Terror And Horror Quotes & Sayings

This is the part where I should fall asunder, consumed with shock, rage, indignation, terror, horror and any number of other emotions. But I'm as cool as a cucumber. It's hard to admit to myself that I'm not overly surprised. Because, deep down, I've always known I was different, that something wasn't quite right. — Siobhan Davis

Imagination, of course, can open any door - turn the key and let terror walk right in. — Truman Capote

In every child who is born, no matter what circumstances, and of no matter what parents, the potentiality of the human race is born again: and in him, too, once more, and of each of us, our terrific responsibility toward human life; toward the utmost idea of goodness, of the horror of terror, and of God. — James Agee

Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move. — Brenna Ehrlich

The scratching came from the attic. At night, when Rory turned out the light I would lie awake and wait for it to skit, skit, skit lightly across the floorboards above our heads and down behind the water pipes. — Kate Chisman

Thirty paces, twenty, and you can see the eyes of the men who will try to kill you, and see the spear-blades, and the instinct is to stop, to straighten the shields. We cringe from battle, fear claws at us, time seems to stop, there is silence though a thousand men shout, and at that moment, when terror savages the heart like a trapped beast, you must hurl yourself into the horror.
Because the enemy feels the same.
And you have come to kill him. You are the beast from his nightmares. — Bernard Cornwell

Toward the end of the Cold War, capitalism created a military horror: the neutron bomb, a weapon that destroys life while leaving buildings intact. During the Fourth World War, however, a new wonder has been discovered: the financial bomb. Unlike those dropped on Hiroshima and Nagasaki, this new bomb not only destroys the polis (here, the nation), imposing death, terror, and misery on those who live there, but also transforms its target into just another piece in the puzzle of economic globalization. — Subcomandante Marcos

THERE were two "Reigns of Terror," if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the "horrors" of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break? What is swift death by lightning compared with death by slow fire at the stake? A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror - that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves. — Mark Twain

The cellar was straight off the set of a horror film. The floor was packed dirt and littered with the droppings of mice and rats. The worn stone walls were damp with a slick layer of mold. Even the air was heavy and filled with a dark sense of menace. It combined to create an atmosphere that would send most people fleeing in terror. But Edra was made of sterner stuff. — Alexandra Ivy

Terror is the instinct that tells you to run, dear God, run, she murmured. Run for your life. But it just makes you into meat. Predators take the ones who run. Horror is the mind-thing, the worm of knowledge you can't stop turning over no matter how awful it is. It grows in your mind and destroys you by your own intelligence. — Kat Richardson

It is the sheer ugliness and banality of everyday life which turns my blood to ice and makes me cringe in terror. — Jean Lorrain

The horror that riveted through me, the absolute terror with a taint of nausea, stunned me speechless for three, maybe four seconds. I put the mug down and made a cross with my fingers, screaming, "Death before decaf!" as Garrett poured himself a cup. The fool. — Darynda Jones

Terror works like a musical composition, so many instruments, all in tune, playing perfectly together to create their desired effect. Sorrow and horror and fear. — Nancy Gibbs

Why does Kubrick always chill our blood, and make us huddled up scared stiff with eyes wide shut? Because even dead he's still "Shinnying" with his old hand and his eye-catching plots. — Ana Claudia Antunes

I think horror, when done well, is one of the most direct and honest ways to get to the core of the human experience because terror reduces all of us to our most authentic forms. — Alistair Cross

I really do think how we frame things determines so much of our experience, and I've been talking to a lot of oncologists, like, why don't we call them transformation suites and give people transformation juice and have guides that support people when they're going through chemo so you could actually burn away what needs to be burned away, as opposed to this dread, terror, horror, which is a very different experience. — Eve Ensler

She had come into the garden expecting summer roses and had instead been caught in a bank of twisted, thorny, frostbitten vines. — Nenia Campbell

And Tiffany knew that if a witch started thinking of anyone as "just" anything, that would be the first step on a well-worn path that could lead to, oh, to poisoned apples, spinning wheels, and a too-small stove ... and to pain, and terror, and horror and the darkness. — Terry Pratchett

Gorgons and Hydras, and Chimaeras - dire stories of Celaeno and the Harpies - may reproduce themselves in the brain of superstition - but they were there before. They are transcripts, types - the archetypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us at all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body - or without the body, they would have been the same ... That the kind of fear here treated is purely spiritual - that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy - are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence. — Charles Lamb

Bang! The end of his little finger, now, and three more pieces of the rest. His middle finger was down to the knuckle, almost. Severard stared, his eyes wide with horror, his breath coming in short, fast gasps. Shock, amazement, stunned terror. Glokta leaned down to his ear. 'I hope you weren't planning to take up the violin, Severard. You'll be lucky if you can play a fucking gong by the time we're done here.' He winced at a spasm in his neck as he lifted the cleaver again. — Joe Abercrombie

You want to know how to stop this killer? Forgive yourself, and he'll
disappear from your life forever."
"Thanks. I'll be sure to do that."
And I know:
1. This is almost the same conversation I've had with myself many times
before.
2. Gordon's only trying to help.
But it doesn't matter.
I:
1. Say, "See you later."
2. Step outside.
3. Close the door.
I don't want to, really. I want to go back inside and believe Gordon's words,
like a child believing in a fairy tale, and I want to escape this nightmare forever.
But I can't.
I realize now that it's easy to tell the difference between a real problem and
an imaginary one.
It's just the terror of facing the truth that's hard. — Jeremy C. Shipp

There's a transparent face that looks deep into my eyes, baring my soul, right before terror consumes me and the image becomes a black mass of horror. — Brandy Nacole

The diamonds glinted under the glare of the chandelier and they looked like a thousand spider eyes — Kate Chisman

Horror, terror, fear, panic: these are the emotions which drive wedges between us, split us off from the crowd, and make us alone. It is paradoxical that feelings and emotions we associate with the "mob instinct" should do this, but crowds are lonely places to be, we're told, a fellowship with no love in it. The melodies of the horror tale are simple and repetitive, and they are melodies of disestablishment and disintegration . . . but another paradox is that the ritual outletting of these emotions seems to bring things back to a more stable and constructive state again. — Stephen King

I shut up. I don't fight, I don't scream. Shame rides alongside my terror. But somewhere deep, deep inside, I hear Mom tell me to trust my gut. My gut tells me I am blind and I am lost, and if I fought for freedom now, it would end in my death. I listen to my gut. Because I want to live. — Carolyn Lee Adams

The questions push me further into the space in between, the place where my madness lays waiting for me. I struggle with each question, determined to extract some sort of answer, an explanation for everything that has happened so far. But no answers come and I'm forced to acknowledge the feeling lodged between my two worlds
Terror. — Christine Fonseca

Silently we went round and round,
And through each hollow mind
The memory of dreadful things
Rushed like a dreadful wind,
And horror stalked before each man,
And terror crept behind. — Oscar Wilde

Mark nodded even though she couldn't see. He'd suddenly lost any desire to talk, and his plans for a perfect day washed away with the stream. The memories. They never let him go, not even for a half hour. They always had to rush back in, bringing all the horror. — James Dashner

The stranger was still smiling. He transformed himself into a rose bush and entwined me. My Christian education meant that ever since childhood I have had a horror of vice and it was not without a quite understandable terror that I discerned the pleasure I felt in the embrace of this vigorous bush whose branches gradually mingled with my limbs, my hair and my looks. When one of its flowers came apart in my mouth, I could feel myself grasping the sorcerer in my arms in my turn. He was transformed into a torrent, and I was a barge, into desert and I was smoke, into a car and I was a road, into a man and I was a woman. 'What we are doing is very wrong,' he said and was off. — Robert Desnos

Touch the stone,' said Beliah, 'and you will touch "reality", or what the ignorant of all ages think "reality" is. That kind of truth will kill you, man. You won't see morning! I have kept you all your life from such things as remorse, terror, pity. Touch the stone, and those same angels will change you into an old poor pathetic deluded dying creature. Hubert, a nurse has to shave you, your hand shakes so much. You know that don't you? You dribble at every orifice, Hubert. You've begun to smell this past year or two...' He suddenly howled as if I had actually touched the stone,'YOU WILL BE RAVAGED IN FIRES OF GRACE!'
I heard Nurse McGregor in the next ward. 'Good evening,' came her cheerful voice to the looney who had strangled his sweetheart and then buried her in his garden. 'Is it cocoa tonight, or tea, or milk?"
Beliah was weeping. Outside the eaves dripped. The whole earth was drenched with the grief of Beliah. He wept inside me. I felt his marvellous tears on my face. — George Mackay Brown

Why should not a writer be permitted to make use of the levers of fear, terror and horror because some feeble soul here and there finds it more than it can bear? Shall there be no strong meat at table because there happen to be some guests there whose stomachs are weak, or who have spoiled their own digestions? — E.T.A. Hoffmann

The tales of pure terror, of course, are completely naturalistic in their content, and must stand or fall by their merit alone. But what about the supernatural stories? Can we, the children of a scientific age, give any credence to these medleys of devils, ghosts, and other psychical invasions? There is only one answer: we can and do. We are dealing with stories, not with scientific dissertations. And if, as stories, they have the ring of truth, we'll believe them, as stories, implicitly.
("Introduction") — Herbert A. Wise

Words can so easily glide over mayhem and terror and horror, it is a miracle that trust ever exists amongst man. — Steven Erikson

GreenHollyWood asked me "How I sleep?", after all, after this horror and terror. The truth is that I close the one eye 1-2 seconds go and then the other... and I sleep. To to don't forget, if we will be friends I enjoy the horror..., I like to see myself scared!? — Deyth Banger

At Universal Studios, Marston had a hand in films like Show Boat, in 1929. He also helped get films past the censors, including All Quiet on the Western Front, in 1930. When Carl Laemmle's son, Junior Laemmle, took over Universal, he turned it into a specialty shop for horror films: Marston's theory of emotions lies behind the particular brand of psychological terror in Laemmle's Frankenstein (1931), Dracula (1931), and The Invisible Man (1933). Before Marston left Hollywood, he also worked for Paramount. For Dr. Jekyll and Mr. Hyde (1931), he tested audience reaction by strapping viewers to blood pressure cuffs while they watched the rushes.30 — Jill Lepore

He roused from a joyous dream of feasting, of drinking blood and sucking warm marrow from the bone. His sons and daughters swarmed like ants upon the surface of the Earth, ripe in their terror, delectable in their anguish. He swept them into his mouth and their insides ran in black streams between his lips and matted his beard. This sweet dream rapidly slipped away as he stretched and assessed his surroundings. He shambled forth from the great cavern in the mountain that had been his home for so long. — Laird Barron

My thoughts are quiet, but not calm. There is a terror on the edge of the silence, a terror fed by my burning flesh and the stench of death. — Christine Fonseca

Suddenly, she heard a loud bang, a thump and a scream that caused her to jump from the bed. The hair on the back of her neck stood straight up and her body became one big goosebump. — Evangeline Duran Fuentes

Look at the world of both film and indie games, and you'll find a startling similarity between the two when it comes to creating the perfect horror story. The tricks storytellers pull to make your blood run cold never change; a creaking floorboard, the eerie feeling of being watched, wandering into a world filled with unspeakable terror. — Rob Manuel

Campaigns are a great bore; they are mostly about either finding enough water for your company, or being up to your knees in mud and all the food's gone bad. Battles are blessedly brief; but you're sick with terror before, blind with panic during, and miserable with horror by the results, when you have to bury your friends, or listen to them scream. — Robin McKinley

As has already been noted, fantastic literature developed at precisely the moment when genuine belief in the supernatural was on the wane, and when the sources provided by folklore could safely be used as literary material. It is almost a necessity, for the writer as well as for the reader of fantastic literature, that he or she should not believe in the literal truth of the beings and objects described, although the preferred mode of literary expression is a naive realism. Authors of fantastic literature are, with a few exceptions, not out to convert, but to set down a narrative story endowed with the consistency and conviction of inner reality only during the time of the reading: a game, sometimes a highly serious game, with anxiety and fright, horror and terror. — Franz Rottensteiner

Children digest terror differently. The boy saw a horror, and that horror became the wicked witch of fairy tales, the cruel snow queen. — Gillian Flynn

The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there ... — Stephen King

Sometimes you can lock the doors and close the blinds, but the monsters are still there inside your house, sleeping and breathing and just waiting to wake up and terrorize you all over again. — Travis Thrasher

No wonder that the ghost and goblin stories had a new zest. No wonder that the blood of the more timid grew chill and curdled, that their flesh crept, and their hearts beat irregularly, and the girls peeped fearfully over their shoulders, and huddled close together like frightened sheep, and half-fancied they beheld some impish and malignant face gibbering at them from the darkling corners of the old room. By degrees my high spirits died out, and I felt the childish tremors, long latent, long forgotten, coming over me. I followed each story with painful interest; I did not ask myself if I believed the dismal tales. I listened and fear grew upon me - the blind, irrational fear of our nursery days. ("Horror: A True Tale") — John Berwick Harwood

We know what happened to those who chanced to meet the Great God Pan, and those who are wise know that all symbols are symbols of something, not of nothing. It was, indeed, an exquisite symbol beneath which men long ago veiled their knowledge of the most awful, most secret forces which lie at the heart of all things; forces before which the souls of men must wither and die and blacken, as their bodies blacken under the electric current. Such forces cannot be named, cannot be spoken, cannot be imagined except under a veil and a symbol, a symbol to the most of us appearing a quaint, poetic fancy, to some a foolish tale. But you and I, at all events, have known something of the terror that may dwell in the secret place of life, manifested under human flesh; that which is without form taking to itself a form. — Arthur Machen

Nobody should have to die like these people had. I didn't know each of their circumstances, but I had a good guess. These people had died in terror, horror, and pain. More than likely, they had to watch their friends or loved ones die at the same time. Their last moments would have been spent knowing that they would come back and do the same to anyone they could get their hands on, even people they'd spent their life loving.
It was not the way any human being should have to go. — Rose Wynters

There is, therefore, a temptation to return to an explanation which automatically discharges the victim of responsibility: it seems quite adequate to a reality in which nothing strikes us more forcefully than the utter innocence of the individual caught in the horror machine and his utter inability to change his fate. Terror, however, is only in the last instance of its development a mere form of government. In order to establish a totalitarian regime, terror must be presented as an instrument for carrying out a specific ideology; and that ideology must have won the adherence of many, and even a majority, before terror can be stabilized. The point for the historian is that the Jews, before becoming the main victims of modern terror, were the center of Nazi ideology. And an ideology which has to persuade and mobilize people cannot choose its victim arbitrarily. — Hannah Arendt

And his soul plunged downward, drowning in that deep pit: he felt that could never again escape from this smothering flood of pain and ugliness, from the eclipsing horror and pity of it all. And as he walked, he twisted his own neck about, and beat the air with his arm like a wing, as if he had received a blow in his kidneys. He felt that he might be clean and free if he could only escape into a single burning passion -- hard, and hot, and glittering -- of love, hatred, terror, or disgust. But he was caught, he was strangling, in the web of futility. — Thomas Wolfe

You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there's no visible emotion at all. They look so blank it would be easy to imagine that they weren't feeling much.
And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me
others as well, but mostly Matt
and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldn't feel a thing. It was like being at the bottom of the sea. — Mary Lawson

He came through the door howling, an axe arched high over his head. His eyes danced in madness, stuck fast on the two of them kissing, caught in their embrace and unaware of him. For a moment they went on, oblivious, untouched by the madman soon to come. It was a bright bubble of illusion on the eve of utter and complete madness.
She was the first to see. The image of her stepfather captured in Mateo's eyes, the furious glee of the Nazi's vengeance, sharp and mirrored in their emerald beauty. Soon those eyes were wide with terror and sorrow in a moment of unbidden regret caught at the end of such happiness. — Amanda M. Lyons

The brain had its own food on which it battened, and the imagination,
made grotesque by terror, twisted and distorted as a living thing by pain,
danced like some foul puppet on a stand and grinned through moving masks. — Oscar Wilde

Thomas had lived in fear and terror the past few weeks, but this was almost too much. To feel safe only to have that snatched away again. — James Dashner

Yep," I said, rolling the body onto its back and staring into the horrified, bloated face, "you're a single-bagger. My kinda gal." I gave her a smile and a friendly wink. The face stared back at me with that same frozen look of terror. "Oh, stop being so dramatic," I said, "You'll be pretty again, I promise. — Alistair Cross

The terror-the terror, the terror-lingered, and there was something else. It came with the dream, every time, and didn't recede with it but stayed like something a tide had washed in. Something awful-a rank leviathan corpse left to rot on the shore of her mind. It was remorse. But god, that was too bloodless a word for it,. This feeling the dream left her with, it was knives of panic and horror resting bright atop a red and meaty wound-fester of guilt. — Laini Taylor

From a tale one expects a bit of wildness, of exaggeration and dramatic effect. The tale has no inherent concern with decorum, balance or harmony ... A tale may not display a great deal of structural, psychological, or narrative sophistication, though it might possess all three, but it seldom takes its eye off its primary goal, the creation of a particular emotional state in its reader. Depending on the tale, that state could be wonder, amazement, shock, terror, anger, anxiety, melancholia, or the momentary frisson of horror. — Peter Straub

You hold in your hands a very special book. It contains one hundred carnival rides of terror. You must remember: horror can come from any direction. It can be as subtle as a spider web's caress, or as vicious as the drop of an axe blade. It can be grim as the reaper, or as sardonic as, well, Sardonicous. It can wear the garments of science or superstition; can be dressed in the trappings of fantasy or the fancy-free. But always it will terrify. And one of the bluntest of its instruments is the short-short story, one of the most difficult of literary devices to master. Not only must each word be perfect-but each comma and period. Nothing can be wasted. In the hands of master executioners, like the authors who fill this book-it can be deadly. So... Die-and die again- one hundred times... — Martin H. Greenberg

Dolls, perhaps more than any other object, demonstrate just how thin the line between love and fear, comfort and horror, can be. They are objects of love and sources of reassurance for children, coveted prizes for collectors, sources of terror and horror in numerous movies, television shows, books, and stories. — Ellen Datlow

But Thomas didn't have time to finish his thought. Gally reached behind himself, pulled something long and shiny from his back pocket. The lights of the chamber flashed off the silvery surface - a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him. The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn't. Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless. — James Dashner

Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie. — Eli Roth

In that atrocious second I understood that desire can attain the darkest human terror and give an actual idea of hell and its horror. — Octave Mirbeau

I felt for my crime a just terror; I looked on my life with hate, and my passion with horror. — Jean Racine

It was indeed terrible. And to rid myself of the terror I wished to kill myself. I experienced terror at what awaited me -- knew that that terror was even worse than the position I was in, but still I could not patiently await the end. However convincing the argument might be that in any case some vessel in my heart would give way, or something would burst and all would be over, I could not patiently await that end. The horror of darkness was too great, and I wished to free myself from it as quickly as possible by noose or bullet. that was the feeling which drew me most strongly towards suicide. — Leo Tolstoy

In the dark behind the glare of the television, like a mannequin behind it, I could see a silhouette and it wasn't moving. It was maybe six foot high with its shoulders hunched and I blinked to make sure it was real. The TV fuzzed grey and white and black and I had a lump in my throat that I couldn't swallow away. "Rory" I whispered. Clawing out gently beneath the duvet cover, reaching for his hand. But I couldn't find it. And he didn't answer. — Kate Chisman

Brian Turner writes as only a soldier can, of terror and compassion, hurt and horror, sympathy and desire. He takes us into the truth and trauma of the Iraq war in language that is precise, delicate and beautiful, even as it tells of a suicide bomber, a skull shattered by a bullet, a blade in a bloodgroove. — Andrew Himes

The chandelier was wearing on its rubber support and the crack at the side of the ceiling hold was getting bigger. "One day that's going to fall on us and spear you through the heart," he said. I turned to kiss him on the shoulder and closed my eyes. — Kate Chisman

His pretence to profound and obscure scholarship, his blundering ventures in stilted and laboured pseudo-humour, and his often vitriolic outbursts of critical prejudice must all be recognised and forgiven. Beyond and above them, and dwarfing them to insignificance, was a master's vision of the terror that stalks about and within us, and the worm that writhes and slavers in the hideously close abyss. Penetrating to every festering horror in the gaily painted mockery called existence, and in the solemn masquerade called human thought and feelings that vision had power to project itself in blackly magical crystallisations and transmutations; till there bloomed in the sterile America of the 'thirties and 'forties such a moon-nourished garden of gorgeous poison fungi as not even the nether slope of Saturn might boast. — H.P. Lovecraft

(Playing with Jeffster at Comic-Con) was absolutely the scariest thing I have ever done. I literally skipped over the 'what a great moment' to 'oh, my God, I can't believe I have to do this.' And when I was up there, the people were, like, "Oh, my God," and they were all screaming and stuff. But I didn't hear a thing. I was just in my own little bubble of horror and panic, utterly, utterly blanched with terror. — Vik Sahay

It's not scary to make a horror film because you get to pull back the curtain and see that none of it's real. When you're watching one, the terror bombards you. — Josh Hartnett

Young people," McDonald said contemptuously. "You always think there's something to find out."
"Yes, sir," Andrews said.
"Well, there's nothing," McDonald said. "You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies in school. You live all your life on lies, and then maybe when you're ready to die, it comes to you - that there's nothing, nothing but yourself and what you could have done. Only you ain't done it, because the lies told you there was something else. Then you know you could of had the world, because you're the only one that knows the secret; only then it's too late. You're too old."
"No," Andrews said. A vague terror crept from the darkness that surrounded them, and tightened his voice. "That's not the way it is."
"You ain't learned, then," McDonald said. "You ain't learned yet ... — John Edward Williams

Out of despair I decided to follow this horror through. I stared down at what I was already grasping in my hand, like an ape; I wrapped myself in the dust and took off my trousers.
Interwoven joy and terror strangled me within. I strangled and I gasped from pleasure. The more those pictures terrified me, the more intense was my excitement at the sight of them. After days of accumulating alarms, tensions, suffocations, I was beyond withstanding my own ignominy. I invoked it and I blessed it. It was my inevitable fate: my joy was all the greater since, with regard to life, I had long since entrenched myself in an attitude of suffering, and now, in the throes of delight, I progressed even farther into vileness and degradation. — Georges Bataille

Laughter is equally the expression of extreme anguish and horror as of joy: as there are tears of sorrow and tears of joy, so is there a laugh of terror and a laugh of merriment. — Samuel Taylor Coleridge

In the attempt to find the just measure of horror and terror, I came upon the writing of Carole Gill whose work revealed a whole new dimension to me. The figure of the gothic child was there. Stoker's horror was there. Along with the romance! At the heart of her writing one stumbles upon a genuine search for that darkness we lost with the loss of Stoker."

~Dr. Margarita Georgieva ~ Gothic Readings in The Dark — Carole Gill

This, then, is the ultimate, that is only, consolation: simply that someone shares some of your own feelings and has made of these a work of art which you have the insight, sensitivity, and - like it or not - peculiar set of experiences to appreciate. Amazing thing to say, the consolation of horror in art is that it actually intensifies our panic, loudens it on the sounding-board of our horror-hollowed hearts, turns terror up full blast, all the while reaching for that perfect and deafening amplitude at which we may dance to the bizarre music of our own misery. — Thomas Ligotti

I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work. — Tim Hecker

It was more than a spider. It was every unknown terror in the world fused into wriggling, poison-jawed horror. It was every anxiety, insecurity, and fear in his life given a hideous, night-black form. — Richard Matheson

To the extent that we honor all aspects of ourselves, we remove revulsion, self-hate, horror, and terror from our lives. As whole human beings we are the creatures of the greatest complexity on this planet. Respect for this complexity includes our insisting on acceptance of the inconsistent and incongruous. — Theodore Isaac Rubin

Nothing mattered much. Nothing much mattered. And the less it mattered the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from poised forever between the terror of war and the horror of peace Worse Things kept happening — Arundhati Roy

By abrogating all moral standards in their war against Israel, Arab and Muslim leaders initiated a process of moral collapse that has ended by soaking their own societies in blood. The terror they intended to inflict only upon others has rebounded with a hundred times greater horror upon their own lands. — David Frum

There is a sacred horror about everything grand. It is easy to admire mediocrity and hills; but whatever is too lofty, a genius as well as a mountain, an assembly as well as a masterpiece, seen too near, is appalling. Every summit seems an exaggeration. Climbing wearies. The steepnesses take away one's breath; we slip on the slopes, we are hurt by the sharp points which are its beauty; the foaming torrents betray the precipices, clouds hide the mountain tops; mounting is full of terror, as well as a fall. Hence, there is more dismay than admiration. People have a strange feeling of aversion to anything grand. They see abysses, they do not see sublimity; they see the monster, they do not see the prodigy. — Victor Hugo

Perhaps I should not hope to convey in mere words the unutterable hideousness that can dwell in absolute silence and barren immensity. — H.P. Lovecraft

Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling ... When danger or pain press too nearly, they are incapable of giving any delight, and [yet] with certain modifications, they may be, and they are delightful, as we every day experience. — Edmund Burke

The sinister, the terrible never deceive: the state in which they leave us is always one of enlightenment. And only this condition of vicious insight allows us a full grasp of the world, all things considered, just as a frigid melancholy grants us full possession of ourselves. We may hide from horror only in the heart of horror. ("The Medusa") — Thomas Ligotti

Deadworld? Is that where you're from?" "No, dude. That's where you're from. It's where we are now. This place, it's a horror show. If the guy next to you decides to knock you out of this world forever, he can do it with just a piece of metal or, hell, even his bare hand. You blobs, you sit there, chillin' in this room and I can smell the rot of dead animals soaking in the acid of your guts. You suck the life from the innocent creatures of this world just so you can clock another day. You're machines that run on the terror and pain and mutilation of other lives. You'll scrape the world clean of every green and living thing until starvation goes one-eight-seven on every one of your sorry asses, your desperation to put off death leadin' to the ultimate death of everybody and everything. Dude, I can't believe you ain't all paralyzed by the pure, naked horror of this place. — David Wong

Have we raised the threshold of horror so high that nothing short of a nuclear strike qualifies as a 'real' war? Are we to spend the rest of our lives in this state of high alert with guns pointed at each other's heads and fingers trembling on the trigger? — Arundhati Roy

Vietnam helped me to look at the horror and terror in the hearts of people and realize how we can't aim guns and set booby traps for people we have never spoken a word to. That kind of impersonal violence mystifies me. — Yusef Komunyakaa

Have not many of us, in the weary way of life, felt, in some hours, how far easier it were to die than to live?
The martyr, when faced even by a death of bodily anguish and horror, finds in the very terror of his doom a strong stimulant and tonic. There is a vivid excitement, a thrill and fervor, which may carry through any crisis of suffering that is the birth-hour of eternal glory and rest.
But to live, to wear on, day after day, of mean, bitter, low, harassing servitude, every nerve dampened and depressed, every power of feeling gradually smothered, this long and wasting heart-martyrdom, this slow, daily bleeding away of the inward life, drop by drop, hour after hour, this is the true searching test of what there may be in man or woman. — Harriet Beecher Stowe

Her world fragmented into dozens of sharp, cutting shards, shedding the salty blood and saltier tears that ringed the bitter cocktail of her despair. She was caterpillar and butterfly, both, caught in a cocoon of raw nerves and open sores; she was insanity, wrapped up in the thin, transient wrappings of a temporary lucidity; and she was afraid, because an innate desire lay in the bottom reaches of her psyche for the very poison that was killing her. — Nenia Campbell

When I look back on that time, it's with the strangest stew of emotions: love, longing, terror, horror, regret, and the deep sweetness only those who've been near death can know. I think it's how Adam and Eve must have felt. Surely they looked back at Eden, don't you think, as they started barefoot down the path to where we are now, in our glum political world of bullets and bombs and satellite TV? Looked past the angel guarding the shut gate with his fiery sword? Sure. I think they must have wanted one more look at the green world they had lost, with its sweet water and kind-hearted animals. And its snake, of course. — Stephen King

The full horror of what has happened in the United States earlier today is now becoming clearer. It is hard even to contemplate the utter carnage and terror which has engulfed so many innocent people. We've offered President Bush and the American people our solidarity, our profound sympathy, and our prayers. But it is plain that citizens of many countries round the world, including Britain, will have been caught up in this terror. — Tony Blair

At this point, a few words on this term 'horror' are perhaps called for. Some amateurs of this kind of literature engage in endless hairsplitting disputes, centered around this word and its close companion 'terror', as to which' stories may so be categorized and which may not, and whether or not descriptions such as weird or fantasy or macabre are preferable. The designation 'horror', with its connotations of revulsion, satisfies me no more than it does the purists but I believe that it is the only term which embraces all the stories in this collection and which succinctly suggests to the majority of readers what is in store for them. Horror then, in this instance, covers tales of the Supernatural and of physical terror, of ghosts and necromancy and of inhuman violence and all the dark corners and crevices of human belief and behavior that lie in between. ("An Age In Horror" - introduction) — Michel Parry

Horror ... and moral terror ... are your friends. — Marlon Brando

And perhaps, Mrs. Morgan on Lanypwll Farm put all this much better in the speech of symbolism, when she murmured about the children of the pool. For if there is a landscape of sadness, there is certainly also a landscape of a horror of darkness and evil; and that black and oily depth, overshadowed with twisted woods, with its growth of foul weeds and its dead trees and leprous boughs, was assuredly potent in terror. To Roberts, it was a strong drug, a drug of evocation; the black deep without calling to the black deep within, and summoning the inhabitant thereof to come forth. — Arthur Machen

The people faded away, the arches, the vaulted roof vanished. I raised my seared eyes to the fathomless glare; and I saw the black stars hanging in the heavens: and the wet winds from the Lake of Hali chilled my face.
("In The Court of the Dragon") — Robert W. Chambers

Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror
of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision
he cried out twice, a cry that was no more than a breath:
The horror! The horror! — Joseph Conrad

Desire can attain the darkest human terror and give an actual ideal of hell and its horror. — Octave Mirbeau

To return to their 'native soil,' as they say, to the bosom, so to speak, of their mother earth, like frightened children, yearning to fall asleep on the withered bosom of their decrepit mother, and to sleep there for ever, only to escape the horrors that terrify them. — Fyodor Dostoyevsky

If you throw the baby away, that's garbage. But no, the heart's precious. You could get something, you could save a life. Well, you just threw away a baby but the heart's valuable. That's the horror and the terror and the hypocrisy that nobody can understand. We base communities on the idea of protecting children based on the sacrifice of adults. Adults work and die so that their next generation would grow and prosper. — Greg Gutfeld

As a kid, I couldn't articulate it but I sought out things that could. At first it was horror films - extreme panic and terror, grotesque and maniacal. These films calmed me and made me feel more connected in my experiences. — Tony Burgess

Longche willed himself to change into his true vampire form. As the helpless vampire watched the transformation, it started screaming. It was still screaming when Longche's rows of razor-sharp teeth sank into its throat. It had been thousands of years since he had drunk the blood of vampires. With each creature he consumed, he could feel himself growing stronger.
Growing stronger - and growing closer to the Dark Mother, who was waiting to exact a terrible revenge upon him. — Alan Kinross