The Art Of The Novel Quotes & Sayings

It has been said that the world of Proust was a world without a god. If that is true, it is not because God is
never spoken of, but because the ambition of this world is to be absolute perfection and to give to eternity
the aspect of man. Time Regained, at least in its aspirations, is eternity without God. Proust's work, in this
regard, appears to be one of the most ambitious and most significant of man's enterprises against his
mortal condition. He has demonstrated that the art of the novel can reconstruct creation itself, in the form
that it is imposed on us and in the form in which we reject it. In one of its aspects, at least, this art consists
in choosing the creature in preference to his creator. But still more profoundly, it is allied
to the beauty of the world or of its inhabitants against the powers of death and oblivion. It is in this way
that his rebellion is creative — Albert Camus

In The Unbearable Lightness of Being, Tereza lives with Tomas, but her love requires mobilization of all her strength, and suddenly she can't go on, she longs to retreat down below, to where she came from. And I ask myself: What is happening with her? And this is the answer I find: She is overcome by vertigo. But what is vertigo? I look for a definition and I say: "A heady, insuperable longing to fall." But immediately I correct myself, I sharpen the definition: Vertigo is "the intoxication of the weak. Aware of his weakness, a man decides to give in rather than stand up to it. He is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down. Vertigo is one of the keys to understanding Tereza — Milan Kundera

I wish to try my hand at a novel," he said. "Just scribbling, I assure you, but it strikes me as such a noble art, requiring none of the monetary resources of opera or drama, nor the erudition of poetry. Perchance a publisher could be found. I'd be satisfied by the printing of even a score of copies, if only to hold the bound work in my hands. It gives a unique satisfaction, I assume, the writing of a novel. — Kyle Muntz

Introducing a great artist, Alexander Wainwright in THe Fate of Pryde.

In his landscapes, Alex expresses the totality of everything in the universe. At the same time, within each leaf, each drop of water or human hair, he conveys a light or glow, which seems to come - how shall I put this - from another dimension. And each brushstroke contains every ounce of his own life and vitality.

From The Fate of Pryde, the second in The Trilogy of Remembrance.

Enter the giveaway to win one of ten personalized, autographed copies of this novel starting July 31st to August 31st. You can sample the first fifty pages of it at my page. — Mary E. Martin

Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them - the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. — Rafael Sabatini

O blessed idleness! Divine lazy nymph! Reach me a novel as I lie in my dressing-gown at three o'clock in the afternoon; compound a sherry-cobbler for me, and bring me a cigar! Dear slatternly, smiling Enchantress! They may assail thee with bad names - swear thy character away, and call thee the Mother of Evil; but, for all that, thou art the best company in the world! — William Makepeace Thackeray

A cardinal principle of good fiction [is]: the theme and the plot of a novel must be integrated - as thoroughly integrated as mind and body or thought and action in a rational view of man. — Ayn Rand

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel. — Eudora Welty

Get thee to the novel! - the novel, that word-woven submarine, piloted by intimation and intuition, that will dive you to the deeps of the heart's maelstrom. — Cynthia Ozick

Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions. — Susan Sontag

The 21st chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change.
"A Clockwork Orange Resucked" intro to first full American version 1986 — Anthony Burgess

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

the best of Cervantes is untranslatable, and this undeniable fact is in itself an incentive [for one and all] to learn Spanish. — Aubrey F.G. Bell

The Australian Gerald Murnane, a genius on the level of Beckett, is known in Australia and Sweden but almost nowhere else. And I loved Reality Hunger, David Shields' recent novel take on the art of the novel. — Teju Cole

I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular. — Orhan Pamuk

But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended. — John Green

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form. — Marleen S. Barr

This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. — Susan Sontag

For the last fifty years or so, The Novel's demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can't in a lush, protracted mode. The first is the intricacy and beauty of language - especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end? — Lance Olsen

Art gives its vision to beauty not always recognized. And it surrenders freely
whatever power it possesses to every sincere soul that seeks it. But above all else
it presents us with the gift of ourselves. — Aberjhani

Listen closely. There's a remote possibility that you might learn something: First, I don't give a damn if my work is commercial or not ... I'm the writer. If what I write is good, then people will read it. That's why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself. — John Fante

I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use
silence, exile, and cunning. — James Joyce

The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point. — Karan Bajaj

I want to be an art-hero - I want to change the form of the novel. — Jeanette Winterson

A Conrad student informed me in Scotland that Africa is merely a setting for the disintegration of the mind of Mr. Kurtz.
Which is partly the point. Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind? But that is not even the point. The real question is the dehumanization of Africa and Africans which this age-long attitude has fostered and continues to foster in the world. And the question is whether a novel which celebrates this dehumanization, which depersonalizes a portion of the human race, can be called a great work of art. — Chinua Achebe

The twenty-first chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change. There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of the field of the novel and into that of the fable or the allegory. — Anthony Burgess

I have some art, but I am a hobbyist. I would not consider myself an expert but in the course of writing this novel I became very familiar with the various movements in American Modern Art from 1900 onwards. — Nicholas Sparks

The usual criticism of a novel about an artist is that, no matter how real he is as a man, he is not real to us as an artist, since we have to take on trust the works of art he produces. — Randall Jarrell

Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world ... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object. — Robert Olen Butler

Pace begins in the screenplay. Cliche or not, we must control rhythm and tempo. It needn't be a symmetrical swelling of activity and shaving of scene lengths, but progressions must be shaped. For if we don't, the film editor will. And if to trim our sloppy work he cuts some of our favorite moments, we have no one to blame but ourselves. We're screenwriters, not refugees from the novel. Cinema is a unique art form. The screenwriter must master the aesthetics of motion pictures and create a screenplay that prepares the way for the artists who follow. — Robert McKee

It is the test of a novel writer's art that he conceal his snake-in-the-grass; but the reader may be sure that it is always there. — Anthony Trollope

Whether or not you agree with Ayn Rand - and I have certain issues with some of her beliefs - the woman can tell a story. I mean, the novel as an art form is just in full florid bloom in 'Atlas Shrugged.' It's an unbelievable story. The characters are so compelling, and what she's saying is mind-expanding. — Anne Hathaway

Surely the novel should be a form of art - but art was not enough. It must contain not only the perfection of art, but the imperfection of nature. — Ellen Glasgow

Ayn Rand held that art is a 're-creation of reality according to an artist's metaphysical value-judgements.' By its nature, therefore, a novel (like a statue or a symphony) does not require or tolerate an explanatory preface; it is a self-contained universe, aloof from commentary, beckoning the reader to enter, perceive, respond. — Leonard Peikoff

You don't know the art of eating ice cream." I mumbled.
"And what's that?" He said sarcastically.
"That is, to enjoy every single spoonful, lick it thrice to completely clean it off, then take another spoonful, and so on. You know what's sweet time? That is called sweet time. Next time, do it and enjoy the heavenly taste of it. It will increase its deliciousness by tenfold." I grinned at him. — Zainab T. Khan

In a variation on James's recipe for interesting experience
the familiar leavened by the novel
Hobbs's "art of choosing difficulties" requires selecting projects that are "just manageable." If an activity is too easy, you lose focus and get bored. If it's too hard, you become anxious, overwhelmed, and unable to concentrate. Tellingly, one group is distinguished by its zeal for the kind of work that requires you to give it all you've got: high achievers particularly relish taking on risky projects that have only a 50/50 chance of success. — Winifred Gallagher

The novel is called upon like no other art form to incorporate the intellectual content of an age. — Robert Musil

Yet I am incapable of writing the only kind of novel which interests me: a book powered with an intellectual or moral passion strong enough to create order, to create a new way of looking at life. It is because I am too diffused. I have decided never to write another novel. I have fifty 'subjects' I could write about; and they would be competent enough. If there is one thing we can be sure of, it is that competent and informative novels will continue to pour from the publishing houses. I have only one, and the least important, of the qualities necessary to write at all, and that is curiosity. It is the curiosity of the journalist. — Doris Lessing

To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat - some because they use visible and hence vital formulas, others because they live from human life itself.
This isn't the case with literature. Literature stimulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse. — Fernando Pessoa

He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse

In a play, certainly, the subject is of more importance than in any other work of art. Infelicity, triviality, vagueness of subject, may be outweighed in a poem, a novel, or a picture, by charm of manner, by ingenuity of execution; but in a drama the subject is of the essence of the work-it is the work. If it is feeble, the work can have no force; if it is shapeless, the work must be amorphous. — Henry James

Making reality real is art's responsibility. It is a practical assignment, then, a self-assignment: to achieve, by a cultivated sensitivity for observing life, a capacity for receiving impressions, a lonely, unremitting, unaided, unaidable vision, and transferring this vision without distortion to it onto the pages of a novel, where, if the reader is so persuaded, it will turn into the reader's illusion. — Eudora Welty

I had just taken to reading. I had just discovered the art of leaving my body to sit impassive in a crumpled up attitude in a chair or sofa, while I wandered over the hills and far away in novel company and new scenes ... My world began to expand very rapidly, ... the reading habit had got me securely. — H.G.Wells

Some people thought I was using my popularity as a singer to sell my first novel. For others, it was almost a sacrilege: a practitioner of a minor art daring to enter the field of high art. — Chico Buarque

Even as our world is being daily transformed by breathtaking innovations in science and technology, many people continue to imagine that math and science are mostly a matter of memorizing formulas to get "the right answer." Even engineering, which is in fact the process of creating something from scratch or putting things together in novel and non-self-evident ways, is perplexingly viewed as a mechanical or rote subject. This viewpoint, frankly, could only be held by people who never truly learned math or science, who are stubbornly installed on one side of the so-called Two Culture divide. The truth is that anything significant that happens in math, science, or engineering is the result of heightened intuition and creativity. This is art by another name, and it's something that tests are not very good at identifying or measuring. The skills and knowledge that tests can measure are merely warm-up exercises. — Salman Khan

The ride to Alicante had been like something out of a dream, or a cheesy romance novel. The two of them astride white stallions, galloping across the countryside, charging across emerald meadows and through a forest the color of flames. Isabelle's hair streamed behind her like a river of ink, and Simon had even managed not to fall off his horse--never a foregone conclusion. — Cassandra Clare

The warmth of our bodies began to melt my frozen heart bit by bit. — Kirito

Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else's snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It's world-creating.

It's raw, exposed dreaming. It's humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next.

It's what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience. — Laurie Perez

[EM] Forster was the only living writer whom he would have described as his master. In other people's books he found examples of style which he wanted to imitate and learn from. In Forster he found a key to the whole art of writing. The Zen masters of archery - of whom, in those days, Christopher had never heard - start by teaching you the mental attitude with which you must pick up the bow. A Forster novel taught Christopher the mental attitude with which he must pick up the pen. — Christopher Isherwood

This may not be art as art commonly goes; the lack of discipline, of control, would seem to rule it out of that category. And yet Woolrich's lack of control over emotions is a crucial element in his work, not only because it intensifies the fragility and momentariness of love but also because it tears away the comfortable belief, evident in some of the greatest works of the human imagination such as Oedipus Rex, that nobility in the face of nothingness is possible. And if Woolrich's work is not art as commonly understood, there is an art beyond art, whose form is not the novel or story but the scream; and of this art Woolrich is beyond doubt a master. ("Introduction") — Francis M. Nevins Jr.

Henry had written a novel because there was a hole in him that needed filling, a question that needed answering, a patch of canvas that needed painting - that blend of anxiety, curiosity and joy that is at the origin of art - and he had filled the hole, answered the question, splashed colour on the canvas, all done for himself, because he had to. Then complete strangers told him that his book had filled a hole in them, had answered a question, had brought colour to their lives. The comfort of strangers, be it a smile, a pat on the shoulder or a word of praise, is truly a comfort. — Yann Martel

If it is written and read with serious attention, a novel, like a myth or any great work of art, can become an initiation that helps us to make a painful rite of passage from one phase of life, one state of mind, to another. A novel, like a myth, teaches us to see the world differently; it shows us how to look into our own hearts and to see our world from a perspective that goes beyond our own self-interest. — Karen Armstrong

I had always said to myself that forty was the cut off point of my apprenticeship which may for some people sound like a very long one, but the novel as art is a middle-aged art. — Jane Rule

Plato has given to all posterity the model of a new art form, the model of the novel--which may be described as an infinitely enhanced Aesopian fable, in which poetry holds the same rank in relation to dialectical philosophy as this same philosophy held for many centuries in relation to theology: namely the rank of ancilla. — Friedrich Nietzsche

Novels are political not because writers carry party cards
some do, I do not
but because good fiction is about identifying with and understanding people who are not necessarily like us. By nature all good novels are political because identifying with the other is political. At the heart of the 'art of the novel' lies the human capacity to see the world through others' eyes. Compassion is the greatest strength of the novelist. — Orhan Pamuk

Every work of art is one half of a secret handshake, a challenge that seeks the password, a heliograph flashed from a tower window, an act of hopeless optimism in the service of bottomless longing. Every great record or novel or comic book convenes the first meeting of a fan club whose membership stands forever at one but which maintains chapters in every city
in every cranium
in the world. Art, like fandom, asserts the possibility of fellowship in a world built entirely from the materials of solitude. The novelist, the cartoonist, the songwriter, knows the gesture is doomed from the beginning but makes it anyway, flashes his or her bit of mirror, not on the chance that the signal will be seen or understood but as if such a chance existed. — Michael Chabon

While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.) — Mary Pope Osborne

McEwan's Atonement ... truly dazzles, proving to be as much about the art and morality of writing as it is about the past ... . The middle section of Atonement, the two vividly realized set pieces of Robbie's trek to the Channel and Briony's experiences with the wounded evacuees of Dunkirk, would alone have made an outstanding novel ... . There is wonderful writing throughout as McEwan weaves his many themes - the accidents of contingency, the sins of absent fathers, class oppression - into his narrative, and in a magical love scene. — Noah Richler

Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own. — Ben Lerner

I have a theory of my own about what the art of the novel is, and how it came into being ... It happens because the storyteller's own experience ... has moved him to an emotion so passionate that he can no longer keep it shut up in his heart. — Murasaki Shikibu

An author's extraliterary utterance (blunt information), prenovel or postnovel, may infiltrate journalism; it cannot touch the novel itself. Fiction does not invent out of a vacuum, but it invents; and what it invents is, first, the fabric and cadence of language, and then a slant of idea that sails out of these as a fin lifts from the sea. The art of the novel (worn yet opulent phrase) is in the mix of idiosyncratic language - language imprinted in the writer, like the whorl of a fingertip - and an unduplicable design inscribed on the mind by character and image. Invention has little capacity for the true-to-life snapshot. It is true to its own stirrings. — Cynthia Ozick

The novel, as a living force, if not as a work of art, owes an incalculable debt to what we call, mistakenly, the new psychology, to Freud, in his earlier interpretations, and more truly, I think, to Jung. — Ellen Glasgow

Through the window I looked across the oil-black Tigris at the Green Zone, lit up like Disneyland in Dystopia. I thought about J.G. Ballard's novel High Rise, where a state-of-the-art London tower block is the vertical stage for civilization to unpeel itself until nothing but primal violence remains. — David Mitchell

The biographical novel is a true and documented story of one human being's journey across the face of the years, transmuted from the raw material of life into the delight and purity of an authentic art form. — Irving Stone

What does the novel know? It has no practical or educational aim; yet it knows what ordinary knowledge cannot seize. The novel's intricate tangle of character-and-incident alights on the senses with a hundred cobwebby knowings fanning their tiny threads, stirring up nuances and disclosures. The arcane designs and driftings of metaphor - what James called the figure in the carpet, what Keats called negative capability, what Kafka called explaining the inexplicable - are that the novel knows. — Cynthia Ozick

The art of not reading is a very important one. It consists in not taking an interest in whatever may be engaging the attention of the general public at any particular time. When some political or ecclesiastical pamphlet, or novel, or poem is making a great commotion, you should remember that he who writes for fools always finds a large public. A precondition for reading good books is not reading bad ones: for life is short. — Arthur Schopenhauer

The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It's technique, page by page, resembles our technique of living day by day
a way of relating. — Joyce Carol Oates

One of the things I've been most excited by is U.S. television drama. For my money, it's some of the greatest narrative art of our time. Each series is like a 19th-century Russian novel: you need to do a lot of work in the first few episodes, just as you do in the first 50-60 pages of those books. — Kevin Barry

To AMC's credit, I think what they saw was the show doesn't exist in the marketplace. They knew that there was a hunger for a martial arts show. They also knew that you have this strong tradition of martial arts cinema, so even though it's not branded by a novel or a comic book or an old movie or something, we do have the genre itself, which people love. — Alfred Gough

Daemonic compulsiveness can kill as easily as it can save.
The true novelist must be at once driven and indifferent. Van
Gogh never sold a painting in his life. Poe came close with
poetry and fiction, selling very little. Drivenness only helps if
it forces the writer not to suicide but to the making of splendid
works of art, allowing him indifference to whether or not the
novel sells, whether or not it's appreciated. Drivenness is trouble
for both the novelist and his friends; but no novelist, I
think, can succeed without it. Along with the peasant in the
novelist, there must be a man with a whip. — John Gardner

In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis. — Yevgeny Zamyatin

A large part of the art of instruction lies in making the difficulty of new problems large enough to challenge thought, and small enough so that, in addition to the confusion naturally attending the novel elements, there shall be luminous familiar spots from which helpful suggestions may spring. — John Dewey

Just getting something to work usually means writing reams of code fast, like a Stephen King novel, but making it maintainable and high-quality code that really expresses the ideas well, is like writing poetry. Art is taking away. — Erik Naggum

The recent extraordinary discovery in Photography, as applied in the operations of the mind, has reduced the art of novel-writing to the merest mechanical labour. — Lewis Carroll

In order to make the novel into a polyhistorical illumination of existence, you need to master the technique of ellipsis, the art of condensation. Otherwise, you fall into the trap of endless length. — Milan Kundera

To me reading is an almost sacred activity and the great novel is its high mass.

The novel is so deeply powerful as an art form because of the investment of time and faith it demands.

A good novel can sweep you up, quarry you out, illuminate you and truly inhabit your life.

And, of course, although the writer composes the sentences of the novel the reader is a full participant in the imaginative process and far from a mere voyeur. — Gregory Day

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

To reflect the entire spectrum, the dynamics of the adventure novel must be invested with a philosophic synthesis of one kind or another. — Yevgeny Zamyatin

It may not be the "Great American Novel" they talk about, because its scope is not broad enough to take in all of America, but it pictures the people and the customs and the drama of upstate New York in the days preceding and following the Civil War with a simplicity that, to my mind, is true art. — Clyde Brion Davis

One of the things I tell the writers with whom I work is, man, when you finish a draft of a poem, or short story or novel, you make sure you go out and celebrate all night long because whether the world ever notices or not, whether you get it published or not, you did something most people never do: You started, stuck with, and finished a creative work. And that is a triumph. That is something to celebrate. All the stuff that I'm talking about is really from the point of view of trying to create art - and I don't mean to sound highfalutin when I bring the word "art" in. All I mean is, a work that seeks to illuminate truth in whatever way possible. — Andre Dubus III

I think the novel is essentially a comic form (tragedy is for the theatre), not meaning by that full of jokes, but that it is about the absurd detail of human life, the way in which one cannot fully understand what is happening. Life is muddle and jumble and ends inconclusively, and when this is presented with great comic art the sorrows of human life can be truthfully conveyed; one is moved by the spectacle, and feels that something truthful has been told in a magic way. — Iris Murdoch

Ruskin says that anyone who expects perfection from a work of art knows nothing of works of art. This is an appealing sentence that, so far as I can see, is not true about a few pictures and statues and pieces of music, short stories and short poems. Whether or not you expect perfection from them, you get it; at least, there is nothing in them that you would want changed. But what Ruskin says is true about novels: anyone who expects perfection from even the greatest novel knows nothing of novels. — Randall Jarrell

Good art can come out of thieves, bootleggers, or horse swipes. People really are afraid to find out just how much hardship and poverty they can stand. They are afraid to find out how tough they are. Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich. Success is feminine and like a woman; if you cringe before her, she will override you. So the way to treat her is to show her the back of your hand. Then maybe she will do the crawling. — William Faulkner

The art of the novel is to arrive at that artless point where your characters become more real than yourself. — Norman Mailer

A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel. — Edward Bulwer-Lytton, 1st Baron Lytton

Co-operating critics comb the studios like big-league scouts, prepared to spot the art of the future and to take lead in establishing reputations. Art historians stand by ready with cameras and notebooks to make sure every novel detail is safe for the record. The tradition of the new has reduced all other traditions to triviality ... — Harold Rosenberg

Many great authors of the 19th century wrote under conditions of strict censorship. The great thing about the art of writing a novel, is that you can write about anything. All you have to say is that it's fiction. — Orhan Pamuk

I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all. — Joyce Carol Oates

I think that the power of art is the power to wake us up, strike us to our depths, change us. What are we searching for when we read a novel, see a film, listen to a piece of music? We are searching, through a work of art, for something that alters us, that we weren't aware of before. We want to transform ourselves, just as Ovid's masterwork transformed me. — Jhumpa Lahiri

Being accused of making money by selling sex in Hollywood, home of the casting couch and the gratuitous nude scene, is so rich with irony that it's a better subject for a comic novel than a column ... On one coast the cops are busting sex workers on Eighth Avenue, dragging them downtown to night court where they pay the fine and go right back to their corner; on another they're charging Heidi Fleiss with pandering in a town in which the verb is an art form. — Anna Quindlen

One way to cope with the provocations of novel art is to rest firm and maintain solid standards ... set by the critic's long-practiced taste and by his conviction that only those innovations will be significant which promote the established direction of advanced art. — Leo Steinberg

The novel ... creates a bemusing effect. The short story, on the other hand wakes the reader up. Not only that, it answers the primitive craving for art, the wit, paradox and beauty of shape, the longing to see a dramatic pattern and significance in our experience. — V.S. Pritchett

Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent. — Mohsin Hamid

Narrative art, the novel, from Murasaki to Proust, has produced great works of poetry. — Eugenio Montale

For me, where genre ends and literature begins doesn't matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I've ever met, revealed truths I've somehow always known and insights that rock my brain. It's filled me with awe, which is to say it's made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art. — Donald Maass

Expertise and judgment in the art of lending for novel ventures must be reacquired. — Edmund Phelps

It is the form that allows a writer the greatest opportunity to explore human experience ... For that reason, reading a novel is potentially a significant act. Because there are so many varieties of human experience, so many kinds of interaction between humans, and so many ways of creating patterns in the novel that can't be created in a short story, a play, a poem or a movie. The novel, simply, offers more opportunities for a reader to understand the world better, including the world of artistic creation. That sounds pretty grand, but I think it's true. — Don DeLillo

Art is fueled by rebellion: the need, in some amounting to obsessions, to resist what is, to defy one's elders, even to the point of ostracism; to define oneself, and by extension one's generation, as new, novel, ungovernable. — Joyce Carol Oates

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor