The Historical Novel Quotes & Sayings

I really hate the term 'historical novel' - it reminds me of bodice-rippers. But I'm hooked on research, and I really, really enjoy it. — Hannah Kent

It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America. — Ann Goldstein

The novel had reached its apogee with the marriage plot and had never recovered from its disappearance. In the days when success in life had depended on marriage, and marriage had depended on money, novelists had had a subject to write about. The great epics sang of war, the novel of marriage. Sexual equality, good for women, had been bad for the novel. And divorce had undone it completely. What would it matter whom Emma married if she could file for separation later? How would Isabel Archer's marriage to Gilbert Osmond have been affected by the existence of a prenup? As far as Saunders was concerned, marriage didn't mean much anymore, and neither did the novel. Where could you find the marriage plot nowadays? You couldn't. You had to read historical fiction. You had to read non-Western novels involving traditional societies. Afghani novels, Indian novels. You had to go, literarily speaking, back in time. — Jeffrey Eugenides

Romance novels can be broken down into two broad categories: historical romances, which utilize a wide variety of historical backdrops, and contemporary romances. The distinction is important because the temporal settings have a strong influence on plot lines and the type of fantasy that is found in the books. — Cathie Linz

The Sun Dagger appeared on the rock face directly above the Shaman's shadowed head. It dazzled within the shade as the sunlight slipped through a gap in the overhead slabs. The dagger cut slowly down the rock, slicing through the very center of the etched spiral.
"The middle of time," Chaco whispered to himself. — P.J. Parker

A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver in other words, when it acquires new sensitiveness; and the novel's success lies in its own sensitiveness, not in the success of its subject matter. — E. M. Forster

I still find the idea of a research-heavy or historical novel daunting. That's something I've had in mind for a while: like, would you research for a year and then start writing? I sit down, and I just don't know how to write it. — Lynn Coady

I know you do not think very highly of me, but in some circles, I'm quite the thing. — Jessie Clever

Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them - the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. — Rafael Sabatini

and others all agreed that Acts was pretty much an historical novel, much like the so-called Apocryphal Acts, and that it was written in the second century. There is virtually no historical value to it, but it is rich in edifying propaganda, its author having extensively rewritten sources that seem to include Homer, Virgil, Euripides, Josephus, and the Septuagint, creating a revisionist version of early Christianity in the golden age of its origin. — Robert M. Price

I couldn't resist hiding some historical details and a few clues relevant to the plot and characters of 'A Discovery of Witches' throughout the pages of the novel. — Deborah Harkness

Even though the method of 'Harvest' was a historical novel, its intentions were that of a modern novel. I'm asking you to think about land being seized in Brazil by soya barons. It's also a novel about immigration. — Jim Crace

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

The other Clans will soon arrive. The greatest times of our family are before us. And so are the darkest. — P.J. Parker

The places and people in the following stories have been represented accurately to the best of my ability; yet my writing is supposed to be a tale, and as in any historical novel, my own imagination has blended with fact to create poetical reality. — Eric Sloane

Romantic fiction, in the broader sense, can be any novel that has a love story somewhere in it. It can be a mystery or a historical novel, as long as it has this very strong romantic thread running through it. — Susanna Kearsley

West Point - The Key to the Continent and Independence. — P.J. Parker

I'm an idiot for trying to avoid these feelings because they have caused me pain in the past. — Kellyn Roth

In 1965, when I was fourteen, I read my first adult novel; it was a historical novel about Katherine of Aragon, and I could not put it down. When I finished it, I had to find out the true facts behind the story and if people really carried on like that in those days. So I began to read proper history books, and found that they did! — Alison Weir

The early morning sunshine shot up the ice-covered valley. It glinted off the backs of slumbering mastodon, reflected between the antlers of caribou. — P.J. Parker

Van Houten was still staring at the ceiling beams. He took a drink. The glass was almost empty again. 'Lidewij, I can't do it. I can't. I can't.' He leveled his gaze to me. 'Nothing happens to the Dutch Tulip Man. He isn't a con man or not a con man; he's God. He's an obvious and unambiguous metaphorical representation of God, and asking what becomes of him if the intellectual equivalent of asking what becomes of the disembodied eyes of Dr. T.J. Eckleburg in Gatsby. Do he and Anna's man get married? We are speaking of a novel, dear child, not some historical enterprise. — John Green

One large cat bounded up the side of the outcrop to stand in full view on an overhanging boulder. She stared down at them, inside their protective enclosure, tilting her head from side to side. Her scarred yellow-brown coat was immaculately groomed, but the long tufting hair of her snout was matted with the bright red smear of uncongealed blood from a recent kill. Her upper lip curved over the top of foot-long saber teeth. — P.J. Parker

Do you understand the meaning of the soil beneath your feet? — P.J. Parker

She dreamed of Venice. However, it wasn't a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile. — Pamela Allegretto

When you read a history or biography you are entitled to imagine that it is as accurate as the authors can make it. That research has gone into it and we say "This is a history of the civil war, this is a biography of Lincoln" whatever. But you don't make any such supposition when you say "This is a historical novel." — Nicholas Meyer

This feeling that
contrary to the consciously philosophic and historical conception which proclaims unceasing and peaceful progress
one is experiencing a last brief, irretrievable intellectual prime of humanity manifests itself in the greatest representatives of this period in different ways, in keeping with the unconscious character of this feeling. — Gyorgy Lukacs

Children, Hadley thinks to herself, children are more civilised than this gang on the sauce. — Naomi Wood

If Miss Elton spoke water instead of words, then there would have been a repetition of Noah's flood. — Kellyn Roth

There were no stars, only the darkness and an arctic chill that had intensified since the first thin, blood-red stripes of sunrise shimmered on the ocean's horizon. — P.J. Parker

The Sleepin' Fox Catches No Poultry. — P.J. Parker

As a citizen of the world, it's my instinct to keep the fallen and the suffering in my thoughts. The human brain fascinates me; its limitless bounds of empathy. You see, in my mind there is logic to it: do no harm, prevent harm, help, support, care for the harmed, face the harmer. My stupid idealist conscience considers sympathy, not pity, at its worst, the most basic and the least negotiable civil duty. Of course as a citizen of the world, I should strive to do more. That said, I am only a man and so I often do the least. — Asaad Almohammad

However, the difficulties and pleasures of the writing itself are similar for a novel with a historical setting and a novel with a contemporary setting, as far as I'm concerned. — Helen Dunmore

If queens did not exist, the poets would have had to invent them, so necessary as they are to a nation's glory. — Lise Arin

Low and behold what comes of reading too many romance novels. — Kellyn Roth

While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.) — Mary Pope Osborne

Intricately plotted, beautifully paced, The Music of the Spheres is an elegant historical novel rich in detail, at times Dickensian in its description of London. Elizabeth Redfern has made an exciting debut. — Martha Grimes

Respect can be as elusive as the unicorn. I know something of this because I write books that are set in the Middle Ages, and the historical novel is often seen as the unwanted stepchild in the fictional family. I know even more about respect - or the lack thereof - because I live in New Jersey. — Sharon Kay Penman

It is said you are the woman who holds all of London in the palm of her hand."

"Perhaps not all of London, Your Grace, but a fortunate few have indeed felt the palm of my hand. — Joanna Shupe

Fenella Doorn watched the unfamiliar wreck of a ship ghosting into her bay. Crippled by cannon fire, she thought. What else could do such damage? The foremast was blown away, as well as half the mainmast where a jury rig clung to the jagged stump, and shot holes tattered the sails on the mizzen. And yet, to Fenella's experienced eye the vessel had an air of defiance. Demi-cannons hulked in the shadowed gun ports. This ship was a fighter, battered but not beaten. With fight still in her, was she friend or foe? — Barbara Kyle

I don't try to take a person out of our world and put them into my world; that wouldn't work. It's sort of like bad Photoshop: If you see something Photoshopped together - and even if it's done pretty well - the eye catches on it. That happens a lot when people try to cut and paste people from our world into their fourteenth-century historical romance novel. — Patrick Rothfuss

As a journalist, I would talk to writers, directors, creative people, and discover that for an awful lot of them, the moment they became successful, that was all they were allowed to do. So you end up talking to the bestselling science-fiction author who wrote a historical-fiction novel that everybody loved, but no one would publish. — Neil Gaiman

I brought you something. It's my sister's coat. It
gets cold in Nashville in the wintertime. — Nancy B. Brewer

It had never occurred to me to write a historical novel, but then I found Hadley in the pages of Hemingway's 'A Moveable Feast' and wanted to know more about her - who she was, how she and Ernest met and fell in love, what it was like for her to be married to such a demanding and stormy force of nature. — Paula McLain

A novel takes place over time. It's a historical narrative, and it needs to have a series of peaks and valleys and the move through. You can't just start at the highest pitch and stay there, but you can in a lyric poem. — Edward Hirsch

The night of the fireworks changed the course of many lives in England, though no one suspected the dark future as hundreds of courtiers stared, faces upturned in delight, at the starbursts of crimson, green, and gold that lit up the terraces, gardens, and pleasure grounds of Rosethorn House, the country home of Richard, Baron Thornleigh. That night, no one was more proud to belong to the baron's family than his eighteen-year-old ward, Justine Thornleigh; she had no idea that she would soon cause a deadly division in the family and ignite a struggle between two queens. Yet she was already, innocently, on a divergent path, for as Lord and Lady Thornleigh and their multitude of guests watched the dazzle of fireworks honoring the spring visit of Queen Elizabeth, Justine was hurrying away from the public gaiety. Someone had asked to meet her in private. — Barbara Kyle

If your like a powerful modern thriller with an historical core in the Scandinavian style of many separate threads which eventually come together, Purple Killing will grip you. It is my latest book and a companion to Hitler's First Lady, but in a very different style. Set equally in the US and UK. — Malcolm Blair-Robinson

Utopian fiction is really boring. I had to read a lot of it, and it's not that much fun. But they're fascinating to me as historical documents. Cabet [Icaria's founder and author of the utopian novel, Travels in Icaria], is writing in the 1830s, and his idea of the perfect society reveals a lot about his time. But his book is uniquely bad. — Christine Jennings

History immortalises both the names of the greats and the tyrants without making a distinction between them. — Aziz Hamza

Skip your fancy talk, Captain Lord Blackthorn. If I do your bidding, and I'm still discussing that with the Almighty, it will only be to save my arse." Katie O'Reilly to Captain Lord Jack Blackthorn in "Titanic Rhapsody — Jina Bacarr

Writing a modern novel in a national language hence means writing with the awareness that you inhabit the same world as others around the globe. You see the same world map and the same world history as your contemporaries elsewhere, though how each of you interprets and relates the same historical events may vary greatly. — Minae Mizumura

Rainbow Cloud strode forward like a hunting cat with the same strength of height and broad shoulders, the same rolling gait as First Light's father. They were indeed the same man, split in two at birth, so the family might be rewarded by twice the skill in hunting each brother possessed. — P.J. Parker

If you write a book about a bygone period that lies east of the Mississippi River, then it's a historical novel. If it's west of the Mississippi, it's a western, a different category. There's no sense to it. — Louis L'Amour

Some people like the Jews, and some do not. But no thoughtful man can deny the fact that they are, beyond any question, the most formidable and most remarkable race which has appeared in the world.
- Winston S. Churchill — Ellen Brazer

We the People . . . The People of the Long House. — P.J. Parker

The virtuous are among the the weakest and quickest to sin — Aziz Hamza

[My wife] liked to collect old encyclopedias from second-hand bookstores, and at one point we had eight of them. When I wrote my first historical novel
back in 1980, before I was online
I used them often as a research tool. For instance, I learned that the Bastille was either 90 feet high or 100 feet or 120 feet. This led me to formulate Wilson's 22nd Law: 'Certitude belongs exclusively to those who only look in one encyclopedia.' — Robert Anton Wilson

I think there have been a lot of writers who've been experimenting lately with really sprawling novels that will deal with a number of different characters and different points on the globe. I understand that as a method of getting at the global culture that we live in, and I understand writers who want to maybe juxtapose very different historical periods to make some larger points about how things have changed over time. I tend to like the sort of idea of the novel as a little village, and the novel as a microcosm, a smaller world standing in for a larger one. — Tom Perrotta

The field of the novel is very rich. If you're a composer, you're well aware of the history of composition, and you are trying to make your music part of that history. You're not ahistorical. In the same way, I think, if you write now, you are writing in the historical context of what the novel has been and what possibilities it has revealed. — Salman Rushdie

As i was beginning to understand, this kind of love was foreign ground to him. I may add that he never did, as far as I know, accept a suitor ... Sometimes indeed I asked myself whether he lacked the capacity for loving men at all; but I liked him too well to offend him by such a question. — Mary Renault

Bear in mind that the novel
no matter how intimate, psychological, or subjective
is always an historical projection of its own time. — Samuel R. Delany

Partially satisfied by grazing on the first few pages of several books, and as a consequence, there are half-chewed novels lying all over the place. At least, I'm presuming they're lying all over the place; I seem to have temporarily lost most of them. When the World Cup is over, and we clear away the piles of betting slips and wall charts, some of them will, presumably, reappear. I wrote in this column recently about Muriel Spark's novels, their genius and their attractive brevity, but there is an obvious disadvantage to her concision: her books tend to get buried under things. I can put my hands on Dennis Lehane's historical novel The Given Day whenever I want, simply because it is seven hundred pages long. — Nick Hornby

For some reason, notwithstanding the alienation and utter rejection, I consider myself a global citizen. They say misery calls for company and I've always been a man of funerals. The companion of the misfortunate, until they are not! — Asaad Almohammad

Nothing good in this world comes free! For everything there's a payment of time or money or soul! — Kellyn Roth

I freely admit that I took great license in writing 'The Dark Queen,' more so than my other historical romance novels. This is largely because I viewed the book as a fantasy novel as much as an historical. I do feel that writers should strive for as much accuracy as possible but, in the end, remember that we are writing fiction. — Susan Carroll

A newly born genre never supplants or replaces any already existing genres. Each new genre merely supplements the old ones, merely widens the circle of already existing genres. For every genre has its own predominant sphere of existence, in which it is irreplaceable. Thus the appearance of the polyphonic novel does not nullify or in any way restrict the further productive development of monologic forms of the novel (biographical, historical, the novel of everyday life, the novel-epic, etc.), for there will always continue to exist and expand those spheres of existence, of man and nature, which require precisely objectified and finalizing, that is monological, forms of artistic cognition. But again we repeat: the thinking human consciousness and the dialogic sphere in which this consciousness exists, in all its depth and specificity, cannot be reached through a monologic artistic approach. — Mikhail Bakhtin

Do not fret, my brother, my child. For the buffalo will roam the plains once more. — P.J. Parker

With a historical novel you know that liberties are being taken. Since Walter Scott, we know that poetic license, dramatic license, that events been conflated and that liberties have been taken, characters ditto, dates rearranged. But people don't seem to understand that movies are fictions, they are dramatizations, at least historical movies, and we should accord the moviemakers some of the same understanding and latitude. When you go to a movie you know it's a dramatization and not history. — Nicholas Meyer

There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog. — Vladimir Nabokov

I don't start with a list of historical scenes that I want to include in the book. At a certain point, the narrative totally takes over, and everything that I include I can only incorporate if it answers to the internal terms of the novel. — Rachel Kushner

Though the heart may be cracked wide, pain can still seep in. — Rachelle Rea Cobb

A novel is not, after all, a historical document, but a way to travel through the human heart. — Julia Alvarez

Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history's illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities. — Lauren Willig

One should learn to connect the bridge between the heart and the mind. That's what crowns you with eternity, and makes you the master of your own life rather than a slave of someone else's. — Iva Kenaz

Herschel Grynszpan's life was enigmatic, elusive and tragic. The traces he left on the historical record are just sufficient to tantalize and baffle historians. Harlan Greene has woven from these threads a riveting novel, erotic, haunting, and profoundly moving. — Janette Turner Hospital

I have just finished my novel (rough draft). It is to be called 'Anacoluthon.' This will make the public think it is an historical romance. — Louis MacNeice

when you walk the path of revenge, know that someone will always follow your trail — Aziz Hamza

I invented the historical spy novel. — Alan Furst

The intermittent depression that had shadowed him throughout his adult life was about to envelop him once again. — Erik Larson

The Day of Trouble is Near — P.J. Parker

The Dream Lover is a historical novel at once expansively researched yet intimately imagined. George Sand may be the ultimate Berg heroine. 'A life not lived in truth,' Berg writes, 'is a life forfeited.' In this latest work, Elizabeth Berg has poured her own great gifts and her own great heart into the story of a woman determined to refuse any such forfeiture, no matter the cost. — Leah Hager Cohen

I've been told that I cannot change shit, so I might as well stop torturing myself. My emotions are ridiculed and branded as childish. I have been told that the world has given up on my people. I have been told, and realise that on many occasions, I myself am viewed as an outcast by some of those suffering. I've been confronted and my answer is always the same: I care even in my most fucked-up moments. I care even when gates of shit pour open to drown me; I care because I am a citizen of the world. — Asaad Almohammad

Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.' But in the six years of writing that novel, I actually learned to write, to invent things. — Hilary Mantel

What is War and Peace? It is not a novel, even less is it a poem, and still less an historical chronicle. War and Peace is what the author wished and was able to express in the form in which it is expressed. Such — Leo Tolstoy

I keep waiting for the day in which everyone who loves 'Downton Abbey' will realize they were actually watching a historical romance novel. — Julia Quinn

The historical novel gives us perspective on our modern lives and helps us connect with the story, which we are continuing ourselves. — Mary Pope Osborne

Elsa's mother no longer spoke to her of men and love, but of duty and fate and accepting one's burden. As far as Elsa could tell, if love really was the inherited female domain, then women were saddled with the biggest burden of all. It was pressing down upon them, the way the sea pressed down upon the creatures of the deep. — Kathy-Diane Leveille

My anger mounted. "What about your son and me? What about us? How can you even think of leaving me alone here with our baby boy? Telemachus needs his father. What's going to happen to us if you leave? Who will help me raise him? Who will take care of us? You know as well as I do some of the men around here are nothing but a bunch of scoundrels. Mark my words, Odysseus. The second you're gone, they'll swarm in here like bees around honey. They'll take over the place. I won't be able to do a thing to stop them. — Tamara Agha-Jaffar

When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr. — Tim Pratt

The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist 'cultural revolution', is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form. — Fredric Jameson

You can tell when a Hollywood historical film was made by looking at the eye makeup of the leading ladies, and you can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future. — Alfred Bester

My remembrance of the past is a novel I am constantly recomposing; and it would not be a historical novel, but sheer fiction, if the material events which mark and ballast my career had not their public dates and characters scientifically discoverable. — George Santayana

Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth. — Rachel Kushner

The resulting scrambling to get the next big shiver and shake novel produced some really terrible books. As a further result, the wave had begun to withdraw by the mid 70s, and more traditional bestsellers began to re-appear: stories of sex, big business, sex, spies, gay sex, doctors in trouble, kinky sex, historical romances, sexy celebrities, war stories, and sex. — Stephen King

(The golden goose has died, my prince turned into a frog, the Kingdom is lost, everyone has turned into stone and I am locked in the tower) — Nancy B. Brewer

For I'm neither a submitter nor a hating retaliator, I acknowledge the boundaries of my existence; yet, I still care. I care regardless of the way they choose to reduce me to the brand that is the birthmark of the accident of my conception. I care less about what that brand signifies in terms of my character, potential, and intentions. For the harmed I care. For the real victims. It's the most basic of my mandatory civil duties. Only in caring, am I a citizen of the world. — Asaad Almohammad

'Floating Worlds,' published in 1975 and the lone science fiction novel by acclaimed historical novelist Cecelia Holland, was unique in being completely devoid of the usual pulp influences present in much space opera up to that time. — Pamela Sargent

If the gods chose Sextus as King of Rome, the worst possible evil will befall it — Aziz Hamza

For whom do you cry, my son?" the Great Spirit asked.
"I do not know."
"Yes, you do. — P.J. Parker

For me, the historical and genealogical library is the one I use. I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research. — Andrew Sean Greer

The Ordinary is Extraordinary ..." my motto for life as a writer/Mom/woman — Lisa Barr