Quotes & Sayings About The Eyes Of A Horse

You are," she said with a shake of her head, "the most incredible man I have ever met." His eyes widened briefly, then they narrowed and his lips tightened. She thought he was going to bellow at her again, when to her surprise, he swung down off his horse and stalked toward her. Before she could decide what he was up to, he had pulled her down from Horse, grasped her by the arms, and jerked her to him. "One of us is mad," he growled, "and I had thought 'twas you." And with those sweet words of wooing, he buried his hand in her hair, tilted her head, and proceeded to kiss the socks right off her. — Lynn Kurland

If an American is motoring on his own, he (the paragon of morality and chastity) will slow down and stop beside every solitary pretty female pedestrian, bare his teeth in a big smile, and tempt her into his car with a wild roll of the eyes. A lady who fails to appreciate his passion will qualify as an idiot who doesn't realise how lucky she is to have the opportunity of getting to know the owner of this 100-horse-power motor car. — Vladimir Mayakovsky

We are shut up in school and college recitation rooms for ten to fifteen years, and come out at last with a bellyful of words and do not know a thing. We cannot use our hands, or our legs, or our eyes, or our arms. We do not know an edible root in the woods. We cannot tell our course by the stars, nor the hour of day by the sun. It is well if we can swim and skate. We are afraid of a horse or a cow, of a dog, of a cat, of a spider. Far better was the Roman rule to teach a boy nothing that he could not learn standing. — Ralph Waldo Emerson

He urged his horse forward, his body straining, ready to be on his way. But at the last second he looked back at her and swerved, drawing the beast up beside her. From underneath the brim of his hat, he peered down at her. The intensity in the blue depths dragged her in until she felt as if she were drowning. "You've done good so far, Priscilla." At the unexpected words of praise, she sucked in a breath. His gaze dropped to her lips, lingered there for an instant before returning to her eyes, darker, bluer. Her lungs stopped working, and she clutched a hand to her chest. "I'll see your pretty face in a couple days." She nodded, too breathless to respond. He kicked his heels into his horse and left her standing, watching after him, wondering if he was taking her heart with him. — Jody Hedlund

Let me drive," she said, reaching for the reins.
He turned to her in disbelief. "This is a phaeton, not a single-horse wagon."
Sophie fought the urge to throttle him. His nose was running, his eyes were red, he couldn't stop coughing, and still he found the energy to act like an arrogant peacock. "I assure you," she said slowly, "that I know how to drive a team of horses. — Julia Quinn

Who's Richard?" he asked me calmly. "What?" "You called me Richard just now." My smile was not quite natural. "Did I? I can't imagine why. Sorry." "Old flame, is he?" He clung to it, persistent. "Something like that." I nodded, trying to turn it into a joke. "Why, are you jealous?" Instead of smiling back, as I had expected, he kept his eyes hard on my face for a long moment before answering. "I'm not sure," he said slowly. After another moment the smile came, the one I had been waiting to see. "Come on," he invited, turning his horse towards the tall chimneys of Crofton Hall, "I'll race you back to the stables. — Susanna Kearsley

Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular. — Giacomo Balla

At length the Turk turned to Larry:
'You write, I believe?' he said with complete lack of interest.
Larry's eyes glittered. Mother, seeing the danger signs, rushed in quickly before he could reply.
'Yes, yes' she smiled, 'he writes away, day after day. Always tapping at the typewriter'
'I always feel that I could write superbly if I tried' remarked the Turk.
'Really?' said Mother. 'Yes, well, it's a gift I suppose, like so many things.'
'He swims well' remarked Margo, 'and he goes out terribly far'
'I have no fear' said the Turk modestly. 'I am a superb swimmer, so I have no fear. When I ride the horse, I have no fear, for I ride superbly. I can sail the boat magnificently in the typhoon without fear'
He sipped his tea delicately, regarding our awestruck faces with approval.
'You see' he went on, in case we had missed the point, 'you see, I am not a fearful man. — Gerald Durrell

Instead, I opened my eyes to find the thing in front of my face, wafting dead horse breath across my chin and up my nose, its mouth like a gaping maw; its eyes, two giant wormholes, twisting and bending with some apparitional substance that could have been space and time if I'd known anything about physics. — Shannon Celebi

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her. — Marlon James

The gelding held still when he took the reins, swung nimbly onto the horse's wide back and patted its withers. "You've grown fat on plains grass, Gnat. This journey will do you good."

Martise's eyes widened. "Gnat? His name is Gnat?" She stared at the mountain of horseflesh, heavily muscled and big-boned, with a girth that would make riding astride a challenge, and he stood at least seventeen hands high.

Gnat swung his large head in her direction, as if questioning her incredulity. Silhara stared down his nose, the expression made even more imperious by his high seat on the horse's back. "I didn't think 'Butterfly' suitable."

A betraying flutter rose in her throat. "No," she said, eyes tearing with the effort to hold in her laughter. "I suppose not. — Grace Draven

Hot, bright heat filled him like some ecstatic poison, and Hartan's pony shied in terror as a wordless howl burst from his throat. His dripping ears were flat to his skull, fire crackled in his brown eyes, his huge sword blurred in a whirring figure eight before him, and the brigand running at him gawked in sudden panic. The raider's feet skidded in mud as he tried to brake, but it was far too late. He was face-to-face with the worst nightmare of any Norfressan, a Horse Stealer hradani in the grip of the Rage, and a thunderbolt of steel split him from crown to navel. — David Weber

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast's mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing. — Neil Gaiman

For those poor souls who can only think of the terrible fear and danger of a runaway horse, think of this: a speed like water flowing over stone, a skimming sensation that hovers and dips while the world spins around and the wind drags your skin taut across your bones. You can close your eyes and lose yourself in the rhythm, because nothing you do or shout or wish for will happen until the running makes up its mind to stop. So you hold steady, balancing yourself in the wake, and unhook your mind from the everyday while you sit at the silent center of it all and hope that the feeling won't stop till you're good and ready for life to be ordinary once more. — Meg Rosoff

The mighty trojans fell, and so did i.
A wooden horse you were not, yet in a pool of my own blood i lie.
Dawn follows every dusk, and all that rises - fall it must.
So, my blood shall find its way and trickle down your eyes.
The day your deeds of today, eventually make you cry. — Anurag Anand

Another image comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman's very eyes, put his arms around the horse's neck and burst into tears.
That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse of Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse. — Milan Kundera

The wave came again and carried them out onto the sea of pain, where he wondered again why life ever came into the world...The tide that drew them out into the troubled waters once again spent itself, and they floated slowly back, resting for a minute or so, only to be dragged out again. He held her up while she contracted and pushed inside herself, trying to open the petals of her flowering body...He lifted her, trying to free the load she was struggling with, but she was straining against the traces, getting nowhere, her eyes like those of a draft horse...Who would choose this, thought Laski, this work, this woe? Life enslaves us, makes us want children, gives us a thousand illusions about love, and all so that it can go forward. — William Kotzwinkle

Sevro does not want to go without me. He does not understand why Cassius needs his help to mop up the remainders of Diana. I tell him the truth. "Cassius has a pouch in his boot, the one Lilath gave him. I need you to steal it." His eyes do not judge. Not even now. There are times when I wonder what I did to earn such loyalty, then others when I try not to press my luck by looking the gift horse in the mouth. That — Pierce Brown

And so the house came to be haunted by the unspoken phrase: There must be more money! There must be more money! The children could hear it all the time though nobody said it aloud. They heard it at Christmas, when the expensive and splendid toys filled the nursery. Behind the shining modern rocking-horse, behind the smart doll's house, a voice would start whispering: "There must be more money! There must be more money!" And the children would stop playing, to listen for a moment. They would look into each other's eyes, to see if they had all heard. And each one saw in the eyes of the other two that they too had heard. "There must be more money! There must be more money! — D.H. Lawrence

I saw his glance flick over me, like a horse trader assessing the value of a filly. Whenever I looked up the king's eyes were on me, whenever I looked away I was conscious of his stare still on my face. When — Philippa Gregory

Horse Frightened by a Lion depicts a majestic stallion in a very different situation. Stubbs painted this magnetic masterpiece to illustrate the nature of the sublime, which was one of his era's most popular philosophical concepts,and its relation to a timelessly riveting feeling: fear. The magnificent horse galloping through a vast wilderness encounters the bottom-up stimulus of a crouching predator and responds with a dramatic display of what psychologists mildly call "negative emotion." The equine superstar's arched neck, dilated eyes, and flared nostrils are in fact the very picture of overwhelming dread. The painting's subject matter reflects he philosopher Edmund Burke's widely circulated Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, which asserts that because "terror" is unparalleled in commanding "astonishment," or total, single-pointed,
indeed, rapt
attention, it is "the ruling principle of the sublime. — Winifred Gallagher

You don't fool me, he says in a low voice.
Is that right?
Yea, he says. I see it in yer eyes. All you care about's yer precious brother.
That aint true, I says.
If it'd been Emmi they took, he says, Emmi an not Lugh ... would you of gone after her?
I take in a breath to say of course I would but the look on his face stops me. there ain't no point in lyin when he already knows the truth.
He leaves go of me an steps back.
I thought so, he says. Yer sister'll be safer with me than she could ever be with you. You jest ride along on yer high horse an leave her to me. — Moira Young

What do you see to the south?" Tanis asked abruptly.
Raistilin glanced at him. "What do I ever see with these eyes of mine Half-Elf?" the mage whispered bitterly. "I see death, death and destruction. I see war." He gestured up above. "The constellations have not returned. The Queen of Darkness is not defeated."
"We may have not won the war," Tanis began, "but surely we have won a major battle
"
Raistlin coughed and shook his head sadly.
"Do you see no hope?"
"Hope is the denial of reality. It is the carrot dangled before the draft horse to keep him plodding along in the vain attempt to reach it."
"Are you saying we should just give up?" Tanis asked, irritably tossing the bark away.
"I'm saying we should remove the carrot and walk forward with our eyes open," Raistin answered. Coughing he drew his robes more closely around him. — Margaret Weis

His eyes were heavy with desire, but she saw something else. A gleam that made her suspicious.
"What?" she asked.
His hand slid to her hips. "You're incredible."
"That's not what you were thinking."
"Was so. I always think that." He leaned in, twisting a strand of her hair around his finger as he kissed her bottom lip. "But I was also wondering what you were doing around Butter today.
Aria laughed. That was attractive. She smelled like horse. — Veronica Rossi

Bran's father sat solemnly on his horse, long brown hair stirring in the wind. His closely trimmed beard was shot with white, making him look older than his thirty-five years. He had a grim cast to his grey eyes this day, and he seemed not at all the man who would sit before the fire in the evening and talk softly of the age of heroes and the children of the forest. He had taken off Father's face, Bran thought, and donned the face of Lord Stark of Winterfell. There — George R R Martin

Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'
'Does it hurt?' asked the Rabbit.
'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'
'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'
'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand. — Margery Williams

I started to respond, but Bambi slithered up and placed its horse-sized head on my shoulder. Every muscle in my body locked up and I squeezed my eyes shut. There was a puff of air, stirring the hair along my temple. Bambi's forked tongue shot out, tickling the side of my neck.
"Hey, look, Bambi likes you."
I pried one eye open.
"And if she didn't?"
"Oh, you'd know, 'cause she would've eaten you by now."
Armentrout, Jennifer L. (2014-03-01). White Hot Kiss (The Dark Elements Book 1) (p. 255). Harlequin. Kindle Edition. — Jennifer L. Armentrout

But Little Spinoza was only interested in that satchel-bellied ten-dollar billy goat. First he jumped back like insulted when the goat lift his head at him and stare. What you think this is, son? Ain't nothing but a spotted he-goat, good for nothing save to be the horse's friend. He gone urinate in you hay and shove his head in you feed bucket and race you to you eats. You don't mind out, he win too. You want that? Medicine Ed reached down and touched that peculiar armor-plate forehead of the goat between his coin-slot eyes, and shuddered. But Little Spinoza dance around and look happy and want a billy goat all his own. — Jaimy Gordon

What's with the beard and the horse mane? You look like Rent-a-Villain."
The volhv's eyes widened. He raised his hand at me. "Well you don't look ... female ... in your pants."
"That's a hell of an insult. Did you think of it all by yourself or did you ask your god for help? — Ilona Andrews

He's probably never ridden a horse in his life. He's likely never experienced that moment of euphoria when you and an animal move completely as one, the indescribable sensation of grace and power running through your bones and settling forever in your heart. He probably won't have felt a pony's warm breath on his neck on a cold winter's morning, or run his hand proudly across the soft sheen of a well-groomed coat. And he's surely never rested his head against a pony's warm neck, wrapped his arms around it and closed his eyes, and held on tightly to the one thing in his life that would stay solid and constant and true. So he couldn't understand, not really, but I did. — Kate Lattey

There the black horse stood - his feet planted firm on the ground, afraid to move. His coat was covered in sweat and a stark white rim lined his eyes. All three of us gawked at his sudden silence. The rattling metal gate was now the only sound. — Brittney Joy

Her eyes bothered him most. Unlike the Kai, hers were layers of opaque white, blue ringed in gray and black pinpoint centers that expanded or contracted with the light. The first time he'd witnessed that reaction in a human, all the hairs on his nape stood straight up. That, and the way the contrasting colors made it easy to see the eyes move in their sockets gave the impression they weren't body parts but entities unto themselves living as parasites inside their hosts' skulls.

He was used to seeing the frantic eye-rolling in a frightened horse but not a person. If the parasite impression didn't repulse him so much, he'd think humans lived in a constant state of hysterical terror. — Grace Draven

Before the eyes of monks intent on meditation, what is the meaning of those ridiculous grotesques, those monstrous shapes and shapely monsters? Those sordid apes? Those lions, those centaurs, those half-human creatures, with mouths in their bellies, with single feet, ears like sails? Those spotted tigers, those fighting warriors, those hunters blowing their horns, and those many bodies with single heads and many heads with single bodies? Quadrupeds with serpents' tails, and fish with quadrupeds' faces, and here an animal who seems a horse in front and a ram behind, and there a horse with horns, and so on; by now it is more pleasurable for a monk to read marble than manuscript, and to admire the works of man than to meditate on the law of God. Shame! For the desire of your eyes and for your smiles! — Umberto Eco

Each of the dancers took a partner, the living with the dead, each to each. Bod reached out his hand and found himself touching fingers with, and gazing into the grey eyes of, the lady in the cobweb dress. She smiled at him.
"Hello, Bod," she said.
"Hello," he said, as he danced with her. "I don't know your name."
"Names aren't really important," she said.
"I love your horse. He's so big! I never knew horses could be that big."
"He is gentle enough to bear the mightiest of you away on his broad back, and strong enough for the smallest of you as well."
"Can I ride him?" asked Bod.
"One day," she told him, and her cobweb skirts shimmered. "One day. Everybody does."
"Promise?"
I promise. — Neil Gaiman

The first time we did cavalry charge I was so breathless with excitement I nearly fell off the horse. I actually saw stars in front of my eyes and thought I was going to faint. The second time I had a bit more control but was still giddy with excitement. And the third time I was an emotional wreck. I had to really try hard not to cry. — Benedict Cumberbatch

Awareness came back slowly, and not very pleasantly. First were all the aches and twinges, then the dizziness, and last the sensation of movement. Before I even opened my eyes I realized that once again I was on a horse, clasped upright by an arm.
The Marquis again? Memories came flooding back--the dungeon, the Baron's horrible promise, then the knife and Shevraeth's comment about timing. The Marquis had saved me, with about the closest timing in history, from a thoroughly nasty fate. Relief was my foremost emotion, then gratitude, and then a residual embarrassment that I didn't understand and instantly dismissed. He had saved my life, and I owed him my thanks.
I opened my eyes, squinting against bright sunlight, and turned my head, words forming only to vanish when I looked up into an unfamiliar face. I closed my eyes again, completely confused. Had I dreamed it all, then? Except--where was I, and with whom? — Sherwood Smith

As Con and Sin approached the Harrowgate, it flashed and a tank of a blood-bay stallion leaped out, scattering staff and patients. Atop the horse sat a massive male in hard leather armor. His hair was short, reddish brown, and his eyes were black as Sin's.
"What the hell are you doing?" Eidolon shouted, but the big male swiveled his head and focused his gaze on Sin with such intensity that Con stiffened.
"Why is he looking at you like that?"
"I ... ah ... " She slid him a timid glance. "I sort of slept with him once."
Con took a deep breath and tried to rein in his desire to rip out the horse guy's throat. "Where'd you find him? — Larissa Ione

the stables. "My Lord," he said, sketching a bow to Britt. "A guest has just arrived at Camelot. A Royal guest - a lady!" the young boy said, looking horrified. Britt held back a groan, but couldn't stop her expression of disdain. "Inform the lady I am busy with kingly affairs and send Merlin to greet her." "Merlin already has greeted her," the page said, his eyes bulging. "She hit him with a club." "Never mind, I shall meet this curious lady myself," Britt said, brushing horse hair from her clothes. — K.M. Shea

WORRY NOT, PRINCESS," Ironhorse said, and I gaped at him, not believing my eyes. Where a horse had been, now a man stood before me, dark and massive, with a square jaw and fists the size of hams. He wore jeans and a black shirt that bulged with all the muscles underneath, the skin stretched tight over steely tendons. Dreadlocks spilled from his scalp like a mane, and his eyes still burned with that intense red glow. "YOU ARE NOT THE ONLY ONE WITH A FEW TRICKS UP YOUR SLEEVE, GOODFELLOW," he said, a faint smirk beneath his voice. "NOW, GO. I WILL BE RIGHT BEHIND YOU. — Julie Kagawa

The old stage coach was rumbling along the dusty road that runs from Maplewood to Riverboro. The day was as warm as midsummer, though it was only the middle of May, and Mr. Jeremiah Cobb was favoring the horses as much as possible, yet never losing sight of the fact that he carried the mail. The hills were many, and the reins lay loosely in his hands as he lolled back in his seat and extended one foot and leg luxuriously over the dashboard. His brimmed hat of worn felt was well pulled over his eyes, and revolved a quid of tobacco in his left cheek. — Kate Douglas Wiggin

And if we now cast our eyes over the nations of the earth, we shall find that, instead of possessing the pure religion of the Gospel, they may be divided either into infidels, who deny the truth; or politicians who make religion a stalking horse for their ambition; or professors, who walk in the trammels of orthodoxy, and are more attentive to traditions and ordinances of men than to the oracles of truth. — Samuel Adams

I couldn't get to sleep. The book lay nearby. A thin object on the divan. So strange. Between two cardboard covers were noises, doors, howls, horses, people. All side by side, pressed tightly against one another. Boiled down to little black marks. Hair, eyes, voices, nails, legs, knocks on doors, walls, blood, beards, the sound of horseshoes, shouts. All docile, blindly obedient to the little black marks. The letters run in mad haste, now here, now there. The a's, f's, y's, k's all run. They gather together to create a horse or a hailstorm. They run again. Now they create a dagger, a night, a murder. Then streets, slamming doors, silence. Running and running. Never stopping. — Ismail Kadare

And then it dropped lower, and her eyes caught it in all its pale majesty. It was a moth, no more, no less, but as it circled down towards them she saw that its furry body was larger than that of a horse, its wingspan awesome, each wing as long as six men laid end to end. It had a small head, eyes glittering amongst the glossy fur behind frond-like antennae that extended forward in delicate furls. As it landed, the sweep of its wings extinguished most of their little fires. — Adrian Tchaikovsky

Four sits down on the edge of the carousel, leaning against a plastic horse's foot. His eyes lift to the sky, where there are no stars, only a round moon peking through a thin layer of clouds. The muscles in his arms are relaxed; his hand rests on the back of his neck. He looks almost comfortable, holding that gun to his shoulder. I close my eyes briefly. Why does he distract me so easily? I need to focus. — Veronica Roth

The cracks grew over him like vines, faster and faster. At first he bucked, whinnying metallic screeches. Then he gradually stilled, looking up at me with frightened glass eyes.
He was growing.
New, molten glass leeched out between his fissures, cooled and hardened only to crack again and make room for more liquid glass. The gears inside him moaned and creaked, and metal filings gathered at the base of his transparent stomach, only to fly up again and form more joints and chains and gears. Black smoke poured from his nostrils.
Soon he was the size of a large dog, then a man, and still he grew and grew until he towered over my bed, as big as any plow horse I'd ever seen. Glass dripped down his flanks like sweat, a few rivulets still glowing with molten heat. — Betsy Cornwell

Through an arrow loop in the wall she saw a familiar horse and rider tearing across the camp toward the healing rooms. Brigan pulled up at Nash's feet and dropped from the saddle. The two brothers threw their arms around each other and embraced hard.
Shortly thereafter he stepped into the healing rooms and leaned in the doorway, looking across at her quietly. Brocker's son with the gentle gray eyes.
She abandoned all pretense of decorum and ran at him. — Kristin Cashore

Amongst these brave soldiers was Dfr Vir Singh (Retd) of 4 Horse, whose flesh was charred off his bones by a Cobra missile that hit his tank. He spoke with great regard for his Squadron Commander Maj Bhupinder Singh, MVC, who too was severely burned in the same attack after they had destroyed many tanks in the Battle of Phillora. When the then Prime Minister of India Lal Bahadur Shastri visited a dying Maj Singh in the Army Base Hospital, Delhi, the officer had tears in his eyes. A touched Shastri told Maj Singh that tears didn't become a brave soldier like him. Maj Singh replied, 'Sir, I'm not pained because of any injury. I'm anguished that a soldier is not being able to salute his Prime Minister. — Rachna Bisht Rawat

The embroidery came later, in the retelling, as the story was told again and again by the men, taking on its own character as it passed over camp.
The Prince had ridden out, with only one soldier. Deep in the mountains, he had chased down the rats responsible for these killings. Had ripped them out of their hiding holes and fought them, thirty to one, at least. Had brought them back thrashed, lashed and subdued. That was their Prince for you, a twisty, vicious fiend who you should never, ever cross, unless you wanted your gullet handed to you on a platter. Why, he once rode a horse to death just to beat Torveld of Patras to the mark.
In the men's eyes the feat was reflected as the wild, impossible thing it was
their Prince vanishing for two days, then appearing out of the night with a sackful of prisoners thrown over his shoulder, tossing them at the feet of his troop and saying: You wanted them? Here they are. — C.S. Pacat

To live with tremendous and proud composure; always beyond - . To have and not to have one's affects, one's pro and con, at will; to condescend to them, for a few hours; to seat oneself on them as on a horse, often as on an ass - for one must know how to make use of their stupidity as much as of their fire. To reserve one's three hundred foregrounds; also the dark glasses; for there are cases when nobody may look into our eyes, still less into our "grounds." And to choose for company that impish and cheerful vice, courtesy. And to remain master of one's four virtues: of courage, insight, sympathy, and solitude. — Friedrich Nietzsche

I wanted to know what it would be like to get on a horse and ride all the way west to Europe and take a look back at my own culture through the eyes of a nomad. — Tim Cope

You may find that you have been telling yourself that practicing optimism is a risk, as though, somehow, a positive attitude will invite disaster and so if you practice optimism it may increase your feelings of vulnerability. The trick is to increase your tolerance for vulnerable feelings, rather than avoid them altogether.
[ ... ]
Optimism does not mean continual happiness, glazed eyes and a fixed grin. When I talk about the desirability of optimism I do not mean that we should delude ourselves about reality. But practicing optimism does mean focusing more on the positive fall-out of an event than on the negative. ... I am not advocating the kind of optimism that means you blow all your savings on a horse running at a hundred to one; I am talking about being optimistic enough to sow some seeds in the hope that some of them will germinate and grow into flowers. — Philippa Perry

In the castle of Koraida was found a great quantity of pikes, lances, cuirasses, and other armor ; and its lands were covered with flocks and herds and camels. In dividing the spoil each foot-soldier had one lot, each horseman three ; two for his horse, and one for himself. A fifth part of the whole was set apart for the prophet. The most precious prize in the eyes of Mahomet was Rihana, daughter of Simeon, a wealthy and powerful Jew ; and the most beautiful female of her tribe. He took her to himself, and, having converted her to the faith, added her to the number of his wives. But, though thus susceptible of the charms of the Israelitish women, Mahomet became more and more vindictive in his hatred of the men ; no longer putting faith in their covenants, and suspecting them of the most insidious attempts upon his life. — Washington Irving

Boxer and Clover would harness themselves to the cutter or the horse-rake (no bits or reins were needed in these days, of course) and tramp steadily round and round the field with a pig walking behind and calling out 'Gee up, comrade!' or 'Whoa back, comrade!' as the case might be. And every animal down to the humblest worked at turning the hay and gathering it. Even the ducks and hens toiled to and fro all day in the sun, carrying tiny wisps of hay in their beaks. In the end they finished the harvest in two days' less time than it had usually taken Jones and his men. Moreover, it was the biggest harvest that the farm had ever seen. There was no wastage whatever; the hens and ducks with their sharp eyes had gathered up the very last stalk. And not an animal on the farm had stolen so much as a mouthful. — George Orwell

You should be up celebrating."
"This is part of it." She ran her hands carefully up the gelding's leg before pinning the wrapping to the line. "Finnegan and I are going to congratulate each other while I clean him up.But you could do me a favor." She pulled her ticket out of her pocket. "Cash in my winnings."
Brian shook his head. "At the moment I'm too pleased to be annoyed with you for betting my money." With one hand on the horse he leaned over to kiss her. "But I'm not taking half the horse."
Keeley hooked an arm around Finnegan's neck. "You hear that? He doesn't want you."
"Don't say things like that to him."
She laid her cheek against the gelding's. "You're the one hurting his feelings."
As two pairs of eyes studied him, Brian hissed out a breath. "We'll discuss this privately at some other time."
"He needs you.We both do."
The muscles n his belly twisted. "That's unfair."
"That's fact. — Nora Roberts

Wells?" Someone was prodding his arm. "Hey, Wells?" Wells's eyes snapped open, draining the last droplets of a dream from his mind. He'd been floating down a canal in Venice. No, wait, he'd been riding a horse into battle alongside Napoleon. Kendall — Kass Morgan

Because Christian morality leaves animals out of account, they are at once outlawed in philosophical morals; they are mere 'things,' mere means to any ends whatsoever. They can therefore be used for vivisection, hunting, coursing, bullfights, and horse racing, and can be whipped to death as they struggle along with heavy carts of stone. Shame on such a morality that is worthy of pariahs, and that fails to recognize the eternal essence that exists in every living thing, and shines forth with inscrutable significance from all eyes that see the sun! — Arthur Schopenhauer

Just before the men closed the tail gate on the float, she strained her head to see me and nodded her head so hard her blonde mane flew around her face - she looked like she was standing in a cloud of icing sugar. She uttered such a quiet neigh, it seemed only I heard it. She stared at me, and closed her eyes. Then she was gone. — Kelly Batten

Real isn't how you are made. It's a thing that happens to you," said the Skin Horse. " When you are real you don't mind being hurt.
It doesn't happen all at once. It takes a long time. That's why it doesn't happen to people who break easily, or who have sharp corners. Generally, by the time you are real, most of your hair has been loved off, and your eyes drop out, and you get loose and very shabby. But these don't matter at all, because once you are Real, you can't be ugly, except to people who don't understand.
Once you are Real, you can't unreal. It last forever — Margery Williams

I wish I could have fought him for you," he said abruptly, looking back at me. His blue eyes were dark and earnest.
I smiled at him, touched.
"It wasn't your fight, it was mine. But you won it anyway." I reached out a hand, and he squeezed it.
"Aye, but that's not what I meant. If I'd fought him man to man and won, ye'd not need to feel any regret over it." He hesitated. "If ever - "
"There aren't any more ifs," I said firmly. "I thought of every one of them yesterday, and here I still am."
"Thank God," he said, smiling, "and God help you." Then he added, "Though I'll never understand why."
I put my arms around his waist and held on as the horse slithered down the last steep slope.
"Because," I said, "I bloody well can't do without you, Jamie Fraser, and that's all about it. — Diana Gabaldon

I thought you were the docile one," he murmured.
"Yes, my lord," she said meekly. "Compared to my sister, my lord."
"And you're the smart one as well? Even though you were going to put horse dung on an infect wound?"
"Yes, my lord." She straightened her shoulders. "And the plain one."
His eyes were like a sly weapon, all soft, lingering caresses while he stood just out of reach. "I think you're a fraud, Lady Alys. You've yet to convince me of any of those three things. — Anne Stuart

Excuse me," she said tartly, "but this is my horse. It is, in effect, my clearing as well, so if you don't mind I would prefer that you leave here at once."
Amused, he raised an eyebrow. "And if I said I preferred to stay?"
She drew a slow breath. "I would say that you were a nuisance and a trespasser, as impudent and lacking in scruples as any man I have ever had the misfortune to meet. And one who no doubt has had thoughts of poaching, even if he has not done so already."
He edged closer, and Catherine felt the heat of the midnight eyes rake her again.
"Indeed, I am beginning to have thoughts, Mistress Ashbrooke," he murmured. "But not of poaching. — Marsha Canham

But my last conscious thought was an image of Prince Char when he'd caught the bridle of Sir Stephan's horse. His face had been close to mine. Two curls had spilled onto his forehead. A few freckles dusted his nose, and his eyes said he was sorry for me to go. — Gail Carson Levine

Anybody doesn't like these pitchers don't like potry, see? Anybody don't like potry go home see television shots of big hatted cowboys being tolerated by kind horses. Robert Frank, Swiss, unobtrusive, nice, with that little camera that he raises and snaps with one hand he sucked a sad poem right out of America onto film, taking rank among the poets of the world. To Robert Frank I now give this message: You got eyes. — Jack Kerouac

The ceremony was fast so we wouldn't be caught. When it was over, the men all whispered 'Mazel tov' and climbed back onto their shelves. I went up to the boy and pressed the wooden horse into his hands, the only present I could give him. The boy looked at me with big, round eyes. Had I ever been so young?
'We are alive,' I told him. 'We are alive, and that is all that matters. We cannot let them tear us from the pages of the world.'
I said it as much for me as for him. I said it in memory of Uncle Moshe, and my mother and father, and my aunts and other uncles and cousins. The Nazis had put me in a gas chamber. I had thought I was dead, but I was alive. I was a new man that day, just like the bar mitzvah boy. I was a new man, and I was going to survive. — Alan Gratz

She stepped out of the box, smiled sweetly. "You know, Brian, just because you can make a fifteen hundred pound horse do what you want, doesn't mean you can budge me one inch.I'm going to go bet on our horse.To win."
"It's not our-" He broke off, swore, as she'd already flounced out. "And you don't bet to win," he muttered. "It's nothing personal," he said to Finnegan who was watching him with soft, sad eyes. "I just can't be owning things.It's not that I don't have great affection and respect for you,for I do. But what happens in a year or two down the road I move on? Even if I don't-as it's feeling more and more that I'd wonder why I would-I can't have the wman give me a horse.Even a half a horse. Well, not to worry.We'll straighten it all out later. — Nora Roberts

If there was hope, it must lie in the proles, because only there, in those swarming disregarded masses, eighty-five percent of the population of Oceania, could the force to destroy the Party ever be generated. The Party could not be overthrown from within. Its enemies, if it had any enemies, had no way of coming together or even of identifying one another. Even if the legendary Brotherhood existed, as just possibly it might, it was inconceivable that its members could ever assemble in larger numbers than twos and threes. Rebellion meant a look in the eyes, an inflection of the voice; at the most, an occasional whispered word. But the proles, if only they could somehow become conscious of their own strength, would have no need to conspire. They need only to rise up and shake themselves like a horse shaking off flies. If they chose they could blow the Party to pieces tomorrow morning. Surely sooner or later it must occur to them to do it. — George Orwell

Out from the servient shoulders of some smooth-tongued Waiter it stares, into the scared dilating pupils of the White Satin Bride with her pledged hand clutching her Bridegroom's sleeve. Up from the gravelly, pick-and-shovel labor of the new-made grave it lifts its weirdly magnetic eyes to the Widow's tears. Down from some petted Princeling's silver-trimmed saddle horse it smiles its electrifying, wistful smile into the Peasant's sodden weariness. Across the slender white rail of an always out-going steamer it stings back into your gray, land-locked consciousness like the tang of a scarlet spray. And the secret of the face, of course, is "Lure"; but to save your soul you could not decide in any specific case whether the lure is the lure of personality, or the lure of physiognomy - a mere accidental, coincidental, haphazard harmony of forehead and cheek-bone and twittering facial muscles. — Eleanor Hallowell Abbott

Rebellion meant a look in the eyes, an inflection of the voice, at most, an occasional whispered word. But the proles, if only they could somehow become conscious of their own strength they would have no need to conspire. They needed only to rise up and shake themselves like a horse shaking off flies. — George Orwell

I'd looked around my room at the ribbons and sashes and rosettes hanging from the walls, at the photos of my ponies clearing the highest fences with me crouched in the saddle, a look of utter determination on my face. I'd made myself look hard at the pictures, at my legs swinging backwards over the fences, at my body lying low over my pony's neck, my hands grasping at the reins as I turned them in mid-air. At the way that Teddy's eyes were bulging as I pulled him around a tight turn, at the way the veins popped out on Buck's lathered neck, at Springbok's open mouth, dripping with foam.
I'd looked hard at them all, and I hadn't liked what I'd seen. — Kate Lattey

Cowardice shuts the eyes till the sky is not larger than a calf-skin: shuts the eyes so that we cannot see the horse that is running away with us; worse, shuts the eyes of the mind and chills the heart. — Ralph Waldo Emerson

Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air ... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy ... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray. — George R R Martin

I have a gift for you," the dwarf said to Bran. "Do you like to ride, boy?" Maester Luwin came forward. "My lord, the child has lost the use of his legs. He cannot sit a horse." "Nonsense," said Lannister. "With the right horse and the right saddle, even a cripple can ride." The word was a knife through Bran's heart. He felt tears come unbidden to his eyes. "I'm not a cripple!" "Then I am not a dwarf," the dwarf said with a twist of his mouth. "My father will rejoice to hear it." Greyjoy laughed. — George R R Martin

It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavour now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in tha lake and calls out to the world to grant it the sweet release of death. — Cassandra Clare

Best workout ever." Darius sat next to her and rested his back against the soft mat.
She laughed and fumbled to put on her bra. He lifted the weight of her hair from her back and helped her pull down her silk shirt.
For a moment, he held the length of her hair in his hand as he had the swing rope. He tugged gently to turn her face to his, and then released it. His face was open and relaxed, his pale blue eyes warm and content.
His knees fell open to rest against hers. The feel of skin on skin, bone to bone, was easy, the most natural thing in the world. "Next time we should try the pommel horse."
Mei laughed. "You still got pommeling on your mind?"
"Oh yeah." He signed and tilted his chin to the ciling, exposing the length of his throat. "Some pommeling and tumbling would be good. We've got time to make up for. — Susannah Scott

He saw his enemies stealthily darting from rock to tree, and tree to bush, creeping through the brush, and slipping closer and closer every moment. On three sides were his hated foes and on the remaining side - the abyss. Without a moment's hesitation the intrepid Major spurred his horse at the precipice. Never shall I forget that thrilling moment. The three hundred savages were silent as they realized the Major's intention. Those in the fort watched with staring eyes. A few bounds and the noble steed reared high on his hind legs. Outlined by the clear blue sky the magnificent animal stood for one brief instant, his black mane flying in the wind, his head thrown up and his front hoofs pawing the air like Marcus Curtius' mailed steed of old, and then down with a crash, a cloud of dust, and the crackling of pine limbs. — Zane Grey

In silence the man reined in his horse, dismounted, lifted me down to a high grassy spot that was scarcely damp. In the gathering gloom he tended to his horse, which presently cropped at the grass. My eyes had become accustomed to the darkness; the flare of light from a Fire Stick, and the reddish flicker of a fire, startled me.
At first I turned away, for the unsteady flame hurt my eyes, but after a time the prospect of warmth brought me around, and I started inching toward the fire.
The man looked up, dropped what he was doing, and took a step toward me. "I can carry you," he said.
I waved him off. "I'll do it myself," I said shortly, thinking, Why be polite now? So I'll be in a good mood when you dump me in Galdran's dungeon? — Sherwood Smith

Our historical pastime is the direct satisfaction of inflicting pain. There are lines in Nekrassov describing how a peasant lashes a horse on the eyes, 'on its meek eyes,' everyone must have seen it. It's peculiarly Russian. He describes how a feeble little nag has foundered under too heavy a load and cannot move. The peasant beats it, beats it savagely, beats it at last not knowing what he is doing in the intoxication of cruelty, thrashes it mercilessly over and over again. 'However weak you are, you must pull, if you die for it.' The nag strains, and then he begins lashing the poor defenceless creature on its weeping, on its 'meek eyes.' The frantic beast tugs and draws the load, trembling all over, gasping for breath, moving sideways, with a sort of unnatural spasmodic action- it's awful in Nekrassov. But that only a horse, and God has horses to be beaten. — Fyodor Dostoyevsky

No one ever remembered a nice day. But no one ever forget the feel of paralyzed fish, the thud of walnut-sized hail against a horse's flank, or the way a superheated wind could turn your eyes to burlap. — Erik Larson

I was a boy, and I believed deeply in the sightedness of horses. I believed that there was nothing that they did not witness. I believed that to have a horse between my legs, to extend my pulse and blood and energy to theirs, enhanced my vision. Made of me a seer. I believed them to be the dappled, sorrel, roan, bay, black pupils in the eyes of God. — Mark Spragg

They went to the tree. Daemon dismounted and leaned against the tree, staring in the direction of the house. The stallion jiggled the bit, reminding him he wasn't alone. "I wanted to say good-bye," Daemon said quietly. For the first time, he truly saw the intelligence - and loneliness - in the horse's eyes. After that, he couldn't keep his voice from breaking as he tried to explain why Jaenelle was never going to come to the tree again, why there would be no more rides, no more caresses, no more talks. For a moment, something rippled in his mind. He had the odd sensation he was the one being talked to, explained to, and his words, echoing back, lacerated his heart. To be alone again. To never again see those arms held out in welcome. To never hear that voice say his name. To ... Daemon gasped as Dark Dancer jerked the reins free and raced down the path toward the field. Tears of grief pricked Daemon's eyes. The horse might have a simpler mind, but the heart was just as big. — Anne Bishop

Here, on a human face, appeared all the ruin following upon hopeless labour. Laveuve's unkempt beard straggled over his features, suggesting an old horse that is no longer cropped; his toothless jaws were quite askew, his eyes were vitreous, and his nose seemed to plunge into his mouth. But above all else one noticed his resemblance to some beast of burden, deformed by hard toil, lamed, worn to death, and now only good for the knackers. — Emile Zola

He drove his hips forward, connecting our bodies. For a second, time stopped. We were all that was left. He broke the kiss and stared down at me, unspoken questions in his eyes.

My heard pounded against my ribs as I lost myself in the ocean of his eyes. "You're mine," I whispered, wonder in my voice.

He nodded slowly, his hand caressing my cheek. "I am. — Lisa Kessler

Cleopatra: Oh, Charmian, Where think'st thou he is now? Stands he or sits he?
Or does he walk? Or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse, for wott'st thou whom thou mov'st?
The demi-Atlas of this earth, the arm
And burgonet of men. He's speaking now,
Or murmuring "Where's my serpent of old Nile?"
For so he calls me. Now I feed myself
With most delicious poison. Think on me,
That am with Phoebus' amorous pinches black
And wrinkled deep in time. Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch. And great Pompey
Would stand and make his eyes grow in my brow.
There would he anchor his aspect, and die
With looking on his life. — William Shakespeare

Artham felt lighter and stronger, and for the first time in nine years, his mind was clear and sure. The words to a hundred of his own poems scrolled across his memory; he saw faces of old friends, battles he had fought, and even the most terrible moments of his life - and yet he remained himself. The wild animal inside that he had struggled so long to kill pulsed with power, but it was no longer his master. He rode the pain like a knight rides a horse. ...
Artham's eyes watered from the wind and from the speed and from the magnificent beauty of the land arrayed below him. Water streaked from the corners of his eyes ... and , in the vicious cold froze into silvery jewels.
He would have to write a poem about this. — Andrew Peterson

One often hears of a horse that shivers with terror, or a dog that howls at something a man's eyes cannot see, and men who live primitive lives where instinct does the work of reason are fully conscious of many things that we cannot perceive at all. As life becomes more orderly, more deliberate, the supernatural world sinks farther away. — W.B.Yeats

Tell me not, sweet, I am unkind," he said, "That from the nunnery, Of they chaste breast and quiet mind."
I looked up at him, and said the next line, "To war and arms I fly."
"True, a new mistress now I chase," he said.
"The first foe in the field," I said, and let him draw me closer.
"And with a stronger faith embrace," he said.
"A sword, a horse, a shield." And the last word was whispered against his chest, still looking up into those eyes, searching his face.
"Yet this inconstancy is such, As thou too shalt adore," he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. "I could not love thee, dear, so much, Loved I not honor more. — Laurell K. Hamilton

Gamaun is a dainty steed,
Strong, black, and of a noble breed,
Full of fire, and full of bone,
With all his line of fathers known;
Fine his nose, his nostrils thin,
But blown abroad by the pride within;
His mane is like a river flowing,
And his eyes like embers glowing
In the darkness of the night,
And his pace as swift as light. — Bryan Procter

On the road leading from his ranch to Samantha's, Wyat t drove his surrey up a small hill and caught his breath as the beauty of the large crescent moon dangling just out of reach over the crest A full moon would have been plump with luminescence, yet the pearly surface of the sickle still cast enough light to shadow his surroundings and seemed close enough that once he drove to the top of the hill, he'd be able to touch the bottom horn or at least toss a rope around it. He slackened the reins, slowing the horse, knowing that the higher he climbed, the sooner the illusion of closeness would disappear and he wanted to preserve for a moment the fantasy that the moon was within his grasp.
The stars, by contrast, were distant pricks of diamond light farther out than a man could dream. He sighed. Life as a rancher or as a rancher's wife was not moon and stars easy or romantic. What would put stars in Samantha's eyes? — Debra Holland

Hope is the denial of reality. It is the carrot dangled before the draft horse to keep him plodding along in a vain attempt to reach it."
"Are you saying we shouldn't hope?"
"I'm saying we should remove the carrot and walk forward with our eyes open! — Margaret Weis

The story is told that when Joe was a child his cousins emptied his Christmas stocking and replaced the gifts with horse manure. Joe took one look and bolted for the door, eyes glittering with excitement. 'Wait, Joe, where are you going? What did ol' Santa bring you?' According to the story Joe paused at the door for a piece of rope. 'Brought me a bran'-new pony but he got away. I'll catch 'em if I hurry.' And ever since then it seemed that Joe had been accepting more than his share of hardship as good fortune, and more than his share of shit as a sign of Shetland ponies just around the corner, Thoroughbred stallions just up the road. — Ken Kesey

I asked you not to train that horse," Christopher snapped, "and you agreed."
Beatrix felt instantly defensive. She was accustomed to doing as she pleased. This was certainly not the first time she'd ever fallen from a horse, nor the last.
"You didn't ask that specifically," she said reasonably, "you asked me not to do anything dangerous. And in my opinion, it wasn't."
Instead of calming Christopher, that seemed to enrage him even further. "In light of the fact that you were nearly flattened like a pikelet just now, I'd say you were wrong."
Beatrix was intent on winning the argument. "Well, it doesn't matter in any case, because the promise I made was for after we married. And we're not married yet."
Leo covered his eyes with his hand, shook his head, and retreated from her vision. — Lisa Kleypas

How's it going today, Riot?" I said. "I'm Gideon."

Nice. Two sentences and I'd already managed to embarrass myself. In front of Daryn and a horse. I hadn't even realized the last part was possible. I continued speaking as I stepped closer. "I'm sure we have a lot in common. You're clearly a stallion in top physical condition. Extremely dangerous. Badass. Impressive looking."

"Wow," Daryn said behind me.

That made me smile, which I needed. I was nervous as all get-out. The muscles in Riot's legs were twitching. His breath lifted in puffs of steam. He had gold eyes - and they hadn't unlocked from mine. He looked like he wanted to eat my head.

"Keep going," Daryn said. "And maybe try to be positive and nice? I think he can sense what you're saying."

Positive, check. Nice, check. Wait - nice?

Shit. Okay. — Veronica Rossi