The American Scene Quotes & Sayings

I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template. — Bucky Pope

I haven't seen too many American distance men on the international scene willing to take risks. I saw some U.S. women in Barcelona willing to risk, more than men. The Kenyans risk. Steve Prefontaine risked. I risked - I went through the first half of the Tokyo race just a second off my best 5000 time. — Billy Mills

The closer they come to transcending technique and the memorization of lines
the closer to really beginning to act, in short
the more Chinese they begin to seem. Happy now approaches Miss Forsythe to pick her up in the restaurant with a wonderful formality, his back straight, head high, his hand-gestures even more precise and formal, but with a comic undertone that ironically comes closer to conveying the original American idea of the scene than when he was trying to be physically sloppy and "relaxed"
that is, imitating an American. I think that by some unplanned magic we may end up creating something not quite American or Chinese but a pure style springing from the heart of the play itself
the play as a nonnational event, that is, a human circumstance. — Arthur Miller

Humor is so important to the American scene throughout history. — Bob Newhart

The scene of independent cinema is already a large scene in America, and not in a negative way, but it's cluttered. It's very populated with just American films, so the room left for foreign movies is not extremely vast. The American public also does not really read. They don't read subtitles. But we're like that in Canada, too. — Xavier Dolan

James Bond in his Sean Connery days ... was the first well-known bachelor on the American scene who was not a drifter or a degenerate and did not eat out of cans. — Barbara Ehrenreich

I was always intrigued with European cinema, and hated most American cinema. I didn't like the one, two, three - boom! style, with a neat and tidy ending. That was never my scene. — Lee Daniels

He would return in half an hour - or in less. He walked away and I sat there alone, conscious, on the dark dismantled simplified scene, in the deep silence that rests on American towns during the hot season - there was now and then a far cry or a plash in the water, and at intervals the tinkle of the bells of the horse-cars on the long bridge, slow in the suffocating night - of the strange influence, half-sweet, half-sad, that abides in houses uninhabited or about to become so, in places muffled and bereaved, where the unheeded sofas and patient belittered tables seem (like the disconcerted dogs, to whom everything is alike sinister) to recognise the eve of a journey. — Henry James

The spectacle of the United States Army chasing the unarmed veterans, their wives, and their children out of the shadow of the Capitol was a scene of American urban combat without parallel since the Civil War. — Tim Weiner

When President Teddy Roosevelt posed for the cameras astride a massive steam shovel during construction of the Panama Canal in 1906, it was more than a simple photo op. Though the scene was clearly staged, it symbolized a crucial moment in American history. — Alan Huffman

With a full century of contrary proof in our possession and despite our demonstrated capacity for cooperative teamwork, some among us seem to accept the shibboleth of an unbridgeable gap between those who hire and those who are employed. We miserably fail to challenge the lie that what is good for management is necessarily bad for labor; that for one side to profit, the other must be depressed. Such distorted doctrine is false and foreign to the American scene where common ideals and purpose permit us a common approach toward the common good. — Dwight D. Eisenhower

We Jews have put issue upon issue to the American people. Then we promote both sides of the issue as confusion reigns. With their eye's fixed on the issues, they fail to see who is behind every scene. We Jews toy with the American public as a cat toys with a mouse. — Harold Wallace Rosenthal

Born often under another sky, placed in the middle of an always moving scene, himself driven by the irresistible torrent which draws all about him, the American has no time to tie himself to anything, he grows accustomed only to change, and ends by regarding it as the natural state of man. He feels the need of it, more he loves it; for the instability; instead of meaning disaster to him, seems to give birth only to miracles all about him. — Alexis De Tocqueville

The American underground punk scene, though, is a story worth remembering. — Ian MacKaye

In a letter to Gouverneur Morris (February 27, 1802), he drops into the following gloomy forebodings: -

"Mine is an odd destiny. Perhaps no man in the United States has sacrificed or done more for the present Constitution than myself; and, contrary to all my anticipations of its fate, as you know, from the very beginning, I am still laboring to prop the frail and worthless fabric. Yet I have the murmurs of its friends no less than the curses of its foes for my reward. What can I do better than withdraw from the scene? Every day proves to me more and more that this American world was not made for me. — Charles A. Conant

In matters of good-lookingness, we writers are the ugliest of the bunch, and normally our appearance is akin to that of someone investigating a crime scene; though the women in American writing keep producing world-class beauty in droves, and there are many breathtaking writers among them. — Pat Conroy

I'd love to claim that what I have done in my life is of my doing, but it's not of my doing at all. I've blown around in the wind like a mad thing, influenced by this and that - like a piece of paper: like the boy in that scene in 'American Beauty' watching a piece of paper blowing hither and thither. — John Hurt

Two of the most long-awaited legislative wet dreams of the Washington Insiders Club - an energy bill and a much-delayed highway bill - breezed into law. One mildly nervous evening was all it took to pass through the House the Central American Free Trade Agreement (CAFTA), for years now a primary strategic focus of the battle-in-Seattle activist scene. And accompanied by scarcely a whimper from the Democratic opposition, a second version of the notorious USA Patriot Act passed triumphantly through both houses of Congress, with most of the law being made permanent this time. — Matt Taibbi

'Avatar' imaginatively revisits the crime scene of white America's foundational act of genocide, in which entire native tribes and civilizations were wiped out by European immigrants to the American continent. — Annalee Newitz

A lot of individuals I've met that I've done a song or two with. But to be honest I'm not incredibly familiar with the scene. I mean, I'm more familiar with people coming from other countries like Latin-American MCs and African rappers ... that type of stuff I'm really starting to get a hold on. — Immortal Technique

A preoccupation with power - black power, student power, flower power, poor power, 'the power structure' - is the striking aspect of the American political scene at the moment. Oddly enough, obsession with power goes hand in hand with a fear of power. Some of the New Left groups that talk the toughest about power are extremely reluctant to see power operate in any institutional form; within their own organizations, they shun 'hierarchies' and formally structured relations of authority. What the preoccupation with power reflects, essentially, is a deep=seated, pervasive feeling of powerlessness. — Carey McWilliams

I could have sworn that they were originally Americans who maybe fled. Maybe they were illegal immigrants or something who got here, come here with an entitlement mentality, didn't like it, fled the scene because Republicans drove them out of the country in the last election, so they went over to Somalia and started pirating things. Because they have the attitude of entitlement just like a lot of American citizens do. — Rush Limbaugh

As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene. — Harrison Ford

We are carrying contraband words with us, memorized, tucked away in tattered journals and stored magically on disks in Anna's left pocket. Canadian words, queer words that we spoke on-stage for money in the land of the brave. With no valid permit, license, visa or contract to do so. Felons, really, all of us, and now we intended to flee the scene without paying income tax on the twelve dollars and fifty American cents we each made. It's just this kind of shameless law-breaking that gives all poets a bad name. — Ivan E. Coyote

When Superman came out it galvanized the entire industry. It's just part of the American scene. — Jack Kirby

Back then and later on when I was in NEU! and Harmonia I was too much preoccupied with my own music to be aware of the German music scene, let alone following it actively. But changes which were happening with S.o.S. (namely the development of individual ideas and the effort to distinguish from the Anglo- American rock patterns) also helped me recognize other musicians within my immediate vicinity. — Michael Rother

Then, there on the screen I saw Montgomery Clift and Elizabeth Taylor. An American Tragedy, a film I'd seen at least twice, not that it was all that great, but still it was very good, especially the final scene, which was unreeling at this particular moment: Clift and Taylor standing together, separated by the bars of a prison cell, a death cell, for Clift is only hours away from execution. Clift, already a poetic ghost inside his grey death-clothes, and Taylor, nineteen and ravishing, sublimely fresh as lilac after rain. — Truman Capote

Within the world of TV land, into which American life has been reduced as well as reproduced, the phenomenon of the talk show has emerged as a genre located somewhere on the spectrum between coffee klatch and town meeting, or perhaps between the psychiatrist's couch and the crowd scene at a bad accident. — Patricia J. Williams

Terrorism threat is not just to American interests. The assaults in Russia against two airliners, bringing them out of the sky, and against a subway station, and then that horrible scene at the school in Beslan. This kind of terrorist activity no one is immune from it. And so it suggests that we have to do even more together to make sure the civilized worlds join together in the war against terrorism. — Colin Powell

The whole scene made Dan think of American history tests, which were almost as scary as exploding museums. — Rick Riordan

I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen. — Tablo

By the time the girls' corpses were found four days later, their bodies were so badly decomposed that dental records were required for identification. The decomposition was especially pronounced in the head, neck, and genital areas.8 Jennifer's father, tipped off that bodies had been found, rushed to the scene, but the police held him back, as he shouted, "Does she have blond hair? Does she have blond hair?" Activist Ralph Reed tells the New York Times that Republicans should take a more "charitable" view of immigration.9 When he's a fourteen-year-old American girl being raped and murdered by Mexicans, we'll be more interested in his ideas on charity. — Ann Coulter

These urban provinces, new to the American scene, possess greater economic, social, and cultural unity than most of the states. Yet, subdivided into separate municipalities...they face grave difficulties in meeting the essential needs of the aggregate population. — Arthur M. Schlesinger Sr.

Elvis Presley's death deprives our country of a part of itself. He was unique, irreplaceable. More than twenty years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense. And he was a symbol to people the world over of the vitality, rebelliousness and good humor of this country. — Jimmy Carter

It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions. — Henry James

The American new music scene is remarkably vibrant. — Michael Hersch

Food as a hobby used to be an elite pastime, and it has become something that is totally ordinary for people of every background. In that way, we see the growing up of the American food scene: that it's okay to be a regular person and be really into food. — Dana Goodyear

It's all about respect; he's looking for respect from his buddies. In the last one he just wanted to hang out, to be part of the group, but this time he wants more from his friends. And without giving the story away, he finally gets something that he has been looking for when the mini sloths kidnap him and take him to their tribal area. He gets to be the Fire King and they worship him and there is an amazing scene with a "call and response" sequence in the style of Cab Callow [the legendary American jazz singer and band leader] between him and his audience — John Leguizamo

The institutional scene in which American man has developed has lacked that accumulation from intervening stages which has been so dominant a feature of the European landscape. — Daniel J. Boorstin

Seattle's Moraine not only make Washington State proud, but also the whole American progressive music scene joyful ... It's simply an impressive dead on eleven song tour de force ... GET THIS! Highly Recommended! — Lee Henderson

My grandmother, when she looked at American movies, she said, 'They're all the same. In the first scene somebody shoots somebody and then everybody makes phone calls.' — Marina Abramovic

Patty Griffin is iconic, and there's no other word to really describe her. She is iconic for a lot of people - not only for me but for a lot of fans. Her voice is one of a kind, and she's such an important figure in the American music scene. — Dierks Bentley

A bright haze seemed to lie over everything, and she had a feeling of unreality, but the scene itself looked almost unbelievably wholesome, like something out of a commercial. Just your average family sitting down to eat turkey, she thought. One slightly flustered aunt, worried that the peas will be mushy and the rolls burnt, one comfortable uncle-to-be, one golden-haired teenage niece and her baby sister. One blue-eyed boy-next-door type, one spritely girlfriend, one gorgeous vampire passing the vegetables. A typical American household. — L.J.Smith

I can only hope that, upon learning of my imminent execution, Good Samaritans in Colorado will be moved to ship me a plump love apple from their backyard patch - and should they happen to be friendly with Hunter S. Thompson, perhaps persuade him to inject it with a little something beforehand. Hunter will know just what I mean, and trust me, it won't affect the taste of the tomato.*
*When I wrote those lines, Thompson was alive and blooming. Now, with his sad demise, still more color has faded out of the American scene. Where are the men today whose lives are not beige; where are the writers whose style is not gray? — Tom Robbins

In the last few decades entire new categories of waste have come to plague and menace the American scene. Pollution is growing at a rapid rate. Pollution destroys beauty and menaces health. It cuts down on efficiency, reduces property values and raises taxes. Almost all these wastes and pollutions are the result of activities carried on for the benefit of man. A prime national goal must be an environment that is pleasing to the senses and healthy to live in. Our Government is already doing much in this field. We have made significant progress. But more must be done. — Lyndon B. Johnson

In this funny debut, flashy Filipino fashion designer Boy Hernandez sees his American dream become a nightmare when he's ensnared in a terrorist plot and shipped to Guantanamo. Gilvarry nails the couture scene, but Boy's rough journey from Manolo to Gitmo is no joke. — Andrew Abrahams

And the great advantage of being a literary woman, was that you could go everywhere and do everything. — Henry James

Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues. — Billy Gibbons

The word "Guru", as it is used in the contemporary American scene, is someone who takes all your money and tells you what to do with your life. You assume no responsibility. A lot of people want that free ride. — Frederick Lenz

Michael Bohn provides a rare opportunity to experience the American sporting scene in the Roaring Twenties. A constant stream of legendary characters marches across these pages. You'll meet them all: The Babe, The Four Horsemen, The Manassa Manassas Mauler, The Wheaton Iceman, Bill Tilden, Gertrude Ederle, and Grantland Rice, the sportswriter whose purple prose made them all come alive. — Peter Golenbock

I nodded, unsure if Ted sounded admiring or angry. 'I waded in but I couldn't find him. I mean, is it possible - the water wasn't deep enough for him to drown. It doesn't make any sense.'
'My band made four brilliant albums and never had a single goddamn hit. We were supposed to be the American Rolling Stones, and we couldn't get more than five minutes of airplay. Does that make sense?' Ted stubbed out his cigarette. — Elizabeth Hand

And inevitably there always crept into our discussions the figure of Whitman, that one lone figure which America has produced in the course of her brief life. In Whitman the whole American scene comes to life, her past and her future, her birth and her death. Whatever there is of value in America Whitman has expressed, and there is nothing more to be said. — Henry Miller

Molly grabbed a vase off the mantel and flung it at the wall, knocking it into a painting of a mountain scene. The vase shattered and the picture frame swayed back and forth on the wall, taunting her with an image of what life was supposed to be like. . . — Susan Rose

In other words, if Dostoyevsky and Tolstoy showed more than their fair share of pathology it was due less to the requirements of their creative work than to the personal sufferings caused by the unhealthy conditions of a Russian society nearing collapse. If so many American poets and playwrights committed suicide or ended up addicted to drugs and alcohol it was not their creativity that did it but an artistic scene that promised much, gave few rewards and left nine out of ten artists neglected if not ignored. — Mihaly Csikszentmihalyi

The Place of Religion in Chicago is a clearly written account of a little-studied aspect of American landscape. Based on unique field surveys and supported by photographs, tables, and beautifully crafted maps, the book will form a lasting contribution to our understanding of an overlooked element of the American urban scene: the religious landscape of a major metropolis. — Peter Haggett

In verity we are the poor. This humanity we would claim for ourselves is the legacy, not only of the Enlightenment, but of the thousands and thousands of European peasants and poor townspeople who came here bringing their humanity and their sufferings with them. It is the absence of a stable upper class that is responsible for much of the vulgarity of the American scene. Should we blush before the visitor for this deficiency? — Mary McCarthy

The main differences between contemporary English and American literature is that the baleful pseudo-professionalism imparted by all those crap M.F.A. writing programs has yet to settle like a miasma of standardization on the English literary scene. But it's beginning to happen. — Will Self

It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way. — Carey Mulligan

America's new tea lovers are the people who have forced the tea trade to wake up. Elsewhere, tea has meant a certain way, a certain tradition, for centuries, but this is America! The American tea lover is heir to all the world's tea drinking traditions, from Japanese tea ceremonies to Russian samovars to English scones in the afternoon. India chai, China green, you name it and we can claim it and make it ours. And that's just what we are doing. In this respect, ours is the most innovative and exciting tea scene anywhere. — James Norwood Pratt