The Best Scene Quotes & Sayings

Certainly as an actor, half of your work is not going to end up on the screen anyway, because in the editorial process, they need to cut to the other actor in the scene. Very often, your best work ends up on the cutting room floor, because it just doesn't work with the overall narrative drive of the story. — Hart Bochner

If I have freedom to experiment with a scene, then I try my best to do that. With TV and with the variety of directors you have on a season, you rarely get that opportunity. It's more structured. — Dominique McElligott

I haven't seen too many American distance men on the international scene willing to take risks. I saw some U.S. women in Barcelona willing to risk, more than men. The Kenyans risk. Steve Prefontaine risked. I risked - I went through the first half of the Tokyo race just a second off my best 5000 time. — Billy Mills

All great writers have, of course, an atmosphere in which they seem most at their ease and at their best; a mood of the general mind which they interpret and indeed almost discover, so that we come to read them rather for that than for any story or character or scene of seperate excellence. — Virginia Woolf

While green-screen work, find a way to stay true to whatever it is that it takes to act a scene out, and make sure that you use your imagination as best as you possibly can, still stay loose, and still allow yourself the liberty of doing what you need to do as an actor, and then work within the confines of what is actually possible. — Brendan Fraser

We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene. — John Schlesinger

Good day to you, ma'am,' said Stephen, opening Mrs Wogan's door. 'I believe you may take some air at last. The sky is clear, the sun shines bright with a surprising warmth, and although our poop is now the scene of strange activity, the gangway remains, the windward, or weather gangway, ma'am. And we had best profit by the morning while it lasts. — Patrick O'Brian

The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need. — Kate Capshaw

You know it's going to be Mary the Maid, or someone like her, and there's going to be two men and she will end up with the nice one, and there has to be misunderstandings, and they never do anything more than kiss and it's absolutely guaranteed that, for example, an exciting civil war or an invasion by trolls or even a scene with any cooking in it is not going to happen. The best you can expect is a thunderstorm. — Terry Pratchett

As you sit, make peace also with the reality that, after you die, it won't matter to you how you are remembered; you will not be here to experience it. All the grand things that you do or say, all the skyscrapers you build and cover with gold, your elegant tombstone, all will be completely forgotten eventually. Even your children, and their children, too, will be forgotten. That being so, perhaps it is best to begin to erase your presence well before you leave the scene. — Alice Walker

Once, I discovered it propped up on my sister's pillow, its neck wrapped in one of our mother's best linen dishtowels. Cookie fragments on dolls' plates were laid out around it, mixed with berries from the prickly-berry hedge, like offerings made to appease an idol. It was wearing a chaplet woven of carrot fronds and marigolds that my sister and Leonie had picked in the garden. The flowers were wilted, the garland was lopsided; the effect was astonishingly depraved, as if a debauched Roman emperor had arrived on the scene and had hacked off his own body in a maiden's chamber as the ultimate sexual thrill. — Margaret Atwood

Scandal is great entertainment because it allows people to feel contempt, a moral emotion that gives feelings of moral superiority while asking nothing in return. With contempt you don't need to right the wrong (as with anger) or flee the scene (as with fear or disgust). And the best of all, contempt is made to share. Stories about the moral failings of others are among the most common kinds of gossip, they are a stable of talk radio, and they offer a ready way for people to show that they share a common moral orientation. — Jonathan Haidt

Tis like she comes to speak of Cassio's death,
The noise was high. Ha! No more moving?
Still as the grave. Shall she come in? Were 't good?
I think she stirs again - No. What's best to do?
If she come in, she'll sure speak to my wife -
My wife! my wife! what wife? I have no wife.
Oh, insupportable! Oh, heavy hour!
Methinks it should be now a huge eclipse
Of sun and moon, and that th' affrighted globe
Should yawn at alteration. — William Shakespeare

In a city where people are almost as obsessed with food as they are with status, perhaps the best-kept secret of the dining scene is that the finest cuisine arguably isn't found at the Michelin-starred restaurants in five-star hotels but rather at private dining clubs. — Kevin Kwan

I make up as little as possible. I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are and to look where things have gone missing. And it's really in the gap - it's in the erasures - that I think the novelist can best go to work because inevitably in history in any period, we know a lot about what happened, but we may be far hazier on why it happened. And there's always the question, why did it happen the way it did? Where was the turning point? — Hilary Mantel

Sitting opposite Steven Spielberg, while he turns the pages of your script and talks about each scene as he goes, is about the best film school you can get. — Matt Charman

The best scene is the last great scene I did. — Rene Auberjonois

I remember this scene because it was embarrassing to live through it, and because remembering it is a way of knowing that I am half-true to my beliefs when the time comes. I sit silently defending them and I don't sell them out, but I put on a face that lets people think I'm on the winning team, that I'm laughing along with them instead of just standing among them. I save the best parts for myself and savor them in silence. Number three, power of flight. Number four, marauder. Enough vision to really see something. A stack of gold coins and a ledger. People want all kinds of things out of life, I knew early on. — John Darnielle

A lot of the times once you've finished a scene, the best reaction is to say you don't really remember what happened. I don't really remember what I did or the choices I made. — Jessica Biel

It was always the most striking scene, the best work, the most disturbing emotion and unsettling idea that attracts criticism. — Rafael Yglesias

You know how they do that effect in movies, where they make it look like you have a twin, but it's really just the same actor playing both characters in the scene? I knew this would be the best route, but I just wasn't comfortable dressing as a woman, so I had to hire other actors. — Zach Braff

The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance. — Stanley Kubrick

My dad took me to all the best rock and punk shows when I was growing up and music has always been a part of my life. So I'm very interested in the music scene and I suppose that's why I've ended up going out with musicians. Dave Pirner is still one of my best friends. — Winona Ryder

Because your brain uses information from the areas around the blind spot to make a reasonable guess about what the blind spot would see if only it weren't blind, and then your brain fills in the scene with this information. That's right, it invents things, creates things, makes stuff up! It doesn't consult you about this, doesn't seek your approval. It just makes its best guess about the nature of the missing information and proceeds to fill in the scene ... — Daniel Gilbert

I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves. — Lily Collins

Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible. — Michael Douglas

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

Debbie truly had Tess's best interest at heart with the promoting of romanticized contemplation, and she hoped that such contemplation would make transparent a roses and chocolate candy theme that would ignite a passionate desire in her friend for deep intimate companionship that would make lengthy modifications until it became a candlelight connection that would light up brightly and cause a common smile to take form in the lives of two singles. But the detailed scene of Tess's grander purview on the overall picture placed her friend's intent in a corner of stagnant nothingness that had no realistic chance of ever modifying into the romantic reality that she advocated. — Calvin W. Allison

arrived in the same car half an hour later, and as they were putting on rain slickers an ambulance arrived with a crew of three. From the gravel road, they all strained to see the old sycamore, but after a few seconds of focusing it was apparent there was a man hanging from it. Calvin told them everything he knew. The deputies decided it was best to proceed as if a crime had been committed, and they prohibited the ambulance crew from approaching the scene. Another deputy — John Grisham

In reference to the murder scene in 'Dial M for murder' As you have seen on the screen the best way to do it is with a scissor. — Alfred Hitchcock

I believe this thought, of the possibility of death - if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. — Lewis Carroll

The community does not fight crime well by chasing it; after-the-fact, crime has won and the target of violence is injured or worse. Crime is fought best not by chasing it, but by facing it before it can become a completed act.

Crime is fought best at the scene of the violence. — John Longenecker

I find that when you open on a group of people sitting down and talking, the scene sits down with them. The best antidote for that is an entrance. Begin the scene with someone entering, and somehow it's more interesting. — Howard Hawks

Ast year's Best-Sex-Scene-in-a-film winner Vince Voyeur's real name turns out to be John LaForme. Rhetorical Q.: How, if one's real name was John LaForme, could that person possibly feel the need for a nom de guerre? — David Foster Wallace

I've always found myself completely attuned to all five of my senses, but that night, I was to all but one. My sight was blurred by the tears I was fighting to hold back. I couldn't appreciate the exotic scene around me. All I could think about was the disappointed expression on my best friend's handsome face. — Bella Forrest

So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing. — Glenn Close

In this story, the sun moves. In this story, every night meets a dawn and burns away in the bright morning. In this story, Winter can never hold back the Spring ... He is the best of all possible audiences, the only Audience to see every scene, the Author who became a Character and heaped every shadow on Himself. The Greeks were right. Live in fear of a grinding end and a dank hereafter. Unless you know a bigger God, or better yet, are related to Him by blood. — N.D. Wilson

You're my best friend in the scene and together we can make sense of what's going on by being Together. — Martin De Maat

A human being having a full emotional conversation with a dog is funny, innately. It's one of those things where you get in a scene and you always go for what is the best joke, and a talking dog for some reason, whatever he says, is hilarious. (about his role wiht a talking dog in the forthcoming MEN IN BLACK sequel. — Will Smith

As an actor, it's always important to understand what the director is after. That, to me, is my job. When I'm acting, I like to ask a lot of questions and understand exactly why the director is doing what they're doing, so that I can provide him or her with the ingredients that they need to get the scene that they want. It's not to challenge them, in any way. It's just so that I can do my job best. — Joseph Gordon-Levitt

What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through. — Leonardo DiCaprio

I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music. — Hunter Hayes

Yes, trust them not, for there is an upstart crow, beautified with our feathers, that with his tiger's heart wrapped in a player's hide supposes he is as well able to bombast out a blank verse as the best of you, and being an absolute Johannes Factotum, is in his own conceit the only Shake-scene in a country. — Robert Greene

Violence never settles anything right: apart from injuring your own soul, it injures the best cause. It lingers on long after the object of hate has disappeared from the scene to plague the lives of those who have employed it against their foes. — Obafemi Awolowo

Following is a rant by a confused crazy kid (the protagonist), where he references some movie scene but by the end there is some deep philosophy ( in the last paragraph)
There was this one part where the main character, who is this architect, is sitting on a boat with his best friend, who is a newspaper tycoon. And the newspaper tycoon says that the architect is a very cold man. The architect replies that if the boat were sinking, and there was only room in the lifeboat for one person, he would gladly give up his life for the newspaper tycoon. And then he says something like this ...
"I would die for you. But I won't live for you."
Something like that. I think the idea is that every person has to live for his or her own life and then make the choice to share it with other people. Maybe that is what makes people "participate." I'm not really certain. — Stephen Chbosky

Imagine now a different scene. Aaron and the Israelites are patiently and faithfully waiting for Moses to return. Finally, they see him coming down. But rather than tablets of stone, he carries the golden calf. And then they hear him speak: "These are your gods, O Israel, who brought you up out of the land of Egypt" (Exod. 32:4). The prophet himself would have now engaged in idolatric substitution. He ascended the mountain to meet with God, but he has returned with an idol. Impossible? It happens every day, and to the best of ordinary prophets, even if it does not happen in such a crass way: the prophets may carry down from the mountain the tablets of stone, but at least some of the writing on them can be traced to the golden calf rather than to the true God of Israel. — Miroslav Volf

Okay," she said as he lit the candle and hummed the birthday song. "You know,this is all very Jake Ryan of you."
"Who's Jake Ryan?"
"The hottie from Sixteen Candles - the best teenage movie ever made. The last scene looks just like this," she said, looking around the room.
"All right, well, don't you go wishing for him when you blow out the candle."
"I love you,Jace. You're the only thing I want. — Phoebe Lane

I don't know, being able to work with Meth was pretty damn cool, but even that day, John, the director, gave me one of the best notes I've ever had. I walked into the scene just completely excited. I just couldn't believe I was going to work with Meth. — Josh Peck

But you know, I'm very conscious that people criticize Hollywood. Yet we've created a form, the Western, that can be understood in every country. The good guys against the bad guys. No nuances. And the horse is the best vehicle of action in our medium. You take action, a scene, and scenery, and cut them together, and you never miss. — John Wayne

So he lent her books. After all, one of life's best pleasures is reading a book of perfect beauty; more pleasurable still is rereading that book; most pleasurable of all is lending it to the person one loves: Now she is reading or has just read the scene with the mirrors; she who is so lovely is drinking in that loveliness I've drunk. — William T. Vollmann

They were the kind of couple you rolled your eyes at. The couple you wanted to punch square in their perfect noses, but secretly hoped would become your new best friends and invite you to a private dinner party where you'd eat something made with truffle oil and share a rueful laugh about the party scene in Ibiza. — Matt K. Turner

In writing short stories - as in writing novels - take one
thing at a time. (For some writers, this advice I'm giving may
apply best to a first draft; for others, it may hinder the flow at
first but be useful when time for revision comes.) Treat a short
passage of description as a complete unit and make that one
small unit as perfect as you can; then turn to the next unit
a passage of dialogue, say - and make that as perfect as you can.
Move to larger units, the individual scenes that together make
up the plot, and work each scene until it sparkles. — John Gardner

When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck. — Quentin Dupieux

This position will not be disputed, so long as it is admitted that the desire of reward is one of the strongest incentives of human conduct, or that the best security for the fidelity of mankind is to make their interest coincide with their duty. Even the love of fame, the ruling passion of the noblest minds ... would on the contrary deter him from the undertaking, when he foresaw that he must quit the scene before he could accomplish the work ... — Alexander Hamilton

At first, I didn't hang out with celebrity kids. That wasn't the way I was brought up. I went to a run-of-the-mill Catholic primary school when we first moved to L.A. But then I went to a high school where there were lots of 'industry' children. Those weren't my best friends and I've never set out to make myself a part of that scene. — Lily Collins

When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out. — Kurt Fuller

This is the way in which he (poet) did his work. He used to go out with a pencil and a tablet and note what struck him...and make a picture out of it...But Nature does not allow an inventory to be made of her charms! He should have left his pencil behind, and gone forth in a meditative spirit; and, on a later day, he should have embodied in verse not all that he had noted but what he best remembered of the scene; and he would have then presented us with its soul, and not with the mere visual aspect of it. — William Wordsworth

I see only defects because I'm not following the scene as it were. I'm not following the other person. It's like the best thing to clarify this is the theater. — Omar Sharif

As soon as he had her safe again in his arms he broke down and kissed her. Helen was so stunned she stopped crying before she had a chance to start and nearly fell out of the sky. Still the
better flyer, Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk. As their feet touched down, the light inside the lighthouse switched on
and projected the shadows of their embracing figures out onto the choppy waves of the ocean.
"I can't lose you," Lucas said, pulling his mouth away from hers. "That's why I didn't tell you the whole truth. I thought if you knew how bad it was you'd send me away. I didn't want you to give up hope. I can't do this if you give up on us."
(Starcrossed) — Josephine Angelini

Our pop scene is among the best in the world because there are 300 languages spoken on the streets of London, compared with 200 in New York. Our diversity is our strength. — Charles Hazlewood

I think it's important to keep the audience interested. But the best advice that I've gotten is to live in the moment. Sometimes you can get too into your head when you're in a scene. — Liana Liberato

And to this world, to this scene of tormented and agonised beings, who only continue to exist by devouring each other, in which, therefore, every ravenous beast is the living grave of thousands of others, and its self-maintenance is a chain of painful deaths; and in which the capacity for feeling pain increases with knowledge, and therefore reaches its highest degree in man, a degree which is the higher the more intelligent the man is; to this world it has been sought to apply the system of optimism, and demonstrate to us that it is the best of all possible worlds. The absurdity is glaring. — Arthur Schopenhauer

I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, orpossibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene ... — Minnie Maddern Fiske

Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. — Sam Abell

Writing about sex is a challenge for the same reason sex is a challenge. Because it's complicated. Because it doesn't always make sense and it isn't always perfect and it's sometimes awful and it's sometimes hilarious. But underneath all the clever wordplay, it's about hope. Hope that someone will see us, and accept us, and perhaps - after all that - choose us. It's the barest we will ever be. The barest a character will ever be. That's why it's difficult.
As for what makes a good sex scene, a romance novelist would have told you that when done well and with a skilled hand, the best sex scenes can at once arouse and empower. Sex on the page gives readers the freedom to explore their own sexuality, their own pleasures, their own identities. With hope. And without judgment. — Sarah MacLean

It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right. — Ian McDiarmid

There's an economy in sports that I always think is a useful metaphor for acting. You have an objective. You're trying to win, and of course, you want to do well. You want to use good techniques so you enforce it, but also you don't do things you don't have to do. It's very economical, and I think that in acting the most economical way through a scene is always the best. It's active. There is the sense of the fight and you want to win. — Greta Gerwig

I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me. — Marco Beltrami

I do well to interpret scripts to the best of my ability so even if I'm given a monster to play a love scene with, I will. — Majid Michel

Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, What's the matter? You haven't been yourself lately. — Haruki Murakami

As a writer myself, my job has very often been to also write on the job. So you get the script and a vague idea of how the scene might work, and you then add funny words or change the script. I'm not the world's best writer or the world's best actor, but I can do that thing where I can fix - or ruin - fix-slash-ruin, add quirk, add value. — Sally Phillips

Opening the door quietly, I slipped in without switching on the light. From the entrance hall, I
could see the dining room at the end of the corridor, the table still decked out for the party. The cake was there, untouched, and the crockery still waited for the meal. I could make out the motionless silhouette of my father in his armchair, as he observed the scene from the window. He was awake and still wearing his best suit. Wreaths of smoke rose lazily from a cigarette he held between his index and ring
fingers, as if it were a pen. I hadn't seen my father smoke for years. — Carlos Ruiz Zafon

If it wasn't a chaotic scene, if it was an orderly evacuation, we would be able to give you specifics about what our preferences would be, such as evacuating first the disabled, then the elderly and infants. That would of course be our preference. But the reality on the scene does not permit that. We're going to do the best we can with the resources we have. — David Catania

It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions. — Henry James

I always try to tell the story the best possible way. I create the mood for each scene in a way that the audience feels that they are right there with me and they feel actually in the mood that was right for the scene. — Vilmos Zsigmond

The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable, or poem unlimited. Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men.
Polonius — William Shakespeare

The camera does not know what it takes; it captures materials with which you reconstruct, not so much what you saw as what you thought you saw. Hence the best photography is aware, mindful, of illusion and uses illusion, permitting and encouraging it - especially unconscious and powerful illusions that are not usually admitted on the scene. — Thomas Merton

Learning to pass, it turns out, is less a matter of acting than not acting. You can become part of a given scene, situation, or people ('our people,' as it were), simply by letting yourself serve as a mirror for those around you. When I was still in college, when I still thought I might make a good priest, I spent some time in a Trappist monastery. I found that by exerting as little of my own personality as possible, I was able to fit right in. The monks in no time came to call me brother, believing I was destined to make vows as one of their own. Passing begins with the assumptions of those around you. The best thing you can do to maintain the illusion is to come as close as possible to doing nothing at all. — Peter Manseau

I've always felt toward the slightest scene, even if all I had to do in a scene was just to come in and say, 'Hi,' that the people ought to get their money's worth and that this is an obligation of mine, to give them the best you can get from me. — Marilyn Monroe

Ghost: Murder most foul, as in the best it is. But this most foul, strange and unnatural. — William Shakespeare

I learned that the best way to work is to allow the scene to live on its own before making major adjustments, whether in rehearsal or on film. — John Krasinski

I saw the industrial scene and I was affected by it. I tried to paint it all the time. I tried to paint the industrial scene as best I could. It wasn't easy. — L. S. Lowry

I love it when characters surprise you, just like real people. When I write a scene I just try to make the characters behave in a way that feels natural to them. Sometimes that means they make a left turn and do something unexpected. Those are always the best scenes in my opinion. — Brad Falchuk

The best thing about acting is when you're playing a scene and you actually become your character and lose yourself in that moment. That's when you know you've been succeeded at what you've worked very hard to accomplish in your profession. Those are the truly thrilling moments. — Meryl Streep

I'll show thee best springs; I'll pluck thee berries;
I'llift fish for thee and get thee wood enough.
A plague upon the tyrant that I serve!
I'll bear him no sticks, but follow thee,
Thou wondrous man.
---Caliban
(Act II, scene 2, lines 158-162) — William Shakespeare

The best moments can't be preconceived. I've spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead. — Brad Pitt

I think life is a lot different for alternative kids nowadays. Texting and the internet mean that being a Goth or something means you're part of a big social scene, it's an inclusive thing. Back then, we all just went our different ways in the afterglow,wishing each other all the best with the next ten years of bullying. — Frankie Boyle

Virgil Donati is clearly the best drummer to come along in the music scene in quite some time. He is extremely unique and has embraced an original sound that has given him a signature that is unmistakable and impossible to duplicate. — Tony MacAlpine

Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in.
There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley.
Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that? — Ridley Pearson

The bad guy always gets the best scene and the best lines in the film, and they usually get the most days off. — Richard Dreyfuss

More people than ever are being paid to think, instead of just doing routine tasks. Yet making complex decisions and solving new problems is difficult for any stretch of time because of some real biological limits on your brain. Surprisingly, one of the best ways to improve mental performance is to understand these limits. In act 1, Emily discovers why thinking requires so much energy, and develops new techniques for dealing with having too much to do. Paul learns about the space limits of his brain, and works out how to deal with information overload. Emily finds out why it's so hard to do two things at once, and rethinks how she organizes her work. Paul discovers why he is so easily distracted, and works on how to stay more focused. Then he finds out how to stay in his brain's "sweet spot." In the last scene, Emily discovers that her problem-solving techniques need improving, and learns how to have breakthroughs when she needs them most. — David Rock

Why sacrifice some for the benefit of others? It's generally the best and the bravest who choose to lay down their lives for the sake of those who hide in their holes. So why favor the sacrifice of the righteous in order to permit the less righteous to survive them? Don't you think that's a way of weakening the human species? What's going to be left of it in a few generations if it's always the best who are called upon to exit the scene so that the cowards, the counterfeits, the charlatans, and the pricks can continue to proliferate like rats? — Yasmina Khadra

A great diving scene. Worth the read just for that:

"Randy! You have the best eyes for bubbles. Find my missing diver."
Paul leaned over the boat and yelled at the people waiting in the water. "Hey! Where's . . ." He examined the faces. It didn't take long to figure out who was missing. His heart spiraled to his feet.
"Oh, no, no, no!" He didn't hesitate to jump to action. He yelled out orders as he put his gear on in record time. "Get back on the boat. Now!"
"I see bubbles! Over there, 'bout fifteen meters," Randy called before anyone had a chance to do anything.
Paul stood on the back of the boat, all geared up and holding an extra tank with a regulator already attached. He looked to see where Randy pointed and took a giant stride into the water. He didn't bother to surface before starting the fastest descent he'd ever made. — S. Jackson Rivera