The Art Of Empathy Quotes & Sayings

As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy. — Patrick Rothfuss

My art and my self-expression in any form has always been an attempt towards sincerity, honesty, and empathy for others. For a multitude of reasons both professional and personal I no longer feel that this is possible within [Crystal Castles]. Although this is the end of the band, I hope my fans will embrace me as a solo artist in the same way they have embraced Crystal Castles. — Alice Glass

And if, as all philosophers on the subject have noted, art is a human activity that relies on the senses to reach the soul, did it not also stand to reason that dogs
at least dogs of Mr. Bones' caliber
would have it in them to feel a similar aesthetic impulse? Would they not, in other words, be able to appreciate art? As far as Willy knew, no one had ever thought of this before. Did that make him the first man in recorded history to believe such a thing was possible? No matter. It was an idea whose time had come. If dogs were beyond the pull of oil paintings and string quartets, who was to say they wouldn't respond to an art based on the sense of smell? Why not an olfactory art? Why not an art for dogs that dealt with the world as dogs knew it? — Paul Auster

[ ... ] art instills the fundamental moral lesson: That you aren't the center of the universe. That others weren't created for your benefit. That they are just as real as you, with equal claimes to dignity and understanding. — William Deresiewicz

To erase the possibility of empathy is to erase the possibility of understanding.
To erase the possibility of empathy is also to erase the possibility of art. Theater, fiction, horror stories, love stories. This is what art does. Good or bad, it imagines the insides, the heart of the other, whether that heart is full of light or trapped in darkness. — Amanda Palmer

God is that force that drives us to really see each other and to really behold each other and care for each other and respond to each other. And for me, that is actually enough. That cultivating it, that thinking about it, worshipping it, working towards it, taking care of it, nurturing it in myself, nurturing it in other people, that really is a life's work right there, and it doesn't have to be any bigger than that. God doesn't have to be out in the next solar system over bashing asteroids together. It's plenty, just the God that I work with. Kate Braestrup — Krista Tippett

Give children kindness, presence, and respect to help them develop a deeper sense of empathy. The art of seeing and meeting others as they are. — Iben Dissing Sandahl

I noticed that religion gave some people a way to escape dealing with the world: "Things will be better when you die," the people of my grandma's generation said as they worked themselves to death. "God wants you to forgive and love those who do you wrong," some people said to shake off the shame of being unable to respond to the abuse they endured. The holier-than-thou faction found comfort in believing, "The rest of y'all are lost because you don't have a personal relationship with God - our God."
But art engages you in the world, not just the world around you but the big world, and not just the big world of Tokyo and Sydney and Johannesburg, but the bigger world of ideas and concepts and feelings of history and humanity. — Wynton Marsalis

The art of integrating the ego and the impulse for empathy in a dynamic call and response. — Mary Gaitskill

GLOUCESTER
Now, good sir, what are you?
EDGAR
A most poor man made tame to fortune's blows,
Who by the art of known and feeling sorrows
Am pregnant to good pity. — William Shakespeare

To be a decent writer you must have both empathy and imagination. While these attributes aid your art, they can plague your soul. You don't simply suffer your own sadness, experience your own longing and worry about your own wife and children, you are burdened with experiencing the emotional states of multitudes of others you don't know. — M.J. Rose

What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there. — Rebecca Solnit

Art then becomes a safety valve for the expression of individual and collective neuroses originating in the inability of coping with the environment. Its products serve as a retarded correction of perception braked by the system of conventions and stereotypes that stabilize society. They create a slightly updated system which, eventually assimilated by history, will require a new system and so on without end. Art objects serve as points of identification alienated from the consumer, requiring more sympathy than empathy. — Luis Camnitzer

I know the empathy borne of despair; I know the fluidity of thought, the expansive, even beautiful, mind that hypomania brings, and I know this is quicksilver and precious and often it's poison. There has always existed a sort of psychic butcher who works the scales of transcendence, who weighs out the bloody cost of true art. — David Lovelace

I had a teacher I liked who used to say good fiction's job was to comfort the disturbed and disturb the comfortable. I guess a big part of serious fiction's purpose is to give the reader, who like all of us is sort of marooned in her own skull, to give her imaginative access to other selves. Since an ineluctable part of being a human self is suffering, part of what we humans come to art for is an experience of suffering, necessarily a vicarious experience, more like a sort of "generalization" of suffering. Does this make sense? We all suffer alone in the real world; true empathy's impossible. But if a piece of fiction can allow us imaginatively to identify with a character's pain, we might then also more easily conceive of others identifying with our own. This is nourishing, redemptive; we become less alone inside. — David Foster Wallace

the fine art of relationships - requires the ripeness of two other emotional skills, self-management and empathy. With — Daniel Goleman

The lover of excellence is prone to being drawn out of himself, erotically almost, in a way that the universalist egalitarian is not. The latter's empathy, projected from afar and without discrimination, is more principled than attentive. It is similar to bad art and mathematical shoelaces, in this regard; it is content to posit rather than to see the humanity of its beneficiaries. — Matthew B. Crawford

A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings ... it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy. — Nan Goldin

In my opinion, works of art should be viewed as gifts; something precious given from a point of empathy, where personal enrichment is vastly superior to the value of the gift, and the giver begs for nothing but for the gift to shine on its own. — Kevin Focke

It art can only succeed through the cooperating imagination and intelligence of its consumers, who fill out, for themselves, the artist's world and make it round, and whose own special genius partly determine the ultimate glory of it. — William H Gass

I will never tell another person, "I don't understand you ... " and why? Because if I say that, it means that I am disabled in a way. The inability to connect to another's perspective is, I believe, a disability. — C. JoyBell C.

All three of our species have empathy, we have sympathy, we have a sense of fairness - the Babyeaters even tell stories like we do, they have art. Shouldn't that be enough? Wasn't that supposed to be enough? But all it does is put us into enough of the same reference frame that we can be horrible by each others' standards. — Eliezer Yudkowsky

Writing is transcendental. It is a form of expression, a form of art that you can take anywhere. That you can do anywhere. It poses the deepest questions in the universe. It generates emotion. It elicits empathy, promotes learning, creates an intellect you simply cannot get from any other medium. For me, it is air. — Darynda Jones

The difference between sex with David and sex with Stephen is like the difference between science and art. With Stephen it's all empathy and imagination and exploration and the shock of the new, and the outcome is ... uncertain, if you know what I mean. I'm engaged by it, but I', mot necessarily sure what its all about. David, on the other hand, presses this button, then that one, and bingo! It's like operating a lift - just as romantic, but actually just as useful. — Nick Hornby

Resistance here doesn't mean revolution. It doesn't mean storming the barricades. Resistance means using art for the things that it does best, which is to create human portraits and communicate ideas and forge a climate where people of different races or classes are known to you because they make themselves known. In the simplest terms, art humanizes. It opens the circuit of empathy. And once that process happens, it's that much harder to think of people as part of a policy or a statistic. Art reverses the alienation that can creep into society. — Questlove

The faculty to think objectively is reason; the emotional attitude behind reason is that of humility. To be objective, to use one's reason, is possible only if one has achieved an attitude of humility, if one has emerged from the dreams of omniscience and omnipotence which one has as a child. Love, being dependent on the relative absence of narcissism, requires the developement of humility, objectivity and reason.
I must try to see the difference between my picture of a person and his behavior, as it is narcissistically distorted, and the person's reality as it exists regardless of my interests, needs and fears. — Erich Fromm

The art of listening needs its highest development in listening to oneself; our most important task is to develop an ear that can really hear what we're saying. — Sydney J. Harris

As [William] Valentiner noted in his uncompleted memoirs Remembering Artists, [Diego] Rivera's [Detroit Industry] murals rooted the Detroit Institute of Arts to the many-faceted jewel of its central court because of the harmonious, fertile relationship between "the industrialist" and "the artist." Rivera remarked to Valentiner how especially struck he was that "Edsel had none of the characteristics of the exploiting capitalist, that he had the simplicity and directness of a workman in his won factories and was like one of the best of them." Their relationship was like the murals themselves, a superb expression of pluralism, toleration, and empathy for the other, and of a cosmopolitan sense of all the Americas, not just of the United States of America or Detroit alone. — John Dean

The law of empathy, by which he could, by his will, transfer himself into an object or a work of art, and thus inflence the outer world. He did not feel redeemed by the work he did. He did not seek redemption. He sought to see what others did not, the projection of his imagination. — Patti Smith

Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are. — Jonathan Safran Foer

Arabelle was so upset, it was clear that she was not filled with the thrill of discovery. She was instead several steps over the edge into hysteria, and talking to hysterical people, like so much of ordinary human interaction, takes no particular empathy or liking for people, happily for Dark and Dismal Dexter. It was all technique, a craft and not an art, and that put it squarely inside the expertise of anyone who has studied and copied human behavior. Smile in the right places, nod your head, pretend to listen - I had mastered it ages ago. — Jeff Lindsay

Hopper invites us to feel empathy with the woman in her isolation. She seems dignified and generous, only perhaps a little too trusting, a little naive - as if she has knocked against a hard corner of the world. Hopper puts us on her side, the side of the outsider against the insiders. The figures in Hopper's art are not opponents of home per se; it is simply that in a variety of undefined ways, home appears to have betrayed them, forcing them out into the night or onto the road. — Alain De Botton

There is absolutely no single aspect of one's personality that is more important to develop than empathy, which is not a skill at which men typically are asked to excel. I believe empathy is not only the core of art, literature and music, but should also be at the core of society, from ethics to economics. — Chris Ware

The true aspiration of art should be to reduce the need for it. It is not that we should one day lose our devotion to the things that art addresses: beauty, depth of meaning, good relationships, the appreciation of nature, recognition of the shortness of life, empathy, compassion, and so on. Rather, having imbibed the ideals that art displays, we should fight to attain in reality the things art merely symbolises, however graciously and intently. The ultimate goal of the art lover should be to build a world where works of art have become a little less necessary — Alain De Botton

History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn't quaint. Much of it, in fact, is bleak. — Jill Lepore

This paying attention is the foundational act of empathy, of listening, of seeing, of imagining experiences other than one's own, of getting out of the boundaries of one's own experience. There's a currently popular argument that books help us feel empathy, but if they do so they do it by helping us imagine that we are people we are not. Or to go deeper within ourselves, to be more aware of what it means to be heartbroken, or ill, or six, or ninety-six, or completely lost. Not just versions of our self rendered awesome and eternally justified and always right, living in a world in which other people only exist to help reinforce our magnificence, though those kinds of books and movies exist in abundance to cater to the male imagination. Which is a reminder that literature and art can also help us fail at empathy if it sequesters us in the Big Old Fortress of Magnificent Me. — Rebecca Solnit