of their book, ranging from the Easy to the Complex, and buyers will choose what they're in the mood for with the click of a button! I do hope not; — Emma Donoghue

Ever notice how on a bad day you never deserve a salad? I mean how long do you think your bad mood would really last if you only fed your brat celery? How many bad days would your brat tolerate if it no longer got rewarded a drink, a cigarette, or an entire Netflix series on the couch for it. — Lauren Handel Zander

As adults we choose our own reading material. Depending on our moods and needs we might read the newspaper, a blockbuster novel, an academic article, a women's magazine, a comic, a children's book, or the latest book that just about everyone is reading. No one chastises us for our choice. No one says, 'That's too short for you to read.' No one says, 'That's too easy for you, put it back.' No one says 'You couldn't read that if you tried
it's much too difficult.'
Yet if we take a peek into classrooms, libraries, and bookshops we will notice that children's choices are often mocked, censured, and denied as valid by idiotic, interfering teachers, librarians, and parents. Choice is a personal matter that changes with experience, changes with mood, and changes with need. We should let it be. — Mem Fox

Librarians were like Mary Poppins to me. They always knew how to match a book to my mood, or to whatever I was going through at the time. I could always find peace in books. — Rachel Cohn

I often find that a novel, even a well-written and compelling novel, can become a blur to me soon after I've finished reading it. I recollect perfectly the feeling of reading it, the mood I occupied, but I am less sure about the narrative details. It is almost as if the book were, as Wittgenstein said of his propositions, a ladder to be climbed and then discarded after it has served its purpose. — Sven Birkerts

A book is a human-powered film projector (complete with feature film) that advances at a speed fully customized to the viewer's mood or fancy. This rare harmony between object and user arises from the minimal skills required to manipulate a bound sequence of pages. Each piece of paper embodies a corresponding instant of time which remains frozen until liberated by the
act of turning a page. — John Maeda