The Girl At Midnight Quotes & Sayings

Try not to laugh. To the girl with golden hair and beauty with no compare. Wait for me at midnight. Sit at your window, in your lovely pink chair and wait, my sweet. I'll find you there. C — J.B. Hartnett

When a girl trudged through the rain at midnight to knock at the Devil's door, the Devil should at least have the depravity - if not the decency - to answer. — Tessa Dare

There will be nothing to say something terrible has happened, but they will know it all the same. Nothing will be found. Not a trace of the girl in the midnight dress. — Karen Foxlee

It had worked in the past, being calm, acting as though everything were normal. She hoped it would work again. "Gavriel, we have to go. Stop being so scary."
At that, he looked over and smiled again, spinning Midnight in his arms as if they'd been dancing. Winter caught her and held her upright.
"I can wait a little longer," Gavriel said. "A very little longer."
"The car keys," Tana demanded, holding out a trembling hand. He fished in his pockets - an utterly normal gesture - then dropped them into her palm ceremoniously. She picked up the bag of cash and jewels from beside the hood of the car, shoving it into her purse.
"I won't always obey you," he said softly. "One night you will ask me for something I cannot give."
She'd started to relax, but his words sent a fresh spike of terror up her spine. — Holly Black

Midnight rolled her eyes, as though Aidan was being ridiculous. "I bet you were a good girl back home," she said to Tana. "A good girl all your life until you finally met the trouble you want to get in."
"You obviously don't know her at all," Aidan told Midnight gruffly. Then he turned back to Tana. "Did he bite you? — Holly Black

Jesus, you're a wet blanket." Pigpen walks up behind Eli and grins like he just escaped prison. "Why are you giving the girl hell for wanting to go to an army bar at midnight? It's not like she told you she was going to kick puppies."
Pigpen winks at me. "You ready to roll? Or should I say hop? — Katie McGarry

The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from every corner of the world, but no matter where it is told, it is always the same story.

...Some say that, once upon a time, she had a prince, a father, a society of friends. Others say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.

These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.

- "The Midnight Star," a folktale. — Marie Lu

I mean honestly, who just sits around in a house with a bunch of short guys waiting for their prince to come? So your mom is a bitch and wants to kill you because her mirror told her to? Cry me a river why don't you? Your big plan is sitting around cleaning house waiting for the other shoe to drop? And speaking of shoes, everyone has been picked on by mean girls. You do not wait for some old lady to pop in and transmogrify some innocent rodents just so you can sneak in to a dance under false pretenses. And let's say you do sneak in. For the love of all that is holy take your mask off and look the guy in the face and say. "Hi, I'm Cindy from down the street, I have this thing at midnight. Can we do coffee later?" This nonsense with a shoe and searching the entire village for one girl, it's crap. — John Goode

The Faerie Courts are duking it out up there, and it's probably going to be very hairy. The Summer Lady is our baddie, and the Winter Knight is her bitch. She has a magic hankie. She's going to use it to change a statue into a girl and kill her on a big Flintstones table at midnight. — Jim Butcher

When I was writing pretty poor poetry, this girl with midnight black hair told me to go on. — Carl Sandburg

Good Morning - Midnight
I'm coming Home
Day - got tired of Me
How could I - of Him?
Sunshine was a sweet place
I liked to stay
But Morn - didn't want me - now
So - Goodnight - Day!
I can look - can't I
When the East is Red?
The Hills - have a way - then
That puts the Heart - abroad
You - are not so fair - Midnight
I chose - Day
But - please take a little Girl
He turned away! — Emily Dickinson

Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began. — Ray Bradbury

Her screams spiraled up into the night air — Holly Black

I will read you their names directly; here they are in my pocket-book. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time. '
' ... but are they all horrid? Are you sure they are all horrid?'
'Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet girl, one of the sweetest creatures in the world, has read every one of them. — Jane Austen

Tito snored away on the other bed. Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn't find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness ... — Thomas Pynchon

The first time Raffaele ever saw Adelina, it was a stormy-wracked night that changed her life and, indeed, the world. He recalls looking down from the window in his Dalia lodging to see a girl with silver-bright hair, conjuring an illusion of darkness such that he had never seen. He remembers the day she first came to his chambers in Estenzia, when Enzo was still alive and she was still innocent, and the way she looked up at him with her uncertain, damaged gaze. He remembers her test, and what he said to Enzo that night. How long ago that had been. How he had judged her wrongly. — Marie Lu

Sometimes I hate the girl I was back then. It's like how, when you see a horror movie, you can't help but feel contempt for the virgin who goes for a walk in the woods after midnight. How can she be so stupid? Doesn't she know she's about to get gruesomely hacked to death?
She should know. That's why it's so hard to watch. Because you want her to know. You want her to defend herself, and you look down on her for not knowing, even though obviously it's the guy who hacks her up who's at fault. — Robin York

Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn't find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness . . . how a certain hand might reach terribly out of darkness and reclaim the time, easy as taking a joint from a doper and stubbing it out for good. — Thomas Pynchon

So, what's the score, Billy asked. Well-intentioned but dangerously insane bad guys are ahead, coming down the stretch, I said. The faerie courts are duking it out up there, and it's probably going to be very hairy. The Summer Lady is our baddie, and the Winter Knight is her bitch. She has a magic hanky. She's going to use it to change a statue into a girl and kill her on a big Flinstone's table at midnight. — Jim Butcher

I felt a throb between my legs. I glared down at my Cock. Hold your fucking horses, I muttered. God ... fuck was this seriously my life? Stalking a girl I'd met online, parked outside her house at midnight, speaking to my dick? — M. Pierce

Greatness is not always good. — Melissa Grey

Just a small town girl, living in a lonely world, took the midnight train going anywhere ...
Just a city boy, born and raised in South Detroit, took the midnight train going anywhere ... — Journey

It was the first time I discovered that some girls actually sneak out of the house during slumber parties and meet up with boys. I would've never known if I hadn't gone to the bathroom at midnight and caught Macy and Adrienne climbing through the bathroom window. They had on eyeliner, perfume, and cut-off shorts. Their only goodbye a glare that promised retribution if I didn't keep my mouth shut. — Laura Anderson Kurk

She wore a tan robe and headscarf, the clothes of a local... but didn't feel like a market regular. She moved slowly and gazed at everything with a child's wonder. Her eyes were large and clear, her hair as black as midnight. She had a warm smile on her pretty lips and was obviously murmuring 'hellos' and 'excuse mes' to people who really didn't care or want to talk. She walked with the grace of a cloud in the wind, like her body weighed nothing at all, and held her head high with easy dignity. Easy.
Aladdin felt his heart contract. He had never seen her- or anyone like her- before.
When the girl adjusted her scarf, she revealed an intricate diadem in her hair that had a ridiculously sized emerald in it.
'Ah, a rich girl, out for a day of shopping in the market without her servants. Living dangerously, playing hooky. — Liz Braswell

Something going on: some sodality. Pity so empty. Nice discreet place to be next some girl. Who is my neighbour? Jammed by the hour to slow music. That woman at midnight mass. Seventh heaven. Women knelt in the benches with crimson halters round their necks, heads bowed. A batch knelt at the altarrails. The priest went along by them, murmuring, holding the thing in his hands. He stopped at each, took out a communion, shook a drop or two (are they in water?) off it and put it neatly into her mouth. Her hat and head sank. Then the next one. Her hat sank at once. Then the next one: a small old woman. The priest bent down to put it into her mouth, murmuring all the time. Latin. The next one. Shut your eyes and open your mouth. What? Corpus: body. Corpse. Good idea the Latin. Stupefies them first. Hospice for the dying. They don't seem to chew it: only swallow it down. Rum idea: eating bits of a corpse. Why the cannibals cotton to it. — James Joyce

At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl. — Francesca Lia Block

The girl had taken a few restless turns to and fro - closely watched meanwhile by her hidden observer - when the heavy bell of St. Paul's tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar,* the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all. — Charles Dickens

The microwave clock spills over into midnight, and the marionette girl walks up the stairs to sleep in her puppet bed in the puppet house, filled with not-puppet people. They are made of flesh and blood, and she is made of wood and lies. — Michelle Painchaud

Tell them I'm like you," Gavriel said as they began to slow down.
Aidan laughed. "I think they can see you're not like us anymore."
"No," he said. "Tell them you know me. That I'm like you, one of you. From the party. Tell them."
"Wait," said Winter. "Wait. Is he saying he wasn't at the party? Did you meet him by the side of the road? Did you pick up a hitchhiker who coincidentally turned out to be a vampire?"
Gavriel fixed his gaze on Winter. "You know me," he said, and a chill went up Tana's spine. "You've known me since outside the rest stop, when I turned and the light hit my face."
"What does he mean?" Midnight asked.
"I don't know," Winter said in an odd voice. "Nothing. — Holly Black

I've read Flowers in the Attic and The Other Side of Midnight and Go Ask Alice and I don't want to read any more books where the girl dies in the end. — Rebecca Godfrey