The Film Taken Quotes & Sayings

I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography. — Ben Affleck

If Kubrick had lived to see the opening of his final film, he obviously would have been disappointed by the hostile reactions. But I'm sure that in the end he would have taken it with a grain of salt and moved on. That's the lot of all true visionaries, who don't see the use of working in the same vein as everyone else. Artists like Kubrick have minds expansive and dynamic enough to picture the world in motion, to comprehend not just where its been, but where it's going. — Martin Scorsese

That's the problem with the Internet: You do a naked scene and then it's taken out of context and put on websites that have nothing to do with film. — Clemence Poesy

Imagine that we are sitting in an ordinary room. Suddenly we are told that there is a corpse behind the door. In an instant the room we are sitting in is completely altered; everything in it has taken on another look; the light, the atmosphere have changed, though they are physically the same. This is because we have changed and the objects are as we conceive them. That is the effect I want to get in my film. — Carl Theodor Dreyer

Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything. — Ridley Scott

As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself. — Genelia D'Souza

I can't watch my movies and get into them because as soon as I see myself I get taken out of the film. — Kirsten Dunst

Recognizing that the movie business was the entertainment business that wasn't moving fast enough to fill my creative and financial coffers was an impetus to grow, and that has taken me and so many of my colleagues into a larger world. — Lynda Obst

Once, in a three-day taping that included several sadists, the material was so overwhelming that both the film crew and I got sick - I with a sinus infection, and the entire film crew with a flu so severe they had to delay their departure from the motel. Our immune systems had weakened, I believe, from the beating out souls had taken. — Anna C. Salter

I stole a piece of the chess set on the first film. I took a piece of the treasure out of Bellatrix's vault on this film. And I've taken my wand and I've got my cloak. — Emma Watson

My first film was with Cuba Gooding Jr, 'The Fighting Temptations,' and I had a little part here and there on little shows as guest stars. And I've taken acting classes. — NeNe Leakes

Dogs also have a higher flicker-fusion rate than humans do: seventy or even eighty cycles per second. This provides an indication why dogs have not taken up a particular foible of persons: our constant gawking at the television screen. Like film, the image on your (non-digital) TV is really a sequence of still shots sent quickly enough to fool our eyes into seeing a continuous stream. But it's not fast enough for dog vision. They see the individual frames and the dark space between them too, as though stroboscopically. — Alexandra Horowitz

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth. — Anna Friel

One day, we will look back and wonder how on earth we used to believe that depression was a lifestyle choice, only to be debated and taken seriously when an A List film star took his life, and the world filled with people saying how shocked and saddened they were. — Alastair Campbell

I think the reason I've survived that long is because I've taken my work so seriously. Maybe sometimes too seriously, but it's always been important for me to do my best regardless of the film. I think the biggest compliment I get is when people on the street stop me and say they've liked the choices I've made. — Matt Dillon

From what type of software could help us make a movie faster to everything else regarding the textures. Some might think, "It's probably very easy to make a film with those textures," but it's much more difficult than what it appears to be. We had to discover a faster process because otherwise it could have taken us 10 years to make it. — Alex Abreu

Matthew McConaughey and Kate Hudson star. I neglected to mention that, maybe because I was trying to place them in this review's version of the Witness Protection Program. If I were taken off the movie beat and assigned to cover the interior design of bowling alleys, I would have some idea of how they must have felt as they made this film. — Roger Ebert

Ever since ROME, OPEN CITY, I have maintained a conscious, determined endeavor to try to understand the world in which I live, in a spirit of humility and respect for the facts and for history. What as the meaning of ROME, OPEN CITY? We were emerging from the tragedy of the war. We had all taken part in it, for we were all its victims. I sought only to picture the essence of things. I had absolutely no interest in telling a romanticized tale along the usual lives of film drama. The actual facts were each more dramatic than any screen cliche. — Roberto Rossellini

But the problem with readers, the idea we're given of reading is that the model of a reader is the person watching a film, or watching television. So the greatest principle is, "I should sit here and I should be entertained." And the more classical model, which has been completely taken away, is the idea of a reader as an amateur musician. An amateur musician who sits at the piano, has a piece of music, which is the work, made by somebody they don't know, who they probably couldn't comprehend entirely, and they have to use their skills to play this piece of music. The greater the skill, the greater the gift that you give the artist and that the artist gives you. That's the incredibly unfashionable idea of reading. And yet when you practice reading, and you work at a text, it can only give you what you put into it. It's an old moral, but it's completely true. — Zadie Smith

Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or dispatched as microfilm into the sidereal void. — Jean Baudrillard

As you see you can't change what has happen in past if I could I do my best to don't happen in other words I will fix the error, like not watching this stupid film or video and this minutes which have taken to do this stuff, to be used for extra time in the future. But unfortunately I wake up and hear "Hello, Hello, hey, hey you are living reality what you want is madness! — Deyth Banger

One can make a compound formation of events and of places in the same way as of people, provided always that the single events and localities have something in common which the latent dream emphasizes. It is a sort of new and fleeting concept of formation, with the common element as its kernel. This jumble of details that has been fused together regularly results in a vague indistinct picture, as though you had taken several pictures on the same film. — Sigmund Freud

A "name" no longer carries a film. People used to go to the cinema to see a "John Wayne film." And you don't have that thing happening now except in the rock world, which has taken the event out of movies. — Elizabeth Taylor

All they needed was a title. Carmack had the idea. It was taken from The Color of Money, the 1986 Martin Scorsese film in which Tom Cruise played a brash young pool hustler. In one scene Cruise saunters into a billiards hall carrying his favorite pool cue in a stealth black case. "What you got in there?" another player asks.
Cruise smiles devilishly, because he knows what fate he is about to spring upon this player, just as, Carmack thought, id had once sprung upon Softdisk and as, with this next game, they might spring upon the world.
"In here?" Cruise replies, flipping open the case. "Doom. — David Kushner

It's exciting to look back at the work that I've done and not have a single regret about a job I've taken. I feel really proud of every film I've been a part of. Big or small role, I feel like it was the right choices. — Ari Graynor

Some people like just sitting down and being taken for a ride. That's a beautiful thing that fiction can do. But it's not the only thing. In television and film, people are ready to accept any kind of jump cut, but the slightest disturbance on the page ruffles their feathers. — Zadie Smith

When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money. — Anthony Minghella

The desert. No seasons of bloom and decay. Just the endless turn of night and day. Out of time: and she is gazing- not over it, taken into it, for it has no measure of space, features that mark distance from here to there. In a film of haze there is no horizon, the pallor of sand, pink-traced, lilac-luminous with its own colour of faint light, has no demarcation from land to air. Sky-haze is indistinguishable from sand-haze. All drifts together, and there is no onlooker; the desert is eternity. — Nadine Gordimer

I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world. — Juno Temple

I'm looking to do an action film where I can run with my shirt off and a gun in my hand; and do like a 'Taken' role and get up on one knee and kill the bad guy. — Bobb'e J. Thompson

I'm kind of shocked that it's taken Hollywood so long to realize that so many great movie talents can come out of television. One of the reasons they do is that on TV you don't have the luxury of a film's big budget, and people have to compensate with creativity. — James Van Der Beek

Sometimes on a film you just become taken with the fact that, all right this is as rough as it gets, but I'm going to support my general and I'm going to do the very best I can for him because he's a good general and I like him. — Danny Elfman

They took 3-D digital photographs of my entire body. I had to pose stark naked, assuming a kind of Spider-Man position. After a minute, one of the technicians pointed to my genitals and said, Um, we're not getting enough data there ... It wasn't what you think. It turns out that the fancy digital camera doesn't pick up dark areas too well, and they were having trouble because of the hair down there. I actually had to spray on this highlighter stuff. (On having digital photos taken for the invisible man role in the film Hollow Man) — Kevin Bacon

Martha Graham, along with George Balanchine, is one of the two commanding figures in 20th-century American dance. For those much younger than I am, her genius as a performer will have to be taken on faith - and on the always-suspect evidence of film. What will last, if things go well, is her genius as a choreographer, as a woman of the theater. — Robert Gottlieb

I've taken the experiences that I've had in the theatre and applied them to film and television and now games. — Kevin Spacey

The joy of a period film is that you're taken to another world. The costumes determine the way you move, and then consequently the way you breathe. And then, the way you breathe effects the way you think. — Rhys Ifans

It's funny how film is the slowest art form to adapt to freedom. It's had freedom all along. It could've done whatever it wanted to. You know the same freedom that do-it-yourself punk and post-punk musicians had in the late 70s and ever since. That's about the time I started getting interested in film, and I assumed that film would be moving along with the other pop culture forms. Its finally done it but it's taken decades for it to catch up just to basement band level. — Guy Maddin

When I photographed Marilyn Monroe, I mixed up my cameras - one had black-and-white film, the other color. I took many pictures. Only two color ones came out all right. My favorite picture of Marilyn hangs always on the wall in my office. It was taken on the little patio of her Hollywood house. — Alfred Eisenstaedt

I can say, hands down, 'Annapolis' is the most challenging film I've ever taken on. — Tyrese Gibson

In America, they have this thing called a story cycle. When they're at war, they start doing fantasy and war-style entertainment. When fantasy gets big, they go through a recession, and horror starts gaining popularity. When horror gets popular, mystery starts gaining popularity. Then when mystery reaches its peak, science fiction starts gaining popularity. Then things get rough again, and we go back to Fantasy". This quote was taken from an interview from The Myth of Cthulhu: Dark Navigation. — Sakazaki Freddie

But alas, the cinema has taken our breath away so often, investing us in all the splendors of the splendidest American millionaire, or all the heroics and marvels of the Somme or the North Pole, that life has now no magnate richer than we, no hero nobler than we have been, on the film. Connu! Connu! Everything life has to offer is known to us, couldn't be known better, from the film. — D.H. Lawrence

My view of myself doesn't change. I know who I am. I'm Cuban American; both my parents are Cuban - one was a little browner than the other one. That's who I am. I feel sorry that it's taken so long for the film industry to figure it out and to catch up. — Gina Torres

As a director, your job is to make sure no one for any reason is taken out of the film. Sometimes it's impossible and sometimes things don't come out the way you want them to, but I think you have to work really hard at making the world engrossing and details are a major part of that. — Cary Fukunaga

I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High. — Ethan Hawke

Any story dealing, however seriously, with homosexual love is taken to be a story about homosexuality while stories dealing with heterosexual love are seen as stories about the individual people they portray. This is as much a problem today for American filmmakers who cannot conceive of the presence of gay characters in a film unless the specific subject of the film is homosexuality. Lesbians and gay men are thereby classified as purely sexual creatures, people defined solely by their sexual urges. — Vito Russo

Here's what I like about God: Trees are crooked, mountains are lumpy, a lot of his creatures are funny-looking, and he made it all anyway. He didn't let the aardvark convince him he had no business designing creatures. He didn't make a puffer fish and get discouraged. No, the maker made things - and still does. European film directors often enjoy creative careers, during which their films mature from the manifestos of angry young men to the rueful wisdom of great works by creative masters. Is an afternoon siesta the secret? Is their vita just a little more dolce? We've taken espresso to our American hearts, but we haven't quite taken to the "break" in our coffee breaks. Worried about playing the fool, we forget how to simply play. We try to make our creativity linear and goal oriented. We want our "work" to lead somewhere. We forget that diversions do more than merely divert us. — Julia Cameron

Sumire was a hopeless romantic, a bit set in her ways - innocent of the ways of the world, to put a nice spin on it. Start her talking and she'd go on nonstop, but if she was with someone she didn't get along with - most people in the world, in other words - she barely opened her mouth. She smoked too much, and you could count on her to lose her ticket every time she took the train. She'd get so engrossed in her thoughts at times she'd forget to eat, and she was as thin as one of those war orphans in an old Italian film - like a stick with eyes. I'd love to show you a photo of her but I don't have any. She hated having her photograph taken - no desire to leave behind for posterity a Portrait of the Artist as a Young (Wo)Man. — Haruki Murakami

Because it's a brilliant film. It's funny, and violent, and it's got Harvey Keitel and Tim Roth in it, and everything. And a cracking sound track.

Maybe there's no comparison between Ian sleeping with Laura and Reservoir Dogs after all. Ian hasn't got Harvey Keitel and Tim Roth in him. And Ian's not funny. Or violent. And he's got a crap sound track, judging from what we used to hear through the ceiling. I've taken this as far as it will go. — Nick Hornby

The key difference between a geek and a critic is that a
critic digs deep and tries to get behind the surface of things,
for better or worse, while a geek is interested in his own hedonism,
the thrill of discovery.A geek is expansive and associative
and doesn't necessarily care what a film or a scene 'means'. It's
the difference between the encyclopaedia and the scholar. A
critic likes an interesting association, a nice phrase; the geek
admires the beau geste, a pulpy story and its codes of honour
taken seriously.
Tarantino rather combines those two roles. He is encyclopaedic
but also interpretive. He is a human Rolodex of
credits. His films are like stuffed overnight bags breaking at the
seams. The Handel of filmmakers, he takes the whole of
cinema as his resource. But he also provides new meanings,
new interpretations of old moments by the way he recontextualizes
them. — D.K. Holm