The Best Offer Film Quotes & Sayings

I hope that every film I make has something to offer in the area of making people feel either vindicated or different in terms of who they are. — Beeban Kidron

One helpful way of identifying these kingdom features is to examine closely the "preview" passages in the Bible. Pop a movie into your DVD player, and you'll first see previews of coming attractions. Similarly, throughout the Bible are previews of the "feature film": the kingdom of God in all its consummated fullnness. These texts offer us glimpses into what live will be like in the new heavens and new earth. — Amy L. Sherman

I spend a long time casting, but once I've cast a film there's a reason why I selected those people. So I'm hands-on in selecting the cast, hands-off to see what they do with their characters, and hands-on again to offer suggestions. — Alexander Payne

I have an agent in Hollywood and he's looking for material. If I get the offer and I feel I relate to that material, I will do it. I would love to do a horror film, a thriller, a tearjerker ... I like diversity. I would just like to sustain my sense of humour! — Carlos Cuaron

I don't have any plans to pursue film acting. It's not my thing anymore, if it ever was. Yes, I do still act sometimes. But when I do, it's with people I know and trust, people who respect me as a person and appreciate what I have to offer. — Mara Wilson

Before 1975, if you knew the name Howard Sackler it was because he was the author behind the 1969 Broadway play The Great White Hope, which won Sackler the Tony and New York Drama Critics Circle award as the year's Best Play as well as the Pulitzer Prize for Drama. A friend of film producer David Brown, Sackler accepted the offer to do a re-write on Jaws author Peter Benchley's script for the film version of his novel. Sackler's main contribution to the story was the back story that the shark fisherman, Quint, derived his hatred for sharks from having survived the sinking of the U.S.S. Indianapolis in July of 1945 (in the film, Quint errantly states the date as "June the 29th, 1945"). — Louis R. Pisano

Actually, after the release of the Bond film, the producers came back to me to offer me another one, but I didn't have any juice left for an immediate encore. — Roger Spottiswoode

At one A.M. we are learning over a bar, Jim and I, and I am stressing the primary importance of the wish. Not knowing what we want, not wishing for it , keeps us navigating along peripheries and tributaries formed and shaped by external influences. I said: Forget about the probable and improbable. Just a few hours ago I met Shirley Clark. She had no money at all but wanted to go to India. She is a film maker. The wish was the orientation. When an offer came to make a film about French children for UNESCO, she accepted, and it led to her being asked to make film on an Indian dancer. Her wish, for years, was the beacon. The probable and improbable are only negative concepts we have to transcend, not accept. — Anais Nin

Powerful, emotionally charged and worthy of every accolade the film industry has to offer. OCTOBER BABY will change you ... just open your heart. — Judie Brown

As attentive readers may have noted, the standard narrative of heterosexual interaction boils down to prostitution: a woman exchanges her sexual services for access to resources. Maybe mythic resonance explains part of the huge box-office appeal of a film like Pretty Woman, where Richard Gere's character trades access to his wealth in exchange for what Julia Roberts's character has to offer (she plays a hooker with a heart of gold, if you missed it). Please note that what she's got to offer is limited to the aforementioned heart of gold, a smile as big as Texas, a pair of long, lovely legs, and the solemn promise that they'll open only for him from now on. The genius of Pretty Woman lies in making explicit what's been implicit in hundreds of films and books. According to this theory, women have evolved to unthinkingly and unashamedly exchange erotic pleasure for access to a man's wealth, protection, status, and other treasures likely to benefit her and her children. — Christopher Ryan

You know what I did? I turned down an offer to do 'Enemy of the People' with Steve McQueen. It doesn't matter that the film was never really released. A movie like that, successful or not, adds to your credits. It leads to other roles. — Diane Ladd

The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film. — Abbas Kiarostami

The body directly before him, however, was that of a child. The blue of the eyes was now covered in a milky film, giving it its only depth, since all that was behind that veil was flat, like iron shields or silver coins, sealed and deprived of all promise. They were, he told himself yet again, eyes that no longer worked, and the loss of that was beyond comprehension. He would paint this child's face. He would paint it a thousand times. Ten thousand. He would offer the paintings as gifts to every man and every woman of the realm. And each time any one man or woman stirred awake the hearth gods of anger and hate, feeding the gaping mouth of violence and uttering pathetic lies about making things better, or right, or pure, or safe, he would give them yet another copy of this child's face. — Steven Erikson

The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends.
Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us. — J.G. Ballard

The only reason I ever do an independent film is that I believe in it, and I think it has something special to offer. I'm certainly not doing it to be a millionaire. — Jason Ritter

I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film. — Mads Mikkelsen

I'm always honored, but I think for every 100 of those that come along, one of them is actually going to happen. And, the fact that this was an offer on a major film that had a start date, was pretty impressive. — Adam Arkin

I try to make a film that's very entertaining, very funny, but also gives you something to think about. And the strongest thing I have to offer is my point of view, to get across how I see the world in hopes that it can change the way other people see the world, hopefully for the better. — Terry Zwigoff

When I met David Green at film school he always used to offer free haircuts - he was kind of an artisan. In a lot of our films, he's constantly trying to give me weird looks. — Danny McBride

Usually, when making a film, the surprises are negative surprises. You don't get what you wanted or what you hoped for. The only nice surprises are those that are offered to you by actors when they offer you these gifts, when they are better and give you more than what you had originally conceived. That doesn't happen every day on set, but if it happens a couple of times in the course of making a film, you can consider yourself very lucky. — Michael Haneke

[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II ). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes ... Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded. — James Berardinelli

I wanted to go to Rome. I got an offer to do an Italian film and I went. — David Naughton

The Metallica film was like this incredible life experience where I learned the most through guys that stereotypically you would think couldn't offer much to you. That's what I love about the film: It explodes your stereotype of them - they're not just a bunch of lugheads banging on the guitar. — Joe Berlinger

Art is the one place we all turn to for solace. We turn to it constantly, whether you are listening to music, or pop in a film; you want to escape reality, and if you thinking deeply, you want to engage in art in a complex way. Art allows us to navigate the more complicated parts of our lives in a way that is more palpable. We don't go to the movies just to see a movie; we go for the experience. I'm very interested in the experience. Art has saved my life on a regular basis. I wanted to offer that experience to children, to enlist them, to show them the possibilities that are in the arts, to persuade them to pursue it for both their own personal salvation and for changing the way we are understood. — Carrie Mae Weems

But alas, the cinema has taken our breath away so often, investing us in all the splendors of the splendidest American millionaire, or all the heroics and marvels of the Somme or the North Pole, that life has now no magnate richer than we, no hero nobler than we have been, on the film. Connu! Connu! Everything life has to offer is known to us, couldn't be known better, from the film. — D.H. Lawrence

Sometimes I think some of my fellow novelists who have not worked in television and film are very naive about this process. They get an offer and there's the dump truck full of money and they sign it, they cash the check and then they're not involved in the series. They may get invited to the premiere and they come out of the premiere looking like all of their children had just been gassed, with a stunned look on their face because everything has been changed. — George R R Martin

Gray mattresses with red and blue stripes in something that looks like a hallway or an overly long waiting room. In any case, his memory is frozen in immediate past like a faceless man in a dentist's chair. There are houses and streets that run down to the sea, dirty windows and shadows on staircase landings. We hear someone say "a long time ago it was noon," the light bounces off the center of immediate past, something that's neither a screen nor attempts to offer images. Memory slowly dictates soundless sentences. We imagine that all of this has been done to avoid confusion, a layer of white paint covers the film on the floor. Fleeing together long ago became living together and thus the integrity of the gesture was lost; the shine of immediate past. — Roberto Bolano

We took up the offer with the BBC, and that was Monty Python's Flying Circus. I didn't have to submit my ideas to the group. I used to turn up on the days we recorded with a can of film under my arm, and in it went. — Terry Gilliam

Julia doesn't like James Gillen, but that's not the point, not out here. In the Court, back in the Court any eye you catch could be Love peal-of-bells-firework-burst Love, all among the sweet spray of the music and the rainbowing prisms of the lights, this could be the one huge mystery every book and film and song is sizzling with; could be your one-and-only shoulder to lean your head on, fingers woven with yours and lips gentle on your hair and Our Song pouring out of every speaker. This could be the one heart that will open to your touch and offer up its never-spoken secrets, that has spaces perfectly shaped to hold all of yours. — Tana French

Comedy does offer an avenue to television and film careers for untelegenic people that great drama does not. — John Hodgman

'Black Mirror,' I read that, and I had another offer for a movie at the same time that was a bigger movie, an actual film as opposed to TV, but I said, 'No, it has to be Black Mirror.' And it hadn't been sold to Netflix, hadn't gone abroad at that point - but it's just good work - that's all there is to it. — Domhnall Gleeson

What I treasure most at any moment is intimacy, surprise, a sense of mystery, wit, depth and love. A handful of cherished friends offer me this, and the occasional singer or film-maker or artist. But my most reliable sources of electricity are Henry David Thoreau, Shakespeare, Melville and Emily Dickinson. — Pico Iyer

Once you capitulate to one dictator, does that mean that the next dictator or the next terrorist that says you're not going to make a comedy about
or a film at all about ISIS, all of us in public life have a responsibility right now to speak out and to say, 'No, Sony, you did the wrong thing' and to say to Hollywood, come behind
the other studios should come behind Sony and offer their support. — Ed Royce

We live in an era where each of us has a massive catalog of film and television available through the internet at the swipe of a finger. To get folks out of their homes for a piece of art or entertainment, I think you need to offer something they can't get on Netflix or Amazon. — Nick Blaemire