The Dark Below Quotes & Sayings

Look, and it can't be seen.
Listen, and it can't be heard.
Reach, and it can't be grasped.
Above, it isn't bright.
Below, it isn't dark.
Seamless, unnamable,
it returns to the realm of nothing.
Form that includes all forms,
image without an image,
subtle, beyond all conception.
Approach it and there is no beginning;
follow it and there is no end.
You can't know it, but you can be it,
at ease in your own life.
Just realize where you come from:
this is the essence of wisdom. — Lao-Tzu

Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. — Kenneth Grahame

They jostled one another, competed for space below as they did above, in a minuet of ruin and triumph. In the subway, down in the dark, no citizen was more significant or more decrepit than another. All were smeared into a common average of existence, the A's and the C's tumbling or rising to settle into a ruthless mediocrity. No escape. — Colson Whitehead

Near the Mexican border, rocky canyons cleave the mountains, laying them aside like broken wedges of gray cheese furred with a dark mold of pinon and juniper that sheds hard shadows on moon glazed stone, etched lithographs in gray and black, taupe and silver. Beneath feathery chamisa a rattlesnake flicks his tongue, following a scent. Along a precarious rock ledge a ring-tailed cat strolls, nose snuffling the cracks. At the base of the stone a peccary trots along familiar foot trails, toward the toes of a higher cliff where a seeping spring gathers in a rocky goblet. In the desert, sounds are dry and rattling: pebbles toed into cracks, hoofs tac-tacking on stone, the serpent rattle warning the wild pig to veer away, which she does with a grunt to the tribe behind her. From the rocky scarp the ring-tailed cat hears the whole population of the desert pass about its business in the canyon below. — Sheri S. Tepper

Rita Vargas caught her breath - the dark was spilling out of the mountains as the sun vanished in the west. The deep purple/blue shadows spread out on the water of the Caribe. The ocean was shadowy, yet at the same time, glowing. The massif green on one side, and velvety black on the other. And below, the lights of the cities scattered and burned, white, yellow, white, looking like gems. Stars.
She still recalls it as one of the most beautiful sights she'd ever witnessed, as if the coast of Veracruz were somehow welcoming its sons home. It would have astounded the dead if the could have looked out the windows. Why would they ever have left such a beautiful home for the dry bones and spikes of the desert? If they could have seen what she saw, they might have stayed home. — Luis Alberto Urrea

Assisi was like something, but like what? Like something one had always known, but never seen. Something perceived from afar, like a wind from the promised land that greeted the stranger and sojourner coming up out of bondage from Egypt. It was joy, no doubt about that. But a joy unlike any other joy he had ever experienced. Unexpected joy in a dark time. Curious joy. There was no other word that approximated it. A taste of sweetness like the fecundity of grape arbors in the terraces below, — Michael D. O'Brien

The mother sings a hungry song
Of blood and cracking teeth
She dances in the dark below
wants to pull us underneath

Her claws, they rise, they sway in dance
to the melody of screams
Her lullaby will never end
till the world comes apart at the seams — Amy Lukavics

Humanity is identity. All men are made of the same clay. No difference, here below at least, in predestination. The same darkness before, the same flesh during, the same ashes after. But when ignorance is mixed with human dough, it blackens it. This incurable blackness takes over man's insides and there turns into evil ... Destroy the dark hold, Ignorance, and you destroy the mole, Crime. — Victor Hugo

Then sail, my fine lady, on the billowing wave -
The water below is as dark as the grave,
And maybe you'll sink in your little blue boat -
It's hope, and hope only, that keeps us afloat — Margaret Atwood

The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman's shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star. — Charlotte Bronte

Kingbitter, as he did frequently nowadays, was standing at his window and looking out onto the street below. This street offered the most mundane and ordinary sights of Budapest's mundane and ordinary streets. The muck-, oil-, and dog-dirt-spattered sidewalk was lined with parked cars, and in the one-yard gaps between the cars and the leprotically peeling house walls the most mundane and ordinary passersby were attempting to go about their business, their hostile features an outward clue to their dark thoughts. Every now and then, perhaps in a hurry to overtake the single file inching along the front, one of them would step off the sidewalk, only for an entire chorus of rancorous car horns to give the lie to any groundless hope of breaking free from the line. — Imre Kertesz

I see the eight of us in the Annexe as if we were a patch of blue sky surrounded by menacing black clouds. The perfectly round spot on which we're standing is still safe, but the clouds are moving in on us, and the ring between us and the approaching danger is being pulled tighter and tighter. We're surrounded by darkness and danger, and in our desperate search for a way out we keep bumping into each other. We look at the fighting down below and the peace and beauty up above. In the meantime, we've been cut off by the dark mass of clouds, so that we can go neither up nor down. It looms before us like an impenetrable wall, trying to crush us, but not yet able to. I can only cry out and implore, 'Oh, ring, ring, open wide and let us out!' Yours, Anne — Anne Frank

An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep. — Barry Lopez

Below lies the dark core, that great iron ball beneath all things. Its compressed weight is fantastic; it is older than time itself. It is a vestige of the blackness that predates all existence, when a formless universe existed in a state of chaotic un-creation, lacking awareness even of itself. — Justin Cronin

A dozen families had declared themselves before Jamie finished his conversation with Gerald Forbes, and rose himself. He handed me the baby, who was sleeping soundly in spite of all the racket around him, and bent to light a brand from our fire. The shouts came from far below, thin but audible on the clear autumn air. "The MacNeills of Barra are here!" "The Lachlans of Glen Linnhe are here!" And after a little, Jamie's voice, loud and strong on the dark air. "The Frasers of the Ridge are here!" There was a brief spatter of applause from those around me - whoops and yelps from the tenants who had come with us, just as there had been from the followers of the other heads of families. — Diana Gabaldon

The tiny focal points of pain still glowed on his nerve endings, like stars coming into view one by one in a dark, bare sky. One by one - in the middle of his buttock, just below his collarbone, on the inside of his thigh - more stars came into focus, each glowing brightly at first before settling into the same intensity as the ones before, slowly forming a constellation. — L.A. Witt

Shadows are where magic comes from. Your dark and dancing self, slipping behind and ahead and around, never quite looking at the sun. Fairyland-Below is the shadow of Fairyland, and this is where magic gets born and grows up and sows its oats before coming out into the world. The body does the living; the shadow does the dreaming. Before Halloween, we lived in the upper world, where the light makes us insubstantial, thin, scraps of thought and shade. We weren't unhappy - we made good magic for the world, sportsmanlike stuff. We reflected our bodies' deeds, and when our brothers and sisters went to sleep, we had our own pretty lives, our shadow loves, our shadow markets, our shadow races. But we had no idea, no idea how it could be under the world with our Hollow Queen. And now we shall never go back. — Catherynne M Valente

Under star-dark seas and skies of gold
Live those Above and those Below
They sing and weep, both high and deep
While over and under the ocean rolls — Ally Condie

And Lublamai no longer thought of screaming but only of watching as those dark markings rolled and boiled in perfect symetry across the wings like clouds in a night sky above, in water below. — China Mieville

We can't see the ocean through the haze, but we can hear its susurrations on the shore below, feel its misty presence on our skin, imagine the way it fills up the horizon and how it, like fog, shrouds the earth's body, reflecting light on the surface but remaining impenetrably dark beneath, down in the deep soul of the world. — Justin Hocking

He was, and she had to swallow very hard to keep from choking, the most terribly beautiful man she had ever seen. He had a long, wicked scar that traveled from his temple down his cheek to the side of his chin and below his jaw. Somehow, though, it just didn't detract from his handsomeness, dark though that was. His face was all planes and angles, harsh even in the deepening gloom. His hair was dark and his eyes were full of cynicism. — Lynn Kurland

Just as the spectrums of light and sound are far broader than what we humans can see and hear, so the spectrum of mental states is far larger than what the average human perceives. We can see light in wavelengths of between 400 and 700 nanometres only. Above this small principality of human vision extend the unseen but vast realms of infrared, microwaves and radio waves, and below it lie the dark dominions of ultraviolet, X-rays and gamma rays. Similarly, the spectrum of possible mental states may be infinite, but science has studied only two tiny sections of it: the sub-normative and the WEIRD. For — Yuval Noah Harari

To reach the farthest chamber of Lascaux, it's likely a man had to snuff out his light, lower himself down a shaft with a rope made of twisted fibers, and then rekindle his lamp in the dark so as to draw the woolly rhinoceros, the half horse, and the raging bison there. A long spear transfixes that bison, and entrails pour from its side. Beneath its front hooves lies the one painted man in all of Lascaux: prone, spindly wounded, disguised behind a bird mask. And below him, until its discovery in 196o, lay a spoon-shaped lamp carved of red sandstone ... Hold it again as it once was held, and the animals will emerge out of darkness as you pass. Nothing stays still. Shadows nestle in the cavities; a flicker of light across pale protruding rock turns a hoof or raises a head. One shape recedes as another emerges, and everything lingers in the imagination. — Jane Brox

High on a stag the Goddess held her seat,
And there were little hounds about her feet;
Below her feet there was a sickle moon,
Waxing it seemed, but would be waning soon.
Her statue bore a mantle of bright green,
Her hand a bow with arrows cased and keen;
Her eyes were lowered, gazing as she rode
Down to where Pluto has his dark abode. — Geoffrey Chaucer

I think that the best kind of change, is the change that comes from the inside and begins it's way out until it emerges on the outside; a change that is born underneath then continues and spreads until it has reached the surface. That's a true change. A powerful change. And I have found that while we are emerging, changing into something glorious; it is actually us becoming who we really are. A water lily is born underneath the water, inside the soil at the bottom of the river or lake. And the water lily has always been a water lily for that whole time that it was sprouting out of the wet soil, reaching up through the dark water towards the sunlight, stretching and grasping for the surface; where it then buds and blooms on the outside in the sunshine. It doesn't bud and bloom on the surface and then try to reach down below into the soil. — C. JoyBell C.

And someone turns out the lights in the library, as if being in the dark will make them invisible, but the noise reaches into the house, into the room, into their lungs. Someone is being beaten in the street below. What are they going to do? How long can you pretend this is not happening? — Edmund De Waal

And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls. — Charlotte Bronte

According to your sources
if you strike life with the radical
when it cracks
the inside's going to glow
with the translucence of red wine.

Below us people in dark coats stream home,
faces unavailable for comment. — Lori Lamothe

This is not the true meaning of jihad," he spoke into the starless dark. "Jihad is the holy war we have within ourselves. That is the meaning below the surface. Our internal struggle for purity," he said with emphasis, pressing his forefinger into his chest. "It is the war of ascendance over our basal instincts. It has absolutely nothing to do with others. The only thing we can have control over is ourselves. — Camilla Gibb

Nancy grabbed Plum's hand and together they ran around the last curve and then they were leaning against the old stone wall that marked Lookout Hill. Far, far down below them, a river was trying to wriggle its way out of a steep canyon. Over to the right, thick green hills crowded close to each other to share one filmy white cloud. To the left, as far as they could see the land flowed into valleys that shaded from a pale watery green, through lime, emerald, jade, leaf, forest to a dark, dark, bluish-green, almost black. The rivers were like inky lines, the ponds like ink blots. — Betty MacDonald

You lean back against the door with bowed head making ready to set out. By the time you open your eyes your feet have disappeared and the skirt of your great coat come to rest on the surface of the snow. The dark scene seems lit from below. You see yourself at the last outset leaning against the door with closed eyes waiting for the word from you to go. To be gone.Then the snowlit scene. You lie in the dark with closed eyes and see yourself there as described making ready to strike out and away across the expanse of light. You hear again the click of the door pulled gently to and the silence before the steps can start. Next thing you are on your way across the white pasture afrolic with lambs in spring and strewn with red placantae. — Samuel Beckett

Our roots are in the dark; the earth is our country. Why did we look up for blessing
instead of around, and down? What hope we have lies there. Not in the sky full of orbiting spy-eyes and weaponry, but in the earth we have looked down upon. Not from above, but from below. Not in the light that blinds, but in the dark that nourishes, where human beings grow human souls. — Ursula K. Le Guin

The slow constellations wheeled on. It would be dawn and then sun-up after a while and he would be hungry. But that would be to-morrow and now he was only cold, and walking would cure that. His breathing was easier now and he decided to get up and go on, and then he found that he had been asleep because he knew it was almost dawn, the night almost over. He could tell that from the whippoorwills. They were everywhere now among the dark trees below him, constant and inflectioned and ceaseless, so that, as the instant for giving over to the day birds drew nearer and nearer, there was no interval at all between them. He got up. He was a little stiff, but walking would cure that too as it would the cold, and soon there would be the sun. He went on down the hill, toward the dark woods within which the liquid silver voices of the birds called unceasing - the rapid and urgent beating of the urgent and quiring heart of the late spring night. He did not look back. — William Faulkner

The world is constructed of pairs. The sky overhead and the depths of the earth. Light and dark. It originates from either end, and then wanders the gap between ... The land belongs to the sky, starting at the horizon. The sea would appear to be in between, but there is no sea without a bottom. As it is above the earth, it is within the sky's domain. Those which have life all arrive beneath the earth upon dying. Those which cannot be in the light all descend beneath the earth, all equal. Evil avoids light. Below the earth is darkness. Am I am its god. — Aki

How do I look in the dark?"
Startled, Arin glanced at him. The question had had no edges. It wasn't sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin's squarely. The heavy feeling that Arin carried - that specific sadness, nestled just below his collar bone, like a pendant - lessened. He said, "Like my friend."
Roshar didn't smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. "You do, too. — Marie Rutkoski

In my mind's eye I can still see the first night flight I made in Argentina. It was pitch-dark. Yet in the black void, I could see the lights of man shining down below on the plains, like faintly luminous earthbound stars. Each star was a beacon signaling the presence of a human mind. Here a man was meditating on human happiness, perhaps, or on justice or peace. Lost among this flock of stars was the star of some solitary shepherd. There, perhaps, a man was in communication with the heavens, as he labored over his calculations of the nebula of Andromeda. And there, a pair of lovers. These fires were burning all over the countryside, and each of them, aven the most humble, had to be fed. The fire of the poet, of the teacher, of the carpenter. But among all these living fires, how many closed windows there were, how many dead stars, fires that gave off no light for lack of nourishment. — Antoine De Saint-Exupery

After she has gone back to sleep, after Etienne has blown out his candle, he kneels for a long time beside his bed. The bony figure of Death rides the streets below, stopping his mount now and then to peer into windows. Horns of fire on his head and smoke leaking from his nostrils and, in his skeletal hands, a list newly charged with addresses. Gazing first at the crew of officers unloading from their limousines into the chateau.
Then at the flowing rooms of the perfumer Claude Levitte.
Then at the dark tall house of Etienne LeBlanc.
Pass us by, Horseman. Pass this house by. — Anthony Doerr

Kansas afternoons in late summer are peculiar and wondrous things. Often they are pregnant, if not over-ripe, with a pensive and latent energy that is utterly incapable of ever finding an adequate release for itself. This results in a palpable, almost frenetic tension that hangs in the air just below the clouds. By dusk, spread thin across the quilt-work farmlands by disparate prairie winds, this formless energy creates an abscess in the fabric of space and time that most individuals rarely take notice of. But in the soulish chambers of particularly sensitive observers, it elicits a familiar recognition - a vague remembrance - of something both dark and beautiful. Some understand it simply as an undefined tranquility tinged with despair over the loss of something now forgotten. For others, it signifies something far more sinister, and is therefore something to be feared. — P.S. Baber

It's all of a piece, I thought. It's an echo so close to perfect you can't tell which one is the living voice and which is the ghost-voice returning. For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark. Mike — Stephen King

I am falling, tumbling through the air, but this time the darkness is alive around me, full of beating things, and I realize that I'm not surrounded by dark but have only had my eyes closed all this time. I open them, feeling silly, and at the same time a hundred thousand butterlies take off around me, so many of them in so many brilliant colors they are like a solid rainbow, temporarily obscuring the sun. But as they wing higher and higher they reveal a landscape below us, all green and gold and sun-drenched fields and pink-tinged clouds drifting underneath me, and the air around me is clear and blue and sweet smelling, and I'm laughing, laughing, laughing as I spin through the air because, of course, I haven't been falling all the time.
I've been flying. — Lauren Oliver

Weep slept. Dreamers dreamed. A grand moon drifted, and, and the wings of the citadel cut the sky in two: light above, dark below. — Laini Taylor

It's that moon again, slung so fat and low in the tropical night, calling out across a curdled sky and into the quivering ears of that dear old voice in the shadows, the Dark Passenger, nestled snug in the backseat of the Dodge K-car of Dexter's hypothetical soul.
That rascal moon, that loudmouthed leering Lucifer, calling down across the empty sky to the dark hearts of the night monsters below, calling them away to their joyful playgrounds. — Jeff Lindsay

And these years later, when I think of that essay, what I remember most is not the moment I saw my work in New Yorker font, not when I saw the illustration of my father, not the congratulatory phone calls and notes that followed, but that predawn morning in my bedroom, at my desk, the lights of cars below on Broadway, my computer screen glowing in the dark. — Dani Shapiro

There was a time, before the battles between men and dragons, when the Veiled Valley was green and covered with trees, berry bushes, and wildflowers. Birdsong filled the air from early morning until sunset. Sunriseside, a mountain poked its peak above a vast, dark forrest. At the base of its tree-covered slopes, far below our ancestors' cave, a lodge housed a large family of Valley folk. — Susan Bass Marcus

When the spent sun throws up its rays on cloud
And goes down burning into the gulf below,
No voice in nature is heard to cry aloud
At what has happened. Birds, at least must know
It is the change to darkness in the sky.
Murmuring something quiet in her breast,
One bird begins to close a faded eye;
Or overtaken too far from his nest,
Hurrying low above the grove, some waif
Swoops just in time to his remembered tree.
At most he thinks or twitters softly, 'Safe!
Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be, be. — Robert Frost

I see the eight of us within our "Secret Annex" as if we were a little piece of blue heaven, surrounded by black, black rain clouds. The round, clearly defined spot where we stand is still safe, but the clouds gather more closely about us and the circle which separates us from the approaching dangers closes more and more tightly. Now we are so surrounded by danger and darkness that we bump against each other, as we search desperately for a means of escape. We all look down below, where people are fighting each other, we look above, where it is quiet and beautiful, and meanwhile we are cut off by the great dark mass. — Francine Prose

Build your cities proud and high. Lay your sewers. Span your rivers. Work feverishly. Sleep dreamlessly. Sing madly, like the bulbul. Underneath, below the deepest foundations, there lives another race of men. They are dark, sombre, passionate. They muscle into the bowels of the earth. They wait with a patience which is terrifying. They are the scavengers. They emerge when everything topples into dust. — Henry Miller

Until now, I've never been able to see while I fly, and I feel a dizzying lightness as I look out at the land below us.
Is this what I've missed?
The stars have come to the earth, and the ocean has turned over the ground; dark waves meet the sky. They are unmoving, barely visible but for the light of the sun rising behind them.
Mountains, I realize. That's what the ocean is. Those waves are peaks. The stars are lights in houses and on streets. The earth reflects the sky and the sky meets the earth and, every now and then, if we're lucky, we have a moment to see how small we are. — Ally Condie

In the Novel

He described her mouth as full of ashes.
So when he kissed her finally
he was thinking about ashes

and the blacker rim just below
the edge of the ashtray,
and the faint dark rim that outlined her lips,

and the lips themselves, at the limit
of another darkness, farther
and far more interior.

Then the way the red,
paling, just outside those lines
caught fire and the pages caught

soon after that. Slowly at first,
but then all at once
at the scalloped brown corners of each;

like the ruff of an offended and darkening bird,
extended, then folded
in on itself; multiple,

stiffening, gone. — Susan Stewart

PATER PROFUNDUS. [Far below] The chasm at my feet, dark, yawning, Rests on a chasm deeper still, A thousand streams, their waters joining, In a cascade terrific fall; The tree's own life, its strength from nature, Its trunk lifts skywards straight and tall - All, all, show love's almighty power That shapes all things, cares for them all. The storm breaks round me, fiercely howling, The woods, ravines, all seem to quake, 12240 And yet, swelled by the deluge falling, The torrent plunges down the rock To water lovingly the valley; The lightning burns the overcast And clears the air, now smelling freshly, Of all its foulness, dankness, mist - All love proclaim! the creating power By which the whole world is embraced. Oh kindle, too, in me your fire, Whose thoughts, disordered, cold, depressed, 12250 Inside the cage of dull sense languish, Tormented, helpless, hard beset! Dear God, relieve my spirit's anguish, My needy heart illuminate! — Johann Wolfgang Von Goethe

The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material - if it wasn't for the fact that he had no soul. — Jennifer L. Armentrout

Over the plains of Ethiopia the sun rose as I had not seen it in seven years. A big, cool, empty sky flushed a little above a rim of dark mountains. The landscape 20,000 feet below gathered itself from the dark and showed a pale gleam of grass, a sheen of water. The red deepened and pulsed, radiating streaks of fire. There hung the sun, like a luminous spider's egg, or a white pearl, just below the rim of the mountains. Suddenly it swelled, turned red, roared over the horizon and drove up the sky like a train engine. I knew how far below in the swelling heat the birds were an orchestra in the trees about the villages of mud huts; how the long grass was straightening while dangling locks of dewdrops dwindled and dried; how the people were moving out into the fields about the business of herding and hoeing. — Doris Lessing

It took me a moment. I blinked, and suddenly it swam into focus and I had to frown very hard to keep myself from giggling out loud like the schoolgirl Deb had accused me of being.
Because he had arranged the arms and legs in letters, and the letters spelled out a single small word: BOO.
The three torsos were carefully arranged below the BOO in a quarter-circle, making a cute little Halloween smile.
What a scamp. — Jeff Lindsay

But as he reached the bottom of the stairs, a figure appeared in the shadowy passage below and scurried up the stairs past him. He froze. His mind flashed light and dark. His heart rate accelerated. The woman he had just passed - the voice had belonged to the new housemaid. But the face belonged to the woman who haunted his dreams. Margaret Macy. — Julie Klassen

Sometimes I get up before sunrise to watch the way the dark thins out and objects slowly reveal themselves, the trees, the rest of the landscape. You can hear the river below and roosters in the village. The light of dawn, cold and blue, gradually fills the world, and it's the same in every place I've been. — Andrzej Stasiuk

He lay flat on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees. The mountainside sloped gently where he lay; but below it was steep and he could see the dark of the oiled road winding through the pass. There was a stream alongside the road and water of the dam, white in the summer sunlight. — Ernest Hemingway,

The next "I will" is in John, fourteenth chapter, verse eighteen: "I will not leave you comfortless." To me it is a sweet thought that Christ has not left us alone in this dark wilderness here below. Although — D.L. Moody

Georgia gulped as the entire doorway suddenly filled with a man she didn't recognize. She'd been expecting Jesper MacMillian.
This was definitely not Jesper MacMillian.
This man had a rich black complexion. His head was bald- whether by nature or design, she couldn't be sure. Tiny studs flashed in his ears. He wore a beautiful black suit, painstakingly tailored to fit his massive shoulders. Dark tattoos curled just above his pressed white collar, and down below the edges of his cuffs.
His face was neither kind nor unkind. He studied her with vague disinterest, his eyes quiet and guarded beneath solid brows. — Laura Oliva

Looking up occasionally to see rare cars crossing the high bridge and wondering what they'd see on this drear foggy night if they knew a madman was down there a thousand feet below in all that windy fury sitting in the dark writing in the dark - Some sort of sea beatnik, tho anybody wants to call me a beatnik for THIS better try it if they dare - The huge black rocks seem to move - The bleak awful roaring isolateness, no ordinary man could do it I'm telling you - I am a Breton! I cry and the blackness speaks back "Les poissons de la mer parlent Breton" (the fishes of the sea speak Breton) - Nevertheless I go there every night even tho I dont feel like it, it's my duty (and probably drove me mad), and write these sea sounds, and all the whole insane poem "Sea". — Jack Kerouac

The AMA puts the lives and well being of the American citizens well below it's own special interest ... It deserves to be ignored, rejected, and forgotten. No amount of historical gymnastics can hide the public record of AMA opposition to virtually every major health reform in the past 50 years ... The AMA has turned into a propaganda organ purveying 'medical politics' for deceiving the Congress, the people, and the doctors of America themselves. — Edward Kennedy

Traipsing the tunnels alone, the boys depended on the ponies for companionship; if their lamps went out, as they frequently did, a pony could guide them home. 'The ponies knew their way around their own district of the pit and could always find their way back to the pit bottom. They did this by travelling against the air which was being fed down the shaft,' Jim remembered. 'If you got caught in the dark, you grasped your pony's tail and tried to get your head just below the level of his back while he walked slowly - never offering to kick you - straight back to the pit bottom. — Catherine Bailey

The forest smelled fresh here and the ground was soft, carpeted by leaves and fallen pine needles. It was tranquil and enchanting in its way. Ursula was lovely; she just wasn't a naiad. Her hair was dark and sleek, and so long it fell below her waist, swaying this way and that as she walked. Her eyes were a piercing blue, always aware, and she had a keen eye for the smallest details. She may have been a merchant, but she'd also trained as an archer for the city militia, and she could easily spot movement at a distance. That was her intention now; it was just a different kind of movement. — Cailee Francis

Over the vistas broke a cold gray light, such as seen in those false dawns that are neither night nor true morning, when the world and all its contents seem but shapes of mist, formed in vain hope and desire ... If you awake from troubled sleep at such a time, you can only sit by the window and think of those that have been lost to you, those that followed your parents into those cold and heartless regions below the grass, silent and dark. Eventually, morning comes and the world resumes its solidity, but another tiny thread of ice has been stitched into your heart forever. — K.W. Jeter

We ate in the dining room alcove looking over the hillside and the silent dark rooftops of my neighbors. The lights of the valley glittered below.
We were both tired but we smiled at each other, and I felt a kind of happiness growing inside me. It was good to look across the table and see someone, and I thought maybe it was time to start thinking about that again - about finding someone. Sharing my life maybe.
Or maybe just getting more friends around. Except when I pictured the friends I wanted around, they all looked like Dan, and when I thought about trying to find someone to share my life with, he too looked a little too much like Dan for comfort. — Josh Lanyon

Almost astride the Equator, night fell like a portcullis. The sun dropped below the horizon and suddenly all was dark. — Tim Butcher

The night was dark as pitch or coal. Stupid expressions, thought Pereda. European nights might be pitch-dark or coal-black, but not American nights, which are dark like a void, where there's nothing to hold on to, no shelter from the elements, just empty, storm-whipped space, above and below. — Roberto Bolano

Markov died while trying to fit a small, slippery shotgun shell into a narrow gun barrel, in the dark, at thirty below zero - with a tiger bearing down on him from ten yards away. — John Vaillant

What makes Argia different from other cities is that it has earth instead of air. The streets are completely filled with dirt, clay packs the rooms to the ceiling, on every stair another stairway is set in negative, over the roofs of the houses hang layers of rocky terrain like skies with clouds. We do not know if the inhabitants can move about the city, widening the worm tunnels and the crevices where roots twist: the dampness destroys people's bodies and they have scant strength; everyone is better off remaining still, prone; anyway, it is dark.
From up here, nothing of Argia can be seen; some say, "It's down below there," and we can only believe them. The place is deserted. At night, putting your ear to the ground, you can sometimes hear a door slam. — Italo Calvino

The imagination places the world of the future either far above us, or far below, or in a relation of metempsychosis to ourselves. We dream of traveling through the universe - but is not the universe within ourselves? The depths of our spirit are unknown to us - the mysterious way leads inwards. Eternity with its worlds - the past and future - is in ourselves or nowhere. The external world is the world of shadows - it throws its shadow into the realm of light. At present this realm certainly seems to us so dark inside, lonely, shapeless. But how entirely different it will seem to us - when this gloom is past, and the body of shadows has moved away. We will experience greater enjoyment than ever, for our spirit has been deprived. — Novalis

Saturday, July 2, 2016
1:51 PM
One ancient retired Air Force nurse does nothing but scream 'Help!' for hours at a time from a second-story window. Since the Ennet House residents are drilled in a Boston-AA recovery program that places great emphasis on 'Asking For Help,' the retired shrieking Air Force nurse is the object of a certain grim amusement, sometimes. Not six weeks ago, a huge stolen HELP WANTED sign was found attached to #4's siding right below the retired shrieking nurse's window, and #4's director was less than amused, ... — David Foster Wallace

The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene. — Mary Shelley

The girl's face was the color of talcum. Her uncle's was a death mask, a bone structure overlaid by parchment. Shane's was granite, with a glistening line of sweat just below his hair line. He'd never forget this night, the detective knew, no matter what else happened for the rest of his life. They were all getting scars on their souls, the sort of scars people got in the Dark Ages, when they believed in devils and black magic. ("Speak To Me Of Death") — Cornell Woolrich

SAPPHIRE AND DIAMONDS

When I look up at Heaven,
I see the souls of those who died
Beaming down at me,
Wanting to scream: "I'm still alive!",
Wishing to scribble across the sapphire sky -
Letters to their loved ones,
But a million dark oceans stand between us,
Between those who passed and the living,
Between those of us still stuck below,
And those who have crossed over the threshold of time -
Where what seems like eternity
Is really only a few minutes.
So you see, there is no reason to weep over the shining ones -
For even though the space that separates us is limitless,
The wall of time that divides us is only paper-thin.
And one day, we shall all reunite with them,
When our souls are released like fish
Back into the vast shimmering sea
To shine together like
Glittering diamonds. — Suzy Kassem

Anyone who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye; and he who remembers this when he sees anyone whose vision is perplexed and weak, will not be too ready to laugh; he will first ask whether that soul of man has come out of the brighter life, and is unable to see because unaccustomed to the dark, or having turned from darkness to the day is dazzled by excess of light. And he will count the one happy in his condition and state of being, and he will pity the other; or, if he have a mind to laugh at the soul which comes from below into the light, there will be more reason in this than in the laugh which greets him who returns from above out of the light into the den. — Daniel Keyes

Hot damn, Diego Santero looked fine soaking wet. Everything about him radiated potent masculinity, from the slick, dark hair that drew emphasis to the angles of his cheeks and jaw, to the water beading off his forearms and the soaked black shirt and cargo pants that clung to every curve of muscle and flesh below. — Melissa Cutler

For there below ground sits the Dark God, strong to call men to judgment; he sees all, and writes it in his memory. — Aeschylus

Ildiko clutched his arm, unwilling to have him leave her side. "I enjoy your touch, Brishen."

The stiffness eased from his shoulders. He gave her a wry look and pressed his palm to the pale expanse of skin just below her collarbones. His hand rose and fell in quick time to her breathing. "I believe you, but this tells me you fear it as well."

She winced. "Your teeth are so...sharp."

"They are, but I'm not careless, wife. And if, for some unfathomable reason, I accidently bite you, you're welcome to bite me back."

His attempt at humor worked, and Ildiko chuckled. "Brishen - " She offered him a toothy grin. "These wouldn't do much damage."

He traced the line of her collarbones with the rough pads of his fingers, their dark claws a whisper of movement across her flesh. "You have obviously never been badly bitten by a horse. — Grace Draven

Finally when he climbed below deck after dark, wondering where his dinner was, perhaps with a storm come up and rough seas and blinding rains, I'd sulk and lure him into the warm and steamy darkness and from the hairs of his warm body I'd breed a myriad smiling, sparkle-eyed one-year-olds, my broods, my flocks. In the churning seas, below the waves, together inside our hammock woven in coarse sailcloth by Unguentine's deft hands, a spherical webbed sack which hung and swivelled between the two walls of our bedroom, we would spin round and round with lapping tongues and the soft suction of lips, whirling, our amorous centrifuge, all night long, zipped inside against the elements. Now, years and years later, those nights, the thought and touch of them is enough to make me throw myself down on the ground and roll in the dust like a hen nibbled by mites, generating clouds, stars and all the rest. — Stanley Crawford

Below us the Thames grew lighter, and all around below were the shadows - the dark shadows of buildings and bridges that formed the base of this dreadful masterpiece. — Ernie Pyle

She saw the snowy poles of moonless Mars, That marvellous round of milky light Below Orion, and those double stars Whereof the one more bright

Is circled by the other — Alfred Tennyson

He took his hands off the oars and pulled in the mooring rope. If I make a couple of loops, he thought, I can strap the axe on to my back.
He had a mental picture of what could happen to a man who plunged into the cauldron below a waterfall with a sharp piece of metal attached to his body.
GOOD MORNING.
Vimes blinked. A tall dark robed figure was now sitting in the boat.
'Are you Death?'
IT'S THE SCYTHE, ISN'T IT? PEOPLE ALWAYS NOTICE THE SCYTHE.
'I'm going to die?'
POSSIBLY.
'Possibly? You turn up when people are possibly going to die?'
OH, YES. IT'S QUITE THE NEW THING. IT'S BECAUSE OF THE UNCERTAINTY PRINCIPLE.
'What's that?'
I'M NOT SURE.
'That's very helpful. — Terry Pratchett

A cloud, hitherto unseen, came upon the moon, and hovered an instant like a dark hand before a face.The illusion went with it, and the lights in the windows were extinguished. I looked upon a desolate shell, soulless at last, unhaunted, with no whisper of the past about its staring walls.
The house was a sepulchre, our fear and suffering lay buried in the ruins. There would be no resurrection. When I thought of Manderley in my waking hours I would not be bitter. I should think of it as it might have been, could I have lived there without fear. I should remember the rose-garden in summer, and the birds that sang at dawn.Tea under the chestnut tree, and the murmur of the sea coming up to us from the lawns below.
I would think of the blown lilac, and the Happy Valley. These things were permanent, they could not be dissolved.They were memories that cannot hurt. — Daphne Du Maurier

As he started making a pot of coffee he glanced out his kitchen window and into his neighbor's window and froze. He had the perfect view of his new neighbor. She was beautiful. Scratch that. The word didn't even come close to describing her.

She didn't seem very tall, though it was hard to measure. Her dark wavy hair cascaded down over her shoulders, reaching just below her breasts. Very full breasts. Definitely enough to fill his palms. And the tight tank top she was wearing left very little to the imagination. It was obvious she'd just woken up as she rubbed a hand over her face and reached for the coffee pot. Look away, he ordered himself.

But he was rooted to the spot. — Katie Reus

All men must sleep, Bran. Even princes."
"When I sleep I turn into a wolf." Bran turned his face away and looked back out into the night. "Do wolves dream?"
"All creatures dream, I think, yet not as men do."
"Do dead men dream?" Bran asked, thinking of his father. In the dark crypts below Winterfell, a stonemason was chiseling out his father's likeness in granite.
"Some say yes, some no," the maester answered. "The dead themselves are silent on the matter."
"Do trees dream?"
"Trees? No ... "
"They do," Bran said with sudden certainty. "They dream tree dreams. I dream of a tree sometimes. A weirwood, like the one in the godswood. It calls to me. The wolf dreams are better. I smell things, and sometimes I can taste the blood."
Maester Luwin tugged at his chain where it chafed his neck. "If you would only spend more time with the other children - "
"I hate the other children," Bran said, meaning the Walders. "I commanded you to send them away. — George R R Martin

He comes out in shorts and the same V-neck shirt. One of his legs from just below the knee is a prosthesis. It's made of a dark metal and has swirling, jagged patterns on it. I feel like I should have known this, but I've only seen him in pants because it's winter. "Sorry, — Alison Evans

What is the world doing? Have new gods been discovered, new laws, new freedoms? Who cares! But up here a primrose is blossoming and bearing silver fuzz on its leaves, and the light sweet wind is singing below me in the poplars, and between my eyes and heaven a dark golden bee is hovering and humming - I care about that. It is humming the song of happiness, humming the song of eternity. Its song is my history of the world. — Hermann Hesse

Time that is moved by little fidget wheels Is not myTime, the flood that does not flow. Between the double and the single bell Of a ship's hour, between a round of bells From the dark warship riding there below, I have lived many lives, and this one life Of Joe, long dead, who lives between five bells. — Adam Skirving

Down below the broad, roaring waves of the sea break against the deep foundation of the rock. But high above the mountain, the sea, and the peaks of rock the eternal ornamentation blooms silently from the dark depths of the universe. — Rudolf Otto

It was dark and dim all day. From the sunless dawn until evening the heavy shadow had deepened, and all hearts in the City were oppressed. Far above a great cloud streamed slowly westward from the Black Land, devouring light, borne upon a wind of war; but below the air was still and breathless, as if all the Vale of Anduin waited for the onset of a ruinous storm. — J.R.R. Tolkien

Into the dark night
Resignedly I go,
I am not so afraid of the dark night
As the friends I do not know,
I do not fear the night above
As I fear the friends below. — Stevie Smith

Louisville, an hour after dark, is a carpet of gilt thumbtacks below them, with straight, twinkling lines like strings of beads leading out from it. Southeastward now, toward the Tennessee state-line. ("Jane Brown's Body") — Cornell Woolrich

We wrap up our violent and mysterious world in a pretence of understanding. We paper over the voids in our comprehension with science or religion, and make believe that order has been imposed. And, for the most of it, the fiction works. We skim across surfaces, heedless of the depths below. Dragonflies flitting over a lake, miles deep, pursuing erratic paths to pointless ends. Until that moment when something from the cold unknown reaches up to take us.
The biggest lies we save for ourselves. We play a game in which we are gods, in which we make choices, and the current follows in our wake. We pretend a separation from the wild. Pretend that a man's control runs deep, that civilization is more than a veneer, that reason will be our companion in dark places. — Mark Lawrence

It was twenty-five minutes past nine when he got to the corner of Seventh and Spring, where the Metropole was. It was an old hotel that had once been exclusive and was now steering a shaky course between a receivership and a bad name at Headquarters. It had too much oily dark wood paneling, too many chipped gilt mirrors. Too much smoke hung below its low beamed lobby ceiling and too many grifters bummed around in its worn leather rockers. The blonde who looked after the big horseshoe cigar counter wasn't young any more and her eyes were cynical from standing off cheap dates. (Nevada Gas) — Raymond Chandler

He saw then that there was a lens at one end, disguised as a dewdrop in the throat of an asphodel. Gently he took the egg in his hands, closed one eye, and looked. The light of the interior was not, as he had half expected, gold tinted, but brilliantly white, deriving from some concealed source. A world surely meant for Earth shone within, as though seen from below the orbit of the moon - indigo sea and emerald land. Rivers brown and clear as tea ran down long plains. His mother said, "Isn't it pretty?" Night hung at the corners in funereal purple, and sent long shadows like cold and lovely arms to caress the day; and while he watched and it fell, long-necked birds of so dark a pink that they were nearly red trailed stilt legs across the sky, their wings making crosses. — Gene Wolfe

The God, when he draws near, will the heart stand fast.
But, oh my, shame! when of
My shame!
And let me say at once
That I approached to see the Heavenly,
And they cast me down, deep down
Below the living, into the dark cast down
The false priest that I am, to sing,
For those who have ears to hear, the warning song.
There — Friedrich Holderlin

As their eyes became accustomed to the light, the girls were startled to see the figure in front of them. Hunched over, wearing a dark cloak, was an old man. His long, white hair straggled over his shoulders, his skin was covered with grey whiskers and one of his eyes, hooded, drooped below the other bulging one. His mouth hung open and his yellowed teeth did nothing to stop his rank breath pervading the air. — Helen Laycock

THE POET A moody child and wildly wise Pursued the game with joyful eyes, Which chose, like meteors, their way, And rived the dark with private ray: They overleapt the horizon's edge, Searched with Apollo's privilege; Through man, and woman, and sea, and star, Saw the dance of nature forward far; Through worlds, and races, and terms, and times, Saw musical order, and pairing rhymes. Olympian bards who sung Divine ideas below, Which always find us young, And always keep us so. — Ralph Waldo Emerson

The gunslinger turned his eyes up to the faces in the leaves. A play was being enacted there for his amusement Worlds rose and fell before him. Empires were built across shining sands where forever machines toiled in abstract electronic frenzies. Empires declined and fell. Wheels that had spun like silent liquid moved more slowly, began to squeak, began to scream, stopped. Sand choked the stainless steel gutters of concentric streets below dark skies full of stars like beds of cold jewels. And through it all, a dying wind of change blew, bringing with it the cinnamon smell of late October. The gunslinger watched as the world moved on. — Stephen King

How peaceful it was, with the light evening breeze stirring the small leaves of the grapevine that clustered around the electric bulb, making the shadows move and change on the yellow mat below. For a moment he pushed aside the thought of money. From time to time the dark water beside them rippled audibly, as if a tiny fish had come to the surface for an instant and then darted beneath. It was in peaceful moments such as this, his father had said, that men were given to know just a little of what paradise was like, so that they might yearn for it with all their soul,and strive during their time on earth to be worthy of going there. — Paul Bowles

I see the eight of us in the Annex as if we were a patch of blue sky surrounded by menacing black clouds. The perfectly round spot on which we're standing is still safe, but the clouds are moving in on us, and the ring between us and the approaching danger is being pulled tighter and tighter. We're surrounded by darkness and danger, and in our desperate search for a way out we keep bumping into each other. We look at the fighting down below and the peace and beauty up above. In the meantime, we've been cut off by the dark mass of clouds, so that we can go neither up nor down. It looms before us like an impenetrable wall, trying to crush us, but not yet able to. I can only cry out and implore, Oh, ring, ring, open wide and let us out! — Anne Frank