The Help Movie Quotes & Sayings

We take fabulousness for granted sometimes. We forget what hard work it is. Indeed, when you consider the grueling hours your average celebrity puts in on the movie set and in the recording studio, when you think of them returning to their mansions so dead tired their drivers have to help them out of the car, well, it just makes you want to cry.. — Leonard Pitts

I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle. — Ridley Scott

Why is it a good thing to understand this movie so well? Because it will help you live a good life. Absorbing the deep meaning of the Nicomachean Ethics will also help you live a good life, but Groundhog Day will do it with a lot less effort. 35. — Charles Murray

'Scary Movie' was a different type of comedy than I'm used to. I've mostly done sitcoms, so working with David Zucker, who wrote the film and who directed the last two 'Scary Movie's and 'Airplane' and 'Naked Gun,' was a lot of help. — Ashley Tisdale

Remember the movie 'The Matrix,' where virtual information popped up to help inform physical day-to-day reality? Such things won't always be the stuff of Hollywood. If the Internet is accessible via contact lenses, biographies will appear next to the faces of the people we talk to, and we will see subtitles if they speak a foreign language. — Michio Kaku

Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out. — Stan Lee

Yeah, I worry what will happen when we stop running. When we go back to school. When she meets other boys. Boys who don't argue and snap at her. Boys who don't obsessively worry about her. Boys that could take her to a movie and stay right until the end, not have to leave halfway through because he started turning into a wolf. But she wouldn't pick up some random guy in the mall. Ever.
So why was I over-reacting? I don't know. I saw the guy and something ignited in my brain, a flash-fire that burned away reason and common sense. If Simon hadn't stopped me, I'd have made an idiot of myself and called attention to us. Worse, I'd have embarrassed Chloe. I was over-protective enough as it was. Frothing at the mouth because a guy talked to her? Really not going help us get to that next anniversary. — Kelley Armstrong

In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it. — Andrew Lloyd Webber

From Bill Murray in the movie Groundhog Day Maybe God isn't omnipotent. Maybe he's just been around so long, he knows everything. — Phil Connors

Gillette
The best a man can get.
I stared at the screen. What happened to me? I was meant to be one of those guys, vigorous and athletic and successful and, most of all, American. I was going to walk on the moon, be a movie star or a rock got or a comedian. I was going to have an amazing life and kids with Helen and die like Chaplin a thousand years from now in my Beverly Hills mansion surrounded by my adoring family, with the grieving world media standing by. Instead, I was just another show-business mediocrity. A drunk who shat his pants and ran for help.
My life had been careless and selfish. Pleasure in the moment was my only thought, my solitary motivation. I had disappointed whoever had been foolish enough to love me, and left them scarred.
I was a very long way from being the best a man can get. — Craig Ferguson

We can't help identifying with the protagonist. It's coded in our movie-going DNA. — Roger Ebert

I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie. — Jason Blum

Hopefully this movie will help people understand that if a child is never given the tools to know how to love others and love and respect themselves, this is what happens. — Jami Gertz

I recently saw the movie about Ray Charles, and there's a scene where he falls down and the mother doesn't help him. She says, I don't want anyone to treat you like a cripple. I've fallen down before, and Molly will say, get up and just go. — Teri Garr

Is there a support group for people who didn't like 'Brokeback Mountain'? We must, if the rave reviews and the newspaper reports are to be believed, be a very tiny - not to mention vulnerable - minority. Am I dead inside because I didn't experience the torrent of emotions I've been reading about? Am I as emotionally crippled as Ennis because I didn't blub and hug after sitting through this 'visceral' movie, but instead wanted to go and 'help with the roundup'? — Mark Simpson

Well, Kevin Downes is the producer of Mom's Night Out. He was a fellow actor with me in the movie Courageous. He plays my police partner and we have been friends for several years. He came and helped me on Courageous and said "Would you come help me on Mom's Night Out?" — Alex Kendrick

The only movie I can watch on a loop, over and over, is 'Help', the Beatles movie. It's so funny and irreverent and great. — Emma Stone

Sam: One day, Mrs. Mandelbaum comes by the store does her usual spiel. Shows me her pictures, tells her lies. "This one's 18, a scholar. This one's 22, a beauty." Some of these pictures were taken before the flashbulb was invented. But it's like this little ritual we have. She has a business and I respect that. I'm a bachelor. She can't help herself.

Izzy: Wait a minute. You mean, you didn't hire her?

Sam: No. But on this particular day she pulled this from her bag.

(Sam pulls Izzy's photo out and shows it to her)

Izzy: Oh, no.

Sam: And I said, "Yes, Mrs. Mandelbaum this one I'll meet."
~Crossing Delancey. Movie. 1988. Peter Regent & Amy Irving. — Susan Sandler

Yeah, getting the company that would help advertise and cross promote the movie on the release was an important factor for New Line, so we went out to a lot of different companies. — David R. Ellis

Even in our business, as is the world, we are in the age of specialisation. You see a lot of names of producers on a movie. If you have the idea, if you oversee the development, if you oversee the production, if you help package the movie, you sell the movie - you can be a producer. There's not a lot of us who do the whole gamut. — Charles Roven

Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off. — Kellan Lutz

The audience
the book's actual cast
quickly realized what had happened. The reason the movie dropped everything that made the novel real was because there was no way the parents who ran the studio would ever expose their children in the same black light the book did. The movie was begging for our sympathy whereas the book didn't give a shit. And attitudes about drugs and sex had shifted quickly from 1985 to 1987 (and a regime change at the studio didn't help) so the source material
surprisingly conservative despite its surface immorality
had to be reshaped. — Bret Easton Ellis

She reached down to help him stand. "Where did you learn that move?" he asked.
"From an old movie on TV," said Buffy proudly. "I think it starred somebody - Flynn, or maybe what's-his-name - Lancaster, I forget which. Are we done?"
"No, we must complete the session." He rubbed his back and groaned. "As difficult as that might prove to be."
"Okay! But don't say I didn't warn you - I've been watching a lot of old movies lately."
"I was afraid of that." Stiffly, Giles assumed a fighting position. "This is called a wombat stance-"
"Looks more like a drunken squirrel to me," Buffy giggled. — Arthur Byron Cover

Sometimes I hate the girl I was back then. It's like how, when you see a horror movie, you can't help but feel contempt for the virgin who goes for a walk in the woods after midnight. How can she be so stupid? Doesn't she know she's about to get gruesomely hacked to death?
She should know. That's why it's so hard to watch. Because you want her to know. You want her to defend herself, and you look down on her for not knowing, even though obviously it's the guy who hacks her up who's at fault. — Robin York

This is why people cry at the movies: because everybody's doomed. No one in a movie can help themselves in any way. Their fate has already staked its claim on them from the moment they appear onscreen. — John Darnielle

With so much sky and so much river, you couldn't help seeing the big picture. It was what you already knew, but crowding into the subway or rushing to a movie, you only saw it for a second, and close up. Now I took a good long look. I'd always heard you couldn't see stars in Manhattan because of all the lights. But here they all were. Here was my night in shining armor. — Melissa Bank

When you are shooting a movie, you have to collaborate with many, many, many people. First of all, the director with all his own ideas and I can only just help him with that. I cannot change his idea. — Vilmos Zsigmond

I want so badly to help you realize, Elizabeth Anne, how difficult and puzzling and full of wonder it all is: some day I will tell you how I learned to watch the shifting light of autumn days or smelled the earth through snow in March; how one winter morning God vanished from my life and how one summer evening I sat in a Ferris wheel, looking down on a man that hurt me badly; I will tell you how I once travelled to Rome and saw all the soldiers in that city of dead poets; I will tell you how I met your father outside a movie house in Toronto, and how you came to be. Perhaps that is where I will begin. On a winter afternoon when we turn the lights on early, or perhaps a summer day of leaves and sky, I will begin by conjugating the elemental verb. I am. You are. It is. — Richard B. Wright

There are so many factors that go into how you feel, as a performer, on any given movie, that it's really hard to identify which things are the things that help you be good, and which are the things that hinder you. — Alessandro Nivola

My mother is my lifeline and I love her a scary amount, but sometimes when I talk to her, I can't help but feel like it's going at the pace of a Sofia Coppola movie. — Ryan O'Connell

Salman Khan did not help me get movie offers. What rubbish! Will any producer take a risk of millions of rupees at the instance of any person? Everyone knows that the film industry is highly competitive, and one gets a job on one's talent only and not on any recommendation. — Katrina Kaif

I don't have any regrets," a famous movie actor said in an interview I recently witnessed. "I'd live everything over exactly the same way."
"That's really pathetic," the talk show host said. "Are you seeking help?"
"Yeah. My shrink says we're making progress. Before, I wouldn't even admit that I would live it all over," the actor said, starting to choke up. "I thought one life was satisfying enough."
"My God," the host said, cupping his hand to his mouth.
"The first breakthrough was when I said I would live it over, but only in my dreams. Nocturnal recurrence."
"You're like the character in that one movie of yours. What's it called? You know, the one where you eat yourself."
"The Silence of Sam."
"That's it. Can you do the scene?"
The actor lifts up his foot to stick it in his mouth. I reach over from my seat and help him to fit it into his bulging cheeks. The audience goes wild. — Benson Bruno

From what type of software could help us make a movie faster to everything else regarding the textures. Some might think, "It's probably very easy to make a film with those textures," but it's much more difficult than what it appears to be. We had to discover a faster process because otherwise it could have taken us 10 years to make it. — Alex Abreu

You only get out of something what you bring into it, whether it is your job, your relationships, watching a movie, or reading a book. They all help you to get to know yourself better in some way. The more awareness we can bring into what we do, the less we will rush and miss the things we need to see about ourselves. — John D. Mosley

You is smart, you is kind and you is important. From the book/movie "The Help — Kathryn Stockett

In a certain respect, in a movie, you inevitably have a lot of people doing a lot of different jobs because that's the only practical way to get it done. When you make a record, you can still be an auteur, because you can make a whole record without anyone's help if you want. — D.A. Wallach

Brooke said, "Mom, did you know that the movie Frozen is really about pooping?" Mrs. Estabrook said, "What?" "Yeah," Brooke continued. "See, Elsa makes ice. It just comes from her body naturally. She can't help it. Sometimes it happens by accident. And her parents tell her to never let anyone see it happen. — Scott Meyer

We all line up except for this guy in a wheelchair, Devyn. He smiles at me when I line up, introduces himself. He has a movie star smile, just white teeth and charisma, big eyes, dark skin. He'd be perfect looking if he didn't have such a large nose, but the truth is it looks good on him, natural and powerful. He winks at Issie, who blushes.
"You can do it, Is," he says.
She rolls her eyes, twists her lip, and says, "As long as I don't pass out."
"If you pass out, I'll put you in my lap and wheel you across the finish line," he says, and it somehow isn't sleazy because you can tell by his eyes how much he cares about Issie. I instantly like him.
She blushes worse. Her face looks like she's already sprinted a mile. — Carrie Jones

I see the glow before I see her. The orange light is so strong it's hard to believe the house isn't on fire, but when feet appear at the top of the staircase, I can finally see that the light isn't coming from the house. It's coming from her.
My heart beats so fast I can't tell the pulses apart - it's one harsh thrum inside my head. If I'm a Smurf, this girl is an Oompa Loompa. No. Not even. It looks like she walked out of a horror movie. She really is on fire, burning from the inside out.
I'm staring, but I can't help it. Everyone would be staring if they could see what I see. — Erica Cameron

When you see a white woman and a white man eating dinner together, watching a movie, or drinking at a bar you probably think they are a couple. Not so fast! White people often engage in something called a "platonic friendship." These arrangements feature a white male who is in love with a white female who needs companionship or access to someone with a car. The relationship is symbiotic for a long time as the white male believes he is making "progress" in his efforts to sleep with the white woman. The white female is in turn rewarded with companionship, someone to help her move, and an excellent "backup" plan in case she is unable to date the male of her choice. — Anonymous

Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity. — Walter Hill

I had a big problem working with stars, because they are too expensive and have too many demands. Their names help you raise the money to make the movie, but then they demand close-ups. They change things. You end up doing things at their service instead of servicing the film. — Alejandro Jodorowsky

I feel I need to really think about whether there's a way to use what skill I have to address things that outrage me, like the 13 year old girl getting stoned to death. Because I don't think making a movie is going to help that, or change that. — Steven Soderbergh

When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration. — Tom Cruise

Some people come to you because if you're in their movie, it'll help them raise money. And some people come to you because they think you're the person to play the part. — Kevin Costner

Cast PURPOSE as the lead in your movie and you will help God, your Director, produce a masterwork. — DeVon Franklin

The movie was very different from the book in that there was nothing from the book in the movie. Despite everything - all the pain I felt, the betrayal - I couldn't help but recognize a truth while sitting in that screening room. In the book everything about me had happened. The book was something I simply couldn't disavow. The book was blunt and had an honesty about it, whereas the movie was just a beautiful lie. — Bret Easton Ellis

Did you seriously jerk off just now?" I demand.

He nods as if it's no biggie. "What, you think I can sit through a whole movie with blue balls?"

I gawk at him. "So you can't have sex with anyone while I'm in the house, but you can go upstairs and do that?"

A wolfish grin stretches his mouth. "I could've done it down here, but then you would've been too tempted to take over for me. I was trying to be nice."

It's hard not to roll my eyes. So I don't bother fighting the urge. "Trust me, I would have kept my hands to myself."

"With my cock right there in the open? No way. You wouldn't be able to help yourself." He arches a brow. "I have a great cock. — Elle Kennedy

3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody. — Steven Spielberg

I find music the the clearest and easiest way in to what a movie will feel like - more so than visual references or other movies or dense dossiers of research material. Every now and then I'll send a piece of music or two to people I'm working with - actors or heads of department - when I think it'll help them get a sense of the kind of movie I'm proposing. Often those pieces will end up in the movie - sometimes they won't. — David Michod

Yeah. I'll put the pizza in, if you want to pick a movie."
"Oh, I think I get to pick the next five movies." Her grin was just a little wicked as she said it.
He couldn't help but grin back. "Is that right?"
"YHep. Call it part of your apology."...
"I can think of some other ways to make it up to you." He dropped his voice, the intent in his words clear...
Her cheeks tinged pink. "If these ways involve you naked with your head between my legs, I'll allow it. — Katie Reus

My first gig ever was writing looplines for a movie that had already been made. You know, writing lines over somebody's back to explain something, to help make a connection, to add a joke, or to just add babble because the people are in frame and should be saying something. — Joss Whedon

Leola Mae Harmon. I saw a movie about her on the Lifetime channel. Leola was an air force nurse who was in a car accident and the lower part of her face got all mangled, but then Armand Assante, who plays a plastic surgeon, said he could fix her. Leola had to endure hours of painful reconstructive surgery, during which her husband left her because she didn't have any lips (which I guess is why the movie is called Why Me?). Armand Assante said he would make her a new pair of lips, only the other air force doctors didn't like the fact that he wanted to make them out of skin from Leola's vagina. But he did it anyway, and then he and Leola got married and worked together to help give other accident victims vagina lips. And the whole thing turned out to have been based on a true story. — Meg Cabot

[on what interests him as a moviegoer] I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance. Those are the kinds of films that interest me. For me, personally, I think watching a movie that simply confirms my feelings is a waste of time. That applies not only to movies, but also to books and every form of art. — Michael Haneke

The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help. — John Lennon

Citizenship means standing up for the lives that gun violence steals from us each day. I have seen the courage of parents, students, pastors, and police officers all over this country who say 'we are not afraid,' and I intend to keep trying, with or without Congress, to help stop more tragedies from visiting innocent Americans in our movie theaters, shopping malls, or schools like Sandy Hook. — Barack Obama

The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say. — George Lucas

Every time I see this one particular movie star on a magazine, I can't help but feel terribly sorry for her because nobody respects her at all, and yet they keep interviewing her. And the interviews are all the same thing.
They start with what food they are eating in some restaurant. "As _ gingerly munched her Chinese Chicken Salad, she spoke of love." And all the covers say the same thing: "_ gets to the bottom of stardom, love, and his/her hit new movie/television show/album."
I think it's nice for stars to do interviews to make us think they are just like us, but to tell you the truth, I get the feeling that it's all a big lie. The problem is I don't know who's lying. — Stephen Chbosky

Attempt something creative that you have never tried before. Write a poem, draw a self-portrait, design the plot for a movie, or tackle some other creative activity. Even spending just a few minutes working creatively on something can help you relax and spark new ideas that are relevant to other parts of your life. — Max Ogles

It was strange how in that moment of tragedy, it had seemed so unreal, like an old-fashioned movie reel playing on a screen for my eyes only. The pain and broken heart were blocked off for a little while, leaving me numb with disbelief. Shock is what Dad called it. But after a while, the cruel reality started to seep into my tissues, and my body became a sponge, just sucking it all up until, finally, there was so much grief inside, I couldn't help feeling it.
That's how it happened for me. First, the numbness right after she died, next the agonising pain and then the place I was at now - the land of perpetual depression. — Karen Ann Hopkins

For me, it [moviemaking] is about social relevance. I want to make a movie that has some type of relevance where as the audience can't help but relate it in some way, and to continue that conversation outside the theater. I want people saying "this happened to my father" or "this happened to me." That's what I want. — Ric Roman Waugh

Those traumas when it comes to the historical past generation to generation; our children, our grandchildren, our future grandchildren learn these behaviors. We have to know that they exist and we have to take care of those traumas and learn to heal from them. This movie shows that perspective from Scott's character, and I love it. It shows the American Indians as the ones who respect and help out when people are needed. It's a nice little twist. — Adam Beach

I doubt she likes the idea of seeing him put back in a cage." "Maybe not," he said. "But she knows that the Authority are the only people who might be able to help him." "Or kill him," I said. "That too. What is life without risk?" "Long?" Terric laughed, a sort of high whooping that made me - and Zayvion, much to my surprise - smile. Contagious. For all he had a serious exterior, Terric was the guy you'd want to sit next to at a funny movie, just to hear him laugh. — Devon Monk

I took myself out of the business to study film at NYU and the School of Visual Arts. I grew up on movie sets and was fascinated with the camera and behind-the-scenes work. I felt it would help my career as an actor if I knew all aspects of film. — Devin Ratray

In early autumn the farm recruiters arrived to sign up new workers, and the War Relocation Authority allowed many of the young men and women to go out and help harvest the crops. Some came back wearing the same shoes they'd left in and swore they would never go out there again. They said they'd been shot at. Spat on. Refused entrance to the local diner. The movie theater. The dry goods store. They said the signs in the windows were the same wherever they went: 'No Japs Allowed.' Life was easier, they said, on this side of the fence. — Julie Otsuka

The silliness-much of which is clearly intentional-is blended with some genuine grandeur. The Pixar touch is evident in the precision of the visual detail and in the wit and energy of Michael Giacchino's score, but the quality control that has been exercised over this project also has a curiously undermining effect. The movie eagerly sells itself as semitrashy, almost-campy fun, but it is so lavish and fussy that you can't help thinking that it wants to be taken seriously, and therefore you laugh at, rather than with, its mock sublimity. — A.O. Scott

Lindsay's right," Izzy says, collecting the leftovers. "Billie Jean is coming back for her. With a little help from his friends."

"So . . . so is this a horror movie now, or a teen comedy?" Brittney says.

"It's an afterschool special," Izzy says, Hoddering her head over to study Billie Jean. "Know what the take-home message is? Don't fuck with Izzy Stratford. — Stephen Graham Jones

Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films. — Ethan Hawke

If my goal is to become a movie star, me working at a pizza shop won't help me. I have to make the stars align. — Terrence J

Blonde movie stars in the 1950s seem to have been pretty much divided between breathy bombshells (Marilyn Monroe, Jayne Mansfield) and slim, elegant swans (Grace Kelly, Eva Marie Saint). Producers didn't really know what to do with Judy Holliday, a brilliant, versatile actress who simply didn't fit into any easy category. Though she left behind a handful of delightful films, one can't help feeling a sense of waste that her gifts were not better handled by Hollywood (or, for that matter, by Broadway). Perhaps, like Lucille Ball, Judy Holliday would have blossomed with a really good sitcom; but, unlike Lucy, she never got one. — Eve Golden

Now, clear your minds. It knows what scares you. It has from the very beginning. Don't give it any help, it knows too much already. — Poltergeist The Movie

So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot."
I snorted. He was SUCH a guy.
"My favorite band is-"
"Let me guess," I interjected. "White Zombie? Slayer?"
"Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer."
"I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?"
"You look so angelic."
"And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness!
"The hottest. — Gena Showalter

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat
patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well
the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."
Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot
death, lives destroyed or the horror of the settings
a crazy, chaotic, emotional house, the sinister movie theater. — Arundhati Roy

The people we were there to help, often times, didn't really give a fuck about our help. They would LIE, cheat and steal, and say anything to get whatever they could from us, and then go back to sympathizing with the Taliban. Their sense of loyalty to their country is non-existent, their ability to lie and bullshit is better than any scummy lawyer I've ever seen in a movie, and their willingness to flop sides is inspiring to Lebron James. — Donny O'Malley

Want to be an AWESOME mom?
TAKE CARE OF YOURSELF
TAKE TIME FOR YOURSELF
and REWARD YOURSELF
Vent and cry if you need to. Say how you feel. Ask for help. Stop comparing yourself to other moms. Walk away from senseless toxic drama. Forget about the housework. Escape from reality every now and then. Take a hot bath. Take a nap. Lose yourself in a book. Pamper yourself. Go to the spa. Buy something for YOU. Go out to eat. Order in. Have a few drinks. Go out with the girls. Plan a date night. Go see a movie. Dance the night away. Celebrate LIFE. Celebrate YOURSELF. It's NOT selfish. It's necessary and important. — Tanya Masse

At that moment, Bobbie Faye felt an unbridled hatred for every movie heroine who'd ever raced away from he villain in Jimmy Choo shoes, looking perfectly coiffed and ready for an afternoon tea. That was just wrong. When the pain finally got to her, she tossed pride way the hell away and pressed her free arm across her chest to hold her boobs a little steadier. Unfortunately, that shortened her reach and she was unable to block briars and limbs and vines at face-level. Unwilling to admit defeat, Bobbie Faye held her forearm across her breasts while twisting her wrist so that her hand flapped in front of her to help with deflecting the underbrush, all while holding her hair with the other hand. She hadn't quite perfected the coordination of running to flapping when Trevor glanced over his shoulder. As he turned away, she distinctly heard something that sounded a little too much like 'spastic, hobbled penguin. — Toni McGee Causey

I have always wondered why the movie industry was so firmly persuaded that the original author could be of no possible help in the case of a remake or any other change in a work. — Preston Sturges

Seventh-Gay Adventists isn't just a helpful movie, important for the way it can help congregations of any denomination deal graciously and truthfully with the issue of homosexuality. It's also a beautifully-filmed and artfully-conceived movie. It does what the best art does - it 'humanizes the other.' You should see it, and when you do, you'll encourage others to see it as well. — Brian D. McLaren