The Memory Book Quotes & Sayings
Enjoy reading and share 100 famous quotes about The Memory Book with everyone.
Top The Memory Book Quotes

Windham, but not often. There were no murders in anyone's memory, no rapes or molestations or sudden disappearances. It's a quiet town. Windham was perfect, we thought. Safe and sound, and that's where Veronica and I would grow up. We moved there ten years ago. That was in April 2005. I was nine and my little sister Veronica was almost three. My dad, Dr. Simon Taylor, had made a bunch from the popularity of his book, and it was number four on the best-seller list and still holding fast. I'll bet fifty thousand a month was tumbling in, and Dad had already signed a two million dollar advance on his next book. — Peter Gilboy

Pedaling down Dune Drive on a red beach cruiser, Dani ahead of her and Vanessa behind her, is a transporting experience. The night is quiet; the air on her face is soft; her hair streams behind her; the stars above are as brilliant as stars in a children's book. They could be nine years old, or fifteen, or twenty-one; they've ridden bikes down Dune Drive at all of those ages and all of the ones in between. There must have been so much more to those summers, but what she remembers are the two weeks she spent in Avalon with Dani and Vanessa - two weeks that always went by too quickly, but that in memory stretch to fill an entire season. — Meg Donohue

I could stay depressed about my bad memory, but that's a negative way to live. Let's look on the bright side and list the advantages of having a bad memory.
(1) You can reread a book and see a movie over and over and enjoy it as much as the first time.
(2) If you make an inconvenient promise, you can pretend that you forgot about it and still be forgiven.
(3) This is the most important thing: you can keep coming up with ideas without being held back by convictions or the past. — Hirohiko Araki

The memory of a book, Dana mused as she turned off the light and headed out of the room. Wouldn't life be so easy if that's all we needed to feel comforted? — Juliette Fay

Stanley forced a smile to his lips at the memory of the onesided romance; it was silly, after all, a stupid childhood crush. Who'd fall in love with a fictional character? That was the kind of thing you laughed about as an adult. Or at least Harriet had thought so. He couldn't quite do it, though. Couldn't quite see it as a joke. It had felt too real, too raw and wild and fierce, for him to
dismiss it even now. It was love, of a sort, stunted and unformed as it was. For a time, it had kept him sane. — Amelia Mangan

Perhaps one day someone from a distant land will listen to this story of mine. Isn't this what lies behind the desire to be inscribed in the pages of a book? Isn't it just for the sake of this delight that sultans and viziers proffer bags of gold to have their histories written? — Orhan Pamuk

I got the idea from our family's plant book. The place where we recorded things you cannot trust to memory. The page begin's with the person's picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie's newborn son. — Suzanne Collins

Whether you struggle to remember a client's name, aspire to learn a new language, or are a student battling to prepare for the next test, this book is a must. I know of no other source that pulls together so much of what we know about the science of memory and couples it with practical, practicable advice. — Daniel T. Willingham

Another memory comes, not of the final time I saw Ligeia but a week before she disappeared, something mundane yet vivid. The mystery of memory. There's surely some scientific explanation for why the brain decides Don't let go of this. I've read novels and cannot recall a single character's name and yet I remember a red bicycle glanced once in a hardware-store window, a mole on a stranger's chin, a kitchen match lying beside a hearth. These remain, as does Ligeia reaching into her locker, a book crooked in her arm sliding free. — Ron Rash

Once, in my father's bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later - no matter how many books we read, how many worlds we discover, or how much we learn or forget - we will return. — Carlos Ruiz Zafon

Most of the benches bore the names of benefactors - in memory of Mrs. Ruth Klein or whatever - but my mother's bench, the Rendezvous Point, alone of all the benches in that part of the park had been given by its anonymous donor a more mysterious and welcoming message: EVERYTHING OF POSSIBILITY. It had been Her Bench since before I was born; in her early days in the city, she had sat there with her library book on her afternoons off, going without lunch when she needed the price of a museum pass at MoMA or a movie ticket at the Paris Theatre. — Donna Tartt

My problem is that while other people are reading fifty books I'm reading one book fifty times. I only stop when at the bottom of page 20, say, I realise I can recite pages 21 and 22 from memory. Then I put the book away for a few years. — Helene Hanff

Nowhere can a secret keep
Always secret, dark and deep,
Half so well as in the past,
Buried deep to last, to last.
Keep it in your own dark heart.
Otherwise the rumors start.
After many years have buried
Secrets over which you worried,
No confidant can then betray
All the words you didn't say.
Only you can then exhume
Secrets safe within the tomb
Of memory, of memory,
Within the tomb of memory.
-The Book of Counted Sorrows — Dean Koontz

5 1/2 centuries after its 1.0 release, the book is a surprisingly robust piece of information technology. Sure, its memory is relatively tiny
one novel adds up to less than a megabyte. But it doesn't need charging, and it never crashes. Its interface is rapidly and intuitively navigable. The scroll never stood a chance. — Lev Grossman

The creature you find in Speak, Memory is rare enough to be zoo-worthy. He's not just smarter but somehow more effete than most of us without seeming put on. Resenting him for it would be like resenting a gazelle for her grace. He doesn't sound prissy painting himself as a cultivated synesthete who can hear colors and see music, nor vain talking as a polyglot who translates his own work back and forth into many languages. He's just your standard virtuoso aristocrat from a gilded age. Which is the miracle of his talent. He has shaped the book to highlight his own magnificent way of viewing the world, a viewpoint that so eats your head that you never really leave his very oddly bejeweled skull, and you value things in the book's context as he does, never missing what you otherwise adore in another kind of writer. — Mary Karr

It was too long ago; she couldn't recall the feelings of love, only remember that she'd had them. A dried-out memory, like a flower pressed between the pages of a book. — Sarah Painter

In that book which is my memory,
On the first page of the chapter that is the day when I first met you,
Appear the words, 'Here begins a new life'. — Dante Alighieri

Reading Bicycling beyond the Divide was the best vacation I took all year-in a year I traveled to Mexico, France, and Italy. Even if you have never ridden a bike or set foot in the West, this book will make both a part of your life as vivid as any trip you have taken. Daryl Farmer's journey-into the heart of a land, of a time, into the very nature of memory and experience-is one I will never forget. — Jesse Lee Kercheval

When the voice of your friend or the page of your book sinks into democratic equality with the pattern of the wallpaper, the feel of your clothes, your memory of last night, and the noises from the road, you are falling asleep. The highly selective consciousness enjoyed by fully alert men, with all its builded sentiments and consecrated ideals, has as much to be called real as the drowsy chaos, and more. — C.S. Lewis

For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy. — Roberto Bolano

Sometimes a glance, a few casual words, fragments of a melody floating through the quiet air of a summer evening, a book that accidentally comes into hands, a poem or memory-laden fragrance may bring about the impulse which changes and determines our whole life. — Anagarika Govinda

Nelson, do you remember the spring day when we climbed the barn gable so we could see the seagulls that mysteriously blew into our clay hills
swept from an ocean neither of us had ever seen though it was scarcely a hundred miles away, each bird a genuine miracle high above the green barley? The time we saw that panther in the sycamore tree and Maw said it was the sign of war? Nelson, I am sixty-three years old, the same age that both Maw and Daddy were when they died. I have written this in testimony. With this book, I presume to be done now with such remembrance. But somehow I suspect it will go on, this peering down old wells, this excavation of memory and its shades. — Joe Bageant

What are we after when we open one of those books? What is it that makes a classic a classic? ... in old-fashioned terms, the answer is that it wll elevate your spirit. And that's why I can't take much stock in the idea of going through a list of books or 'covering' a fixed number of selections, or anyway striving for the blessed state of having read this, or the other. Having read a book means nothing. Reading a book may be the most tremendous experience of your life; having read it is an item in your memory, part of your receding past ... Why we have that odd faith in the magic of having read a book, I don't know. We don't apply the same principle elsewhere: We don't believe in having heard Mendelssohn's violin concerto ...
I say, don't read the classics
try to discover your own classics; every life has its own. — Rudolf Flesch

What appear to be depravity, injury, or extinction are merely traces of memory and experience obscuring the soul. These are merely shadows of the soul, never its substance. The soul itself is always pure and whole. — Ilchi Lee

As you'll learn in this book, research shows that human beings are hardwired to choose immediate gratification over benefits we have to wait to receive. Logic doesn't motivate us - emotions do. But there is real science behind the idea that moving our bodies changes our brains in ways that lead to happiness and much more. The benefits that research shows for regular exercise are truly astounding: more energy, better sleep, less stress, less depression, enhanced mood, improved memory, less anxiety, better sex life, higher life satisfaction, more creativity, and better well-being overall. — Michelle Segar

No name. No memory today of yesterday's name; of today's name, tomorrow. If the name is the thing; if a name in us is the concept of every thing placed outside of us; and without a name you don't have the concept, and the thing remains in us as if blind, indistinct and undefined: well then, let each carve this name that I bore among men, a funeral epigraph, on the brow of that image in which I appeared to him, and then leave it in peace, and let there be no more talk about it. It is fitting for the dead. For those who have concluded. I am alive and I do not conclude. Life does not conclude. And life knows nothing of names. This tree, tremulous pulse of new leaves. I am this tree. Tree, cloud; tomorrow book or wind: the book I read, the wind I drink. All outside, wandering. — Luigi Pirandello

I became interested in librarians while researching my first book, about obituaries. With the exception of a few showy eccentrics, like the former soldier in Hitler's army who had a sex change and took up professional whistling, the most engaging obit subjects were librarians. An obituary of a librarian could be about anything under the sun, a woman with a phenomenal memory, who recalled the books her aging patrons read as children - and was also, incidentally, the best sailor on her stretch of the Maine coast - or a man obsessed with maps, who helped automate the Library of Congress's map catalog and paved the way for wonders like Google Maps. — Marilyn Johnson

The homunculus narrator experiences everything backward - his first memory is Unverdorben's death. He has no control over Unverdorben's actions, nor access to his memories, but passively travels through life in reverse order. At first Unverdorben appears to us as a doctor, which strikes the narrator as quite a morbid occupation - patients shuffle into the emergency room, where staff suck medicines out of their bodies and rip off their bandages, sending them out into the night bleeding and screaming. But near the end of the book, we learn that Unverdorben was an assistant at Auschwitz, where he created life where none had been before - turning chemicals and electricity and corpses into living persons. Only now, thinks the narrator, does the world finally make sense. — Sean Carroll

Women can go mad with insomnia.
The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird
a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home.
Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one. — Cathy Ostlere

I'm a relatively disciplined writer who composes the whole book before beginning to execute and write it. Of course, you can't hold - you cannot imagine a whole novel before you write it; there are limits to human memory and imagination. Lots of things come to your mind as you write a book, but again, I make a plan, chapter, know the plot. — Orhan Pamuk

But I hope that in the lives of Ender Wiggin, Novinha, Miro, Ela, Human, Jane, the hive queen, and so many others in this book, you will find stories worth holding in your memory, perhaps even in your heart. That's the transaction that counts more than bestseller lists, royalty statements, awards, or reviews. Because in the pages of this book, you and I will meet one-on-one, my mind and yours, and you will enter a world of my making and dwell there, not as a character that I control, but as a person with a mind of your own. You will make of my story what you need it to be, if you can. I hope my tale is true enough and flexible enough that you can make it into a world worth living in. — Orson Scott Card

What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.
[Cosmos, Part 11: The Persistence of Memory (1980)] — Carl Sagan

I took in the thick night air, the sweet smell of honeysuckle, the chirping of frogs, to impress the moment in the folds of my memory, preserve it like a flower between pages of a book. To remember: This is how it feels to be happy. — Laura McHugh

free." On the edge of town, Fitzgerald saw a sight "that has never left my memory. It was a picture story of the death of one 82nd Airborne trooper. He had occupied a German foxhole and made it his personal Alamo. In a half circle around the hole lay the bodies of nine German soldiers. The body closest to the hole was only three feet away, a potato masher [grenade] in its fist.II The other distorted forms lay where they had fallen, testimony to the ferocity of the fight. His ammunition bandoliers were still on his shoulders, empty of M-1 clips. Cartridge cases littered the ground. His rifle stock was broken in two. He had fought alone and, like many others that night, he had died alone. "I looked at his dog tags. The name read Martin V. Hersh. I wrote the name down in a small prayer book I carried, hoping someday I would meet someone who knew him. I never did."34 — Stephen E. Ambrose

[When working on a book] I have an almost complete detachment from the world I live in, a sort of armor against distraction. I talk to people, move about, appear on the surface much as usual. But later on I have only a confused memory of what has happened during that period. — Mary Roberts Rinehart

Sometimes I forget what I put in. I want to capture things in that way, where you're looking into your memory, a dream or hallucination. The characters become a mixture of archetypes, [and] that's what I like. You're trying to figure it out and your brain wants to categorize things, but it can't because of this motion. You want to solve the problem, but it never gets solved. It's like when you read a really good book and the story never leaves you. — Ali Banisadr

He was like the Great Santini of the Strand. Few people could take him on; he was so well-read and had a memory that could retain every detail of everything he'd ever read, as well as jokes, lyrics, arias, names of store owners he'd met on his honeymoon in Paris, names of restaurants where gangsters were gunned down in 1924. He could quote lines from books he disliked better than you could quote lines from what you claimed was your favorite book of all time. — Jeanne Darst

By the time these words are read, the centuries-old cedar, hemlock, and balsm of the cutblock known as Leah Block 2 will be a distant memory, long since processed into siding, two-by-fours, perhaps even the paper that has been recycled into the pages of this book. — John Vaillant

Keep thinking back about what Mum said about being real and the Velveteen Rabbit book (though frankly have had enough trouble with rabbits in this particular house). My favorite book, she claims of which I have no memory was about how little kids get one toy that they love more than all the others, and even when its fur has been rubbed off, and it's gone saggy with bits missing, the little child still thinks it's the most beautiful toy in the world, and can't bear to be parted from it.
That's how it works, when people really love each other, Mum whispered on the way out in the Debenhams lift, as if she was confessing some hideous and embarrassing secret. But, the thing is, darling, it doesn't happen to ones who have sharp edges, or break if they get dropped, or ones made of silly synthetic stuff that doesn't last. You have to be brave and let the other person know who you are and what you feel. — Helen Fielding

Letter from Griffith-- "I know it is difficult, but do work harder to control yourself. Mother was beside herself with worry when she found you rolling on the floor laughing over a book you were reading."
The memory brought a curve to Miranda's lips. It had been a very funny book. — Kristi Ann Hunter

And although he tried every day to remember the promise he'd made to her, every day it became more and more remote, until it was just a memory, and so was she, a beloved character from a book he'd read long ago. — Hanya Yanagihara

Like ultraviolet rays memory shows to each man in the book of life a script that invisibly and prophetically glosses the text. — Walter Benjamin

And, without question, all those different planes, upon which Time, since I had regained it at this reception, had exhibited my life, by reminding me that in a book which gave the history of one, it would be necessary to make use of a sort of spatial psychology as opposed to the usual flat psychology, added a new beauty to the resurrections my memory was operating during my solitary reflections in the library, since memory, by introducing the past into the present without modification, as though it were the present, eliminates precisely that great Time-dimension in accordance with which life is realised. — Marcel Proust

Does it matter that people and things
Have words,
Have names?
If not,
Why read any book?
A litany of useless letters
Detached from bone, muscle.
Or are words the only things that make the muscle, bone, memory, movement,
Person
Real? — Stasia Ward Kehoe

How I Shed My Skin is, simply put, a brilliant book. While I was reading, I kept thinking two things. One, this is totally shocking. Two, it's not at all shocking, but a familiar part of my life and memory. Grimsley's narrative is straightforward and plain-spoken while at the same time achingly moving and intimately honest, and it does more to explain the South than anything I've read in a long, long time. — Josephine Humphreys

The railroads once were a dominant power in American life, for good and for ill. There's something inevitably nostalgic about a train book today. Trains attract us, but part of that attraction is cultural memory. — Brian Floca

If you ask my wife, the biggest fault is my inability around the house. She says the only thing handy about me is that I'm close by. And, I have a terrible memory. I'm bad at saying no. I often double-book. There are a lot of things. — Hugh Jackman

To me, the raveled sleeve of care is never more painlessly knitted up than in an evening alone in a chair snug yet copious, with a good light and an easily held little volume sloppily printed and bound in inexpensive paper. I do not ask much of it - which is just as well, for that is all I get. It does not matter if I guess the killer, and if I happen to discover, along around page 208, that I have read the work before, I attribute the fact not to the less than arresting powers of the author, but to my own lazy memory. I like best to have one book in my hand, and a stack of others on the floor beside me, so as to know the supply of poppy and mandragora will not run out before the small hours. In all reverence I say Heaven bless the Whodunit, the soothing balm on the wound, the cooling hand on the brow, the opiate of the people.
Book review Of Ellery Queen: The New York Murders, from Esquire, January 1959 — Dorothy Parker

He swam at my feet,
Powerful arms in broad strokes
Sweeping the sand.
So I asked this man,
What seas do you swim?
And to this he answered,
'I have seen shells and the like
On this desert floor,
So I swim this land's memory
Thus honouring its past,'
Is the journey far, queried I.
'I cannot say,' he replied,
'For I shall drown long before
I am done.'
Sayings of the Fool
Thenys Bule
Steven Erikson - Malazan Book of the Fallen 02
Deadhouse Gates — Steven Erikson

Well, each interpretation of an event, setting or character is unique to each of those who read it because they clothe the author's description with the memory of their own experiences. Every character they read is actually a complex amalgam of people they've met, read or seen before - far more real than it can ever be just from the text on the page. Because every reader's experiences are different, each book is unique for each reader. — Jasper Fforde

And when you love a book, commit one glorious sentence of it-perhaps your favorite sentence-to memory. That way you won't forget the language of the story that moved you to tears. — John Irving

Lucy: A great memory? Really?
Sean: Yes. Really. His memory is faultless. Pristine. Immaculate.
Lucy: That's a shitty compliment. That's like telling a person they don't smell.
Is it odd that this made me laugh? I took gleeful satisfaction in the book-report nature of my compliment.
Ronan is a man. He has very brown hair, and very brown eyes, and a very good memory.
Sean: No specification was made as to the quality of the compliment, only that one was required.
Lucy: You're a filthy cheat. — L. H. Cosway

They put the thing down your throat so you don't swallow your tongue, and they put electrodes on your head. That's what was recommended in Rockland State Hospital to discourage homosexual feelings. The effect is that you lose your memory and become a vegetable. You can't read a book because you get to page 17 and have to go right back to page one again. — Lou Reed

I don't think I'm an exceptionally bad reader. I suspect that many people, maybe even most, are like me. We read and read and read,
and we forget and forget and forget. So why do we bother? Michel de Montaigne expressed the dilemma of extensive reading in the
sixteenth century: "I leaf through books, I do not study them," he wrote. "What I retain of them is something I no longer recognize as anyone else's.
It is only the material from which my judgment has profited, and the thoughts and ideas with which it has become imbued;
the author, the place, the words, and other circumstances, I immediately forget." He goes on to explain how "to compensate a
little for the treachery and weakness of my memory," he adopted the habit of writing in the back of every book a short critical
judgment, so as to have at least some general idea of what the tome was about and what he thought of it. — Joshua Foer

I picked up a book on wilderness survival by Laurence Gonzalez and found in it this telling sentence: "The plan, a memory of the future, tries on reality to see if it fits." His point is that when the two seem incompatible, we often hang onto the plan, ignore the warnings reality offers us and plunge into trouble. Afraid of the darkness of the unknown, the spaces in which we see only dimly, we often choose the darkness of closed eyes, of obliviousness. (Woolf's Darkness) — Rebecca Solnit

I like a book to be full of the memory of what it is, a voice in an endless conversation, and yet at the same time to be new. — Marilynne Robinson

The stories don't fit back together, and it's the end of stories, those devices we carry like shells and shields and blinkers and occasionally maps and compasses. The people close to you become mirrors and journals in which you record your history, the instruments that help you know yourself and remember yourself, and you do the same for them. When they vanish so does the use, the appreciation, the understanding of those small anecdotes, catchphrases, jokes: they become a book slammed shut or burnt ... The stories shatter. Or you wear them out or leave them behind. Over time the memory loses power. Over time you become someone else. — Rebecca Solnit

I picked up a book called Anagrams and started to read. I felt someone's eyes on me and looked up. Stuart. I held up the book like someone would hold up a glass. Cheers. Parties, right? Ha-ha. It's that I don't know what to do or say it's just that I've been to so many parties that I'm tired of them and would rather read this book ha-ha so don't worry about me I'll just be here. — Lara Avery

Her address book confirmed it, the pages inhabited equally by the living and the dead ... Each name called up raucous dinner parties and gin-and-tonics on sunny patios, lazy Saturday afternoons at the swim club, station wagons filled with noisy boys in polyester baseball uniforms. — Stewart O'Nan

When I wiped you from the book of memory, I did not know I was striking out half my life — Nizar Qabbani

I said that sometimes it is an esteemed author who puts one on the track of a buried book. "What! He liked that book?" you say to yourself, and immediately the barriers fall away and the mind becomes not only open and receptive but positively aflame. Often it happens that it is not a friend of similar tastes who revives one's interest in a dead book but a chance acquaintance. Sometimes this individual gives the impression of being a nitwit, and one wonders why he should retain the memory of a book which this person casually recommended, or perhaps did not recommend at all but merely mentioned in the course of conversation as being an "odd" book. In a vacant mood, at loose ends, as we say, suddenly the recollection of this conversation occurs, and we are ready to give the book a trial. Then comes a hock, the shock of discovery. — Henry Miller

On his bedside table, between the reading lamp and the telephone, was his battered copy of David Copperfield. Homer didn't have to open the book to know how the story began. "Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show," he recited from memory. — John Irving

with you, the sense i have lost my place in a book
or simply lost - misplaced the memory
which isn't in the last place where I looked.
a thought that the clouds don't move - that it is we
who thunder past - there it is! an old vacation,
a train ride - sense of immobility.
as sky and forest scroll past in relation,
we are not moved, pretend to love the view,
resort at length to scripted conversation
by a poet-turned-screenwriter who
didn't want this job, career gone grossly wrong
and now drafts action film scripts wholly two-
dimensional unless you choose to don
the 3d glasses that do not stay on - — Joshua Ip

Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it. — Akiva Goldsman

I believe that the devil has destroyed many good books of the church, as, aforetime, he killed and crushed many holy persons, the memory of whom has now passed away; but the Bible he was fain to leave subsisting. — Martin Luther

In every man's memory, with the hours when life culminated are usually associated certain books which met his views. — Ralph Waldo Emerson

Life was an uncertain thing, and there were some moments one wished to remember, to imprint upon one's mind that the memory might be taken out later, like a flower pressed between the pages of a book, and admired and recollected anew. - Sophie and Gideon Lightwood — Cassandra Clare

The book is openly a kind of spiritual autobiography, but the trick is that on any other level it's a kind of insane collage of fragments of memory. — Jonathan Lethem

And maybe I'm a liar and I do need it, because being kissed by Josh Bennet is kind of like being saved. It's a promise and a memory of the future and a book of better stories. — Katja Millay

I had read it some time ago but was so completely immersed that I retained nothing. This has been an intermittent, lifelong enigma. Through early adolescence I sat and read for hours in a small grove of weed trees near the railroad track in Germantown. Like Gumby I would enter a book wholeheartedly and sometimes venture so deeply it was as if I were living within it. I finished many books in such a manner there, closing the covers ecstatically yet having no memory of the content by the time I returned home. This disturbed me but I kept this strange affliction to myself. I look at the covers of such books and their contents remain a mystery that I cannot bring myself to solve. Certain books I loved and lived within yet cannot remember. — Patti Smith

I love 'Memory Keeper's Daughter,' but in some ways I think 'The Lake of Dreams' is a stronger book. I was able to tell the story I wanted to tell. That's all you can ever do as a writer. From there on you have no control over it. — Kim Edwards

A lover of comfort might shrug after looking at the whole apparent jumble of furniture, old paintings, statues with missing arms and legs, engravings that were sometimes bad but precious in memory, and bric-a-brac. Only the eye of a connoisseur would have blazed with eagerness at the sight of this painting or that, some book yellowed with age, a piece of old porcelain, or stones and coins.
But the furniture and paintings of different ages, the bric-a-brac that meant nothing to anyone but had been marked for them both by a happy hour or memorable moment, and the ocean of books and sheet music breathed a warm life that oddly stimulated the mind and aesthetic sense. Present everywhere was vigilant thought. The beauty of human effort shone here, just as the eternal beauty of nature shone all around.
pp. 492-493 — Ivan Goncharov

I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it ... the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality. — Alicia Ostriker

If you would be remembered, write a book worth the reading or live a life worth the writing about. — Benjamin Franklin

History is amoral: events occurred. But memory is moral; what we consciously remember is what our conscience remembers. History is the Totenbuch, The Book of the Dead, kept by the administrators of the camps. Memory is the Memorbucher, the names of those to be mourned, read aloud in the synagogue. — Anne Michaels

In all memory there is a degree of fallenness; we are all exiles from our own pasts, just as, on looking up from a book, we discover anew our banishment from the bright worlds of imagination and fantasy. A cross-channel ferry, with its overfilled ashtrays and vomiting children, is as good a place as any to reflect on the angel who stands with a flaming sword in front of the gateway to all our yesterdays. — John Lanchester

A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships. — Jorge Luis Borges

Man knows, and in the course of years he comes to know it increasingly well, feeling it ever more acutely, that memory is weak and fleeting, and if he doesn't write down what he has learned and experienced, that which he carries within him will perish when he does. This is when it seems everyone wants to write a book. Singers and football players, politicians and millionaires. And if they themselves do not know how, or else lack the time, they commission someone else to do it for them ... engendering this reality is the impression of writing as a simple pursuit, though those who subscribe to that view might do well to ponder Thomas Mann's observation that, 'a writer is a man for whom writing is more difficult than it is for others — Ryszard Kapuscinski

When English author Anna Sewell wrote Black Beauty, in the late nineteenth century, she said that her aim was to "induce kindness, sympathy, and an understanding treatment of horses." Though now considered a children's classic, the book was originally intended for an adult audience. Narrated from the horse's point of view, the novel describes Black Beauty's life, from his earliest memory, of "a large pleasant meadow with a pond of clear water in it" to his wretched existence pulling a heavy load for a cruel peddler. The sentimental and emotionally wrenching book was wildly popular, quickly becoming a bestseller first in England and then in the United States, where it became a favorite of the progressive movement. Sewell's book was the first to popularize interest in the plight of the horse and to generate widespread concern about the beast of burden's treatment. — Elizabeth Letts

The real difference is that with fantasy - and by that I mean fantasy which can simultaneously tap into a cosmopolitan commonality at the same time as it springs from an individual and unique perspective. In this sort of fantasy, a mythic resonance lingers on - an harmonious vibration that builds in potency the longer one considers it, rather than fading away when the final page is read and the book is put away. Characters discovered in such writing are pulled from our own inner landscapes... and then set out upon the stories' various stages so that as we learn to understand them a little better, both the monsters and the angels, we come to understand ourselves a little better as well. — Charles De Lint

It is one thing to remember, another to know. To remember is to safeguard something entrusted to the memory. But to know is to make each thing one's own, not depend on the text and always to look back to the teacher. "Zeno said this, Cleanthes said this." Let there be space between you and the book. — Seneca The Younger

So things remained until one day, many years later, I happened upon a line in a poem by Heine: "Death is the cooling night." That childhood memory, lost for so long, suddenly restored itself to my quivering heart, returning freshly washed, in limpid clarity, never again to leave me. If literature truly possesses a mysterious power, I think perhaps it is precisely this: that one can read a book by a writer of a different time, a different country, a different race, a different language, and a different culture and there encounter a sensation that is one's very own. Heine put into words the feeling I had as a child when I lay napping in the morgue. And that, I tell myself, is literature. — Yu Hua

To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again ... books which I have read carefully a few years before. I have adopted the habit for some time now of adding at the end of each book the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it. — Michel De Montaigne

You should deal sternly and despotically with your memory, so that it does not unlearn obedience; if, for example, you cannot call something to mind, a line of poetry or a word perhaps, you should not go and look it up in a book, but periodically plague your memory with it for weeks on end until your memory has done its duty. For the longer you have had to rack your brains for something the more firmly will it stay once you have got it. — Arthur Schopenhauer

This is how people behave when their dailiness is destroyed, when for a few moments they see, plain and unadorned, one of the great shaping forces of life. Calamity fixes them with her mesmeric eye, and they begin to scoop and paw at the rubble of their days, trying to pluck the memory of the quotidian - a toy, a book, a garment, even a photograph - from the garbage heaps of the irretrievable, of their overwhelming loss. — Salman Rushdie

I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book. — Haruki Murakami

How many words grace the pages of this book!
They are supposed to bestir memory. As if words could remember!
For words are miserable mountain climbers and miserable miners of meaning. They do not retrieve the hidden treasures from the heights or dredge them from the depths!
But there is a living commemoration that softly strokes everything worthy of remembering with its caress. And when a red-hot flame leaps forth, poignant and piercing, from such retrospective ash, and you fix your gaze upon it, as if gripped by its magic spell, then...
But how with a shaky hand and coarse writing instrument can one possibly inscribe oneself in such pure remembrance, other than to stain these white unassuming pages? — Franz Kafka

One can think of a secretary actively operating a filing system, of a librarian actively cataloguing books, of a computer actively sorting out information. The mind however does not actively sort out information. The information sorts itself out and organises itself into patterns. The mind is passive. The mind only provides an opportunity for the information to behave in this way. The mind provides a special environment in which information can become self-organising. This special environment is a memory surface with special characteristics. — Edward De Bono

We realize, though, because we must, that remembrance is finite. It crosses only so many generations before it fades to indistinction. One man remembers his father and perhaps his grandfather and the details of the lives that were lived. But it's harder to see further back in time. I know the name of my great-grandfather, but our living time did not intersect. We did not walk the earth at the same time. Thus, to me he's a photograph; a story I heard my grandfather tell. He's not a life I remember. And my children may not know him at all, unless by chance they can find him in a book. In time, he will be forgotten entirely, just as we all will with enough revolutions of the earth around the slowly expiring sun. Each fragile heart now beating will one day stop ... We are little more than one tree's growth of leaves in hillside forest. We will enjoy our brief moment in the sun, only to fall away with all the other to make way for the next bright young generation. — Phillip Lewis

What is true for book publishing is true for civilization: the books that survive the test of time are humanity's backlist, our collective memory. — Jason Epstein

And in the end, he would become a memory, pressed in my heart like a leaf in my book. — Jenny Han

The memory of war, however, like all memory, is mostly local. — Susan Sontag

A. E. Maxwell wrote one of the smartest, most consistent PI series in recent memory. Big plots, great villains, and a kickass private eye with plenty of humanity. The toughness of Robert B. Parker's early Spenser novels blended with the wry humor and scope of Ross Thomas. Wholly original, endlessly entertaining. The books of A. E. Maxwell are a forgotten treasure. — Tim Maleeny

To be informed is to know simply that something is the case. To be enlightened is to know, in addition, what it is all about: why it is the case, what its connections are with other facts, in what respects it is the same, in what respects it is different, and so forth.
This distinction is familiar in terms of the differences between being able to remember something and being able to explain it. If you remember what an author says, you have learned something from reading him. If what he says is true, you have even learned something about the world. But whether it is a fact about the book or a fact about the world that you have learned, you have gained nothing but information if you have exercised only your memory. You have not been enlightened. Enlightenment is achieved only when, in addition to knowing what an author says, you know what he means and why he says it. — Mortimer J. Adler

A word of warning here. The events as you remember them will never be the same in your memory once you have turned them into a memoir. For years I have worried that if I turn all of my life into literature, I won't have any real life left - just stories about it. And it is a realistic concern: it does happen like that. I am no longer sure I remember how it felt to be twenty and living in Spain after my parents died; my book about it stands now between me and my memories. When I try to think about that time, what comes to mind most readily is what I wrote. — Judith Barrington

It uses the greatest random-access indexing system ever invented - one that computer scientists haven't come even close to replicating. Whereas an index in the back of a book provides a single address - a page number - for each important subject, each subject in the brain has hundreds if not thousands of addresses. Our internal memories are associational, nonlinear. You don't need to know where a particular memory is stored in order to find it. It simply turns up - or doesn't - when you need it. Because of the dense network that interconnects our memories, we can skip around from memory to memory and idea to idea very rapidly. — Joshua Foer

Manage me, I am a mess, swept under the rug of yesterday's home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn't. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing. — Alex Gaskarth

Memory is the friend of wit, but the treacherous ally of invention; there are many books that owe their success to two things; good memory of those who write them, and the bad memory of those who read them — Charles Caleb Colton

Tell me that you're happy with your life that you don't crave my touch, my kisses, the way I used to whisper in your ear. Tell me that when you see me, your heart doesn't race, that butterflies don't flutter in your stomach, that the moment you see me, your world isn't right. Because every time I see you, everything is right in my world. I crave you, I need you, and I'll die proving to you that I'm a man that deserves you. When things went to hell for me, you were the only thing that kept me alive. Your memory kept me sane and has driven me to become a man. This time, Julia, I'm not letting you walk away and I'll fight for us. Even if I have to fight for the both of us, I'll fight till my dying breath to show you I deserve you. — M.L. Rodriguez