The Art Of Elsewhere Quotes & Sayings
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I didn't know anything about conceptual art when I left Kansas. I went to Cal Arts to be a painter, but the exciting stuff was happening elsewhere, so I took a holiday from painting for a few years. — David Salle

What he was after hangs between the visible and the invisible, between the here and now and the seemingly elsewhere. — Andre Aciman

But, Foley, my lad, it isn't beauty per se that makes wire-walking Zen or makes it art. It's the extremity of the risks that are assumed by each exquisite gesture, each impossible somersault. Here's a more extreme version of the dangerous beauty bullfights used to possess before the matadors became preening cowards and stacked the desk against the beasts. We only rise above mediocrity when there's something at stake, and I mean something more consequential than money or reputation. The great value of a high-wire act is that it has no practical value. The fact that so much skill and effort and courage can be directed into something so ostensibly useless is what makes it useful. That's what affords it the power to lift us out of context and carry us-elsewhere. — Tom Robbins

... but because they felt the neighborhood was safer than the one around Columbia, the medical campus of which was so far north that it was practically an annex of the Bronx — Michelle Au

Great art suspends the reverted eye, the lamented past, the anticipated future: we enter with it into the timeless present; we are with God today, perfect in our manner and mode, open to the riches and the glories of a realm that time forgot, but that great art reminds us of: not by its content, but by what it does in us: suspends the desire to be elsewhere. And thus it undoes the agitated grasping in the heart of the suffering self, and releases us - maybe for a second, maybe for a minute, maybe for all eternity - releases us from the coil of ourselves. — Ken Wilber

I can't bear these accounts I read in the Times and elsewhere of these poetry slams, in which various young men and women in various late-spots are declaiming rant and nonsense at each other. The whole thing is judged by an applause meter which is actually not there, but might as well be. This isn't even silly; it is the death of art. — Harold Bloom

She, Laura, likes to imagine (it's one of her most closely held secrets) that she has a touch of brilliance herself, just a hint of it, though she knows most people probably walk around with similar hopeful suspicions curled up like tiny fists inside them, never divulged. She wonders, while she pushes a cart through the supermarket or has her hair done, it the other women aren't all thinking, to some degree or other, the same thing: Here is the brilliant spirit, the woman of sorrows, the woman of transcendent joys, who would rather be elsewhere, who has consented to perform simple and essentially foolish tasks, to examine tomatoes, to sit under a hair dryer, because it is her art and her duty. — Michael Cunningham

If you're in permanent beta in your career, twenty years of experience actually is twenty years of experience because each year will be marked by new, enriching challenges and opportunities. Permanent beta is essentially a lifelong commitment to continuous personal growth. Get busy livin', or get busy dyin'. If — Reid Hoffman

An axiomatic system establishes a reverberating relationship between what a mathematician assumes (the axioms) and what he or she can derive (the theorems). In the best of circumstances, the relationship is clear enough so that the mathematician can submit his or her reasoning to an informal checklist, passing from step to step with the easy confidence the steps are small enough so that he cannot be embarrassed nor she tripped up. — David Berlinski

The Greeks had the greatest architectonic gifts. Every art has its climax at some point, and here architecture had its high point. Modeling and painting reached their climax elsewhere. Despite the gigantic pyramids, the most wonderful architecture appears in the Greek temple. — Rudolf Steiner

For me, each game is a new challenge, which has to be dealt with rationally and systematically. At that time, every other thought fades into oblivion. — Viswanathan Anand

Trauma and pain are the foundations of art. I believe that. When tragedy strikes, however, a muralist or a watercolorist has the opportunity to be a human being in the moment and an artist afterward. Faced with the death of a loved one, a sculptor or portraitist can first grieve, suffer, and heal--then create. Most artists go through life this way. They can react normally to the trials and tribulations of the human experience. They can pass through the world with compassion and comradeship. They can make their art later. Outside, elsewhere, beyond. But photography is immediate. It does not offer the luxury of time. Faced with blood, death, or transformation, a photographer has no choice but to reach for the camera. An artist first, a human being afterward. Photography is a neutral record of all events, a chronicle of things both sublime and terrible. By necessity, this work is made without emotion, without connection, without love. — Abby Geni

As if it were the equal of Western classical or art music. The recordings were given respect, thoughtful presentation, and technical attention that was all too rare for non-Western music. I had grown up on Folkways's Nonesuch field recordings and the stuff Lomax had done for the Library of Congress, but the production values on the Ocora releases were on a whole other level. Eno and I realized that music from elsewhere didn't need to sound distant, scratchy, or "primitive." These recordings were as well produced as any contemporary recording in any genre. You were made to feel, for example, that this music wasn't a ghostly remnant from some lost culture, soon — David Byrne

I am a soul. I know well that what I shall render up to the grave is not myself. That which is myself will go elsewhere. Earth, thou art not my abyss! — Victor Hugo

Love, and consequently fear, of the crowd being one of the most powerful motives in all human beings ... — Marcel Proust

As regards the artists themselves, most of them gave up their freedom quite lightly, placing their art at the service of someone or something. As a rule, their concerns and their ambitions are those of any old careerist. I thus acquired a total distrust of art and artists, whether they were officially recognised or were endeavouring to become so, and I felt that I had nothing in common with this guild. I had a point of reference which held me elsewhere, namely that magic within art which I had encountered as a child. — Rene Magritte

Shall any be his own artificer? or can there elsewhere be derived any vein, which may stream essence and life into us, save from thee, O Lord, in whom essence and life are one? for Thou Thyself art supremely Essence and Life. — Augustine Of Hippo

Writing beautifully - calligraphy - was China's first graphic art form. Although elsewhere in the world people drew first and learned to write later, in China, the reverse was true. First you learned to write beautifully, and then you painted. After mastering those twin skills, you could move on to writing poetry, but many chose to remain just calligraphers, a highly appreciated art form in China. Another — Mark Kurlansky

The Open Source theorem says that if you give away source code, innovation will occur. Certainly, Unix was done this way ... However, the corollary states that the innovation will occur elsewhere. No matter how many people you hire. So the only way to get close to the state of the art is to give the people who are going to be doing the innovative things the means to do it. That's why we had built-in source code with Unix. Open source is tapping the energy that's out there. — Bill Joy

I think I've always been a player who's done better in the second half, who's done better in the fourth quarter. That's the fun time to play, when everything you've worked for the whole game boils down to those last few possessions. — Jeremy Lin

Kremlin political intrigues are comparable to a bulldog fight under a rug. An outsider only hears the growling, and when he sees the bones fly out from beneath it is obvious who won. — Winston S. Churchill

Wherever the gaze rests, art will draw it also elsewhere, will remind that there is always more. Alice does not stop and face her own reflection in the looking-glass: she travels through it. — Jane Hirshfield

For over twenty-five centuries we've been bearing the weight of superb and heterogeneous civilizations, all from outside, none made by ourselves, none that we could call our own.
This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn't understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind. — Giuseppe Tomasi Di Lampedusa

Whatever I may be, I want to be elsewhere than on paper. My art and my industry have been employed in making myself good for something; my studies, in teaching me to do, not to write. I have put all my efforts into forming my life. That is my trade and my work. — Michel De Montaigne