Quotes & Sayings About The Gods In The Odyssey

In this night too, in this night of his mortal eyes into which he was now descending, love and danger were again waiting ...
a murmur of glory and hexameters, of men defending a temple the gods will not save, and of black vessels searching the sea for a beloved isle;
the murmor of the Odysseys and Iliads it was his destiny to sing and leave echoing concavely in the memory of man.
These things we know, but not those he felt descending into the last shade of all. — Jorge Luis Borges

The Lord gives and the Lord takes away, as it pleases him, for he can do all things. — Homer

Upon my word, just see how mortal men always put the blame on us gods! We are the source of evil, so they say - when they have only their own madness to think if their miseries are worse than they ought to be. — Homer

You cruel, hard-hearted gods!" I flung the goblet in his direction. Hermes barely had time to dart out of its way before it hit the wall and shattered to small pieces. "You're all the same! Hsst! Jealous! Vindictive! That's what you are! You allow yourselves to take pleasure with any mortal you wish. Let a goddess do the same. Let a goddess choose a mortal for her lover, and you set off in a fury of revenge against her as if her actions are an affront to you. And all the while, you male gods allow yourselves all kinds of liberties you deny to us females. — Tamara Agha-Jaffar

Man may not be the colossus some secular spirits would have him be, armed with the strength and wisdom of the gods, but he has partaken of ambrosia. He has squinted trough the veil and seen just enough of divinity to measure himself by it. The Humanist knows both the strengths and the frailties of man. He strives. But he knows the bounds of his striving.......

Visions and ideals need a path, a way, a roadmap people can use as to arrive at those better, more permanent things that the wise are always seeing dimly whenever they strained their eyes. So man turned a mirror on himself, looked soberly, and-one day-began to write accounts of the discoveries made on the grandest odyssey of them all: the journey to the core of the human mind and soul. The grateful among us read them. — Tracy Lee Simmons

And what if one of the gods does wreck me out on the wine-dark sea? I have a heart that is inured to suffering and I shall steel it to endure that too. For in my day I have had many bitter and painful experiences in war and on the stormy seas. So let this new disaster come. It only makes one more. — Homer

The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has lived the future that he once dreamed, sees life as a tragedy; for he has learned that his power, however great, will not prevail against those forces of accident and nature to which he gives the names of gods, and has learned that he is mortal. But the man of age, if he plays his assigned role properly, must see life as a comedy. For his triumphs and his failures merge, and one is no more the occasion for pride or shame than the other; and he is neither the hero who proves himself against those forces, nor the protagonist who is destroyed by them. Like any poor, pitiable shell of an actor, he comes to see that he has played so many parts that there no longer is himself. — John Edward Williams

Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did.
All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale. — Lev Grossman