The Literature Page Quotes & Sayings
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If the ox of an Israelite bruise the ox of a Gentile, the Israelite is exempt from paying damages; but should the ox of a Gentile bruise the ox of an Israelite, the Gentile is bound to recompense him in full.' -- Bava Kama, fol. 38, Col. 2"
-- Hebraic Literature, page 31 — Maurice H. Harris

From a really young age, I was reading like a writer. I was reading for the deep understanding of the literature; not simply to hear the story but to understand how the author got the story on the page. — Jacqueline Woodson

We talk of literature as if it were a mere matter of rule and measurement, a series of processes long since brought to mechanical perfection: but it would be less incorrect to say that it all lies in the future; tried by the outdoor standard, there is as yet no literature, but only glimpses and guideboards; no writer has yet succeeded in sustaining, through more than some single occasional sentence, that fresh and perfect charm. If by the training of a lifetime one could succeed in producing one continuous page of perfect cadence, it would be a life well spent, and such a literary artist would fall short of Nature's standard in quantity only, not in quality. — Brenda Wineapple

I see all of us reading ourselves away from ourselves,
straining in circles of light to find more light
until the line of words becomes a trail of crumbs
that we follow across a page of fresh snow — Billy Collins

As the philosopher Gilles Deleuze put it, no painter ever stands before a completely blank canvas, no author ever sits before a blank page. In fact, the surface confronting the modern artist is full of inherited images that must first be cleared from the imagination before one can begin to create one's own. — Marie Luise Knott

From the literary point of view, the Koran has little merit. Declamation, repetition, puerility, a lack of logic and coherence strike the unprepared reader at every turn. It is humiliating to the human intellect to think that this mediocre literature has been the subject of innumerable commentaries, and that millions of men are still wasting time in absorbing it." (Orpheus, Salmon Reinach, 1932. See page 175 of the book here) — Salomon Reinach

A page of a book is like a human face. Look at a page by Hemingway and compare it with Sterne and Marcel Proust. They are different typographical beings. But force upon them those ragged edges, and the influence of the author's style on the physical aspect of the page, their typographical physiognomy will disappear. No, unjustified setting is a sort of gleichschaltung [enforced conformity] through diversity, a very phoney diversity. Produced methodically by chance. For the comfort of the keyboard, and not for the comfort of the eye. — Stefan Themerson

This is an extremely ambitious book. In addition to science and mathematics, Byers brings to bear insights from literature, philosophy, religion, history, anthropology, medicine, and psychology. The Blind Spot breaks new ground, and represents a major step forward in the philosophy of science. The book is also a page-turner, which is rare for this topic. — Joseph Auslander

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

The whole man was in all his judgments and activities, and a discriminating zest for life, for 'common life', informs every page he wrote. He saw education as actualizing the potentiality for the leisured activities of thought, art, literature and conversation. 'Grete clerk' as he was, he was never willfully esoteric: quotations and allusions rose unbidden to the surface of his full and fertile mind, but whether drawn from Tristram Shandy or James Thurber they elucidate not decorate. His works are all of a piece: a book in one genre will correct, illumine, or amplify what is latent in another. — Jocelyn Gibb

Listen closely. There's a remote possibility that you might learn something: First, I don't give a damn if my work is commercial or not ... I'm the writer. If what I write is good, then people will read it. That's why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself. — John Fante

Only when I make movements away from the tribe of indie art and literature. Maybe that's something important for me to keep thinking about. What you gain, what you lose, why and how. Maybe the edge of the page is the place for me. Maybe that's OK. — Lidia Yuknavitch

This used to be about sex. The literature of my people was pornography, filled with cries for mercy, drama enacted on people without prolonged negotiation, partners engaged in a dance in the middle of a bonfire. Now, it's 300-page manuals about how to make sure nothing bad will happen. — Laura Antoniou

Every page should explode, either because of its staggering absurdity, the enthusiasm of its principles, or its typography. — Tristan Tzara

My idea of literature, as I have often said, is that it should save lives. My idea of literature is that it once did save lives, and was of consequence in that way. I believe it can do so again. With every book, to the best of my ability, I try to put this belief in action, even if, as in some of the recent books, the best way to save lives is to cause laughter. Bring on your problems, and I will listen, and bear witness, and when the occasion permits, I will respond, according to certain general rules, on this page, in this hope that here too words may be redemptive. — Rick Moody

Watson is a cheap, efficient little sod of a literary device. Holmes doesn't need him to solve crimes any more than he needs a ten-stone ankle weight. The audience, Arthur. The audience needs Watson as an intermediary, so that Holmes's thoughts might be forever kept just out of reach. If you told stories from Holmes's perspective, everyone would know what the bleeding genius was thinking the whole time. They'd have the culprit fingered on page one. — Graham Moore

The principle of art is to pause, not bypass. The principles of true art is not to portray, but to evoke. This requires a moment of pause
a contract with yourself through the object you look at or the page you read. In that moment of pause, I think life expands. And really the purpose of art
for me, of fiction
is to alert, to indicate to stop, to say: Make certain that when you rush through you will not miss the moment which you might have had, or might still have. That is the moment of finding something which you have not known about yourself, or your environment, about others and about life. — Jerzy Kosinski

Confidence is highly overrated when it comes to creating literature. A writer who is overly confident will not engage in the struggle to get it exactly right on the page - but rather, will assume that she's getting it right without the struggle. — Dani Shapiro

Teaching literature is teaching how to read. How to notice things in a text that a speed-reading culture is trained to disregard, overcome, edit out, or explain away; how to read what the language is doing, not guess what the author was thinking; how to take evidence from a page, not seek a reality to substitute for it. — Barbara Johnson

Knowing, above all, that I would come looking, and find what he had left for me, all that remained of The Jungle Book in the pocket of his doctor's coat, that folder-up, yellowed page torn from the back of the book, with a bristle of thick, coarse hairs clenced inside. Galina, says my grandfather's handwriting, above and below a child's drawing of the tiger, who is curved like the blade of a scimitar across the page. Galina, it says, and that is how I know to find him again, in Galina, in the story he hadn't told me but perhaps wished he had. — Tea Obreht

For me, literature is a complex game, both mental and concrete, which is acted out in a physical manner on the page. — Guillermo Cabrera Infante

We lie under the sheet
after making love, speaking
of loneliness
relieved in a book
relived in a book
so on that page
the clot and fissure
of it appears
words of a man
in pain
a naked word
entering the clot
a hand grasping
through bars:
deliverance
What happens between us
has happened for centuries
we know it from literature
still it happens
sexual jealousy
outflung hand
beating bed
dryness of mouth
after panting
there are books that describe all this
and they are useless — Adrienne Rich

Christmas is the marriage of chaos and design. The real sound of life, for once, can burst out because a formal place has been set for it. At the moment when things have gotten sufficiently loose, the secret selves that these familiar persons hold inside them shake the room ... An undercurrent of clowning and jostling is part of the process by which we succeed finally in making our necessary noise: despite the difficulty of getting the words right, of getting the singers on the same page, of keeping the ritual from falling apart into the anarchy of separate impulses. From such clatter
extended and punctuated by whatever instrument is handy, a triangle a tambourine, a Chinese gone
beauty is born. — Geoffrey O'Brien

I believe that today more than ever a book should be sought after even if it has only one great page in it. We must search for fragments, splinters, toenails, anything that has ore in it, anything that is capable of resuscitating the body and the soul. — Henry Miller

There is a literature that does not reach the voracious mass. It is the work of creators, issued from a real necessity in the author, produced for himself. It expresses the knowledge of a supreme egoism, in which laws wither away. Every page must explode, either by profound heavy seriousness, the whirlwind, poetic frenzy, the new, the eternal, the crushing joke, enthusiasm for principles, or by the way in which it is printed. On the one hand a tottering world in flight, betrothed to the glockenspiel of hell, on the other hand: new men. Rough, bouncing, riding on hiccups. Behind them a crippled world and literary quacks with a mania for improvement. — Tristan Tzara

At one magical instant in your early childhood, the page of a book - that string of confused, alien ciphers - shivered into meaning. Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader. — Alberto Manguel

Imagine! It is the real power of a book
not what is on the page, but what happens when a reader takes the pages in, makes it part of himself. That is the definition of literature. — Matthew Pearl

It's easier to get your high school diploma, become a police inspector, or get your master's degree in literature than to commit suicide. The success rate is less than eight percent. — Martin Page

Kaz reached into his coat pocket. "Here," he said and handed Jesper a slender book with an elaborate cover.
"Are we going to read to each other?"
"Just flip it open to the back."
Jesper opened the book and peered at the last page, puzzled. "So?"
"Hold it up so we don't have to look at your ugly face."
"My face has character. Besides - oh!"
"An excellent read, isn't it?"
"Who knew I had a taste for literature? — Leigh Bardugo

I'm five minutes late to Russian literature, where Mrs. Mahone and her wig assign us a ten-page paper on The Brothers Karamazov. — Jennifer Niven

By the time we were knit in our mothers' wombs, our lives were like open books before Him
every sentence read, every paragraph indented, every chapter titled, every page numbered. He knew it all in advance
all the sin, all the selfishness, every weakness. Yet He chose to love us
lavishly. — Beth Moore

Nom de Plume uses the device of the pseudonym to unite the likes of Charlotte Bronte, Mark Twain, Fernando Pessoa, and Patricia Highsmith into a cohesive yet highly idiosyncratic literary history. Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature. — Elif Batuman

Wagon Train was on. It seemed to be beaming in from some foreign country. I shut that off, too, and went into another room, a windowless one with a painted door
a dark cavern with a floor-to-ceiling library. I switched on the lamps. The place had an overpowering presence of literature and you couldn't help but lose your passion for dumbness. — Bob Dylan

Young would-be novelists and poets believe that art is eternal. Au contraire: we are in the business of ephemera, the era of floating islands of trash, and most of the things we feel deeply and inscribe on the page will disappear. — Julie Schumacher

He liked the mere act of reading, the magic of turning scratches on a page into words inside his head. — John Green

When King Lear dies in act five, do you know what Shakespeare has written? He has written, 'He dies.' No more. No fanfare, no metaphor, no brilliant final words. The culmination of the most influential piece of dramatic literature is, 'He dies.' Now I am not asking you to be happy at my leaving but all I ask you to do is to turn the page and let the next story begin.
Mr. Magorium — Suzanne Weyn

The only distinguishing characteristic of a literature professor at the millennium was that he or she wrote about other people's writing. Apart from that, the writing he wrote about didn't even need to be literature, or writing about literature, or even writing about writing about literature. He needed theory...In the unflickering glare, at the center of a severe perspective, Nelson suddenly felt the visceral truth of the world as text; he apperceived the fundamentally linguistic nature of reality. Everything was text, at every level of existence, all the way up from quarks to queer theory. Words arranged in lines; lines arrayed on pages; pages pressed together, bound, and trimmed in books; books arranged cover to cover along a shelf like the words in a line of text; shelves stacked one atop the other like lines of text on a page; rows of shelves pressed together, with just the barest passage for the reader, like the pages of a book. — James Hynes

I found it again at last! Page 156 - 157 of *My Soul to Keep* by Melanie Wells.
Dr. Dylan Foster is thinking to herself while searching through literature on snake lore, "Then there was all the mystical stuff. Once again, the dearth of comparative religion in my theology training nearly skunked me. Four years of sod-busing in seminary had taught me exactly nothing more than what I already knew--in grander proportions, of course, and to near-microscopic levels of minutia. In the end, I got out of there with a solid hermeneutical method, an encyclopedic understanding of dispensational theology, and the ability to conjugate verbs and deconstruct participles in Greek and Hebrew--all notable skills--but without even passable knowledge of anything outside one extremely narrow strip of theological territory."
"When it was all said and done, I'd spent four years and trainload of money to get indoctrinated, not educated. Lousy planning, if you ask me. — Melanie Wells

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder. — Virginia Woolf

I mark the reading of 'Look Homeward, Angel' as one of the pivotal events of my life. It starts off with the single greatest, knock-your-socks-off first page I have ever come across in my careful reading of world literature. — Pat Conroy

I'd always admired writers. I'd always loved words on a page. Somehow, words seemed to bypass image and get straight to the heart of things. Somehow, words seemed big enough to contain pain, and sentences could pull broken bits together. — Rosie O'Donnell

Instead of being a page-turner, 'Moby-Dick' is a repository of American history and culture and the essentials of Western literature. The book is so encyclopedic that space aliens could use it to re-create the whale fishery as it once existed on the planet Earth in the midst of the 19th century. — Nathaniel Philbrick

Few pleasures, for the true reader, rival the pleasure of browsing unhurriedly among books: old books, new books, library books, other people's books, one's own books - it does not matter whose or where. Simply to be among books, glancing at one here, reading a page from one over there, enjoying them all as objects to be touched, looked at, even smelt, is a deep satisfaction. And often, very often, while browsing haphazardly, looking for nothing in particular, you pick up a volume that suddenly excites you, and you know that this one of all the others you must read. Those are great moments - and the books we come across like that are often the most memorable. — Aidan Chambers

If one find lost property in a locality where the majority are Israelites, he is bound to proclaim it; but he is not bound to do so if the majority be Gentiles.' -- Bava Metzia , fol 24, col. 1"
-- Hebraic Literature, page 31 — Maurice H. Harris

I love the solitude of reading. I love the deep dive into someone else's story, the delicious ache of a last page. — Naomi Shihab Nye

Under the Volcano embraces everything from Dante to Freud to the cabala. Here it shambles like Cervantes, there it rages like Ahab, and every page of it pulsates on Out of Body Auto-Reply, that style of pure Lowry that points at once backward, to all European literature, and forward, to the mother of all nervous breakdowns. — Malcolm Lowry

When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it ... I'm done. — Quentin Tarantino

If he let one day pass without glancing at a single page, habit led him to feel a vague sense of decay. Therefore, in the face of most intrusions, he tried to arrange it so that he could stay in touch with the printed word. There were moments when he felt that books constituted his only legitimate province. — Soseki Natsume

Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page. — Jane Green

The attention for bad literature is symptomatic: they pretends its the most normal thing in the world to fill an entire newspaper page with talk about a bad book, and good books are silenced to death. This mechanism is exactly the same formula as used in the Eurovision Songfestival: to present monoculture, and the proverbial hatred for that monoculture is only ritualistic, intended to give the reader the impression that the newspaper is on their side. Its the formula of entertainment: present things the reader can feel superior to. — Martijn Benders

Unfortunately, there's still a market for rubbish. I picked up a recently written fantasy book at the weekend, and one character said of another: "He will grow wroth." Oh, my God. And the phrase was in a page of similar jaw-breaking, mock-archaic narrative. Belike, i'faith ... this is the language we use to turn high fantasy into third-rate romantic literature. "Yonder lies the palace of my fodder, the king." That's not fantasy - that's just Tolkien reheated until the magic boils away. — Terry Pratchett

Our trials, our troubles, our demons, our angels - we reenact them because these stories explain our lives. Literature's lessons repeat because they echo from deeper places. They touch a chord in our soul because they're notes we've already heard played. Plots repeat because, from the birth of man, they explore the reasons for our being. Stories teach us to not give up hope because there are times in our own journey when we mustn't give up hope. They teach endurance because in our lives we are meant to endure. They carry messages that are older than the words themselves, messages that reach beyond the page. — Camron Wright