Quotes & Sayings About The Body As Art

When a man devotes himself body and spirit to a single object, if he has training and aptitude, no matter how mediocre he may be in ordinary affairs, he will produce something so nearly akin to a work of genius as to deceive half the judges who think themselves competent to decide between genius and talent.
("The Phantom Model") — Hume Nisbet

She wanted to say, I am made of smoke. My mind is smoke, my thoughts are smoke, I am all smoke and only smoke. This body is a garment I put on, which by my magic art I have made capable of functioning as a human body functions, it's so biologically perfect that it can conceive children and pop them out in threes, fours and fives. Yet I am not of this body and could, if I chose, inhabit another woman, or an antelope, or a gnat. Aristotle was wrong, for I have lived for aeons, and altered by body when I chose, like a garment of which I had grown tired. The mind and the body are two, she wanted to say, but she knew it would disappoint him to be disagreed with, so she held her tongue. — Salman Rushdie

Every art communicates because it expresses. It enables us to share vividly and deeply in meanings ... For communication is not announcing things ... Communication is the process of creating participation, of making common what had been isolated and singular ... the conveyance of meaning gives body and definiteness to the experience of the one who utters as well as to that of those who listen. — John Dewey

The noblest art is the nude. This truth is recognized by all, and followed by painters, sculptors and poets. Only the dancer has forgotten it, who should remember it, as the instrument of [the dance] art is the human body itself. — Isadora Duncan

There is something about the act of studying an unclothed body, as an artist does, that allows a person to appreciate it as pure form, regardless of the kinds of traits traditionally regarded as imperfections. In a figure drawing class, an obese woman's folds of flesh take on a kind of beauty. You can look at a man's shrunken chest or legs or buttocks with tenderness. Age is not ugly, just poignant. — Joyce Maynard

Honesty in art inspires and moves me. I am passionate about creating truthful experiences as much as I love being the spectator to a brilliant body of work. — Crystal Reed

A cardinal principle of good fiction [is]: the theme and the plot of a novel must be integrated - as thoroughly integrated as mind and body or thought and action in a rational view of man. — Ayn Rand

With Gnaw I was thinking about traditional sculpture, about carving. I was also interested in figurative sculpture. I put those two ideas together and decided that rather than describing the body, I would use the body, my body, as a tool for making art. — Janine Antoni

I had spent all the years I had been in Lo-Melkhiin's body giving power to men who I thought would use it in ways that might serve me. I had given them great art and great thoughts, and they never guessed that they fed a terrible hunger in me that would require feeding until they died trying to sate it. They had done great things and made great tales, but I had been blind. All of this time, I had had access to more power than I had imagined, and I had missed it because I saw with men's eyes. I had forgotten the girls who scrubbed the floors and spun the yarn. I had forgotten the women who dyed the cloth and worked with henna. I had married three hundred girls, and as much as eaten them all before they were done cooking. — E.K. Johnston

It was as though Cutflower was so glad to be alive that he never lived. Every moment was vivid, a coloured thing, a trill or a crackle of words in the air. Who could imagine, while Cutflower was around, that there were such vulgar monsters as death, birth, love, art and pain around the corner? It was too embarrassing to contemplate. If Cutflower knew of them he kept it secret. Over their gaping and sepulchral deeps he skimmed now here, now there, in his private canoe, changing his course with a flick of his paddle when death's black whale, or the red squid of passion, lifted for a moment its body from the brine. — Mervyn Peake

I would rather have as my patron a host of anonymous citizens digging into their own pockets for the price of a book or a magazine than a small body of enlightened and responsible men administering public funds. I would rather chance my personal vision of truth striking home here and there in the chaos of publication that exists than attempt to filter it through a few sets of official, honorably public-spirited scruples. — John Updike

Nostalgia was diagnosed [as a medical illness] at a time when art and science had not yet entirely severed their umbilical ties and when the mind and body internal and external well-being were treated together...Our progeny well might poeticize depression and see it as a global atmospheric condition, immune to treatment with Prozac. — Svetlana Boym

Many a sin has sullied me in body and in soul because I did not restrain my thoughts nor guard my lips: nevertheless it is to Thee, O God of majesty and love, that I turn in my extremity, for Thou art the fount of mercy; to Thee, as quickly as I may, I speed: for Thou alone canst heal me; I take refuge under Thy protection. — Saint Ambrose

And to celebrate I will create a series of masterpieces showing how wrong-headed and primitive you and your ideologies are, and it is this that will pave the way to the new truth! As the artist, everyone will pay attention to me, while without a body of art to speak for you... no one will ever even remember your name!" Monsters 101, Book Ten: Class Dismissed — Muhammad Rasheed

Music and dance. What I have written must surely suggest a people cursed by Heaven,... No people on earth, I am persuaded, loves music so well, nor dance, nor oratory, though the music falls strangely on my ears... More than once I have been at Mr. Treacy's when at close of dinner, some traveling harper would be called in, blind as often as not, his fingernails kept long and the mysteries of his art hidden in their horny ridges. The music would come to us with the sadness of a lost world, each note a messenger sent wandering among the Waterford goblets. Riding home late at night, past tavern or alehouse, I would hear harps and violins, thudding feet rising to a frenzy. I have seen them dancing at evening on fairdays, in meadows decreed by custom for such purposes, their bodies swift-moving, and their faces impassive but bright-eyed, intent. I have watched them in silence, reins held loosely in my hand, and have marveled at the stillness of my own body, my shoulders rigid and heavy. — Thomas Flanagan

Perhaps we might, within the anatomy of our imaginations, think once more of the naked body as a vessel of grace, taste and wonder. In the spotted history of art, stranger things have happened. — Robert Genn

Sin! Sin! Thou art a hateful and horrible thing, that abominable thing which God hates. And what wonder? Thou hast insulted His holy majesty; thou hast bereaved Him of beloved children; thou hast crucified the Son of His infinite love; thou hast vexed His gracious Spirit; thou hast defied His power; thou hast despised His grace; and in the body and blood of Jesus, as if that were a common thing, thou hast trodden under foot His matchless mercy. Surely, brethren, the wonder of wonders is, that sin is not that abominable thing which we also hate. — Thomas Guthrie

All my life I have refused to be for or against parties, for or against nations, for or against people. I never seek novelty or the eccentric; I do not go from land to land to contrast civilizations. I seek only, wherever I go, for symbols of greatness, and as I have already said, they may be found in the eyes of a child, in the movement of a gladiator, in the heart of a gypsy, in twilight in Ireland or in moonrise over the deserts. To hold the spirit of greatness is in my mind what the world was created for. The human body is beautiful as this spirit shines through, and art is great as it translates and embodies this spirit. — Robert Henri

Oments of transport, and of comfort, and of a bracing vastness of possibility. That was all there for me sometimes when I plunged my mind into the Bible's puzzles; and it was always there in the music of church. I wouldn't have said it this way then. But I would feel all the cells in my body as I sang hymns that connected my little life with the grandeur of the cosmos, the Christian drama across space and time. This was my earliest experience of breath and body, mind and spirit soaring together, alive to both mystery and reality, in kinship with others both familiar and unknown. That's one way I'd define the feeling of faith now. — Krista Tippett

Margaret Miles offers a stunning treatment of human experience, coaxing humans to leave dualisms behind and embrace our intelligent bodies. In a foundational text, she draws on the arts, philosophy and theology, and her experience as a hospice volunteer to explore concrete alternatives to privileging the rational mind. Her erudition, wisdom, and graceful writing are compelling proof of the intelligent body. — Mary E. Hunt

As the eye of the body once put out, can never be restored by the creature's art, so neither can the spiritual eye lost by Adam's sin be restored by the teaching of men or angels. It is one of the diseases which Christ came to cure. — William Gurnall

When we experience moments of ecstasy-in play, in art, in sex-they come not as an exception, an accident, but as a taste of what life is meant to be ... Ecstasy is an idea, a goal, but it can be the expectation of every day. Those times when we're grounded in our body, pure in our heart, clear in our mind, rooted in our soul, and suffused with the energy, the spirit of life, are our birthright. It's really not that hard to stop and luxuriate in the joy and wonder of being. Children do it all the time. It's a natural human gift that should be at the heart of our lives. — Gabrielle Roth

Philosophically considered, the universe is composed of Nature and the Soul. Strictly speaking, therefore, all that is separate from us, all which Philosophy distinguishes as the 'Not Me,' that is, both nature and art, all other men and my own body, must be ranked under this name, 'Nature.' — Ralph Waldo Emerson

Being a former dancer, classical dancer, it informed me as a human being just in terms of the grace I guess. Ballet is a very graceful form of art. You also become very aware of your body and your mind and your body is working in conjunction. That kind of helps you in acting as well. It's not only using your mind, it's like making your mind communicate this character into your body so that you can bring it to life and physicalize it. — Zoe Saldana

Why don't you tremble?"
"I'm not cold."
"Why don't you turn pale?"
"I am not sick."
"Why don't you consult my art?"
"I'm not silly.
The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately
"You are cold; you are sick; and you are silly."
"Prove it," I rejoined.
"I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you. — Charlotte Bronte

As an artist, I think you always have to take care of yourself as a person probably even more than the average person because your body is so important to your art. — Josh Young

Pythagoras said that the most divine art was that of healing. And if the healing art is most divine, it must occupy itself with the soul as well as with the body; for no creature can be sound so long as the higher part in it is sickly. — Apollonius Of Tyana

Lovemaking is the consolation for living in the body, just as art is the consolation for living in the world. — Laura Argiri

Punishment of a less immediately physical kind, a certain discretion in the art of inflicting pain, a combination of more subtle, more subdued sufferings, deprived of their visible display, should not all this be treated as a special case, an incidental effect of deeper changes? And yet the fact remains that a few decades saw the disappearance of the tortured, dismembered, amputated body, symbolically branded on face or shoulder, exposed alive or dead to public view. The body as the major target of penal repression disappeared. By — Michel Foucault

Good-breeding is not confined to externals, much less to any particular dress or attitude of the body; it is the art of pleasing, or contributing as much as possible to the ease and happiness of those with whom you converse. — Henry Fielding

To begin with, I hold that there is never an end; everything of which our life is composed, pictures and books as much as anything else, is a means only, in the sense that the work of art exists in the body of the movement of life. It may be a strong factor of progress and direction, but we cannot say that it is the end or reason of things, for it is so much implicated with them ; and when we are speaking of art we suddenly find that we are talking of life all the time. — Wyndham Lewis

We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. You're taking these random rock formations and you're bringing to it this interaction. It transforms it from being this random rock into almost this piece of art. It's almost like a sculpture or something. Just by finding the handholds, finding that line up the rock. Every climb is different, has its own unique set of movements and body positions. Climbing and my appreciation for nature are totally intertwined. — Chris Sharma

The tea-masters held that real appreciation of art is only possible to those who make of it a living influence. Thus they sought to regulate their daily life by the high standard of refinement which obtained in the tea-room. In all circumstances serenity of mind should be maintained, and conversation should be conducted as never to mar the harmony of the surroundings. The cut and color of the dress, the poise of the body, and the manner of walking could all be made expressions of artistic personality. These were matters not to be lightly ignored, for until one has made himself beautiful he has no right to approach beauty. Thus the tea-master strove to be something more than the artist, - art itself. — Okakura Kakuzo

Merleau-Ponty's painting inhabits the same rhetoric as early cinema: it makes the invisible visible, or rather it makes visibility visible; it forms from the thresholds of the visible and invisible world, an order, mode, or aesthetic of visuality. Not only of the small or fast, but of visibility as such. The visuality of the visible and the invisible is found in the mixture of the body and its world, of your body and your world, all your worlds, all your bodies in this world and all those others. Painting is the process by which the visuality of the visible and invisible is made manifest: "Painting mixes up all our categories in laying out its oneiric universe of carnal essences, of effective likenesses, of mute meanings." Each painting is a universal archive, a picture of the universe, a universal image - and like a dream. — Akira Mizuta Lippit

My focus on silence is to be understood as an intrinsic part of the body's search for meaning amongst the noisy assaults of everyday life ... What quilts have brought to the viewing of art generally is this intervening layer of silence, of collected thought and concerted attention. — Radka Donnell

For by Art is created that great LEVIATHAN called a COMMON-WEALTH, or STATE, (in latine CIVITAS) which is but an Artificiall Man; though of greater stature and strength than the Naturall, for whose protection and defence it was intended; and in which, the Soveraignty is an Artificiall Soul, as giving life and motion to the whole body; — Thomas Hobbes

These people have all developed the art of not experiencing feelings, for a child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother's love or the love of her substitute in order to feel, then she will repress her emotions. She cannot even experience them secretly, "just for herself"; she will fail to experience them at all. But they will nevertheless stay in her body, in her cells, stored up as information that can be triggered by a later event. — Alice Miller

As actors and actresses, we must rejoice in the possession of our physical faculties. We must experience joy in the use of our hands, arms, body etc. Without this appreciation and realization of the body and its many possibilities, we cannot perform as artists
You should feel a flow of joy because you are alive. Your body will feel full of life. That is what you must give from the stage. Your life. No less. That is art: to give all you have. And what have you? Your life-nothing more. And to give life means to feel life throughout your whole being. — Michael Chekhov

I was ignorant in the art of seduction and had always chosen my brides for a night at random, more for their price than their charms, and we had made love without love, half-dressed most of the time and always in the dark so we could imagine ourselves as better than we were. That night I discovered the improbable pleasure of contemplating the body of a sleeping woman without the urgencies of desire or the obstacles of modesty. — Gabriel Garcia Marquez

Long before art and science and philosophy arose, consciousness had but one function: not to merely implement motor commands, but to mediate between commands in opposition. In a submerged body starving for air, it's difficult to imagine two imperatives more opposed than the need to breathe and the need to hold your breath. As one Prismatic told me, Put yourself in one of those things, and tell me you aren't more intensely conscious than you've ever been in your life. — Peter Watts

The end of the republic is to enervate and to weaken all other bodies so as to increase its own body. — Niccolo Machiavelli

This deliberately nurtured hatred then spreads to all that is alive, to life itself, to the world with its colors, sounds, and shapes, to the human body. The embittered art of the twentieth century is perishing as a result of this ugly hate, for art is fruitless without love. In the East art has collapsed because it has been knocked down and trampled upon, but in the West the fall has been voluntary, a decline into a contrived and pretentious quest where the artist, instead of attempting to reveal the divine plan, tries to put himself in the place of God. — Aleksandr Solzhenitsyn

But the punishment-body relation is not the same as it was in the torture during public executions. The body now serves as an instrument or intermediary: if one intervenes upon it to imprison it, or to make it work, it is in order to deprive the individual of a liberty that is regarded both as a right and as property. The body, according to this penality, is caught up in a system of constraints and privations, obligations and prohibitions. Physical pain, the pain of the body itself, is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights. — Michel Foucault

The impious soul, however, punishes itself by seeking a human body to enter into, for no other body can receive a human soul; it cannot enter the body of an animal devoid of reason. Divine law preserves the human soul from such infamy ... The soul passeth from form to form; and the mansions of her pilgrimage are manifold. Thou puttest off thy bodies as raiment; and as vesture dost thou fold them up. Thou art from old, O Soul of Man; yea, thou art from everlasting. — Georg Hermes

Whatever this is that I am, it is a little flesh and breath, and the ruling part. Throw away thy books; no longer distract thyself: it is not allowed; but as if thou wast now dying, despise the flesh; it is blood and bones and a network, a contexture of nerves, veins, and arteries. See the breath also, what kind of a thing it is, air, and not always the same, but every moment sent out and again sucked in. The third then is the ruling part: consider thus: Thou art an old man; no longer let this be a slave, no longer be pulled by the strings like a puppet to unsocial movements, no longer be either dissatisfied with thy present lot, or shrink from the future. — Marcus Aurelius

Writing is the most disembodied art, and reading and writing are largely private and solitary experiences, so music and dance have always enchanted me as arts in which the body of the performer communicates directly to the audience, welding a kind of communion writers rarely experience. — Rebecca Solnit

Prior to Schneemann, the female body in art was mute and functioned almost exclusively as a mirror of masculine desire. — Jan Avgikos

A tattoo is a true poetic creation, and is always more than meets the eye. As a tattoo is grounded on living skin, so its essence emotes a poignancy unique to the mortal human condition. — V. Vale

I tried hard to imagine my poems or any poems as machines that could make things happen, changing the government, or the economy or even their language, the body or its sensorium, but I could not imagine this, could not even imagine imagining it. And yet when I imagined the total victory of those other things over poetry, when I imagined, with a sinking feeling, a world without even the terrible excuses for poems that kept faith with the virtual possibilities of the medium, without the sort of absurd ritual I'd participated in that evening then I intuited an inestimable loss, a loss not of artworks but of art, and therefore infinite, the total triumph of the actual, and I realized that, in such a world, I would swallow a bottle of white pills. — Ben Lerner

The lucid dream, located as it is at a crossroads between worlds and states of consciousness, places the magician in a unique position to influence the delicate balance of consciousness and the interplay it has on matter in the waking state, and is thus an opportunity to test one's ability in the art of adjusting the mutable fabric of Maya. — Zeena Schreck

If I hear dance music, my body starts to move. Whatever the dance music is, I can't help it. With all that, I still felt, well, rock is a little higher art, but it wasn't. Right now, because I have so much experience with dance charts, I started to realize that it's incredible art. This is going to be known one day as high art. — Yoko Ono

Carnal reason is an enemy to faith: it is ever crossing and contradicting it. It will never be well with thee, Christian, so long as thou art swayed by carnal reason, and you rely more upon thy five senses, than upon the four Evangelists. As the body lives by breathing, so the soul lives by believing. — Thomas Brooks

The medium of poetry is a human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is just as physical or bodily an art as dancing. — Robert Pinsky

No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It's the only way to keep your heart beating as a photographer. — Joe McNally

The balanced state of body and mind that occurs through zazen practice can also occur spontaneously in other situations. As a musician I used to find it when playing onstage. All consciousness of myself and the outside world would vanish, to be replaced by a fluid state of action alone, in which thought and feeling ceased to be important and in which sense of self and other utterly dissolved. Athletes often experience moments like this. So do artists of various kinds. So do many people involved in a whole range of activities to which they have fully devoted themselves. And so, quite often, do lovers engaged in sex. — Brad Warner

Let me tell you something about the beauty of destruction. There is a distinct art in boxing, because there is method, strategy, technique rules and all the bells and whistles that the general public knows. However, since the beginning of time mankind was destined to appreciate the art of combat; and that is the mortal sacrifice - you put yourself out there and display a virtual painting, an interactive canvas that portrays the nature of the human body and what it's capable of, and as an outcome, the object of combat is not to sacrifice yourself to entertain spectators, no, but to make the other bastard sacrifice himself to entertain spectators - thus comes the art of honor. It's not a thirst for blood, not at all - but an astonishment, an appreciation for the capabilities of a human that bares his soul naked for the art of combat using strictly his body. That's entertainment. — Ghaleya Aldhafiri

Art is aesthetic communication of the soul - in fact, it's the best of that communication - and taken in its entirety has formed a body of work to stand alongside Science and Religion as one of the three great constructs of culture to aid the individual in his or her struggle to survive in Nature. — Anthony Marais

I started connecting things to my body during my childhood. I approached the computer as a mediating element, as a form of visual art. — Steve Mann

I'd always wanted to tell people that when I work on my body I'm thinking about classical sculpture, so I jumped at the chance to show off body building as an art form. — Arnold Schwarzenegger

Is a way for anger to come out as an energy you let loose and away. The trick is to give it a form, and not a human target. The trick is to transform rage. When I watch Andy work the heavy bag, or work his body to drop doing mixed martial arts, I see that anger can go somewhere - out and away from a body - like an energy let loose and given form. Like my junk comes out in art. — Lidia Yuknavitch

Marry, then, sweet wag, when thou art king, let not us that are squires of the night's body be called thieves of the day's beauty. Let us be Diana's foresters, gentlemen of the shade, minions of the moon, and let men say we be men of good government, being governed, as the sea is, by our noble and chaste mistress the moon, under whose countenance we steal. — William Shakespeare

She had graduated from the Beaux Arts in Caen. She worked entirely on her body, she explained to me; I looked at her anxiously as she opened her portfolio. I was hoping she wasn't going to show me photos of plastic surgery on her toes or anything like that - I'd had it up to here with things like that. But no, she simply handed me some postcards which she had had made, with the imprint of her pussy dipped in different coloured paints. I chose a turquoise and a mauve; I was a little sorry I hadn't brought photos of my prick to return the favour. — Michel Houellebecq

The internationalization of art becomes a factor contributing to the estrangement of art from the artist. The sum of works of all times and places stands against him as an entity with objectives and values of its own. In turn, since becoming aware of the organized body of artworks as the obstacle to his own aesthetic self-affirmation, the artist is pushed toward anti-intellectualism and willful dismissal of the art of the past. — Harold Rosenberg

I wonder, only in passing, whether the indelible ornamentation that man inscribes upon his own epidermis does not respond to a nostalgia for the universal internally generated coloring of corrollas, furs, shells, carapaces and wings. For man it has been necessary to create both works and tools outside of himself. But it may be that he retains an obscure nostalgia to create them on his own body, to make them a part of it rather than projecting them outwards onto an independent surface, where he is free to retouch them as he sees fit, which is precisely what painting and art are. — Roger Caillois

Body art isn't a contest. The only person that has to like it is the person stuck with it for the rest of their life. As long as you love it when you see it, that's all that matters. — Jay Crownover

It is worthwhile adding that the power of the poem to teach not only sensibilities and the subtle movements of the spirit but knowledge, real lasting felt knowledge, is going mostly unnoticed among our scholars. The body of knowledge locked into and releasable from poetry can replace practically any university in the Republic. First things first, then: the primal importance of a poem is what it can add to the individual mind.
Poetry is the voice of a poet at its birth, and the voice of a people in its ultimate fulfillment as a successful and useful work of art. — Guy Davenport

The various parts of the body cannot be perceived as simple units and have no clear relationship to one another. In almost every detail the body is not the shape that art has led us to believe it should be. — Kenneth Clark

Focusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline. — Shaun McNiff

COMMEMORATION Blessed art Thou, O Lord who didst bring forth of water moving creatures that have life, and whales, and winged fowls: and didst bless them, so as to increase and multiply. The things concerning the Ascension: Set up Thyself, O God, above the heavens and Thy glory above all the earth. By thine Ascension draw us withal unto Thee, O Lord, so as to set our affections on things above, and not on things on the earth. By the awful mystery of Thy Holy Body and Precious Blood in the evening of this day: Lord, have mercy. — Lancelot Andrewes

Yoga talks about cat-pose, dog-pose, camel-pose, monkey-pose, bird-pose etc. Why there are so many animal poses? Animals release their emotions and tensions by movements based on their body sensations. But our amygdala in the brain is carrying the "fight or flight response"; it has forgotten the art of releasing the tensions. As human beings, when we are aware about the sensations, we can release that by aware, slow movements. If you do not give movements to the body parts, energy will be stuck and blood circulation will be disturbed. Gradually, that creates chronic physical and mental health problems. — Amit Ray

The mythos-over-logos argument points to the fact that each child is born as ignorant as any caveman. What keeps the world from reverting to the Neandertal with each generation is the continuing, ongoing mythos, transformed into logos but still mythos, the huge body of common knowledge that unites our minds as cells are united in the body of man. To feel that one is not so united, that one can accept or discard this mythos as one pleases, is not to understand what the mythos is. — Robert M. Pirsig

As if femininity were measured by the art of 'shrinking' ... women are held in a kind of invisible enclosure (of which the veil is only the visible manifestation) circumscribing the space allowed for the movements and postures of their bodies (whereas men occupy more space, especially in public places). This symbolic confinement is secured practically by their clothing by their clothing which (as was even more visible in former times) has the effect not only of masking the body but of continuously calling it to order. — Pierre Bourdieu

If we are cultivating fruit in an orchard, we wish that particular fruit to grow in its own way; we give it the soil it needs, the amount of moisture, the amount of care, but we do not treat the apple tree as we would the pear tree or the peach tree as we would the vineyard on the hillside. Each is allowed the freedom of its own kind and the result is the perfection of growth which can be accomplished in no other way. The time must come when the same freedom is allowed the individual; each in his own way must develop according to nature's purpose, the body must be but the channel for the expression of purpose, interest, emotion, labor. Everywhere freedom must be the sign of reason. — Robert Henri

He was an artist, and she, an anarchist, the destroyer of his beautiful creations. His body tensed, pushing hot adrenaline through his body with irascible rage. His anger gave way to lamentation as his heart wailed for his lost inventions. His mind saw each one desperately screaming for help, their outcries echoing between the orange flames and ashy ruins of their compatriots. — Emmie White

One famous Japanese haiku illustrates the state that Sid managed to discover in himself. It is one that Joseph Goldstein has long used to describe the unique attentional posture of bare attention: The old pond. A frog jumps in. Plop!2 Like so much else in Japanese art, the poem expresses the Buddhist emphasis on naked attention to the often overlooked details of everyday life. Yet, there is another level at which the poem may be read. Just as in the parable of the raft, the waters of the pond can represent the mind and the emotions. The frog jumping in becomes a thought or feeling arising in the mind or body, while "Plop!" represents the reverberations of that thought or feeling, unelaborated by the forces of reactivity. The entire poem comes to evoke the state of bare attention in its utter simplicity. — Mark Epstein

Of all the hardships and deprivations a people can suffer, I am not sure if the deprivations of art and culture are not the most devastating. As meat and rice are food for the body, art and culture are food for the soul. Starve the body and the person dies; starve the soul and the spirit dies. — Gerard De Marigny

Many a night that summer she left Dr. Archie's office with a desire to run and run about those quiet streets until she wore out her shoes, or wore out the streets themselves; when her chest ached and it seemed as if her heart were spreading all over the desert. When she went home, it was not to go to sleep. She used to drag her mattress beside her low window and lie awake for a long while, vibrating with excitement, as a machine vibrates from speed. Life rushed in upon her through that window
or so it seemed. In reality, of course, life rushes from within, not from without. There is no work of art so big or so beautiful that it was not once all contained in some youthful body, like this one which lay on the floor in the moonlight, pulsing with ardor and anticipation. It was on such nights that Thea Kronborg learned the thing that old Dumas meant when he told the Romanticists that to make a drama he needed but one passion and four walls. — Willa Cather

Leave your brother alone, baby girl. He's going adventuring. Lucky bastard." His dad dragged him into a bear proportioned hug. "Bring me back some images of the local ladies. Naked ones if you can," he whispered. "You'd need eyes to look at those, Geoffrey," his mother retorted. While they argued about his dad's interest in the human body as art, Naomi clutched his tear soaked shirt in her fists and shook him. "Be careful." "Aren't I always?" "No. — Eve Langlais

The disease of the soul is both more common and more deadly than the disease of the body. Just as medicine is the art devoted to healing the body, so philosophy is the art devoted to healing the soul, curing it of improper emotions, false beliefs, and faulty judgments, which are the causes of so much hardship and handicap. To heal the body one turns to the practitioner of the art of healing the body, but to heal the soul there is no doctor to turn to, and each of us is left to become that doctor unto himself. Yet, this need not stop us from exhorting others to imitate us in the godly art, in the forlorn hope that they might transform themselves into better citizens for Athens and better companions for us. — Neel Burton

Verbal imagery (such as a simile or a description of a place or an event) is more physical, more bodily, than thinking or feeling, but less physical, more internal, than the actual sounds of the words. Imagery takes place in "the imagination," which I take to be the meeting place of the thinking mind with the sensing body. What is imagined isn't physically real, but it feels as if it were: the reader sees or hears or feels what goes on in the story, is drawn into it, exists in it, among its images, in the imagination (the reader's? the writer's?) while reading. — Ursula K. Le Guin

I was in the emergency room twice with heart palpitations and panic attacks. As one of my actor friends pointed out: your body doesn't know that you're making art. You think about struggle and challenge and you imagine yourself weighing 302 pounds and being restricted and in despair. Your body doesn't know that that's not the case. — Lori Lansens

The subtle working of ki is the maternal source that affects changes in breath. It is also the source of martial art as love. When one unifies mind and body by virtue of ki and manifests ai-ki (harmony of ki), delicate changes in breath-power occur spontaneously and "waza" (proper technique) flows freely. — Kisshomaru Ueshiba

Tattooing, when understood in its entirety, must be seen as a religious act. The human being brings forth images from the center of the self and communicates them to the world. Fantasy is embodied in reality and the person is made whole. — Spider Webb

As the imagination is set to look into the invisible and immaterial, it seems to attract something of their vitality; and though it can give nothing to the body to redeem it from years, it can give to the soul that freshness of youth in old age which is even more beautiful than youth in the young. — Henry Ward Beecher

I beheld before me an animated Corse. Her countenance was long and haggard; Her cheeks and lips were bloodless; The paleness of death was spread over her features, and her eye-balls fixed stedfastly upon me were lustreless and hollow.
I gazed upon the Spectre with horror too great to be described. My blood was frozen in my veins. I would have called for aid, but the sound expired, ere it could pass my lips. My nerves were bound up in impotence, and I remained in the same attitude inanimate as a Statue.
The visionary Nun looked upon me for some minutes in silence: There was something petrifying in her regard. At length in a low sepulchral voice She pronounced the following words.
Raymond! Raymond! Thou art mine!
Raymond! Raymond! I am thine!
In thy veins while blood shall roll,
I am thine!
Thou art mine!
Mine thy body! Mine thy soul!
— Matthew Gregory Lewis

Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is ... and force the viewer to see the pretty girl she used to be ... and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart ... no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them. — Robert A. Heinlein

I believe dreams connect us to our ancestors and it is through creativity that we can tap into this in the conscious state. Creativity is a sort of trance that we have as artists that erases time and space. — Lorin Morgan-Richards

As for the Pyramids, there is nothing to wonder at in them so much as the fact that so many men could be found degraded enough to spend their lives constructing a tomb for some ambitious booby, whom it would have been wiser and manlier to have drowned in the Nile, and then given his body to the dogs. I might possibly invent some excuse for them and him, but I have no time for it. As for the religion and love of art of the builders, it is much the same the world over, whether the building be an Egyptian temple or the United States Bank. It costs more than it comes to ... For my part, I should like to know who in those days did not build them
who were above such trifling. — Henry David Thoreau

I had, as I told you, a great passion while still almost a child. When it was over, I divided myself in two, placing on one side the soul I kept for Art, and on the other, my body, which would have to fend for itself. — Gustave Flaubert

As he offered to advance, she exclaimed, Remain where thou art, proud Templar, or at thy choice advance!
one foot nearer, and I plunge myself from the precipice; my body shall be crushed out of the very form of humanity upon the stones of that courtyard ere it become the victim of thy brutality! — Walter Scott

The very problem of mind and body suggests division; I do not know of anything so disastrously affected by the habit of division as this particular theme. In its discussion are reflected the splitting off from each other of religion, morals and science; the divorce of philosophy from science and of both from the arts of conduct. The evils which we suffer in education, in religion, in the materialism of business and the aloofness of "intellectuals" from life, in the whole separation of knowledge and practice
all testify to the necessity of seeing mind-body as an integral whole. — John Dewey

Medicine is the science by which we learn the various states of the human body in health and when not in health, and the means by which health is likely to be lost and, when lost, is likely to be restored back to health. In other words, it is the art whereby health is conserved and the art whereby it is restored after being lost. While some divide medicine into a theoretical and a practical [applied] science, others may assume that it is only theoretical because they see it as a pure science. But, in truth, every science has both a theoretical and a practical side. — Avicenna

What would you think of an engineer who expounded the art of flying without revealing the secrets of the engine and propeller? That's what you do, you engineer of the human soul. Just that. You're a coward. You want the raisins out of my cake but you don't want the thorns of my roses. Haven't you too, little psychiatrist, been cracking silly jokes about me? Haven't you ridiculed me as "the prophet of bigger and better orgasms"? Have you never heard the whimpering of a young wife whose body has been desecrated by an impotent husband? Or the anguished cry of an adolescent bursting with unfulfilled love? Does your security still mean more to you than your patient? How long will you go on valuing your respectability above your medical mission? How long will you refuse to see that your pussyfooting procrastination is costing millions their lives? — Wilhelm Reich

A really spiritual person will live life as an art, will create a deep harmony between the body and the consciousness. And this is the greatest art there is. His life will be a joy to see. And he will be fragrant, for the sheer reason that there is no split in his being. The very unity makes him organic; the wound of division is healed. — Rajneesh

Lord. As Blake brought out so beautifully in his poem "Jerusalem": ". . . Babel mocks, saying there is no God or Son of God; That Thou, O Human Imagination, O Divine Body of the Lord Jesus Christ art all A delusion; but I know Thee, O Lord, when Thou arisest upon My weary eyes, even in this dungeon and this iron mill. . . For Thou also sufferest with me, although I behold Thee not. . ." . . .And the Divine Voice answers: ". . . Fear not! Lo, I am with you always. Only believe in me, that I have power to raise from death Thy Brother who sleepeth in Albion. — Neville Goddard

The first source of art, then, is akin to the display of colors and plumage on the male animal in mating time; it lies in the desire to adorn and beautify the body. And just as self-love and mate-love, overflowing, pour out their surplus of affection upon nature, so the impulse to beautify passes from the personal to the external world. The soul seeks to express its feeling in objective ways, through color and form; art really begins when men undertake to
beautify things. — Will Durant

She had stayed home and worked hard and a posthumous recognition had eventually followed. Not that Buck hadn't worked hard, sure he did, but in the end the body won't hold up as a work of art. — Duff Brenna

Realizing that our minds control our bodies while our bodies reflect our minds amounts to understanding the most fundamental aspects of ourselves. It further equals a comprehension of the relationship between our "tools." And since the mind and body are interrelated, this understanding makes it easier to see why coordinating them is a practical way of using these tools to greatest effect - a way of using the mind and body to live our lives as art. — H.E. Davey

Those who were skillful in Anatomy among the Ancients, concluded from the outward and inward Make of an Human Body, that it was the Work of a Being transcendently Wise and Powerful. As the World grew more enlightened in this Art, their Discoveries gave them fresh Opportunities of admiring the Conduct of Providence in the Formation of an Human Body. — Joseph Addison

Who Am I?
I'm a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer's heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me. — Sharon M. Draper