The Best Scene Ever Quotes & Sayings

It wasn't easy telling my family that I'm gay. I made my carefully worded announcement at Thanksgiving. It was very Norman Rockwell. I said, 'Mom, would you please pass the gravy to a homosexual?' She passed it to my father. A terrible scene followed. — Bob Smith

We all now tell stories by cutting from one dramatic scene to the next, whereas Victorian novelists felt free to write long passages of undramatic summary. — Ken Follett

Under the rules of colonialism, everything goes to and comes from the mother country. In 1870, the colony of Turks and Caicos was asked to send a crest to England so that a flag for the colony could be designed. A Turks and Caicos designer drew a crest that included Salt Cay saltworks with salt rakers in the foreground and piles of salt. Back in England, it was the era of Arctic exploration, and, not knowing where the Turks and Caicos was, the English designer assumed the little white domes were igloos. And so he drew doors on each one. And this scene of salt piles with doors remained the official crest of the colony for almost 100 years, until replaced in 1968 by a crest featuring a flamingo. — Mark Kurlansky

The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need. — Kate Capshaw

Somebody always leaves a banana-skin on the scene of tragedy. — Graham Greene

And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand.
Why dost thou lash that whore? Strip thine own back.
Thou hotly lust'st to use her in that kind
For which thou whipp'st her. The usurer hangs the cozener.
Through tattered clothes great vices do appear;
Robes and furred gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks.
Arm it in rags, a pigmy's straw does pierce it.
None does offend - none, I say, none. I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes,
And like a scurvy politician seem
To see the things thou dost not. — William Shakespeare

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

You know that scene in 'Runaway Bride' when Julia Roberts puts on the amazing wedding dress and looks at herself in the mirror and goes, 'Swish, swish'? I loved that moment so much when I was a little girl. — Lily James

We just wanted to get as far away from the rap-rock scene as possible, because its been done and other bands do it better than us anyway. — Adam Rich

I had given myself a sort of early retirement when I left the scene in 1985. All of the people in my family worked until they dropped, including my father. I decided to take a little time to enjoy life. I traveled, built my dream house, rescued a few dogs. My return to music, and acting, was deliberate, part of my musical arc. — J. D. Souther

I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. — Stephen Sommers

I think that sharpens the intention of a scene and clarifies a story's arc. Of course, I don't seek the questions until after I've written a scene - or maybe after I've daydreamed it. — Edan Lepucki

So I was hugely thrilled that my first scene ever on camera was with Hal Holbrook. — Anthony Edwards

When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little. — Anita Ekberg

He moved closer to her, his face just inches away from her. They stood motionless. Jason looked deep into her eyes. He tore away her barriers and locked eyes. His nose two inches away, he slightly tilted his face and looked at her lips. She slightly turned her face at the opposite angle. — Mark A. Cooper

When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears. — Jeffrey Eugenides

The chief reason warfare is still with us is neither a secret death-wish of the human species, nor an irrepressible instinct of aggression, nor, finally and more plausibly, the serious economic and social dangers inherent in disarmament, but the simple fact that no substitute for this final arbiter in international affairs has yet appeared on the political scene. — Hannah Arendt

As for my identity within the context of New York nightlife? I left in the '90s, so I'm not part of the scene anymore. I'll always be interested in what's happening downtown, and I try and keep up with the changing faces on social media. — James St. James

As soon as he had her safe again in his arms he broke down and kissed her. Helen was so stunned she stopped crying before she had a chance to start and nearly fell out of the sky. Still the
better flyer, Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk. As their feet touched down, the light inside the lighthouse switched on
and projected the shadows of their embracing figures out onto the choppy waves of the ocean.
"I can't lose you," Lucas said, pulling his mouth away from hers. "That's why I didn't tell you the whole truth. I thought if you knew how bad it was you'd send me away. I didn't want you to give up hope. I can't do this if you give up on us."
(Starcrossed) — Josephine Angelini

Writing about sex is a challenge for the same reason sex is a challenge. Because it's complicated. Because it doesn't always make sense and it isn't always perfect and it's sometimes awful and it's sometimes hilarious. But underneath all the clever wordplay, it's about hope. Hope that someone will see us, and accept us, and perhaps - after all that - choose us. It's the barest we will ever be. The barest a character will ever be. That's why it's difficult.
As for what makes a good sex scene, a romance novelist would have told you that when done well and with a skilled hand, the best sex scenes can at once arouse and empower. Sex on the page gives readers the freedom to explore their own sexuality, their own pleasures, their own identities. With hope. And without judgment. — Sarah MacLean

A great diving scene. Worth the read just for that:

"Randy! You have the best eyes for bubbles. Find my missing diver."
Paul leaned over the boat and yelled at the people waiting in the water. "Hey! Where's . . ." He examined the faces. It didn't take long to figure out who was missing. His heart spiraled to his feet.
"Oh, no, no, no!" He didn't hesitate to jump to action. He yelled out orders as he put his gear on in record time. "Get back on the boat. Now!"
"I see bubbles! Over there, 'bout fifteen meters," Randy called before anyone had a chance to do anything.
Paul stood on the back of the boat, all geared up and holding an extra tank with a regulator already attached. He looked to see where Randy pointed and took a giant stride into the water. He didn't bother to surface before starting the fastest descent he'd ever made. — S. Jackson Rivera

More people than ever are being paid to think, instead of just doing routine tasks. Yet making complex decisions and solving new problems is difficult for any stretch of time because of some real biological limits on your brain. Surprisingly, one of the best ways to improve mental performance is to understand these limits. In act 1, Emily discovers why thinking requires so much energy, and develops new techniques for dealing with having too much to do. Paul learns about the space limits of his brain, and works out how to deal with information overload. Emily finds out why it's so hard to do two things at once, and rethinks how she organizes her work. Paul discovers why he is so easily distracted, and works on how to stay more focused. Then he finds out how to stay in his brain's "sweet spot." In the last scene, Emily discovers that her problem-solving techniques need improving, and learns how to have breakthroughs when she needs them most. — David Rock

Debbie truly had Tess's best interest at heart with the promoting of romanticized contemplation, and she hoped that such contemplation would make transparent a roses and chocolate candy theme that would ignite a passionate desire in her friend for deep intimate companionship that would make lengthy modifications until it became a candlelight connection that would light up brightly and cause a common smile to take form in the lives of two singles. But the detailed scene of Tess's grander purview on the overall picture placed her friend's intent in a corner of stagnant nothingness that had no realistic chance of ever modifying into the romantic reality that she advocated. — Calvin W. Allison

I don't know, being able to work with Meth was pretty damn cool, but even that day, John, the director, gave me one of the best notes I've ever had. I walked into the scene just completely excited. I just couldn't believe I was going to work with Meth. — Josh Peck

Okay," she said as he lit the candle and hummed the birthday song. "You know,this is all very Jake Ryan of you."
"Who's Jake Ryan?"
"The hottie from Sixteen Candles - the best teenage movie ever made. The last scene looks just like this," she said, looking around the room.
"All right, well, don't you go wishing for him when you blow out the candle."
"I love you,Jace. You're the only thing I want. — Phoebe Lane

I've worked hard and accomplished what I've accomplished in the heavyweight scene. — Lennox Lewis

I missed my entrance in a production of 'Blade to the Heat' at Thick Description in San Francisco. I came into the scene very late and hugged the punching bag. I had no idea what to do! Unfortunately, that mishap was recorded for archives at UC Berkeley. It goes down in history. — Colman Domingo

You learn your lines as well as you can and you go in there and go with whatever is thrown at you. Sometimes you don't know whether or not they're going to break the scene up, so you don't have to do it all at one time. — Courtney B. Vance

My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time. — Carlos Castaneda

I don't hold to the idea that God causes suffering and crisis. I just know that those things come along and God uses them. We think life should be a nice, clean ascending line. But inevitably something wanders onto the scene and creates havoc with the nice way we've arranged life to fall in place. — Sue Monk Kidd

I tend to edit some as I go - partly because one of the reasons I don't outline much is that I don't know what the next scene will be until I've actually written the previous scene. — Ann Leckie

Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades. — Sarah Rees Brennan

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play. — Sarah Shahi

September is a sweep of dusky, purple asters, a sumac branch swinging a fringe of scarlet leaves, and the bittersweet scene of wild grapes when I walk down the lane to the mailbox. September is a golden month of mellow sunlight and still clear days ... Small creatures in the grass, as if realizing their days are numbered, cram the night air with sound. Everywhere goldenrod is full out. — Jean Hersey

The scene had been a nightmare, one of those insane nightmares where the most normal objects become infinitely menacing. — Philippa Gregory

When I work, I like to just kind of stay quiet, stay to myself. I like to walk around a lot and figure out what's gonna happen in the scene and try to get my head straight. — Kenneth Choi

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life. — Ryan Gosling

There are some things I like about L.A. You can have a really healthy lifestyle, and I love running with the dogs on the beach. It's just the social scene is horrific! — Mischa Barton

The actor always must be in the scene, not above the scene. To communicate any larger ideas is my problem; it's how the narrative is constructed and directed that hopefully does it. — James Gray

Always, in Lincoln's mature theology, there is paradox. There is starting this, yet there is also tenderness; there is melancholy, yet there is also humor: there is moral law, yet there is also compassion. History is the scene of the working out God's justice, which we can never escape, but it is also the scene of the revelation of the everlasting mercy. — Elton Trueblood

The bodybuilding world has lost one of its greatest legends. I had a chance to speak with Steve Michalik a year ago at The Upper State Bodybuilding competition. We laughed and shared our personal opinions about bodybuilding [today's scene and how it was in the past]. Steve, we'll miss you. R.I.P. — Lee Haney

The painter doesn't try to reproduce the scene before him ... he simplifies and eliminates until he knows exactly what stirred him, sets this down in color and line as simply and as powerfully as possible and so translates his impression into an aesthetic emotion. — David Milne

It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions. — Henry James