That Says Fiction Quotes & Sayings
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12/18/89 Calvin asks Hobbes if he'll help him write a book. Calvin says this book will be like historical fiction. He's writing a fictional autobiography. He tells Hobbes it's the story of his life with a lot of parts completely made up. Hobbes asks why he'd want to make up his whole life. Calvin replies that in his book, he has a flame thrower. — Steve Kurtz

...I've never understood the logic that says a work doesn't need to be judged on the quality of its writing or characters simply because its genre. On the other hand, I've also never understood the logic of excusing a work from the need to tell a story worth telling about people worth knowing simply because the author writes pretty language or has some insights to offer. — Glen Hirshberg

Infatuation burns itself out,' she says. 'Friendship mixed with old chemistry
that can last a lifetime. — Tess Callahan

The planet has a fever. If your baby has a fever, you go to the doctor. If the doctor says you need to intervene here, you don't say 'I read a science fiction novel that says it's not a problem.' You take action. — Al Gore

On the fifth night of this solitude, she falls asleep with a candle burning and dreams herself a mermaid with a thick and golden tail, a crown of shimmering conch shells, then awakens with a start. Whether the ship hit something or something hit the ship, another change has come. The ship is dying; she can feel it slipping away. She waits beneath the blanket for icy water to greet her. But instead of the sea, it's a bear that opens the door.
A great white bear up on its hind legs steps across the threshold.
'Good morning,' he says, and reaches out a paw. — Danielle Dutton

Landon drops the bloody knife and stares at Summer like he doesn't even know her anymore. The truth is, she'll never be the girl she was seven months ago. Too much has happened. Too much has changed.
"Why'd you do that?" Summer cries.
"To save you," he says.
But there's nothing left to save. — Laura Kreitzer

C.S. Lewis says that fiction is able to sneak past the watchful dragons of religion. It becomes more powerful to speak in poetry.
The song goes straight to the heart while the numbers
and the math of it will never be able to reach that. — Jon Foreman

My doctor says that I have a malformed public-duty gland and a natural deficiency in moral fibre and that I am therefore excused from saving universes. — Douglas Adams

Ah,it is the fault of our science that it wants to explain all; and if it explain not,then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs,which think themselves new; and which are yet but old,which pretend to be young like fine ladys at the opera. — Bram Stoker

Keep cool, Corri. Don't panic until he says the word "alien." That's the time to panic. — Patricia Eimer

Harry Potter," a voice says from my left. "Have you tried reading the Bible?" A woman, mid-forties, judgment scribbled all over her pinched, powdered face. Why do Bible lovers always have that constipated look on their face? Don't stereotype, Helena! I do my best to smile politely. "Is that the book where that lady turns into a statue after looking back at a burning city after God told her not to?" I say. "And where three defiant men are thrown into a furnace and don't burn. Oh, and isn't there a gal who feeds and puts to sleep the general of an enemy's army, and then uses a mallet to drive a tent peg into his brain?" She looks at me blankly. "But those are true. And that," she says, pointing to Harry, "is fiction. Not to mention devil worship." "Uh huh, uh huh. Devil worship? Is that like when the Israelites made a cow god of gold and worshipped it?" She's enraged. "You would love this book," I say, shoving The Goblet of Fire at her. "It's PG-rated compared to the Bible." "You, — Tarryn Fisher

Our first kiss was there on the bridge in the woods. How do you describe a first kiss? It is like trying to hold water in your hands. There is an ancient Chinese proverb that compares kissing to drinking salted water. "You drink, and your thirst increases," it says. Time, I'm sure, passed by, but we remained unavailable for comment. — Kirstie Collins Brote

Daisy doesn't even go to his funeral, Nick and Jordan part ways, and Daisy ends up sticking with racist Tom ... you can tell Fitzgerald never took the time to look up at clouds during sunset, because there's no silver lining at the end of that book, let me tell you.
I do see why Nikki likes the novel, as it's written so well. But her liking it makes me worry now that Nikki really doesn't believe in silver linings, because she says The Great Gatsby is the greatest novel ever written by an American, and yet it ends so sadly. One thing's for sure, Nikki is going to be very proud of me when I tell her I finally read her favorite book. -Silver Linings Playbook, p. 9 — Matthew Quick

Stephen King, by far, is the standard-bearer. I think anyone who writes suspense fiction and says that King isn't an influence is either lying or being foolish. I read his book 'On Writing' before I read pretty much any of his fiction. — Michael Koryta

He is the biggest asshole on the planet," Jarod says. "And in a planet that's currently drowning in assholes, that's saying a lot. — Siobhan Davis

Arthur Clarke says that I am first in science and second in science fiction in accordance with an agreement we have made. I say he is first in science fiction and second in science. — Isaac Asimov

But: all journeys were return journeys. The farther one traveled, the nakeder one got, until, towards the end, ceasing to be animated by any scene, one was most oneself, a man in a bed surrounded by empty bottles. The man who says, "I've got a wife and kids" is far from home; at home he speaks of Japan. But he does not know - how could he? - that the scenes changing in the train window from Victoria Station to Tokyo Central are nothing compared to the change in himself; and travel writing, which cannot but be droll at the outset, moves from journalism to fiction, arriving promptly as the Kodama Echo at autobiography. From there any further travel makes a beeline to confession, the embarrassed monologue in a deserted bazaar. The anonymous hotel room in a strange city ... — Paul Theroux

Say it again," he says.
"That whole drawn-out speech?" I remember something about a solar system, but I'm too light-headed to recite the entire thing all over again.
He steps closer. "No. The part about you fallin' for me. — Simone Elkeles

Mr. Codro's destiny is Ptolemaic; in other words, based on fiction. Ptolemaic says it all; it means above all fixed and unchanging, that is to say different from real life which is by nature changing and temporary. It means: not according to natural truth, but according to man's desire and the pretense inspired by his fear of dying and his desire for permanence. — Alberto Savinio

Through the red haze of my blood I see a strange expression on his face. His eyes have come alive, and I don't like it at all. He's getting off on this now in a way he wasn't before. My first thought is that my honesty is feeding him in a bad, bad way and my second thought is not to question my gut.
"These are going to be very good days," he says to me. — Carolyn Lee Adams

Don't you see, said Father, that you are confusing fiction with facts, fiction does not create facts, fiction can come from facts, it can grow out of facts by compounding, transposing, augmenting, diminishing, or altering them in any way; but you must not confuse cause and effect, you must not confuse what really happened with what the story says happened, you must not lose your grasp on reality, that way madness lies. — Rohinton Mistry

Freaky kids like us can't ever be normal- Tyler says smugly- Our generation is some new kind of "evolutionary development", my shrink says- "Normal" is just "average", not cool. My latest diagnosis is "A.P.M", Acute Premature Melancholia", usually an affliction of late middle age, they think is genetic since Ty Senoir has had it all his life, too.
You look if you might be A.P.M, too, Sky: that kind of pissed-off mopey look in your face like you swallowed something really gross and can't spit it out. — Joyce Carol Oates

Still speaking over me,' she says, meeting my eyes and scoffing. 'You are still that worthless little girl. — Rebecca Berto

They say love is blind ... but it isn't. Love is perfect sight. Love is the ability to see a person, I mean really see him-his strengths, his weaknesses, his flaws, all his past triumphs and mistakes-and view that person not as the world says you're supposed to see him, but as you see him-as that special someone you know you will always embrace, body and soul, no matter what anyone else says or thinks
I know I can't tell anyone what I've been through. I know they wouldn't understand. They don't see him the way that I see him. All they know is the legend, the darkness. They don't know the inner beauty, the warmth and the joy more intense than anything I ever thought was possible to experience.
They don't know the truth behind the name.
My angel.
My only.
Lucifer. — Marlon Pierre-Antoine

I can't - won't do that to him," Summer says sharply. "Or to myself. Besides, your feelings for me aren't real. The Society did this to you. And if they did it to you, they probably scrambled my brain too. I can't trust that any of this is real. — Laura Kreitzer

Mai whispers, "Why did she have to leave? When she was there, I knew where I had her; she was safe."
"You of all people," Nicholas says, "should know that freedom is more important than being safe. — E.J. Squires

He holds out a trembling hand and traces the shape of her arm, descending to her elbow. "You're like mist," he says. "You really don't feel this?"
Love shakes her head. "No."
But that's not entirely true, because this illusion of a touch has turned her into a current, this human has reached down to her bones.
Then his fingers curl right through her hip, and he lowers his voice. "How 'bout that? — Natalia Jaster

All we are, all we can be, are the stories we tell," he says, and he is talking as if he is talking only to me. "Long after we are gone, our words will be all that is left, and who is to say what really happened or even what reality is? Our stories, our fiction, our words will be as close to truth as can be. And no one can take that away from you. — Nora Raleigh Baskin

Today, Mihir stopped a bomb from killing the Tahitian President but not from shattering his own collar bone. So, he is now in the operating chamber, undergoing his 250th reconstruction. The nurses have tied a balloon to his bed that says, "Don't make it to 251! — Mads Sukalikar

The aim of the poet is to inform or delight, or to combine together, in what he says, both pleasure and applicability to life. In instructing, be brief in what you say in order that your readers may grasp it quickly and retain it faithfully. Superfluous words simply spill out when the mind is already full. Fiction invented in order to please should remain close to reality. — Horace

When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches. — J. Michael Straczynski

Work - especially the sort of work that gets your hands dirty and that brands you as a member of the working class - no longer seems germane to our novelists' apprenticeships and, not coincidentally, is no longer easy to find in the fiction they produce. Whether one finds this scarcity something to worry about or simply a fact to be noted probably says a lot about one's class origins and prejudices. — Gerald Howard

A painter," he said, as though the word were an insult. "I'm a writer."
"You're a writer? I'm a writer."
"What do you write?"
"Stories. Books. A book. Fiction."
"Fiction. Pfft. That's not writing."
"What do you write?"
"I write the truth."
"Fiction is true. It doesn't have to be factual to be true."
"Says you. Have you been published?"
"As a matter of fact I have. My novel sold over 65,000 copies."
"All to your mom."
"My mom didn't even know about it. — Ben Monopoli

She says it is a school for bluestockings which, according to her, is really only a fashionable way of saying it is a school for ugly girls who cannot find suitable husbands. To tease her, for I believe it is one of his greatest pleasures in this life, my father bought a pair of blue silk stockings for me the day we received my letter of acceptance. That evening and the next, father and I dined alone. — Gwenn Wright

But you see, Crumb, it is hard to give up what you have worked at since you were a boy. There were some Italian visitors once, they were cheering us on, Brandon and myself, and they thought that Achilles and Hector had come back to life. So they said.'
But which is which? One dragged through the dust by the other ...
The king says, 'You turn your boy out beautifully. No nobleman could do more.'
'I don't want him to be Achilles,' he says, 'I only want him not to be flattened. — Hilary Mantel

Purpose is a man-made fiction. Nobody on their deathbed gets a plaque that says "he focused on only one thing for his entire life!" Those are counterfeit thoughts in a counterfeit society. — James Altucher

The best thinking says 'the self' is a fiction (I have a piece about that), yet it's a fiction that we all believe, our most intimate experience. Maybe it's nothing more than our tendency to repeat. Maybe we repeat because when we do, we recognize the behavior and the familiarity is comforting. So the self is just the consolation of our tendencies. — Richard Greenberg

Well, don't stand about like that, man; if you're no use you're certainly no ornament. Bring that in and tell me what it says. — Stephen Baxter

Metafiction says something. It has to do with taking a large fiction itself and writing within it; that kind of self-reflecting writing that emerges from it can be thought of as metafictional. — Robert Coover

Dark, was banned by the Irish state censor for obscenity. The story was set, as so much of McGahern's later fiction would be, in isolated rural Ireland and dealt with the bleak consequences of parental and clerical child abuse. On the instructions of the Archbishop of Dublin, McGahern was sacked from his job as a primary school teacher. He later left the country. Despite these apparent setbacks, McGahern's literary friends reassured him that all this was a wonderful opportunity in terms of publicity and sales. Remember Joyce and Beckett being forced overseas? This was Irish literary history repeating itself, and preparations were soon being made to mount a campaign against the anachronistic and widely derided censorship laws with McGahern as the figurehead.
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McGahern agreed that the situation was indeed absurd, and says that even as an adolescent reader he had nothing but contempt for the censorship board. — John McGahern

Mom says I should erase it. That this present is our reality and everything on this little drive is fiction.
She may be right. But there's plenty of truth in fiction. — Rysa Walker

He roars laughing as he raises our conjoined hands to his lips. "Have I told you lately that I love you?"
"About ten thousand times." I smile.
"Get used to it, Alma Sadie," he says, tucking an errant strand of hair back into my elegantly coiffed chignon. "Because I'll never tire of telling you. — Siobhan Davis

A person is what he says and does; that's how you learn whether his reputation was earned or manufactured. — Orson Scott Card

You look exhausted," Logan says, his eyes raking over me. "Why don't you try and catch some sleep."
"All your nocturnal activities must be taking a toll," Haydn mutters not too discreetly under his breath.
"The same could be said for you," I retort, in no mood to ignore his renewed mean streak.
"That's rich coming from you."
"Haydn." How Logan can manage to convey such potent meaning with one word is sheer talent. And I'm eternally grateful, because it shuts Haydn up. — Siobhan Davis

I thought it was just him," she says, ignoring him. "But then I found out I had the same effect, which means the Society did something to my head too."
Gage's eyes close, horror washing over him. "You really do love him."
"Yes. No. I don't know." Her cries start up again, piercing his heart. "Gage, help me."
"I love you," he says, holding her closer. "That's real. — Laura Kreitzer

In the library
I search for a good book.
We have many books,
says Mrs. Rose, the librarian,
and ALL of them are good.
Of course she says that. It's her job.
But do I want to read about
Trucks
Trains and
Transport?
Or even
Horses
Houses and
Hyenas?
In the fiction corner
there are pink boks
full of princesses
and girls who want to be princesses
and black books
about bad boys
and brave boys
and brawny boys.
Where is the book
about a girl
whose poems don't rhyme
and whose Granny is fading?
Pearl, says Mrs. Rose, the bell has rung.
I go back to class
empty-handed
empty headed
empty-hearted. — Sally Murphy

As Nietzsche says about Christians, you can tell from their faces that they don't enjoy doing what they do. Fiction writers cluster in the unlit corners of the room, silently observing everybody, including the poets, who are usually having a fine time in the center spotlight, making a spectacle of themselves as they eat the popcorn and drink the beer and gossip about other poets. — Charles Baxter

Well of course people cross genres all the time. You could have something called science-fiction-fantasy. Some galaxy far, far away and in another time with spaceships, but also dragons. And there's no rule that says you can't do that. — Margaret Atwood

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics. — Kate Atkinson

Watching From Withing protagonist Dr. Jesse Baine says, "The only place I can fathom that is truly private is the space between your ears. Think about the sheer number of surveillance systems, automated ID tracking and police brain-print scanners. What is privacy anyhow? And, why would anyone protest the advancement of such tried and true [surveillance] technology? That's a bit like rising-up against the aspirin!" -Daniel LaMonte — Daniel LaMonte

From a distance,' he says, 'my car looks just like every other car on the freeway, and Sarah Byrnes looks just like the rest of us. And if she's going to get help, she'll get it from herself or she'll get it from us. Let me tell you why I brought this up. Because the other day when I saw how hard it was for Mobe to go to the hospital to see her, I was embarrassed that I didn't know her better, that I ever laughed at one joke about her. I was embarrassed that I let some kid go to school with me for twelve years and turned my back on pain that must be unbearable. I was embarrassed that I haven't found a way to include her somehow the way Mobe has.'
Jesus. I feel tears welling up, and I see them running down Ellerby's cheeks. Lemry better get a handle on this class before it turns into some kind of therapy group.
So,' Lemry says quietly, 'your subject will be the juxtaposition of man and God in the universe?'
Ellerby shakes his head. 'My subject will be shame. — Chris Crutcher

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay

Anyone who says, 'Books don't change anything,' or - more commonly - that crime fiction is the wrong genre for promoting social change - should take a closer look. — Andrew Vachss

She smoothes the front of the dress, looking down at her hands, at her bitten fingernails, at her big feet in the pointy-toes shoes. This is a woman's dress, she thinks, a young woman's dress. It is not a girl's dress. It is solidly on the other side of the line outside of girlhood. It is a dress that says something big in a very quiet way; it is a dress that is talking to Alice right now, a dress that is making her feel possibilities never before considered, the possibility of perfume and pretty and dancing and boys. This dress is who she might be, only more so. — Laura Harrington

Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another; rather, it teaches us to abide with the fact that, in their own way, all things are true, and helps us, in the face of this terrifying knowledge, continually push ourselves in the direction of Open the Hell Up. — George Saunders

Because women are such potent ingredients of men's imaginations, we see how much power men feel women have over them, and how women must be suppressed, defanged, or idealized in one way or another. How, with Eve, they are often thought to be the root of the evil in the world -which says more about the man or men who wrote that story than about Eve herself. Eve is curious and wants knowledge, not power over others. [...] Both onstage and offstage, women have two levels of understanding concerning how to behave -one, to behave the way men want them to behave and forget that what they want might be different; two, to find out how they really feel and decide whether or not they are going to act on it! — Tina Packer

I look up at the moon. It's bright, and
cold, and still looks full to me. But the
calendar says that it's waning, and people
get paid to make calendars, so I guess that
we're ready. — Kendare Blake

Avery slides on his glasses and opens his eyes again. "Dammit!" he says again with more feeling. "Why does stuff like this keep happening?"
"You say that as if it's a bad thing," Rob says, smirking. — Laura Kreitzer

Nelson's first thought is that Father Hennessey looks as bad as he does. The priest is still an intimidating presence, with his rugby player's shoulders and boxer's nose, but his eyes are shadowed and he looks as if he hasn't slept. He puts his hat on the floor and accepts a cup of coffee. 'I'm giving up coffee for Lent,' he says. 'Better make the most of it.'
'This stuff's enough to make you give up coffee for life,' says Nelson. 'I should know. I've drunk about a gallon of it.'
Father Hennessey smiles and drinks his coffee in silence for a few minutes. — Elly Griffiths

That what?" "That I knew i misjudged you. That you love him. I'm not saying In what way. Maybe you don't know yourself. But anyone paying attention could see how much you care about him," he says gently. — Suzanne Collins

If you start looking at movies on a moral level - "I don't like that, that hurts, that's mean, that's bad" - then I don't even want to talk to you. Or like, someone that says "I don't like science-fiction movies," or "I don't want to sit through a Western," or "I don't like violence in movies," then I completely tune out. — Bret Easton Ellis

I was reading Raymond Chandler very much with the feminist eye. In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God. — Sara Paretsky

Ven you read the speeches in the papers, and see as vun gen'lman says of another, 'the Honourable member, if he vill allow me to call him so' you vill understand, sir, that that means, 'if he vill allow me to keep up that 'ere pleasant and uniwersal fiction.' — Charles Dickens

They're only askin' you to do one thing. From what Rogue says, you ain't exactly reluctant."
"F**k myself into a coma. Sure, I can do that. Then what?"
"Uh, wait an hour? — Michelle O'Leary

Ron Carlson says, 'The most undervalued craft device that fiction writers need is empathy. You need to be able to actually imagine what your characters are going through. You've got to stay close. When you're in a story and dealing with people you're not certain of, or you've just come to meet because they've stepped into your story, it's very important to go slow and sit in their chair.'
As Carlson also says, you don't have to love the people or the characters you write about, but they should be at least as smart as you. Look beyond stereotypes. — Barbara DeMarco-Barrett

Oh Pia, I feel GOOD! Fully recovered!' he always says in a dazzling tone that tells everyone within a ten-kilometre radius that he's not. — Aditi Mathur Kumar

Cedric: "I can think of another reason not to be the hero. Every hero has to sacrifice
the one he loves. I don't have that in me."
Saphira: "Who says you can't be a hero when you have a heroine by your side. I
believe the saying is that behind every great man there's a great woman."
Cedric: "You'll never stand behind me, Saphira. You will always be right by my side. — B. Mauritz

We believe that nonfiction should contain only information that's true. Journalists and nonfiction author can't know what a person thinks or feels or believes---they only know what the person says and writes and does. If an author tells you someone's inner thoughts, move that book to the fiction shelf. — Bill Dedman

I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction! — Ray Bradbury

Science fiction is a unique literature. Science fiction is the first literature that says, 'Tomorrow is going to be different than yesterday, it's going to be a lot different.' — David Gerrold

"Faith is what's wrong with the world, Aidan. Or don't you follow the news?"
"That's not faith," he says. "That's the complete lack of it. If any one of those mass-genocidal idiots had faith, they wouldn't have the insane need to prove it to others." — Cyma Rizwaan Khan

Once a man discovers that his obedience is primarily for others' sake, that every miracle that ever amazed happened because of someone's obedience somewhere, that properly understood, his obedience prepares the way for His visitation, well, then we run up against the appalling result of attentive servants gladly going about His bidding without the slightest hesitation. Indeed, in the worse cases, they run where He says run with reckless abandon. — Geoffrey Wood

All expression is missing from her face and he sees that her eyes look totally blank. He says with fear gripping his throat, "Where are you?"
"Nowhere," she responds with difficulty. Zeb drops his head before he says, "I'm a minister with a calling to help people. I wish I could help you..."
She remains motionless with eyes half open, looking toward the horizon.
Zeb continues, "...but you've shut me out."
He thinks he sees Annika gesture sluggishly toward the house before he hears her say thickly, "He's like a boarder in an old-time rooming house. He sleeps in our bed and eats at our table, but we don't really know who he is at all. — Jane E. Ryan

Wouldn't it be kinder to say that a lie is a short work of fiction? 'A story' as my daughter says? — Helen McCloy

Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words - if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night - do you see both the humor and the volley in the tennis match? — C.J. Cherryh

If this is my final moment," she says, "then I can die happy."
"Is that why you're saying all this? Because you think we're going to die?"
"I don't know," she admits.
"Dammit, Summer." He clings to her waist, grip desperate, eyes heavy with torment. "You're saying everything I want to hear, but I don't know if I can trust it. — Laura Kreitzer

Human lives seldom conform to the conventions of fiction. Chekhov says that it is in the beginnings and endings of stories that we are most tempted to lie. — Wallace Stegner

Sometimes when you get older - and I'm not talking about you, I'm talking generally, because everyone ages differently - things you think on and wish on start to seem real. And then you believe them, and before you know it they're part of your history, and if someone challenges you on them and says they're not true - why, then you get offended because you can't remember the first part. All you know is that you've been called a liar. — Sara Gruen

The time is always now to declare your freedom!"
..."The Authority says that Anarchy is the devil. But I say that a man who's both an anarchist and a patriot has been ordained by God himself! — Logan Keys