Quotes & Sayings About The Craft Of Writing

There is an underlying rhythm to all text. Sentences crashing fall like the waves of the sea, and work unconsciously on the reader. Punctuation is the music of language. As a conductor can influence the experience of the song by manipulating its rhythm, so can punctuation influence the reading experience, bring out the best (or worst) in a text. By controlling the speed of a text, punctuation dictates how it should be read. A delicate world of punctuation lives just beneath the surface of your work, like a world of microorganisms living in a pond. They are missed by the naked eye, but if you use a microscope you will find a exist, and that the pond is, in fact, teeming with life. This book will teach you to become sensitive to this habitat. The more you do, the greater the likelihood of your crafting a finer work in every respect. Conversely the more you turn a blind eye, the greater the likelihood of your creating a cacophonous text and of your being misread. — Noah Lukeman

No writing is effortless. I'm not saying you can't have a good day where the words just kind of flow, but even those words have to be edited. Probably more than once. And I'm not saying a character hasn't somehow gone in a different direction that I wanted her to go, but that was me, not her. I let her get away from me. I let her roam free and nine times out of ten, the result is not good. I have to go back and start over because she veered off the path of my book. She changed the vision. And I did that. Not her. — Darynda Jones

What I would say is this: writing poems doesn't make you a poet. ... It is only with poetry, for some reason, that everyone wants to believe they can try their hand at it once in a while and be considered, can call themselves a poet. ... . It's a craft. It's an art. It's a skill. It is not therapy, and it is not compensation for terrible things in one's life. It is a thing in itself. You devote yourself to being an instrument of it, or you wander forever in the belief that it is a form of "self-expression." ... And I explained very clearly my opinion of what I think a poet, an artist is. Someone who puts this thing first. — Franz Wright

Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class. — Ursula K. Le Guin

I write into an old book that smells of dust and whose pages are floppy with damp. Sometimes the ink splodges onto the paper, other times it will barely leave the nib of my pen. — Fennel Hudson

This book is written for the professional writer who is making a living, but just barely. It is also for the aspiring writer who is looking for a niche. And for all the writers-in-between who would like to get paid well for writing. Entering the world of corporate communications is not selling out - it is an opportunity to sharpen your skills, practice your craft, and pay the rent, all at the same time! — Mary Moreno

I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day. — Ernest Hemingway,

Today is the day that you create worlds, you change lives, you make a something, a someone, out of nothing.
Today is the day you become a writer. — Alessandra Torre

I think that, in principle, a workshop is such a beautiful idea - an environment in which writers who are collectively apprenticed to the craft of writing can come together in order to collectively improve. — Eleanor Catton

A dear and long-time friend, ... asked me, "Jack, how long does it usually take you to write a book?" I replied, "Of course it depends on the project and its requirements, each book has its own rules. But for a statement to the world at large, once I've thought a book through and written it in my mind, it takes me around a week or so, depending on this and that, ordinarily at the rate of a chapter a day, but I've had some two-chapters day and some chapters have taken two days. And then of course there is revision, but around a week is about right." He seemed surprised, and I was surprised by his surprise, so I thought, maybe I'm wrong. I went home and wrote this book, at the perfectly normal pace of a chapter a day, as usual ... — Jacob Neusner

Imaginative writing has always been a solitary and indeed a somewhat antisocial activity. Apprenticeship existed, no doubt, but it was an apprenticeship to books and not to living masters of the craft. — Madison Smartt Bell

The more time you can put between you and your manuscript, the more fresh your eyes become and the more mistakes you'll catch. Let a chapter rest for a day, you'll see ways to improve it. Let your completed book rest a month or more and you'll see stuff that's long or that you want to skip. Read it out loud to get rid of awkward phrases and listen to your critique partners if they are good. — Dan Alatorre

The best ending ever, for a science fiction book - or any novel, now that I think about it - was in Rendezvous With Rama. You know that you're at the end of the book and yet, there is no resolution. Then he hits you with those last six words. Better yet, the power is in the very last word. Wow! — John Gaver

Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that's the whole art and joy of words. — C.S. Lewis

I read not so long ago about the construction of a large telescope in Chile's Atacama Desert, where rainfall can average a millimetre a year and the air is fifty times as dry as the air in Death Valley. Needless to say, skies over the Atacama are pristine. The pilgrim astronomer ventures to the earth's ravaged reaches in order to peer more keenly at other worlds, and I suppose the novelist is up to something similar. — Brad Leithauser

I danced before I wrote. Everything my mentor, Marjorie Mussman, teaches about movement -- creating focus, taking chances, making an unequivocal statement -- is beautifully applicable to the craft of writing. — Jane F. Kotapish

I am writing in the garden. To write as one should of a garden one must write not outside it or merely somewhere near it, but in the garden. — Frances Hodgson Burnett

Good writing is true writing. If a man is making a story up it will be true in proportion to the amount of knowledge of life that he has and how conscientious he is; so that when he makes something up it is as it would truly be. — Ernest Hemingway,

The outright propagandist sets up in me such a fury of opposition I am not apt to care much whether he has got his facts straight or not. He is like someone standing on your toes between you and an open window, describing the view to you. All I ask of him to do is to open the window, stand out of the way, and let me look at the view for myself. — Katherine Anne Porter

A really well-done first draft of a book bares your soul. The purpose of revision is so that everyone who reads the published version believes you were writing about theirs. — James A. Owen

All writers pen sad stories to garner sympathy, writing is after all for the abandoned of the society: the ink-leech, spewing black blood and sucking innocent souls. — Aporva Kala

I never really feel that I'm stuck. I actually think that people are never stuck, there's no such thing as writers block, I think that theres terror that can silence you. But if you can think of it as a dynamic thing I mean a writers block, it's a paralysis an immobility and the thing that has immobilized you is a very powerful force. Immobility is itself an act, it's a choice. It can sometimes take as much energy to remain immobile as it does to be mobile. And if you think of it in a dynamic way then it'd freeze you from the sense that at some point your talent will simply abandon you and you're just a vacant shell with nothing to say, I don't think that ever really happens. But I think that terror, bad experience, trauma and so on can absolutely silence you. — Tony Kushner

With so many young playwrights, the true craft of writing for living voices is not what it used to be. They write for attention spans of 10 minutes between adverts. — Athol Fugard

An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to
and indeed cannot
capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of
from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling
and the immense majority of book-buyers out there actively decline to read them. — Thomas McCormack

Whenever I listen to an artist or an art historian I'm struck by how much they see and how much they know--and how much I don't.

Good art writing should therefore do at least two things. It should teach us how to look: at art, architecture, sculpture, photography and all the other visual components of our daily landscape. And it should give us the information we need to understand what we're looking at. — William Zinsser

Writing fiction, especially a long work of fiction can be difficult, lonely job; it's like crossing the Atlantic Ocean in a bathtub. There's plenty of opportunity for self-doubt. — Stephen King

Songwriting is a craft. Writing good songs on a a consistent basis doesn not happen spontaneously. In fact, most of our best songwriters learned to write good songs by writing a lot of not so good ones. Education matters in songwriting, just as it matters for physicists, chemists, doctors, lawyers and MBAs. Education lays the foundataion on which to build experience. — Michael Kosser

I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect. — George R R Martin

The reader is someone with an attention span of about 30 seconds. — William Zinsser

Let us not neglect the forbidden. Let us not sophisticate ourselves out of the cheap thrill and chill of it: the story told for perversity's sake, and all the better for that; the image created because an artist gets tired of reasons sometimes, and wants to dredge up some picture he's been haunted by, and parade it like a new tattoo. I go with it, readily. — Clive Barker

To my mind, the most important thing in any form of fiction is the human element, but only if it takes us beyond the everyday, into situations that examine the complexities that may fascinate or puzzle us. To dwell on the mundane as some kind of a writing exeercise is useless. — Graham Worthington

Now, I know what you're thinking: Isn't this the guy who said, "Beer is proof that God loves us and wants us to be happy"? Well, not exactly. This quote has been somewhat paraphrased and hijacked by many of our nation's craft breweries, and rightly so. It may be revisionist writing, but I for one am okay with it. What Franklin did write was, "Behold the rain which descends from heaven upon our vineyards, there it enters the roots of the vines, to be changed into wine, a constant proof that God loves us, and loves to see us happy." Beer, wine . . . come on. Six of one, etcetera. He also coined the euphemism for drunkenness "Halfway to Concord," which tickles me to no end. That, my friends, is fun with words. — Nick Offerman

The craft of writing is the art of penetrating other minds with the figures that are in your own mind. — John Steinbeck

Writing is far too hard work to say what someone else wants me to. Serving it as a craft, using it as a way of growing in my own understanding, seems to me to be a beautiful way to live. And if that product is shareable with other people, so much the better. — Jane Rule

The blazing fire makes flames and brightness out of everything thrown into it. — Marcus Aurelius

The object of storytelling, like the object of magic, is not to explain or to resolve, but rather to create and to perform miracles of the imagination. To extend the boundaries of the mysterious. To push into the unknown in pursuit of still other unknowns. To reach into one's heart, down into that place where the stories are, bringing up the mystery of oneself. — Tim O'Brien

There will be pages. Lots and lots of pages. Most of the pages will have letters on them, and a vast majority of these letters will be in the Roman alphabet. — Aaron Allston

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

Concentrate on sharpening your memory and peeling your sensibility. Cut every page you write by at least one third. Stop constructing those piffling little similes of yours. Work out what it is you want to say. Then say it in the most direct and vigorous way you can. Eat meat. Drink blook. Give up your social life and don't think you can have friends. Rise in the quiet hours of the night and prick your fingertips and use the blood for ink; that will cure you of persiflage! — Hilary Mantel

I very much write from characters. Those people start speaking, and then I have them in the house with me and I live with them. Then at some point, it's time to get them out of the house. You can only live with someone like Dr. Georgeous Teitelbaum from THE SISTERS ROSENSWEIG for so long, and then it's time for her to go. But it is very like having the company of these people and trying to craft them in some way into a story. — Wendy Wasserstein

If you start to revise before you've reached the end, you're likely to begin dawdling with the revisions and putting off the difficult task of writing. — Pearl S. Buck

The craft of writing is all the stuff that you can learn through school; go to workshops and read books. Learn characterization, plot and dialogue and pacing and word choice and point of view. Then there's also the art of it which is sort of the unknown, the inspiration, the stuff that is noncerebral. — Garth Stein

I have even taught classes on writing about sex, and I've looked closely at different writers' sex scenes. On the level of craft I've given it a lot of thought. The pitfalls are simple: It can sound clinical or medical, which isn't right, or pornographic, because the characters disappear. — K.M. Soehnlein

As a songwriter, I try not to be sloppy; same with the music. You can be very lean, very efficient, so you're not wasting a lot of time getting' to the point. You're saying it with as pure a word or phrase as you can. That's the part that was craft. You refine and refine and refine. Maybe that's why the songs still hang on, because they're very pure. For one thing, they're very short. "Bad Moon Rising" is like 2 minutes and 12 seconds. I would try to do everything as quickly and with as little extra as possible. It was a challenge. — John Fogerty

Bulldogs are wonderful creatures to include in books. Besides their adorable bulldogishness, they provide the writer with a rare chance to use forms of the verb snuffle. — Rachelle McCalla

For the vision of a novelist is both complex and specialised; complex, because behind his characters and apart from them must stand something stable to which he relates them; specialised because since he is a single person with one sensibility the aspects of life in which he can believe with conviction are strictly limited — Virginia Woolf

But we [writers] are crucial. That is what I hope you have learned. We listen for and collect and share stories. Without stories there is no nation and no religion and no culture. Without stories of bone and substance and comedy there is only a river of lies, and sweet and delicious ones they are, too. We are the gatherers, the shepherds, the farmers of stories. We wander widely and look for them and gather them and harvest them and share them as food. It is a craft as necessary and nutritious as any other, and if you are going to be good at it you must double your humility and triple your curiosity and quadruple your ability to listen. — Brian Doyle

The best writers I've read possess oodles of self-doubt, yet claw their way up with each work and remain humble. Boastful ones, not so much. — Don Roff

And doesn't a writer do the same thing? Isn't she knitting together scraps of dreams? She hunts down the most vivid details and links them in sequences that will let a reader see, smell, and hear a world that seems complete in itself; she builds a stage set and painstakingly hides all the struts and wires and nail holes, then stands back and hopes whoever might come to see it will believe. — Anthony Doerr

When will someone write from the point of view of a joke, that is to say the
way God sees events from above? — Gustave Flaubert

Meredith,' interposed Celia, 'makes one of his women, Emilia in England, say that poetry is like talking on tiptoe; like animals in cages, always going to one end and back again. — Harold Frederic

As you write your novel, you gradually start thinking like some of your characters in it. And at times the writer may lose himself completely in some character. — Avijeet Das

If a pen can communicate our thoughts, dreams, and emotions and be the voice of our soul, then ink is the medium that carries the message. — Fennel Hudson

Don't over edit. Don't second-guess yourself, or your ideas. Just write. Write every day, and keep at it. Don't get discouraged with the rejections. Tape them up on your office wall, to remind you of all the hard work you put in when you finally start getting published! It's all about persistence and passion. And have fun with it. Don't forget to have fun. — Heather Grace Stewart

Movies and television may be influencing writers to write more visually, using immediate scenes with specific points of view to put their stories across. But fiction can always accomplish something that visual media will never be able to match.
...
One of the great gifts of literature is that it allows for the expression of unexpressed thoughts: interior monologue. — Renni Browne

I don't know if you have had the same experience, but the snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it. — P.G. Wodehouse

Remember ...
Keystrokes are hammer taps. Get words on paper. Don't worry about connections, character or plot. Work for an hour. Promise yourself an hour. Do nothing else but move your fingers. Make coarse shapes. Follow any emotion that pops up but never impose emotion, never fake it, and don't make up your mind or your heart ahead of time. Understand you don't know what you're doing. That's why you're here. Rough it out. Anything goes. You can decide later what any piece of text looks like, what it might mean. Don't stop. Don't question. Don't quit. Don't stop to read what you wrote. Move your fingers. You mind will have no other option but to keep up. Remember that writer's block is merely the cold marble waiting for the chisel to heat up. — Bob Thurber

Stories that pander to your every readerly desire and whim are like overly loyal dogs that live for the simple glow of your approval. I'm a cat person. I like a little aloofness in my pets and my writing. — Alden Bell

Read and write with a sensitive ear. The craft of writing is very important. Practice the craft. — Henry Petroski

I've learned that the creative life may or may not be the apex of human civilization, but either way it's not what I thought it was. It doesn't make you special and sparkly. You don't have to walk alone. You can work in an office - I've worked in offices for the past 15 years and written five novels while doing it. The creative life is forgiving: You can betray it all you want, again and again, and no matter how many times you do, it will always take you back. — Lev Grossman

In the minds of some people, writing is one thing, but thinking is quite another. If they define writing as spelling, the production of sentences with random meanings, and punctuation, then they might have a case. But who would accept such a definition? Writing is the production of meaning. Writing is thinking. — George Hillocks Jr.

What a crippling art writing is, no body to it, no craft, really. It's all in the mind and you never see it or feel it
only sometimes hear it. It uses only such a small part of man. I wish I were a sculptor. — Anne Morrow Lindbergh

One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first wanted to be a writer? Eight or ten years old, reading about thin-lipped heroes flying over mysterious viny jungles toward untold wonders? That's what you wanted to write about, about what you didn't know. So. What mysterious time and place don't we know?
[Remember This: Write What You Don't Know (New York Times Book Review, December 31, 1989)] — Ken Kesey

Many times, what people call 'writer's block' is the confusion that happens when a writer has a great idea, but their writing skill is not up to the task of putting that idea down on paper. I think that learning the craft of writing is critical. — Pearl Cleage

I am forever an advocate of books, both the reading of them and the writing. There is something sacred to me in that community. Because writing
and reading
is a solitary business. And it's good to know I'm not alone. — Shannon Celebi

The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno or the cheaper sort of sci-fi - though it is true that what holds for the most serious kind of fiction will generally hold for junk fiction as well. (Not everyone is capable of writing junk fiction: It requires an authentic junk mind. Most creative-writing teachers have had the experience of occasionally helping to produce, by accident, a pornographer. The most elegant techniques in the world, filtered through a junk mind, become elegant junk techniques.) — John Gardner

The day when on the cover of my books, my name will appear in bigger fond than the title of my book- I will stop writing because that would be the death of the writer in me. — Kirtida Gautam

Delayed gratification hints that something terrible is going to happen, and then delays the resolution.

It's that interval between the promise of something awful and it actually happening, where suspense resides. — Sandy Vaile

All of us possess a reading vocabulary as big as a lake but draw from a writing vocabulary as small as a pond. The good news is that the acts of searching and gathering always expand the number of usable words. — Roy Peter Clark

God, Himself, wrote the 10 into stone with his own finger. He told the epic of mankind, our origins and our future, in a book. For me, there is no more noble a cause and no more honorable a vocation than to say, like Him, I am a writer. — Gerard De Marigny

What draws us into a story and keeps us there is the firing of our dopamine neurons, signaling that intriguing information is on the way. — Lisa Cron

A good writer reveals beauty in the mundane and truth in tragedy. Words are a tool; a currency of the mind, and the best writers weave passages into our hearts that our bones remember. — Maria Reeves

Sometimes, I'll craft a scene that's so poignant; on the last keystroke I'll raise my hands high overhead and scream "Yes!" at the top of my lungs. I have yet to experience an orgasm so powerful and fulfilling. — Max Hawthorne

When I started to learn how to read, I discovered the same kind of power. I could create an environment that I didn't have, and I could order this environment in the way that I couldn't in my actual life. Then, when I learned to write, I learned that I could do this not only for myself, but for other people. I could create whole things that were believable, at least to myself, at that point. And in this way, I began to wield an authority and a power that I had not had before. In other words, every child goes through this. Some pick football and some pick the library. I picked the library. — Donald Richie

In the book (Savvy Stories) you see some very real, very personal moments. The first week of Savvy's life was the longest week of ours. We spent five days in the NICU (Neonatal Intensive Care Unit) worrying that our newborn daughter might die. It was touch and go for a while, and it was extremely difficult to write about. Chapter two gets a lot of people crying. But because we put that honesty out there, readers said "Okay, I can trust this guy." Then they were better able to laugh with us, too. — Dan Alatorre

Life has a vendetta against writers. It does everything in it's power to get in the way of our craft. Maybe it thinks we embellish too much? — Hannah Harding

Every once in a bestseller list, you come across a truly exceptional craftsman, a wordsmith so adept at cutting, shaping, and honing strings of words that you find yourself holding your breath while those words pass from page to eye to brain. You know the feeling: you inhale, hold it, then slowly let it out, like one about to take down a bull moose with a Winchester .30-06. You force your mind to the task, scope out the area, take penetrating aim, and ... read.
But instead of dropping the quarry, you find you've become the hunted, the target. The projectile has somehow boomeranged and with its heat-sensing abilities (you have raised a sweat) darts straight towards you. Duck! And turn the page lest it drill between your eyes. — Chila Woychik

I am often told that the model of balance for the novelist should be Dante, who divided his territory up pretty evenly between hell, purgatory, and paradise. There can be no objection to this, but also there can be no reason to assume that the result of doing it in these times will give us the balanced picture it gave in Dante's. Dante lived in the thirteenth century, when that balance was achieved by the faith of his age. We live now in an age which doubts both fact and value, which is swept this way and that by momentary convictions. Instead of reflecting a balance from the world around him, the novelist now has to achieve one from a felt balance inside himself. — Flannery O'Connor

You spend most of your life working and trying to hone your craft, working on your chops, working on your writing, and you don't really think about accolades. Then you get a bit older and they start coming your way. It's a nice pat on the back. — Geddy Lee

Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis's comments on them, and burned them. — A.S. Byatt

The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me. — PJ Harvey

This is the same establishment that all those who want, or rather aspire to, to be literary figures of the century, artists, painters and sculptors want acceptance from and approval. They want to be looked up to. Young and upcoming poets must approach their craft with an almost angelic perspective. So many writers are missing a condensed fusion in their writing, they condescend to their audience, the truth is not spoken in their work, they gabble, their words seem to make a hot fuss on the page. What do they gain? They gain this, simply nothing. Poets must assemble and present their work accordingly to how they see fit and should be careful of advice from other writers and editors. Sometimes there can be too much going on in the words that are meant to be given with the best of intentions. — Abigail George

Inspiration comes from your writing. Thoughts meander subliminally through our subconscious, at night when we sleep the brain is working. In the act of writing, phrases come out and you think: wow, did I write this? Did I have that insight? Sometimes you know something is good, good within your own limits, and those parts make life worth living. — Chloe Thurlow

A successful story always offers its audience more than a simple resolution of events. A story offers a dramatic affirmation of human needs that are acted out to resolution and fulfillment. Even when that resolution and fulfillment are dark, the journey can still be vivid, potent and illuminating. — Bill Johnson

Sometimes when one cannot stand the story or novel one
is working on, it helps to write something else - a different
story or novel, or essays venting one's favorite peeves, or exercises
aimed at passing the time and incidentally polishing up
one's craft. The best way in the world for breaking a writer's
block is to write a lot. Jabbering away on paper, one gets
tricked into feeling interested, all at once, in something one is
saying, and behold, the magic waters are flowing again. Often
it helps to work on a journal, since that allows the writer to
write about those things that most interest him, yet frees him
of the pressure of achievement and encourages him to develop
a more natural, more personal style. — John Gardner

For my students who are trying to learn the craft of writing in a writing class - contemporary literature is what's most useful. — Alan Lightman

You can swap the message around, and whatever the particular norm is, or whatever the particular message is, when you put your pet-peeve message before story, odds are you are going to bore the shit out of your reader. — Larry Correia

Writing is a job, a craft, and you learn it by trying to write every day and by facing the page with humility and gall. And you have to love to read books, all kinds of books, good books. You are not looking for anything in particular; you are just letting stuff seep in. — Stephen Dobyns

The best advice I can give to any aspiring author is to write every single day. Work at the craft of writing. Take it seriously. — Andrea Davis Pinkney

The root difficulty in all cases was the state of being blind and deaf to words
not seeing the words for the prose. Being adults, they had forgotten what every child understands, which is giving and taking a meaning is not automatic and inevitable — Jacques Barzun

Doing it all the time, whether or not we are in the mood, gives us ownership of our writing ability. It takes it out of the realm of conjuring where we stand on the rock of isolation, begging the winds for inspiration, and it makes it something as do-able as picking up a hammer and pounding a nail. Writing may be an art, but it is certainly a craft. It is a simple and workable thing that can be as steady and reliable as a chore - does that ruin the romance? — Julia Cameron

I always tell my writing students that every good piece of writing begins with both a mystery and a love story. And that every single sentence must be a poem. And that economy is the key to all good writing. And that every character has to have a secret. — Silas House

You can't just come out and say what you have to say. That's what people do on airplanes, when a man plops down next to you in the aisle seat of your flight to New York, spills peanuts all over the place (back when the cheapskate airlines at least gave you peanuts), and tells you about what his boss did to him the day before. You know how your eyes glaze over when you hear a story like that? That's because of the way he's telling his story. You need a good way to tell your story. — Adair Lara

I try to be aware of what I'm concerned about, aware of how I feel about myself in the world, aware of how I feel about the issues of the day, but I guess I don't want to write essays in my head about my craft and maybe it's because I teach and talk about craft of other writers as a reader. I feel the moment I start doing that is when it's going to kill me. — Chang-rae Lee

You know, I always say musicians, they can do it on their own. They can practice their violin on their own. A painter can paint by himself. A writer can write by himself. But an actor needs a group, and the hardest thing about expanding your ability and your craft is to have a group to do it with that is of a caliber where you can grow even more. — Anne Archer

In Edmund Gosse, Agnes Smedley, Geoffrey Wolff, we have a set of memoirists whose work records a steadily changing idea of the emergent self. But for each of them a flash of insight illuminating that idea grew out of the struggle to clarify one's own formative experience; and in each case the strength and beauty of the writing lie in the power of concentration with which this insight is pursued, and made to become the the writer's organizing principle. That principle at work is what makes a memoir literature rather than testament. — Vivian Gornick

However great a man's natural talent may be, the act of writing cannot be learned all at once. — Jean-Jacques Rousseau

Comparisons deplete the actuality of the things compared ... ("Conveyance: The Story I would Not Want Bill Wilson To Read") — William S. Wilson

Every writer should know their target. Aim for the heart ~ hit that and all which follows is sheer ecstasy. — Muse

Invisible prose only!" rules out the sparkling style of [writers] ... For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood. — Diane Ackerman